Christian Fantasy and Science Fiction Book List

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Christian Fantasy and Science Fiction Book List Children’s Picture Books Book Author Illustrator The Giving Tree Shel Silverstein Shel Silverstein God Gave Us You Lisa Tawn Bergen Laura J. Bryant The Clown of God Tomie DePaola Tomie DePaola God Bless You and Hannah Hall Steve Whitlow Goodnight Little One, God Made You Amy Warren Hilliker Polona Lovsin Special You Are Special Max Lucado Sergio Martinez You Are Mine Max Lucado Sergio Martinez The Oak Inside the Acorn Max Lucado George Angelini Good Good Father Chris Tomlin Pat Barrett Children’s Chapter Books Book Author Illustrator The Prince Martin Epic Brandon Hale Jason Zimdars (Series) Chime Travellers (Series) Lisa Hendey Catacomb Mysteries (Series) Mary Litton The Green Ember (Series) S. D. Smith Zach Franzen The Secret of the Hidden M. J. Thomas Scrolls (Series) © Jared Dees | j areddees.com Middle Grade Fiction Book Author Illustrator 100 Cupboards ( Series) N. D. Wilson A Wrinkle in Time Madeleine L’Engle The Chronicles of Narnia C. S. Lewis ( Series ) The Space Trilogy ( Series) C. S. Lewis The Wingfeather Saga Andrew Peterson ( Series ) The Wilderking Trilogy Jonathan Rogers Abe Goolsby ( Series ) The Hobbit J. R. R. Tolkein The Lord of the Rings J. R. R. Tolkein ( Trilogy) Young Adult Fiction Book Author The Chronicles of Narnia (S eries) C. S. Lewis The Wingfeather Saga (S eries ) Andrew Peterson The Prince Warriors (S eries) Priscilla Shirer and Gina Detwiler Adult Fiction Book Author Legends of the Guardian-King (T rilogy ) Karen Hancock Till We Have Faces C. S. Lewis A Canticle for Leibowitz Walter M. Miller, Jr. The Lamb Among the Stars Trilogy (Series) Chris Walley The Book of the New Sun (S eries ) Gene Wolfe © Jared Dees | j areddees.com © Jared Dees | j areddees.com About this Book List These science fiction and fantasy stories have Christian themes and characters in them. I make no judgements about doctrine or denominations with this list nor is this list an endorsement of the faithfulness of any particular author. Nevertheless, I hope these books will lead people into a closer relationship with Jesus Christ. Sincerely, Jared Dees © Jared Dees | j areddees.com .

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The Use of the Vertical Plane to Indicate Holiness in C.S. Lewis's Space Trilogy
Volume 34 Number 2 Article 3 4-15-2016 The Use of the Vertical Plane to Indicate Holiness in C.S. Lewis's Space Trilogy Sarah Eddings Northern Arizona University Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Eddings, Sarah (2016) "The Use of the Vertical Plane to Indicate Holiness in C.S. Lewis's Space Trilogy," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 34 : No. 2 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol34/iss2/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Examines the contrasting symbolism and imagery of perpendicular structures (mountains, trees, built structures, and so on) and waves in the Space Trilogy as a whole. Eddings finds more than simple gendered symbolism in these clusters of images; verticality indicates reaching for the heavens and waves show submission to the will of Maleldil.
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Images of Spirit in the Fiction of Clive Staples Lewis
Volume 14 Number 2 Article 7 Winter 12-15-1987 Images of Spirit in the Fiction of Clive Staples Lewis Charlotte Spivak Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Spivak, Charlotte (1987) "Images of Spirit in the Fiction of Clive Staples Lewis," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 14 : No. 2 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol14/iss2/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Shows how Lewis, in his fiction, explor“ es the phenomenology of Spirit through his creation of several numinous figures who reflect medieval paradigms.” These figures reflect both medieval allegorical meanings and Jungian archetypes. Additional Keywords Lewis, C.S. Fiction—Representation of spirit; Spirit in Jung—Relation to C.S.
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The Christian Mythology of CS Lewis and JRR Tolkien
Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects 2010 Roads to the Great Eucatastrophie: The hrC istian Mythology of C.S. Lewis and J.R.R. Tolkien Laura Anne Hess Western Kentucky University Follow this and additional works at: http://digitalcommons.wku.edu/stu_hon_theses Part of the Philosophy Commons, and the Religion Commons Recommended Citation Hess, Laura Anne, "Roads to the Great Eucatastrophie: The hrC istian Mythology of C.S. Lewis and J.R.R. Tolkien" (2010). Honors College Capstone Experience/Thesis Projects. Paper 237. http://digitalcommons.wku.edu/stu_hon_theses/237 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Copyright by Laura Ann Hess 2010 ABSTRACT The purpose of this thesis is to analyze how C.S. Lewis and J.R.R. Tolkien created mythology that is fundamentally Christian but in vastly different ways. This task will be accomplished by examining the childhood and early adult life of both Lewis and Tolkien, as well as the effect their close friendship had on their writing, and by performing a detailed literary analysis of some of their mythological works. After an introduction, the second and third chapters will scrutinize the elements of their childhood and adolescence that shaped their later mythology. The next chapter will look at the importance of their Christian faith in their writing process, with special attention to Tolkien’s writing philosophy as explained in “On Fairy-Stories.” The fifth chapter analyzes the effect that Lewis and Tolkien’s friendship had on their writing, in conjunction with the effect of their literary club, the Inklings.
