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“The Soul of Ukraine” International Support Foundation for Ukrainian Nation
“THE SOUL OF UKRAINE” INTERNATIONAL SUPPORT FOUNDATION FOR UKRAINIAN NATION Press release 3 June 2014 An International Foundation for the support of Ukrainian people, under the official patronage of His Holiness Patriarch of Kyiv and All Rus'-Ukraine Filaret, was organized by world celebrities. June 3, 2014 Ministry of Justice of Ukraine registered “The Soul of Ukraine” Foundation. The Chairman of the foundation's Board of Trustees is Borys Paton – Hero of Ukraine (first), President of the National Academy of Science of Ukraine. At the same time Academician Paton is the President of the International Association of Academies of Science. The Co-Chairmans of the foundation's Board of Trustees are Reverend Agapit – Bishop of Vyshgorod, Kyivan Patriarchate Administrator and Vicar of St. Michael's Monastery, and People's Artist of Ukraine Myroslav Vantuh – world legend of dance art, Hero of Ukraine, Academician, People's Artist of Ukraine and Russia, General Manager and Artistic Director of Pavlo Virsky Ukrainian National Folk Dance Ensemble. The Members of the foundation's Board of Trustees from Ukraine are known figures of Ukrainian culture. Hero of Ukraine and Academician Anatoliy Andrievskiy – is Manager and Artistic Director of H.Veryovka Ukrainian National Folk Chorus and President of the Ukrainian National Music Committee of UNESCO International Music Council. Academician Borys Olijnyk – Hero of Ukraine, Ukrainian Culture Fund Chairman. Hero of Ukraine, People's Artist of Ukraine, Corresponding Member of Ukrainian National Academy of Arts Evgen Savchuk – Artistic Director of National Academic Choir of Ukraine “Dumka”. Academician, Hero of Ukraine, People's Artist of Ukraine Eugene Stankovych – is Department Head of Tchaikovsky National Music Academy of Ukraine. -
Myroslav Skoryk (B
Myroslav SSKKOORRYYKK VViioolliinn CCoonncceerrttooss •• 22 NNooss.. 55––99 AAnnddrreejj BBiieellooww,, VViioolliinn NNaattiioonnaall SSyymmpphhoonnyy OOrrcchheessttrraa ooff UUkkrraaiinnee VVoollooddyymmyyrr SSiirreennkkoo Myroslav Skoryk (b. 1938) Violin Concertos • 2 2 4 numerous concertos, including nine for violin, three for Concerto No. 6 (2009) Concerto No . 8 ‘ Allusion to Chopin ’ (2011) piano, two for cello, one for viola and one for oboe, as well Moderato Andante as six partitas for various instrumental configurations. His output also includes solo instrumental works and music First performance: Kyiv; dedicated to the first performer First performance: Kyiv; dedicated to the first performer for films such as Shadows of Forgotten Ancestors and Andrej Bielow; conductor Mykola Dyadyura. Katharina Fejer; conductor Myroslav Skoryk. The High Pass , and numerous animated cartoons. Skoryk’s works are performed in the Ukraine and The two main themes of the concerto characterise the This work was written to mark the 200th anniversary of throughout the world, such as Canada, Australia, the US, composer’s craving for sensual, delicate and fragile Fryderyk Chopin’s birth and can be seen as homage to Japan, China, and in most European countries. moods. Yet they are contrasted by episodes that violate the Polish virtuoso. It uses ‘quotations’ from his various One of his most popular pieces is Melody in A minor , their lyrical mood: marching melodies, provocative piano works – Préludes , Mazurkas and Sonatas . These which he often performs as a conductor and pianist. dances, rapid expressive fugato based on the sonorous are combined with Skoryk’s own ‘voice’ in an imitation of 1 dialogue between the violin and other instruments in the Chopin's style. -
University of California UNIVERSITY of CALIFORNIA
