Diwali Essay in Punjabi for 5Th Class

Total Page:16

File Type:pdf, Size:1020Kb

Diwali Essay in Punjabi for 5Th Class 1 Diwali Essay In Punjabi For 5Th Class It is high time we must behave as responsible citizens and stop burning crackers to celebrate Diwali or any other occasion for that matter. Parents must take this as their responsibility to tell their kids about the negative repercussions of burning crackers. The festival is celebrated for different reasons in different parts of India. It is said that this brings in prosperity and good luck. The spiritual significance of this festival indicates the victory of light over darkness. They also make rangoli and decorate their houses with flowers. Sharing the Joy. The effigies of Ravana are burnt across India on Dussehra each year. In many parts of the country, people celebrate Diwali to rejoice the return of Goddess Lakshmi. Diwali, also known as the festival of lights, is a mark of the Hindu tradition. Cleaning and Decoration. The ritual of worshipping Goddess Lakshmi and Lord Ganesha is followed in every Hindu household on the day of Diwali. People celebrate Dhanteras on first day, Naraka Chaturdasi on second day, Diwali on third day, Diwali Padva Govardhan Puja on fourth day, and Bhai Dooj on fifth day of the festival. This is because it adds to the pollution in the atmosphere. It is believed that on this day, Lord Rama returned to his hometown Ayodhya after staying in exile for fourteen long years. Exchanging gifts is one of the main rituals of the Diwali festival. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. They perform puja on main Diwali with lots of rituals. Essay 4 500 Words. You can select anyone of these Diwali essay according to your need. People religiously follow all the rituals that form a part of the Diwali celebrations and pass them on to the next generations. The production and sale of fire crackers must be banned or at least some restriction should be put on the same. Girls and women of the home do shopping and make rangolis in creative patterns on the floors near to the doors and walkways of home. Sweets were distributed and people made merry. People visit each other and exchange gifts as a part of the Diwali celebrations. The fire crackers burnt on this day are a complete put off. He returned victorious after killing the demon, Ravana and freeing Sita from his clutches. Goddess Lakshmi and Lord Ganesha are worshipped during the evening hours. It is believed that on this day, Lord Rama returned to his hometown Ayodhya after staying in exile for fourteen long years. Exchanging gifts is one of the main rituals of the Diwali festival. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. They perform puja on main Diwali with lots of rituals. Essay 4 500 Words. You can select anyone of these Diwali essay according to your need. People religiously follow all the rituals that form a part of the Diwali celebrations and pass them on to the next generations. The production and sale of fire crackers must be banned or at least some restriction should be put on the same. Girls and women of the home do shopping and make rangolis in creative patterns on the floors near to the doors and walkways of home. Sweets were distributed and people made merry. People visit each other and exchange gifts as a part of the Diwali celebrations. The fire crackers burnt on this day are a complete put off. He returned victorious after killing the demon, Ravana and freeing Sita from his clutches. Goddess Lakshmi and Lord Ganesha are worshipped during the evening hours. Also known as the festival of lights, Diwali is all about worshiping the deities, burning crackers, having sweets and making merry with the loved ones. This is a way to please the deities. The festival is celebrated with unequal zeal and pleasure by Hindus, throughout the country. Significance of Diwali. Many offices and residential societies host Diwali parties a day or two before the festival. On the day of Diwali, people light up their houses with diyas, candles and lights. The newer generations must be sensitized about the harmful effects of burning crackers and should be encouraged to celebrate this festival without fireworks. The day thus calls for a celebration. Burning crackers is said to be a ritual on Diwali. It is also believed that it was started celebrating when Goddess Lakshmi was born after churning the ocean by the gods and demons. It is a five days long festival celebrated by the people with huge preparations and rituals. People of all age groups await this festival and look forward to celebrate it with their loved ones. It adds to