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Exploring Narnia, Middle Earth, and Other Exotic Places, with Seminarians
EXPLORING NARNIA, MIDDLE EARTH, AND OTHER EXOTIC PLACES, WITH SEMINARIANS Joseph Coleson Nazarene Theological Seminary All who have read The Lion, the Witch and the Wardrobe, or have seen one of the several film adaptations, remember Lucy’s wonder the first time she stepped from the back of the wardrobe into the winter wonderland of Narnia, met Tumnus the Faun, and went to his cozy cave home for tea. Those who have read all seven books to the end will remember Aslan singing the Narnian creation into existence in The Magician’s Nephew, or Aslan’s final words in The Last Battle, “The term is over: the holidays have begun. The dream is ended: this is the morning.” Speaking of holidays, all Tolkien enthusiasts would love to spend a holiday in the Shire; an invitation to an epicurean hobbit tea with Bilbo Baggins would be a very pleasant bonus. For evoking the security of safety from dangers narrowly escaped, and from dangers yet lurking all round, nothing I’ve read surpasses the restorative serenity and perfect hospitality Frodo and the Fellowship enjoyed in the house of Elrond in Rivendell. Who is not stirred by, and who can forget--from the book, or from Peter Jackson’s film adaptation--the desperation of the battle for Gondor, or the majestic shalom following, when Aragorn took his rightful place as King Elessar? Why Lewis and Tolkien? Several times in my career as a professor of Old Testament, I have taught a course on the theology of Lewis’s fiction, and once, a course on the theology of Tolkien’s fiction.
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David C. Downing Ffirs.Qxd 8/16/05 11:44 AM Page Ii Ffirs.Qxd 8/16/05 11:44 AM Page I Ffirs.Qxd 8/16/05 11:44 AM Page Ii Ffirs.Qxd 8/16/05 11:44 AM Page Iii
ffirs.qxd 8/16/05 11:44 AM Page iii David C. Downing ffirs.qxd 8/16/05 11:44 AM Page ii ffirs.qxd 8/16/05 11:44 AM Page i ffirs.qxd 8/16/05 11:44 AM Page ii ffirs.qxd 8/16/05 11:44 AM Page iii David C. Downing ffirs.qxd 8/16/05 11:44 AM Page iv Copyright © 2005 by John Wiley & Sons, Inc. All rights reserved. Published by Jossey-Bass A Wiley Imprint 989 Market Street, San Francisco, CA 94103-1741 www.josseybass.com No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923, 978-750-8400, fax 978-646-8600, or on the Web at www.copyright.com. Requests to the publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, 201-748-6011, fax 201-748-6008, or online at http://www.wiley.com/go/ permissions. Limit of Liability/Disclaimer of Warranty:While the publisher and author have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose.
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Select Bibliography of the Works of C.S. Lewis
C.S. Lewis: A Select Bibliography This is not a comprehensive listing of Lewis’s works. For a more complete list, please see the following: C.S. Lewis: An Annotated Checklist by Joe R. Christopher and Joan K. Ostling (Kent State UP), 1974. Remembering C.S. Lewis: Recollections of Those Who Knew Him. James Como, Ed. San Francisco: Ignatius Press, 2005. (Includes updated Lewis bibliography by Walter Hooper) FICTION -Boxen: The Imaginary World of the Young C. S. Lewis (1905-1913, not published until 1985) -The Pilgrim's Regress (1933) -Out of the Silent Planet (1938) (Science Fiction, Book I of the Space Trilogy) -The Screwtape Letters (1942) -Perelandra (1943) (Science Fiction, Book II of the Space Trilogy) -That Hideous Strength (1945) (Science Fiction, Book III of the Space Trilogy) -The Great Divorce (1945) -The Lion, the Witch, and the Wardrobe (1950) (The Chronicles of Narnia) -Prince Caspian (1951) (The Chronicles of Narnia) -The Voyage of the Dawn Treader (1952) (The Chronicles of Narnia) -The Silver Chair (1953) (The Chronicles of Narnia) -The Horse and His Boy (1954) (The Chronicles of Narnia) -The Magician's Nephew (1955) (The Chronicles of Narnia) -The Last Battle (1956) (The Chronicles of Narnia) -Till We Have Faces (1956) -Screwtape Proposes a Toast and Other Pieces (1965) -Mark vs. Tristram (imaginary correspondence by C.S. Lewis and Owen Barfield, 1967) -The Dark Tower and Other Stories, Walter Hooper, ed. (1977) CORRESPONDENCE -Letters of C.S. Lewis, W.H. Lewis, ed. (1966) -Letters to an American Lady, Clyde Kilby, ed. (1967) -The Letters of C.S.
