What Startups Can Learn from Mahabharata
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852525.Åšiva-AND-SHIKHANDI.Pdf
ELK Asia Pacific Journals – Special Issue ISBN: 978-81-930411-2-3 ŚIVA AND SHIKHANDI: THE GENDER QUEERNESS IN HINDU MYTHOLOGY E. Vishnupriya Lecturer Department of English Jain Institute of Business Management, Jakkasandra, Kanakapura [email protected] Hindu mythology dates to the time of the imagination; can be seen as stimulated shift Ŗg Veda, the oldest sacred religious text, marked by fear of oppression, individual which was probably composed between behaviour and conflicts, in established 1500 and 900 B.C. The Vedas, Upanishads, norms or social order of given time and Puranas, Epics, Agamas, Bhakti literature place. and Tantras with differing interpretations While leaving old prejudices in the realm of on mythology could trace the root of sexuality, this paper seeks to question the Hinduism. For over thousand years these belief ‘ars erotica.’ Queerness: is it all scriptures have been the cosmic womb of about multiplying pleasures or to be viewed creations of various literature and art forms. as ethical concerns? Truly speaking Hindu mythology visualized Queer Theory: A glance the more happening and modern concept, Queer theory is not a singular or systematic Queerness before 2000 years. Traditional conceptual or methodological framework, Hinduism seems to proclaim to the world but a collection of intellectual engagements that queerness is as old as the mountains. with the relations between sex, gender and The vast traditions of Hinduism would tell sexual desire. Queer can be used as a the tales of gender queerness .Ancient derogatory noun or adjective for scriptures like Narada-smriti and homosexuality or effeminacy. It can also be Kamasutra discuss queerness in detail. -
World Class Management Based on Mahabharata
WORLD CLASS MANAGEMENT BASED ON MAHABHARATA Catherine Diana A Assistant Professor, Dept. of MBA, Sri Krishna Institute of Management, Coimbatore, Tamilnadu, India . ABSTRACT— One of the greatest contributions of India to the world is Holy Gita which is the outcome of Mahabharata. The Bhagavad-Gita is preached in the battle fields’ kurukshetra by lord Krishna to Arjuna, as counseling to do his duty, while multitudes of men stood by waiting. Mahabharata has got all the management tactics to achieve the mental equilibrium and to over come any situation. Management has become a part and parcel of everyday life, be it at home, in the office or factory and in government. In all organizations, where a group of human beings assemble for a common purpose, management principles come into play through the management of resources, finance and planning, priorities, policies and practice. Management is a systematic way of carrying out activities in any field of human effort. The modern management concepts of vision, leadership, motivation, excellence in work, achieving goals, giving work meaning, decision making and planning, are all discussed in the Bhagavad-Gita. There is one major difference. While western management thought too often deals with problems at material, external and peripheral levels, the Mahabharata helps to tackles the issues from the grass root level of human thinking. Once the basic thinking of man is improved, it will automatically enhance the quality of his actions and their results. The critical question in all managers’ minds is how to be effective in their job. The answer to this fundamental question is found in Bhagavad-Gita, which repeatedly proclaims that “you must try to manage yourself”. -
The Happy Sage
Sri Ganesha Temple, Nashville, TN 1/13/2013 Review: What is Atma? Important lessons of the Gita? Review Proverbs from previous class Moral of the “Donkey in the Well” story? Wisdom Story: The three filters of Socrates In ancient Greece, Socrates was reputed to hold knowledge in high esteem. One day an acquaintance met the great philosopher and said, “Do you know what I just heard about your friend?” “Hold on a minute,” Socrates replied. “Before you talk to me about my friend, it might be good idea to take a moment and filter what you’re going to say. That’s why I call it the triple filter test. The first filter is Truth. Have you made absolutely sure that what you are about to tell me is true?” “Well, no,” the man said, “actually I just heard about it and…” “All right,” said Socrates. “So you don’t really know if it’s true or not. Now, let’s try the second filter, the filter of Goodness. Is what you are about to tell me about my friend something good?” “Umm, no, on the contrary…” “So,” Socrates continued, “you want to tell me something bad about my friend, but you’re not certain it’s true. You may still pass the test though, because there’s one filter left—the filter of Usefulness. Is what you want to tell me about my friend going to be useful to me?” “No, not really.” “Well,” concluded Socrates, “if what you want to tell me is neither true, nor good, nor even useful, why tell it to me at all?” Page 1 of 2 Sri Ganesha Temple, Nashville, TN 1/13/2013 Mahabharata (Part 13): Bheeshma’s defeat: Bheeshma was a tremendous warrior, killing Pandava soldiers by the thousands. -