air, noise and land pollution. Cloudflare Ray ID 66e368c8aab71498 Your IP 31. Also known as the festival of lights, Diwali is all about worshiping the deities, burning crackers, having sweets and mak- ing merry with the loved ones. This is a way to please the deities. The festival is celebrated with unequal zeal and pleasure by Hindus, throughout the country. Significance of Diwali. Many offices and residential societies host Diwali parties a day or two before the festival. On the day of Diwali, people light up their houses with diyas, candles and lights. The newer generations must be sensitized about the harmful effects of burning crackers and should be encouraged to celebrate this festival without fireworks. The day thus calls for a celebration. Burning crackers is said to be a ritual on Diwali. It is also believed that it was started celebrating when Goddess Lakshmi was born after churning the ocean by the gods and demons. It is a five days long festival celebrated by the people with huge preparations and rituals. People of all age groups await this festival and look forward to celebrate it with their loved ones. It adds to air, noise and land pollution. Cloudflare Ray ID 66e368c8aab71498 Your IP 31. Children especially look forward to burn fire crackers on this day. Another way to prevent getting this page in the future is to use Privacy Pass. It is one of the main festivals of Hindus. Essay on Why do we Celebrate Diwali. Diwali is an auspicious day. Long and Short Essay on Diwali in English. The Harvest Festival. Kids must also be sensitized about the same in the schools. The entire atmosphere is filled with the air of festivity and joy around this time. It is said that Goddess Lakshmi was born on the new moon of the Kartik month. It is considered to be one of the most auspicious days in the Hindu calendar. It is also a good time to bond with our near and dear ones. People buy beautiful earthenware diyas each year and illuminate their entire house as a part of Diwali celebration. Apart from the measures that people can take at their end, it is important to put a check on the sale of fire crackers. Children especially look forward to burn fire crackers on this day. Another way to prevent getting this page in the fu- ture is to use Privacy Pass. It is one of the main festivals of Hindus. Essay on Why do we Celebrate Diwali. Diwali is an auspicious day. Long and Short Essay on Diwali in English. The Harvest Festival. Kids must also be sensitized about the same in the schools. The entire atmosphere is filled with the air of festivity and joy around this time. It is said that Goddess Lakshmi was born on the new moon of the Kartik month. It is considered to be one of the most auspicious days in the Hindu calendar. It is also a good time to bond with our near and dear ones. People buy beautiful earthenware diyas each year and illuminate their entire house as a part of Diwali celebration. Apart from the measures that people can take at their end, it is important to put a check on the sale of fire crackers. People visit their relatives, neighbours and friends. Family members spend their most of the day time in preparing house cleaning, decorating, etc to welcome the festival with grand evening party. People await Diwali all year long and the preparations for its celebration begin almost a month before the festival. Diwali Pollution A Matter of Concern. People 2 do worship of God Ganesha and Goddess Lakshmi for getting wealth and prosperity in their life. It is celebrated each year to commemorate the return of Lord Rama to his kingdom, Ayodhya. The Birth of Goddess Lakshmi. It is celebrated to commemorate the return of Lord Rama to Ayodhya after an exile of 12 years. Now-a-days, there is a campaign run by the government to celebrate pollution free Diwali all over the country. You may need to download version 2. Diwali is called as the festival of lights because we celebrate it by lighting lots of diyas and candles. People belonging to different regions of India celebrate it for differ- ent reasons. In some parts of the country, Diwali is considered to be a harvest festival. People continue to follow this ritual even today. People visit their relatives, neighbours and friends. Family members spend their most of the day time in preparing house cleaning, decorating, etc to welcome the festival with grand evening party. People await Diwali all year long and the preparations for its celebration begin almost a month before the festival. Diwali Pollution A Matter of Concern. People do worship of God Ganesha and Goddess Lakshmi for getting wealth and prosperity in their life.