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CS Lewis on the Final Frontier: Science and the Supernatural in The
Digital Commons @ George Fox University Faculty Publications - Department of English Department of English 2011 Schwartz's "C.S. Lewis on the Final Frontier: Science and the Supernatural in the Space Trilogy" - Book Review Gary L. Tandy George Fox University, [email protected] Follow this and additional works at: http://digitalcommons.georgefox.edu/eng_fac Part of the Literature in English, Anglophone outside British Isles and North America Commons, and the Literature in English, British Isles Commons Recommended Citation Tandy, Gary L., "Schwartz's "C.S. Lewis on the Final Frontier: Science and the Supernatural in the Space Trilogy" - Book Review" (2011). Faculty Publications - Department of English. Paper 6. http://digitalcommons.georgefox.edu/eng_fac/6 This Book Review is brought to you for free and open access by the Department of English at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of English by an authorized administrator of Digital Commons @ George Fox University. C. S. Lewis on the Final Frontier: Science and the Supernatural in the Space Trilogy. By Sanford Schwartz. New York: Oxford University Press, 2009. ISBN 978- 0-19-537472-8. Pp. 240. $27.95; In C. S. Lewis on the Final Frontier, Sanford Schwartz presents a bold and intriguing thesis that, if accepted, will alter significantly the way we read Lewis' space trilogy. In fact, his book attempts to do for the Trilogy what Michael Ward's recent Planet Narnia (Oxford University Press, 2008) did for the Chronicles: Schwartz claims to have discovered an underlying unity in the series unnoticed by previous scholars.
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For That Hideous Strength by C
Readers Guide for That Hideous Strength by C. S. Lewis Compiled and Written by Ted Lewis- 2021 In the mid-1930s, C. S. Lewis and J. R. R. Tolkien, on a walk, agreed that there was a dearth of quality writing in “speculative fiction.” The genre term “science fiction” didn’t really become popular until the 1950s, but that is the sort of literature they were thinking about. “There is too little of what we really like in stories,” Lewis said. “I am afraid we shall have to try and write some ourselves.” As the anecdote goes, they flipped a coin to decide who would write about time-travel and who would take up space-travel. Tolkien ended up with time-travel and wrote two unfinished works related to the Silmarillion (The Lost Road, The Notion Club Papers). Lewis landed with space- travel and soon began his famed Ransom Trilogy. The first two novels clearly venture out into “Deep Heaven.” The protagonist Ransom has his adventures, respectively, on Mars and Venus, or rather, Malacandra and Perelandra. In both stories, Ransom confronts the ambitious agenda of a scientist, Weston, who is bent on colonizing these pre-fallen planets in the name of evolutionary and transhumanistic progress. It is certainly best to read these two books first as a foundation for reading the third book which takes place back on Earth, or Thulcandra, “The Silent Planet.” Why is it silent? Because the spiritual beings that steward the rest of the solar system (Arbol’s Field) are not able to communicate through Earth’s outer barrier (which splits through the moon) due to its fallen nature.
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Unrolling the Book Again: C.S. Lewis on the Efficacy Of
UNROLLING THE BOOK AGAIN: C.S. LEWIS ON THE EFFICACY OF LANGUAGE IN PERELANDRA AND TILL WE HAVE FACES by REBECCA D. RITTER (Under the Direction of Jonathan Evans) ABSTRACT In his Studies in Words, C.S. Lewis represents language as “important and effective” in certain matters of communication, yet sometimes-defective in others. His collected letters corroborate this complex position, also indicating certain shifts in Lewis’s view on the capability of word and story to represent truth accurately. The impetus for these shifts in perspective has been explained as specific interactions with J.R.R. Tolkien, among other colleagues; these discussions established Lewis’s belief in the “truth” of myth, and most importantly of the Christian myth. The question then raised concerns the resulting shift in and development of Lewis’s views on language, and to what extent his belief in true myth as meta-narrative influenced this development. An investigation of the novels Perelandra and Till We Have Faces demonstrates the conclusions at which Lewis arrived regarding the capability of language to communicate meaning, and also illuminates the connections between his position on language and his view of the essential connection between reality and myth. INDEX WORDS: C.S. Lewis, Language, Myth, Meaning, Meta-narrative, Perelandra, Story, Till We Have Faces, Tolkien, UNROLLING THE BOOK AGAIN: C.S. LEWIS ON THE EFFICACY OF LANGUAGE IN PERELANDRA AND TILL WE HAVE FACES by REBECCA D. RITTER B.S.E.D., The University of Georgia, 2000 M.A., The University of Georgia, 2003 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2003 © 2003 Rebecca D.