A Comprehensive Guide by Jack Watts and Conner Reynolds Texts
A Comprehensive Guide By Jack Watts and Conner Reynolds Texts: Mahabharata ● Written by Vyasa ● Its plot centers on the power struggle between the Kaurava and Pandava princes. They fight the Kurukshetra War for the throne of Hastinapura, the kingdom ruled by the Kuru clan. ● As per legend, Vyasa dictates it to Ganesha, who writes it down ● Divided into 18 parvas and 100 subparvas ● The Mahabharata is told in the form of a frame tale. Janamejaya, an ancestor of the Pandavas, is told the tale of his ancestors while he is performing a snake sacrifice ● The Genealogy of the Kuru clan ○ King Shantanu is an ancestor of Kuru and is the first king mentioned ○ He marries the goddess Ganga and has the son Bhishma ○ He then wishes to marry Satyavati, the daughter of a fisherman ○ However, Satyavati’s father will only let her marry Shantanu on one condition: Shantanu must promise that any sons of Satyavati will rule Hastinapura ○ To help his father be able to marry Satyavati, Bhishma renounces his claim to the throne and takes a vow of celibacy ○ Satyavati had married Parashara and had a son with him, Vyasa ○ Now she marries Shantanu and has another two sons, Chitrangada and Vichitravirya ○ Shantanu dies, and Chitrangada becomes king ○ Chitrangada lives a short and uneventful life, and then dies, making Vichitravirya king ○ The King of Kasi puts his three daughters up for marriage (A swayamvara), but he does not invite Vichitravirya as a possible suitor ○ Bhishma, to arrange a marriage for Vichitravirya, abducts the three daughters of Kasi: Amba, -
Diwali Essay in Punjabi for 5Th Class
1 Diwali Essay In Punjabi For 5Th Class It is high time we must behave as responsible citizens and stop burning crackers to celebrate Diwali or any other occasion for that matter. Parents must take this as their responsibility to tell their kids about the negative repercussions of burning crackers. The festival is celebrated for different reasons in different parts of India. It is said that this brings in prosperity and good luck. The spiritual significance of this festival indicates the victory of light over darkness. They also make rangoli and decorate their houses with flowers. Sharing the Joy. The effigies of Ravana are burnt across India on Dussehra each year. In many parts of the country, people celebrate Diwali to rejoice the return of Goddess Lakshmi. Diwali, also known as the festival of lights, is a mark of the Hindu tradition. Cleaning and Decoration. The ritual of worshipping Goddess Lakshmi and Lord Ganesha is followed in every Hindu household on the day of Diwali. People celebrate Dhanteras on first day, Naraka Chaturdasi on second day, Diwali on third day, Diwali Padva Govardhan Puja on fourth day, and Bhai Dooj on fifth day of the festival. This is because it adds to the pollution in the atmosphere. It is believed that on this day, Lord Rama returned to his hometown Ayodhya after staying in exile for fourteen long years. Exchanging gifts is one of the main rituals of the Diwali festival. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. They perform puja on main Diwali with lots of rituals. -
Galaxy: International Multidisciplinary Research Journal the Criterion: an International Journal in English Vol