Recommended publications
  • Kane's Urmila: a Relevant Feminist Myth Creation
    Poonam Sharma, Nitin Bhatnagar, Turkish Online Journal of Qualitative Inquiry (TOJQI) Volume 12, Issue 7, July 2021: 3905 - 3911 Research Article Kane’s Urmila: A Relevant Feminist Myth Creation Poonam Sharma, Research Scholar, Department of English, GLA University, Mathura. E-mail: [email protected] Nitin Bhatnagar, Professor, Department of English, GLA University, Mathura. E-mail:[email protected] ABSTRACT The epics, the Ramayana and the Mahabharata have been an integral part of the Indian cultural tradition. Since centuries, they have been told and reinterpreted several times and handed down from one generation to another. The Ramayana is based on the morals such as the triumph of goodness over evil, obedience, brotherhood, love, compassion, sacrifice – all looped into the thread of Indian cultural tradition with an emphasizes on the value of dharma. However, there are some female characters that have been left on the margin in this epic and have been portrayed as upholders of male honour. They are devoid of the proper attention for their roles and sacrifices they deserve. Kavita Kane in her novel, Sita’s Sister has revisited the Ramayana from the daring and unwavering Urmila’s (Laxmana’s wife) perspective – a marginalized character who has never received the responsiveness she is worthy of. Kane has given voice to the muted character of Urmila. The present paper studies the contemporary relevance of Sita’s Sister from feminist- revisionist myth-making point of view. Key Words: Ramayana; Re-vision; margin; Indian culture; feminist- revisionist myth-making. Introduction Kavita Kane, an Indian writer, known for her mythology-fiction, has written books based on retellings of Indian myths.
    [Show full text]
  • Ramayan Ki Kathayen, Pandemic and the Hindu Way of Life and the Contribution of Hindu Women, Amongst Others
    Hindu Sevika Samiti (UK) Mahila Shibir 2020 East and South Midlands Vibhag FOREWORD INSPIRING AND UNPRECEDENTED INITIATIVE In an era of mass consumerism - not only of material goods - but of information, where society continues to be led by dominant and parochial ideas, the struggle to make our stories heard, has been limited. But the tides are slowly turning and is being led by the collaborative strength of empowered Hindu women from within our community. The Covid-19 pandemic has at once forced us to cancel our core programs - which for decades had brought us together to pursue our mission to develop value-based leaders - but also allowed us the opportunity to collaborate in other, more innovative ways. It gives me immense pride that Hindu Sevika Samiti (UK) have set a new precedent for the trajectory of our work. As a follow up to the successful Mahila Shibirs in seven vibhags attended by over 500 participants, 342 Mahila sevikas came together to write 411 articles on seven different topics which will be presented in the form of seven e-books. I am very delighted to launch this collection which explores topics such as: The uniqueness of Bharat, Ramayan ki Kathayen, Pandemic and the Hindu way of life and The contribution of Hindu women, amongst others. From writing to editing, content checking to proofreading, the entire project was conducted by our Sevikas. This project has revealed hidden talents of many mahilas in writing essays and articles. We hope that these skills are further encouraged and nurtured to become good writers which our community badly lacks.
    [Show full text]
  • Ragas Are There? — P
    THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LXII 1991 mimumHHmMjUUMmBimMlIBBBBBBBlIBBBBUIlllIHlBW" ■■nBBBBBBBBBBBflBBBBBBBflBBBBBBBBBBBBM 5n? * jiffitfro to* i tr^TT to nrafci to firoiftr n “I dwell not in Vaikuntha, nor in the hearts of Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada!” Edited by T. S. PARTHASARATHY The Music Academy, Madras 306, T.T.K. Road, Madras-600 014 Annual Subscription - Inland Rs.40: Foreign $ 3-00 V OURSELVES This Journal is published as an Annual. All correspondence relating to the Journal should be addressed and all books etc., intended for it should be sent to The Editor Journal of the Music Academy, 306, T.T.K. Road, Madras - 600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, typewritten (double-spaced and on one side of the paper only) and should be signed by the writter (giving his or her address in full.) The Editor of the Journal is not responsiblev«r for the views expressed by contributors in their articles. CONTENTS . PAGE y The 64th Madras Music Conference - Official Report — 1 Advisory Committee Meetings — 19 The Sadas — 52 Margadarsi Whom Swati Tirunal Followed — T.S. Parthasarathy — 72 Compositions of Ettayapuram Rulers -—Dr. Gowri Kuppuswamy & Dr. M. Hariharan — 82 Development of the Repertoire in Modern Bharata Natyam —-Annie-Marie Gaston (Anjali) — 95 Tana Varnam - Its Identity and Significance -—Lalita Ramakrishna — 135 How many Janya Ragas are there? — P.