UCLA UCLA Electronic Theses and Dissertations Title Ukrainian Identity in Modern Chamber Music: A Performer's Perspective on Valentyn Silvestrov's Violin Sonata "Post Scriptum" and its Interpretation in the Context of Ukrainian Chamber Works. Permalink https://escholarship.org/uc/item/8874s0pn Author Khomik, Myroslava Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works A dissertation submitted in partial satisfaction Of the requirements for the degree Doctor of Musical Arts By Myroslava Khomik 2015 © Copyright by Myroslava Khomik 2015 ABSTRACT OF THE DISSERTATION Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works. by Myroslava Khomik Doctor of Musical Arts University of California, Los Angeles, 2015 Professor Movses Pogossian, Chair Ukrainian cultural expression has gone through many years of inertia due to decades of Soviet repression and censorship. In the post-Soviet period, since the late 80s and early 90s, a number of composers have explored new directions in creative styles thanks to new political and cultural freedoms. This study focuses on Valentyn Silvestrov’s unique Sonata for Violin and Piano “Post Scriptum” (1990), investigating its musical details and their meaning in its post- Soviet compositional context. The purpose is to contribute to a broader overview of Ukraine’s classical music tradition, especially as it relates to national identity and the ii current cultural and political state of the country. -
Appendices I
Appendices I. Archival Sources Archival research for this monograph was conducted in Lviv, the former capital of Galicia, in 1983. To orient myself in the rich archival holdings of this city, I benefitted from the unpublished manuscript of Patricia K. Grimsted's forthcoming guide to Soviet Ukrainian archives and manuscript repositories' as well as from a number of published works.' Plans to use archives in Ternopil and Ivano-Frankivsk were frustrated, as was the plan to use the manuscript collection of the Institute of Literature of the Academy of Sciences of the Ukrainian SSR (in Kiev). Work in the Austrian archives in 1982 did not uncover sources of direct relevance to the subject of this monograph, but the Viennese archives remain an important and little-explored repository of historical documentation on Galician history. The richest collection of unpublished sources on the history of Galicia during the Austrian period is located in the Central State Historical Archives of the Ukrainian SSR in Lviv (U Tsentrainyi derzhavnyi istorychnyi arkhiv URSR u rn. Lvovi; abbre- viated as TsDIAL). The Central Archives have inherited the papers of various Galician government institutions and major civic organizations. Unfortunately, there is no published guide to these archives, although a number of articles describe aspects of their holdings.' The papers of the Presidium of the Galician Viceroy's Office (U Haiytske narnisnytstvo, rn. Lviv. Prezydiia) are contained in TsDIAL, fond 146, opysy 4-8 (and presumably others). Particularly valuable for this study were documents dealing with the publication and confiscation of political brochures and periodicals, including , Patricia K. -
The History of the Galician Division of the Waffen Ss: on the Eastern Front: April 1943 to July 1944: 1 Pdf, Epub, Ebook
THE HISTORY OF THE GALICIAN DIVISION OF THE WAFFEN SS: ON THE EASTERN FRONT: APRIL 1943 TO JULY 1944: 1 PDF, EPUB, EBOOK Michael James Melnyk | 400 pages | 04 Nov 2016 | Fonthill Media | 9781781555286 | English | Toadsmoor Road, United Kingdom The History of the Galician Division of the Waffen SS: On the Eastern Front: April 1943 to July 1944: 1 PDF Book Chandel marked it as to-read Sep 17, Ukrainian leaders of various political persuasions recognised the need for a trained armed force. This book is not yet featured on Listopia. He had arrived in the United States in and became a naturalized citizen in At least 50 documents including contemporary newspaper clippings, radio broadcasts and speeches etc. Mechanicsburg, PA: Stackpole Books. The group included 17 female nurses, a number of priests and several civilian relatives of members of the division. In mid-January the division numbered 14, soldiers and 8, new recruits in the training and reserve regiment. Jim Revington rated it really liked it Aug 16, In May and at the beginning of June the division was transferred to Italy and interned in a camp near Bellaria on the Italian east coast. Complemented by the individual accounts and contributions of many veterans which add an engaging personal dimension, this new definitive two volume account supersedes his earlier divisional history published in Their behaviour since they came to this country has been good and they have never indicated in any way that they are infected with any trace of Nazi ideology. In July the division was sent to the area of Brody, where heavy combat was under way, and was attached to the 13th Army Corps. -