AboutUs: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ ContactUs: http://www.the-criterion.com/contact/ EditorialBoard: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com The Criterion: An International Journal in English Vol. 11, Issue-VI, December 2020 ISSN: 0976-8165 Myths and Markets: Marketability of the Queer Mythical Tales by Devdutt Pattanaik Karthika P Research Scholar, University of Calicut. & Dr. Betsy Paul C Research supervisor, St. Aloysius College, Elthuruth, Thrissur. Article History: Submitted-21/11/2020, Revised-23/12/2020, Accepted-26/12/2020, Published-31/12/2020. Abstract: There have not been many mythological works dealing with the theme of homosexuality in Indian English literature. Devdutt Pattanaik brings forth this topic in his books and tries to convey the message that homosexuality was not so unacceptable in the ancient culture as it is in the modern world. But the present age witnessed a trend of inclusion of the various marginal categories into the mainstream. The paper studies how this trend of social inclusion works as a marketing strategy for Pattanaik. Keywords: marginal, marketing, queer identity, mainstreaming, myth retelling. This paper is a study of the treatment of the topic of homosexuality in the work Shikhandi and Other Tales They won’t Tell You by the popular Indian English writer Devdutt Pattanaik with an emphasis on the marketing trends. The writer got immense popularity with his queer stories of Indian mythology and this factor points to the recent trend of inclusion of marginalised sections into the mainstream. -
Kane's Urmila: a Relevant Feminist Myth Creation
Poonam Sharma, Nitin Bhatnagar, Turkish Online Journal of Qualitative Inquiry (TOJQI) Volume 12, Issue 7, July 2021: 3905 - 3911 Research Article Kane’s Urmila: A Relevant Feminist Myth Creation Poonam Sharma, Research Scholar, Department of English, GLA University, Mathura. E-mail: [email protected] Nitin Bhatnagar, Professor, Department of English, GLA University, Mathura. E-mail:[email protected] ABSTRACT The epics, the Ramayana and the Mahabharata have been an integral part of the Indian cultural tradition. Since centuries, they have been told and reinterpreted several times and handed down from one generation to another. The Ramayana is based on the morals such as the triumph of goodness over evil, obedience, brotherhood, love, compassion, sacrifice – all looped into the thread of Indian cultural tradition with an emphasizes on the value of dharma. However, there are some female characters that have been left on the margin in this epic and have been portrayed as upholders of male honour. They are devoid of the proper attention for their roles and sacrifices they deserve. Kavita Kane in her novel, Sita’s Sister has revisited the Ramayana from the daring and unwavering Urmila’s (Laxmana’s wife) perspective – a marginalized character who has never received the responsiveness she is worthy of. Kane has given voice to the muted character of Urmila. The present paper studies the contemporary relevance of Sita’s Sister from feminist- revisionist myth-making point of view. Key Words: Ramayana; Re-vision; margin; Indian culture; feminist- revisionist myth-making. Introduction Kavita Kane, an Indian writer, known for her mythology-fiction, has written books based on retellings of Indian myths. -
Bhagavad Gita Free
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Ramayan Ki Kathayen, Pandemic and the Hindu Way of Life and the Contribution of Hindu Women, Amongst Others
Hindu Sevika Samiti (UK) Mahila Shibir 2020 East and South Midlands Vibhag FOREWORD INSPIRING AND UNPRECEDENTED INITIATIVE In an era of mass consumerism - not only of material goods - but of information, where society continues to be led by dominant and parochial ideas, the struggle to make our stories heard, has been limited. But the tides are slowly turning and is being led by the collaborative strength of empowered Hindu women from within our community. The Covid-19 pandemic has at once forced us to cancel our core programs - which for decades had brought us together to pursue our mission to develop value-based leaders - but also allowed us the opportunity to collaborate in other, more innovative ways. It gives me immense pride that Hindu Sevika Samiti (UK) have set a new precedent for the trajectory of our work. As a follow up to the successful Mahila Shibirs in seven vibhags attended by over 500 participants, 342 Mahila sevikas came together to write 411 articles on seven different topics which will be presented in the form of seven e-books. I am very delighted to launch this collection which explores topics such as: The uniqueness of Bharat, Ramayan ki Kathayen, Pandemic and the Hindu way of life and The contribution of Hindu women, amongst others. From writing to editing, content checking to proofreading, the entire project was conducted by our Sevikas. This project has revealed hidden talents of many mahilas in writing essays and articles. We hope that these skills are further encouraged and nurtured to become good writers which our community badly lacks. -
Download the Book from RBSI Archive