    [Show full text]
  • SYMBOLS of STRENGTH OR of SUBSERVIENCE? VARYING STANDARDS of WOMANHOOD in INDIAN MYTHOLOGY and LITERATURE Lakshmi Sirisha Angajala (M.A
    VEDA’S JOURNAL OF ENGLISH LANGUAGE AND LITERATURE (JOELL) Vol.7 Issue 2 An International Peer Reviewed(Refereed) Journal 2020 Impact Factor (SJIF) 4.092 http://www.joell.in RESEARCH ARTICLE SYMBOLS OF STRENGTH OR OF SUBSERVIENCE? VARYING STANDARDS OF WOMANHOOD IN INDIAN MYTHOLOGY AND LITERATURE Lakshmi Sirisha Angajala (M.A. English II Year, K.L.E.F) Email: [email protected] doi: 10.33329/joell.7.2.94 ABSTRACT Women have been accorded varying statuses in the history of India and Indian literature. Ancient Indian texts such as the Vedas and the Upanishads have exalted the glory of women and celebrated womanhood as the most powerful, divine and empowering. As time progressed, however, the status of women has steadily declined. Post-invasion India imported standards and conventions from regions like Central Asia, Greece, Rome and other European countries. British India imposed gender roles that were an amalgam of the Brahmanical conventions and bourgeoise Victorian standards. The existing Indian literature was altered substantially to reflect these standards which were unfavourable to women. The Pativrata / Panchakanya tales stand as an example of such an alteration. The tales, which were simply depictions of the lives of inspiring women, were modified to preach domesticity and subservience to women. Modern Indian writers are reclaiming the tales by reinterpreting them based on modern literary theories and by unravelling the distortions made to the original lore. This paper seeks to examine the original Pativrata tales, the distortions made to the same over the course of time and their reinterpretation in the post-colonial period. Keywords: Mythology, Pativrata, Panchakanya, Victorian Gender Roles, Brahmanical Gender Roles.
    [Show full text]
  • The Many Careers of D.D
    The Many Careers of D.D. KOSAMBI The Many Careers of D.D. KOSAMBI Critical Essays Edited by D.N. Jha First published in October 2011. LeftWord Books 12 Rajendra Prasad Road New Delhi 110001 INDIA www.leftword.com LeftWord Books is a division of Naya Rasta Publishers Pvt. Ltd. Individual essays © 2011, respective authors This collection © 2011, LeftWord Books ISBN 978-93-80118-06-2 Printed at Progressive Printers A 21 Jhilmil Industrial Area Shahdara Delhi 110095 Contents Preface 6 A Scholar Extraordinaire D.N. JHA 7 What Kosambi has Given Us IRFAN HABIB 28 Kosambi and the Frontiers of Historical Materialism PRABHAT PATNAIK 39 Some Observations on Kosambi’s Medieval India EUGENIA VANINA 54 Appendix: A Talk with a Friend I.D. SEREBRYAKOV 77 Kosambi and the Religious Histories of India KRISHNA MOHAN SHRIMALI 86 Kosambi on Caste SUVIRA JAISWAL 130 Kosambi on Sanskrit KESAVAN VELUTHAT 151 Kosambi the Mathematician C.K. RAJU 164 Contributors 203 Preface The birth centenary of Damodar Dharmanand Kosambi was celebrated in 2007 by several universities and other academic institutions in India. In the following year the Economic and Political Weekly brought out a special issue containing articles by scholars who attempted to asses Kosambi’s work in different areas of Indology. But some of the assessments, far from being impartial and objective, were unduly critical and one of them bordered on vitriol and vituperation. The present volume, however, brings together articles by scholars who are neither allergic to nor adulatory about the work of Kosambi but seek to present a balanced and critical appraisal.