Contemporary Socio-Economic Issues of Polish-Ukrainian Cross-Border Cooperation
Center of European Projects European Neighbourhood Instrument Cross-border Cooperation Programme Poland-Belarus-Ukraine 2014-2020 Publication of the Scientifi c Papers of the International Research and Practical Conference Contemporary Socio-Economic Issues of Polish-Ukrainian Cross-border Cooperation Warsaw 2017 Center of European Projects European Neighbourhood Instrument Cross-border Cooperation Programme Poland-Belarus-Ukraine 2014-2020 Publication of the Scientifi c Papers of the International Research and Practical Conference Contemporary Socio-Economic Issues of Polish-Ukrainian Cross-border Cooperation Edited by: Leszek Buller Hubert Kotarski Yuriy Pachkovskyy Warsaw 2017 Publisher: Center of European Projects Joint Technical Secretariat of the ENI Cross-border Cooperation Programme Poland-Belarus-Ukraine 2014-2020 02-672 Warszawa, Domaniewska 39 a Tel: +48 22 378 31 00 Fax: +48 22 201 97 25 e-mail: [email protected] www.pbu2020.eu The international research and practical conference Contemporary Socio-Economic Issues of Polish-Ukrainian Cross-border Cooperation was held under the patronage of Deputy Prime Minister, Minister of Economic Development and Finance Mr Mateusz Morawiecki. OF ECONOMIC The conference was held in partnership with: University of Rzeszów Ivan Franko National University of Lviv This document has been produced with the fi nancial assistance of the European Union, under Cross-border Cooperation Programme Poland-Belarus-Ukraine 2007-2013. The contents of this document are the sole respon- sibility of the Joint Technical Secretariat and can under no circumstances be regarded as refl ecting the position of the European Union. Circulation: 500 copies ISBN 978-83-64597-06-0 Dear Readers, We have the pleasure to present you this publication, which is a compendium of articles received for the Scientifi c Conference “Contemporary Socio-economic Issues of Polish-Ukrainian Cross-border Cooperation”, which took place on 15-17 November 2017 in Rzeszów and Lviv. -
NEXTET the New Music Ensemble for the 21St Century Virko Baley, Music Director and Conductor Chris Arrell, Composer-In-Residence
Department of MUSIC College of Fine Arts presents NEXTET The New Music Ensemble for the 21st Century Virko Baley, music director and conductor Chris Arrell, composer-in-residence PROGRAM Maxwell R. Lafontant Healing Waters (2013) (b. 1990) r-Jextet Ensemble Britta Epling From dewy dreams (2013) (b. 1992) Britta Epling, soprano Virko Baley , piano Enzu Chang Sketch for unaccompanied oboe (2013) (b.1981) Ben Serna-Grey, oboe Chris Arrell Mutations (2013) for violoncello and computer (b. 1970) Andrew Smith, violoncello Chris Arrell, computer Boris Lyatoshynsky Sonata-Ballade, Op. 18 (1925) (1895-1968) Valentin Silvestrov Sonata No. 3 (1979/ rev.1999) (b. 1937) Preludio Fuga Postludio Timothy Haft, piano Virko Baley From Holodomor (Red Earth. Hunger) (b. 1938) "Black wounds, on the palm of the earth" Tod Fitzpatrick, baritone Virko Baley, piano Christopher Gainey The Selfish Giant for flute and storyteller (1988) (b.1981) (with text adapted from "The Selfish Giant" by Oscar Wilde) Expulsion from the Garden Dances of Eternal Winter The Return of Spring Anastasia Patanova, flute Tod Fitzpatrick, narrator Chris Arrell Of Three Minds (2013) for soprano, piano, and computer Texts from Thirteen Ways of Looking at a Blackbird by Wallace Stevens · Michelle Latour, soprano Timothy Haft, piano Chris Arrell, computer Tuesday,December10, 2013 7:30 p.m. Dr. Arturo Rando-Grillot Recital Hall Lee and Thomas Beam Music Center University of Nevada, Las Vegas PROGRAM NOTES AND BIOGRAPHIES Chris Arrell (b. 1970, Portland, Oregon) writes music for voices, instruments, and electronics. Praised for their unconventional beauty by The Boston Music Intelligencer and hailed as "sensuous" and "highly nuanced" by the Atlanta Journal Constitution, his compositions explore counterpoints of process woven from the interplay of color, line , and harmony. -
CLIFF in PIDKAMIN: ANALOGIES and INTERPRETATIONS Roman