%MMNfl'^ u Ut//^ ViSvuonnniw/ uiiuw//, ^jsiu^rtnuiUJ^ -ofclllCfl I lLI;7l I\_CS I^>-1 lii n IMK ! IJ=^i i vl =5 ^.5? $ ^ ^Of-CAl rn o ft X C= \ A Q == 1 3 I %OJI1V3-JO^ %ojn\o-jo^ I^T\1^OKAlll-0% ^Of-CAllfO/?^ .^C-UNI j ^ ^\/CA|S < ^-~- S l^jj F^ >i ^"^^ ^^Ittft 11 g ^ %vr/v^ a JO'^ %)J|1V3-JO^ \- NAILA INDIAN TALES OF THE GREAT ONES Among Men, and Bird-people By Cornelia Sorabji With Illustrations by Warwick Goble BLACKIE AND SON LIMITED WARWICK HOUSE, BOMBAY LONDON AND GLASGOW To my ^Baby-Friends in all Worlds CONTENTS Page THE EAGLE BROTHERS 5 THE THRONE OF JUSTICE - - - - 10 SAMYUKTA, OR THE STORY OF THE OWN-CHOOSING- 16 THE MAN WHO MADE HIMSELF AN ARCHER - - 23 THE BLUE Bmp AND THE ARCHER - - - 27 DRAUPADI AND THE GREAT GAME - - - 30 THE SELF-BLINDING 33 THE STORY OF THE MAIDEN-KNIGHT - - - 34 THE WAY OF FRIENDSHIP 39 SIBI RANA AND THE GREY DOVE - - - - 42 THE CROW AND THE BELL OF JUSTICE- - - - 46 RAZIYA, QUEEN OF DELHI 48 BABER THE TIGER 54 THE KING WHO KEPT HIS WORD - - - - 62 NAILA 64 THE LOTUS-LADY 66 THE PERFECT HOST 75 THE DOVE-GIRL AND THE PRINCE - - - - 79 THE BOY WHO WAS ALWAYS THIRTEEN - - - 85 812.806 INDIAN TALES OF THE GREAT ONES The Eagle Brothers There were once two great brother- eagles Jattayu and Sanpati. And Jattayu was King of all the Eagle Tribes; and among the birds of the air there was none more powerful than Jattayu. -
The Bhagavad Gita Translated by Ramanand Prasad
The Bhagavad Gita Translated by Ramanand Prasad Chapter 1: Arjuna's Dilemma Dhritaraashtra said: O Sanjaya, assembled in the holy field of Kurukshetra and eager to fight, what did my people and the Paandavas do? (1.01) Sanjaya said: Seeing the battle formation of the Paandava's army, King Duryodhana approached his guru, Drona, and spoke these words: (1.02) O master, behold this mighty army of the sons of Paandu, arranged in battle formation by your talented disciple, the son of Drupada. (1.03) There are many heroes and mighty archers equal to Bheema and Arjuna in war such as Yuyudhaana and Viraata; and the great warrior, Drupada; (1.04) Dhrishtaketu, Chekitaana, and the heroic King of Kaashi; Purujit, Kuntibhoja, and the great man Saibya; (1.05) The valiant Yudhaamanyu, the formidable Uttamauja, the son of Subhadraa, and the sons of Draupadi; all of them are great warriors. (1.06) Also know, O best among the twice born, the distinguished ones on our side. I name the commanders of my army for your information. (1.07) Yourself, Bheeshma, Karna, and the victorious Kripa; Ashvatthaamaa, Vikarna, and the son of Somadatta. (1.08) And many other heroes who have risked their lives for me. They are armed with various weapons, and all are skilled in warfare. (1.09) Our army, commanded by Bheeshma, is invincible; while their army, protected by Bheema, is easy to conquer. (1.10) Therefore all of you, occupying your respective positions on all fronts, protect Bheeshma only. (1.11) The mighty Bheeshma, the eldest man of the Kuru dynasty, roared as a lion and blew his conch loudly bringing joy to Duryodhana. -
Hierarchical Classification of Warriors (Human Resources) in Mahabharat War
September 2017, Volume 4, Issue 09 JETIR (ISSN-2349-5162) HIERARCHICAL CLASSIFICATION OF WARRIORS (HUMAN RESOURCES) IN MAHABHARAT WAR 1PROF. DR. S.K.SHARMA, 2SOURABH KRISHNA JOSHI 1Dean, Management Faculty, 2Asst. Prof. Commerce Faculty, 1 2 Jodhpur National University Jodhpur (RAJ), Mahila PG MahaVidyalay, Kamla Nehru Nagar, Jodhpur. Abstract: The war of the Mahabharata was as destructive, the mysterious for today's generation is also a matter of research even after years, and how that battle was fought without the latest technical resources? But it was Yogiraj Lord Yuyutsu, who can be called the father of modern SUPPLY CHAIN MANAGEMENT, fought a war on behalf of Pandavas and judiciously utilized available resources. Krishna's diplomacy that even a relatively small group of less warriors in this crusade demonstrated vitality in front of the more powerful warriors. Today in the war, armies want to avoid fighting face to face, because Massacre is fixed. Nowadays, there are battalions, regiments, squadrons in every country's army, in the same way, in the Mahabharata period; "Akshauhini" was assessed by the army. Akshauhini was called a complete unit of the army. It had four integral components, i.e. foot soldiers, the cavalry i.e. on Elephant, the warrior rider and the charioteer, the warrior rider that was called a smart army. Akshauhini used to be the measure of army in ancient India. This is the Sanskrit word. There are some differences in its number from different sources. According to the Mahabharata, there were 21,870 chariots, 21,870 elephants, 65,610 horsemen and 1,09,350 infantry soldiers.