    [Show full text]
  • Religion, Film, and Performance
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Melodrama, Mythology, and Moral Reform: Parsi Drama and Agha Hashra Kashmiri (1879- 1935) Permalink https://escholarship.org/uc/item/64q9k23d Author Acharya, Sonal Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Melodrama, Mythology, and Moral Reform: Parsi Drama and Agha Hashra Kashmiri (1879-1935) By Sonal Acharya A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in South and Southeast Asian Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Vasudha Dalmia, Chair Professor Linda Williams Professor Lawrence Cohen Professor Vasudha Paramsivan Fall 2015 Abstract Melodrama, Mythology, and Moral Reform: Parsi Drama and Agha Hashra Kashmiri (1879-1935) By Sonal Acharya Doctor of Philosophy in South and Southeast Asian Studies and the Designated Emphasis in Film Studies University of California, Berkeley Professor Vasudha Dalmia, Chair Parsi theatre was the first institutionalized attempt in colonial India to consolidate a pan-Indian theatrical public, and doing this necessitated the emergence of particular narrative, performance, and genre codes of melodrama. These productive intersections between the development of colonial national theatre, and the development of melodrama also coincided with the rise of cultural nationalism in early twentieth century colonial India. Parsi theatre therefore became the generative site for imagining, producing and circulating the ideas of a nation and national belongingness through a shared idiom of narrative and performance culture, and the shared experience of a consolidated theatrical public.
    [Show full text]
  • Issue 11 Samvit
    A Quarterly Student Journal JULY A QuaRTERly STUDENT 2016 JOURNAL www.amrita.edu/samvit (Only for private circulation) Issue 11 samvit THE CHOSEN ONE CONVERSATIONS WITH 04 MATA AMRITANANDAMAYI DEVI 08 DANCE & SPORTS 20 14 Make In India CONTENTS 6 Into the Roots of Indian Intelligence When will the Intelligence Revolution Arise? 10 The hidden Glory of morena India’s Glorious Tresures Kullu Shawls 12 The Pride od Himachal Pradesh Dinacharya in Shalakya 17 Ayurveda: the Perfect Balance Urmila’s Greatness 24 The Nobility of Sacrifie A Quarterly Student Journal EDITORIAL Samvit this time splashes colours into every nook and corners of cultural diversity.“We are, at almost every point of our day, immersed in cultural diversity : Faces, Clothes, Smells, Attitudes, Values, Traditions, Behaviours, Believes, Rituals” said Randa Abdel Fattah once. From the Morena structures of ancient Temples to the most advanced Military Intelligence strategies, India has shown the same impeccable dignity and splendour. The rich and magnificent diversity of this country has Chief Advisor always attracted people from all around the world. The Lt. Col. K. Krishnan Nair (Retd) (CIR) scented disclosure of Perfumery and the woven magical Kullu Shawls, draw colours into the deep rooted artistic Editorial Advisors talents. Through the words of Dr.Neena Prasad, one Mrs.Gayathri N (Dept. of ECE) Mr. Rudran(CIR) traverse through the richness of Indian Dance forms and Br. Sivanandan (Dept. of Physics) the importance of Sports in life. To mirror the culture of our country and to celebrate its Managing Editor Br. Prasanth (Dept. of Humanities) unsung heroes, we include “ The Chosen One”.