MUSAICA ARCHAEOLOGICA 2/2020 47–62 47 CLIFF IN PIDKAMIN: ANALOGIES AND INTERPRETATIONS Roman Liubun* __________________ *Katedra archeológie, Filozofická fakulta, Univerzita Komenského v Bratislave, Gondova 2, 811 02 Bratislava, [email protected] Abstrakt: Kameň v Pidkamine: analógie a interpretácie. Pre územie západnej Ukrajiny je charakteristická prítom- nosť eróznych pieskovcových zvyškov neogénneho obdobia cenozoika. Väčšinu z nich ľudia nejakým spôsobom využíva- li. Jedným z najvýznamnejších objektov je Pidkamin (Ľvovská oblasť). Keramický materiál potvrdzuje, že monument fun- goval od doby bronzovej až do 18. storočia. Predpokladá sa, že skala slúžila ako svätyňa. Táto hypotéza bola vypracovaná na základe analýzy skalných štruktúr, ktorých analógie sú v Bulharsku. Kľúčové slová: skalné zvyšky, západná Ukrajina, Gologoro-Kremenecké pohorie, Pidkamin, svätyna, petroglyfy Abstract: For the territory of Western Ukraine, there is a characteristic presence of erosive sandstone remains of the Neogene period by the Cenozoic. Most of them used by people in some way. One of the most prominent objects is Pid- kamin (Lviv Region). The ceramic material confirms that the monument functioned from the Bronze Age until modern times. It is believed that the rock was used as a shrine. This statement was made based on the rock structures, analogies of which are in Bulgaria. Keywords: Rock remains, Western Ukraine, Gologoro-Kremenets ridge, Pidkamin, sanctuary, petroglyphs https://doi.org/10.46283/musarch.2020.2.02 1. Introduction Several eroded sandstone remains of the Neogene period of the Cenozoic Era are known on the territory of Western Ukraine – mainly in the areas of Eastern Carpathians, Ciscarpathians, Podilian Tovtry, and the so-called Holohoro-Kremenets ridge (Pidkamin, Tustan, Bubnyšče, Rozgirče, Ternošorska Lada, Bahna, Hrehit, Pysanyj Kamin and others). -
TOCC0463DIGIBKLT.Pdf
MYROSLAV SKORYK AND HIS ORCHESTRATION OF PAGANINI’S CAPRICES by Lyubov Kyjanovska Myroslav Skoryk is one of the most prominent composers in Ukraine. He is the author of a diverse body of works, which includes opera, ballets, cantatas, instrumental concertos, orchestral works and instrumental and vocal chamber compositions; he has also written incidental and flm music. He has a chair in composition at the Lysenko Music Academy in Lviv,1 teaches composition at the National Music Academy in Kyiv, and in spring 2011 he accepted the position of Artistic Director of the National Opera in Kyiv. Skoryk was born on 13 July 1938 in Lviv. His family was deeply connected with the intellectual life of western Ukraine. His parents were educators: his mother was a chemistry teacher and his father a director of the gymnasium in Sambir, a small town in western Ukraine. Skoryk’s grandfather was a well-known ethnographer, and his grandmother’s sister was the world-famous operatic soprano Solomija Krushelnytska.2 It was indeed Skoryk’s renowned great-aunt who recognised his musical talent at an early stage and encouraged him to study music. He began his musical education in the Music School at the Lviv Conservatoire, but it did not last long. Krushelnytska was unfortunate enough to be visiting her sisters in western Ukraine in September 1939 when the Soviet army invaded. She was never able to return to her home in Italy; she was then forced by the Soviet authorities to ‘sell’ all 1 Lviv (the name is sometimes transliterated as L’viv) is the most important city in western Ukraine (and eastern Galicia). -
Concert Program
Oksana Dyka, soprano Angelina Gadeliya, piano • Solomiya Ivakhiv, violin I. Bellini Vincenzo Bellini Casta Diva (1801-1835) from Norma (1831) Program Mozart Wolfgang Amadeus Mozart Porgi, amor, qualche ristoro (1756-1791) from The Marriage of Figaro (1786) Rossini Gioachino Rossini Selva opaca, Recitative and Aria (1792-1868) from Guglielmo Tell (William Tell, 1829) Ms. Dyka • Ms. Gadeliya II. Shchetynsky Alexander Shchetynsky An Episode in the Life of the Poet, (b. 1960) an afterword to the opera Interrupted Letter (2014) World Premiere Ms. Ivakhiv • Ms. Gadeliya III. From Poetry to Art Songs 1: Settings of poems by Taras Shevchenko Shtoharenko Andriy Shtoharenko Yakby meni cherevyky (1902-1992) (If I had a pair of shoes, 1939) Silvestrov Valentin Silvestrov Proshchai svite (b. 1937) (Farewell world, from Quiet Songs, 1976) Shamo Ihor Shamo Zakuvala