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THAT HIDEOUS STRENGTH by C.S
THAT HIDEOUS STRENGTH by C.S. Lewis THE AUTHOR Clive Staples Lewis (1898-1963) was born in Belfast, Northern Ireland; his father was a lawyer and his mother a mathematician. She died when Lewis was nine, and the trauma eventually drove him to atheism in his teens. He read voraciously from his youth and began writing at an early age. He served briefly in World War I and graduated from Oxford in 1923. He returned to Oxford to teach English at Magdalen College (1925-1954), then moved to Cambridge as Professor of Medieval and Renaissance Literature (1954-1963). He died on the same day that John F. Kennedy was assassinated - November 22, 1963. Not surprisingly, reading and conversations with fellow scholars led to Lewis’ conversion. Christian writers such as George MacDonald and G.K. Chesterton led him to question the arrogance of his atheism, and ultimately the exercise of his imagination along with his reason brought him to Christ. He went on to become one of the greatest spokesmen for the Christian faith in the twentieth century. Lewis preferred the company of men to women, living for most of his life with his older brother Warren and spending long and delightful afternoons in discussions with fellow writers at the Eagle and Child pub in Oxford. The writers who gathered there styled themselves the Inklings, and included J.R.R. Tolkien, Owen Barfield and Charles Williams. He did, however, care for the mother of his college roommate, Paddy Moore. The two had vowed to care for the other’s families should either one be killed in the war, and Lewis kept his promise, allowing Mrs.
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Medieval Echoes in CS Lewis's Space Trilogy
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 12-2019 Recovered Images: Medieval Echoes in C. S. Lewis’s Space Trilogy Nathan Earl Houston Fayard University of Arkansas, Fayetteville Follow this and additional works at: https://scholarworks.uark.edu/etd Part of the Children's and Young Adult Literature Commons, Classical Literature and Philology Commons, Literature in English, British Isles Commons, and the Medieval Studies Commons Citation Fayard, N. E. (2019). Recovered Images: Medieval Echoes in C. S. Lewis’s Space Trilogy. Theses and Dissertations Retrieved from https://scholarworks.uark.edu/etd/3451 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. Recovered Images: Medieval Echoes in C. S. Lewis’s Space Trilogy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English by Nathan Earl Houston Fayard Samford University Bachelor of Arts in English, 2006 University of Illinois, Springfield Master of Arts in English, 2011 December 2019 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. ________________________________ William Quinn, Ph.D. Dissertation Director ________________________________ ________________________________ Joshua Smith, Ph.D. Mary Beth Long, Ph.D. Committee Member Committee Member Abstract C. S. Lewis has begun to garner more scholarly attention in the last few decades, but his first novels, his science fiction or Space trilogy, continue to be largely ignored by academia. Yet, these three novels are deserving of more serious study, as they are pioneering works of literary science fiction, and even more surprisingly, of literary medievalism.
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The Gospel in Tolkien, Lewis, and Sayers by JOHN D
88 Copyright © 2004 The Center for Christian Ethics at Baylor University The Gospel in Tolkien, Lewis, and Sayers BY JOHN D. SYKES, JR. Through their fiction, the Inklings found the means to display how God’s gracious story of human redemption is the truth of history. Three recent studies of Tolkien, Lewis, and Sayers’s work make it clear that our hunger not only for their stories, but also for the truth they dis- close, remains unsatisfied. hatever became of sin? The question asked in the title of psy- chologist Karl Menninger’s best-selling book of thirty years ago Wcontinues to be answered for many of us by a group of British writers active at mid-century. Whether the setting was the pre-Christian world of Tolkien’s Middle-earth or the more contemporary context of space travel or detective fiction, the Inklings found the most compelling explanation of evil to lie within the frame of the theological category of sin. And it is in the narrative display of sin’s dynamic through fiction that these writers offered their most profound treatment of evil. Three recent studies of their work take up this theme. LEARNING FROM BABEL’S TOWER The Tolkien explosion triggered by the success of Peter Jackson’s The Lord of the Rings films has produced a bewildering assortment of commen- taries. Tolkien was himself a complex and somewhat eccentric man, and so perhaps it should not surprise us to find books about him falling into at least three diverse categories, which for convenience we might call the mythic, Christian, and philological.
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