    [Show full text]
  • Essence of Bharat Yatra Smriti
    ESSENCE OF BHARAT YATRA SMRITI (Annexed by Lord Shri Rama’s Tirtha Yatras) Compiled, edited, and interpreted by V.D.N.Rao, former General Manager, India Trade Promotion Organisation, Pragati Maidan, New Delhi, Ministry of Commerce, Govt. of India, now at Chennai 1 Other scripts by same author Essence of Puranas: Maha Bhagavata, Vishnu, Matsya, Kurma, Varah, Vamana, Narada,Padma, Shiva, Skanda, Markandeya, Devi Bhagavata, Brahma, Brahma Vaivarta, Brahmanda, Agni, Bhavishya, Nilamata, and Shri Kamakshi Vilasa. Index of main subjects covered in Essence of Puranas too. Dwadasha Divya Sahasra Naama: Charurvidha Devi Sahasra Naama: Lakshm, Lalitha, Saraswati, Gayatri Chaturvidha Shiva Sahasra Naama: Shiva- Linga-Brahma Puranas and Maha Bharata Chaturvidha Vishnu Sahasra Naama: Padma-Skanda-Narada Puranas and Maha Bharata Stotra Kavacha- A Shield of Prayers Purana Saaraamsha Select Stories from Puranas Essence of Dharma Sindhu Essence of Paraashara Smriti Essence of Pradhana Tirthas Essence of Amarnath Yatra Essence of Dharma Bindu Essence of Upanishads Rig Veda Base: Kausheetaki, Atreyi Yajur Veda Base: Brihadaaranyaka, Katha, Taittiriya, Isha, and Shvetaashvatara Saama Veda Base: Chhandogya, Kena Atharva Base: Mundaka, Maandukya and Prashna Quintessence of Dwaadasha Upanishads Essence of Virat Parva of Maha Bharata* [ Note: All the above works already released vide kamakoti.org/news and google except that with* being processed] 2 CONTENTS Introduction Dwadasha Shiva Lingas- Kedar, Bhima Shankar, Varanasi, Triyambika, Somnath, Shrishailam,
    [Show full text]
  • Fundamentals of Hindu Philosophy
    Fundamentals of Hindu Philosophy V Srinivasan Chairman, eMudhra Limited 1 Table of Contents • About the Author • Upanishads • Introduction • Gods & Prayers • Goal of Hindu Religion • Different Schools on Brahman (God) • Importance of Mind • Astronomy ,Astrology & Festivals • Origin & Evolution • Hindu thinking about the Universe • Routes (Maargas) to attain the goal • Conclusion • Bhakti Maarga • Appendices: • Karma Maarga 1. Sthothras • Gnana Maarga 2. Pujas & Japas • Raja Yogas & Tantras 3. List of Rituals (including Homas) • Vedas & Other Scriptures 4. Often chanted Mantras 5. Key teachings of Ithihasa 6. List of Puranas 7. Key Teachings of main Upanishads 2 2 About the Author 3 About the Author • Mr. Srinivasan is the Founder Chairman of eMudhra Limited since its inception in 2008. • Prior to this, he was the Managing Director and Global Chief Executive Officer of 3i Infotech Limited since April 1999. • Born in Kumbakonam (a religious hub in South India), Mr. Srinivasan developed deep interest in religion due to his curiosity and through dialogue with his father, exposure to ancient texts, and teachings of Kanchi Sankaracharya. • He is a graduate in Mathematics from Madras University and secured the First Rank in the university. Apart from being a rank holder in the Chartered Accountancy examination, he is also a qualified Cost and Works accountant and a Company Secretary. He had also attended the Executive Development Programme at the Kelloggs School of Management in Chicago, USA. • Mr. Srinivasan has authored a book titled “New Age Management Philosophy from Ancient Indian Wisdom” based on his learning from the Thirukural, a 2000 year old Indian text. • He has given lectures on Hindu Philosophy in several forums including Swami Dayanand Saraswati’s ashram in Pennsylvania.