zozulen’ka (1925-1982) (A cuckoo in a verdant grove, 1958) Skoryk Myroslav Skoryk Zatsvila v dolyni (b. 1938) (A guelder-rose burst into bloom, 1962) Mussorgsky Modest Mussorgsky Hopak (1839-1881) from the opera Sorochynsky Fair (1880) Ms. Dyka • Ms. Gadeliya 2 Program — INTERMISSION — I V. Beethoven Ludwig van Beethoven Allegro vivace (1770-1827) from Sonata in G Major, Op. 30 (1801-1802) Vieuxtemps Henri Vieuxtemps Désespoir (1820-1881) from Romances sans paroles, Op. 7, No. 2 (c.1845) Ms. Ivakhiv • Ms. Gadeliya V. From Poetry to Art Songs 2: Settings of poems by Taras Shevchenko Lysenko Mykola Lysenko Oy, odna ya odna (1842-1912) (I’m alone, so alone, 1882) Rachmaninov Sergei Rachmaninov Poliubila ya na pechal’ svoyu, (1873-1943) Op. 8, No. 4 (I have given my love, 1893) Stetsenko Kyrylo Stetsenko Plavai, plavai, lebedon’ko (1882-1922) (Swim on, swim on, dear swan, 1903) Dankevych Konstantyn Dankevych Halia’s Aria (1905-1984) from the opera Nazar Stodolia (1960) VI. -
Cornerstones of the Ukrainian Violin Repertoire 1870 – Present Day
Cornerstones of the Ukrainian violin repertoire 1870 – present day Carissa Klopoushak Schulich School of Music McGill University Montreal, Quebec January 2013 A doctoral paper submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Music in Performance Studies © Carissa Klopoushak 2013 i Abstract: The unique violin repertoire by Ukrainian composers is largely unknown to the rest of the world. Despite cultural and political oppression, Ukraine experienced periods of artistic flurry, notably in the 1920s and the post-Khrushchev “Thaw” of the 1960s. During these exciting and experimental times, a greater number of substantial works for violin began to appear. The purpose of the paper is one of recovery, showcasing the cornerstone works of the Ukrainian violin repertoire. An exhaustive history of this repertoire does not yet exist in any language; this is the first resource in English on the topic. This paper aims to fill a void in current scholarship by recovering this substantial but neglected body of works for the violin, through detailed discussion and analysis of selected foundational works of the Ukrainian violin repertoire. Focusing on Maxym Berezovs´kyj, Mykola Lysenko, Borys Lyatoshyns´kyj, Valentyn Sil´vestrov, and Myroslav Skoryk, I will discuss each composer's life, oeuvre at large, and influences, followed by an in-depth discussion of his specific cornerstone work or works. I will also include cultural, musicological, and political context when applicable. Each chapter will conclude with a discussion of the reception history of the work or works in question and the influence of the composer on the development of violin writing in Ukraine. -
Viva Xpress Logistics (Uk)
VIVA XPRESS LOGISTICS (UK) Tel : +44 1753 210 700 World Xpress Centre, Galleymead Road Fax : +44 1753 210 709 SL3 0EN Colnbrook, Berkshire E-mail : [email protected] UNITED KINGDOM Web : www.vxlnet.co.uk Selection ZONE FULL REPORT Filter : Sort : Group : Code Zone Description ZIP CODES From To Agent UA UAAOD00 UA-Ukraine AOD - 4 days POLISKE 07000 - 07004 VILCHA 07011 - 07012 RADYNKA 07024 - 07024 RAHIVKA 07033 - 07033 ZELENA POLIANA 07035 - 07035 MAKSYMOVYCHI 07040 - 07040 MLACHIVKA 07041 - 07041 HORODESCHYNA 07053 - 07053 KRASIATYCHI 07053 - 07053 SLAVUTYCH 07100 - 07199 IVANKIV 07200 - 07204 MUSIIKY 07211 - 07211 DYTIATKY 07220 - 07220 STRAKHOLISSIA 07225 - 07225 OLYZARIVKA 07231 - 07231 KROPYVNIA 07234 - 07234 ORANE 07250 - 07250 VYSHGOROD 07300 - 07304 VYSHHOROD 07300 - 07304 RUDNIA DYMERSKA 07312 - 07312 KATIUZHANKA 07313 - 07313 TOLOKUN 07323 - 07323 DYMER 07330 - 07331 KOZAROVYCHI 07332 - 07332 HLIBOVKA 07333 - 07333 LYTVYNIVKA 07334 - 07334 ZHUKYN 07341 - 07341 PIRNOVE 07342 - 07342 TARASIVSCHYNA 07350 - 07350 HAVRYLIVKA 07350 - 07350 RAKIVKA 07351 - 07351 SYNIAK 07351 - 07351 LIUTIZH 07352 - 07352 NYZHCHA DUBECHNIA 07361 - 07361 OSESCHYNA 07363 - 07363 KHOTIANIVKA 07363 - 07363 PEREMOGA 07402 - 07402 SKYBYN 07407 - 07407 DIMYTROVE 07408 - 07408 LITKY 07411 - 07411 ROZHNY 07412 - 07412 PUKHIVKA 07413 - 07413 ZAZYMIA 07415 - 07415 POHREBY 07416 - 07416 KALYTA 07420 - 07422 MOKRETS 07425 - 07425 RUDNIA 07430 - 07430 BOBRYK 07431 - 07431 SHEVCHENKOVE 07434 - 07434 TARASIVKA 07441 - 07441 VELIKAYA DYMERKA 07442 - 07442 VELYKA