    [Show full text]
  • Valmiki Baala Ramayana
    ESSENCE OF VALMIKI BAALA RAMAYANA Translated and interpreted byV.D.N.Rao, former General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, now at Chennai 1 2 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers -Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu - Dharma Bindu - Shiva Sahasra Lingarchana-Essence of Paraashara Smriti- Essence of Pradhana Tirtha Mahima Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ -Essence of Maha Narayanopanishad; Essence of Maitri Upanishad Essence of Virat Parva of Maha Bharata- Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Essence of Knowledge of Numbers for students Essence of
    [Show full text]
  • Oct-Nov 2013 President’S Note
    Hindu Samaj Temple of Minnesota Oct-Nov 2013 President’s Note Dear Community Members, I would like to thank the community for the overwhelming support at the Puja on the New Temple Land in September. It was great to see several new faces among the familiar ones. The event was very successful in bringing the community together to celebrate and commemorate new beginnings on the New Land. This gives the board hope and encouragement toward building a new Temple. Can we do it? Yes, we can. We did it before and I am sure we can accomplish it again. However we need the continued support of the community for us to realize our Goal of a New Temple. Last week, we as a community celebrated Navarathri. This was a 9-day celebration at the Temple with Pujas held each day for a special Devi, along with celebrating Golu, the festival of dolls. The Pujas were hosted by several groups from the community including children from the Hindi Paathshala, Bala Gokulam and Balavikas. These events at the Temple serve not only our religious needs but also educate our Youth in our cultures and bring the community together on a social level. I am looking for more involvement of the community in several of the future events. Wishing you all a Very Happy Diwali from the Board of Directors and Board of Trustees, Hindu Samaj Temple. Sincerely, Santhi Subramaniam. Editor’s Note By Rajani Sohni Greetings to all our readers! We are back after the break for summer with a new issue of Samarpan.
    [Show full text]
  • Looking Beyond Valmiki's Text: Revisions in Amish Tripathi's Scion Of
    LOOKING BEYOND VALMIKI’S TEXT: REVISIONS IN AMISH TRIPATHI’S SCION OF IKSHVAKU DR. PAYEL DUTTA CHOWDHURY RASHMI KUMARI Professor & Director M.A. English 3rd Semester School of Arts & Humanities School of Arts & Humanities REVA University, Bengaluru REVA University, Bengaluru (KR) INDIA (KR) INDIA Well-known author, Amish Tripathi, famous for his ‘Shiva Trilogy’, has shot into fame once again with the publication of his books on Lord Rama. The first book in this series, Scion of Ikshvaku, (2015) is a revisionist rendering on Rama’s story, bringing within its corpus several untouched perspectives like the portrayal of Roshni, Manthara’s daughter and her gang rape, Surpanakha’s infatuation with Ram and Sita’s portrayal as the Prime Minister of Mithila and a skilled warrior. This paper is an attempt to study Tripathi’s revisionist text vis-à-vis Valmiki’s classical one to explore the various ways that the contemporary text has been used to bring about new perspectives. This paper will also look at Tripathi’s conscious move at giving voices to the silent, muffled or stereotypical voices of the women in the epic. Keywords: revisionist, stereotype, perspective, relationship, silent, under-represented INTRODUCTION Revisionism as a genre has gained momentum in today’s time. The term ‘Historical Revisionism’ denotes re-interpretation of historical record and includes re-looking at facts, evidence and interpretations. Revisionism in literature is a movement towards fresh interpretations or perspectives on classical texts. In the Indian scenario, several contemporary writers like Devdutt Pattanaik, Sharath Kommaraju, Kavita Kane, Amish Tripathi, Chitra Banerjee Divakaruni, to name a few, have presented under-represented voices from ancient DR.
    [Show full text]