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New Works on Video by Young British Artists to Open at the Museum of Modern Art
The Museum of Modern Art For Immediate Release December 1997 NEW WORKS ON VIDEO BY YOUNG BRITISH ARTISTS TO OPEN AT THE MUSEUM OF MODERN ART New Video from Great Britain December 16,1997-February 1,1998 New Video from Great Britain, a survey of the remarkable new wave of work that has emerged from London and Glasgow in recent years, opens at The Museum of Modern Art on December 16, 1997. The program presents notable work by already established figures, such as Sam Taylor-Wood and Douglas Gordon, as well as emerging artists, some of whom are showing in New York for the first time. The two-hour program will be shown continuously in the Garden Hall Video Gallery on the Museum's third floor through February 1, 1998. The exhibition highlights the continuing penchant for conceptual- and performance-based works among young British video artists. Addressing themes of the body, personal identity, and subjectivity in ways that are provocative and playful, ironic and insightful, these works reveal an easygoing familiarity with popular culture that characterizes much of contemporary British life. "Simply and spontaneously shot (often on little more than a domestic camcorder), these 20 or so pieces have a visual impact, flair and invention that belies their low-tech origins and reverberates long after each tape has played," writes Steven Bode, Director of the Film and Video Umbrella, London, who organized the exhibition in conjunction with Barbara London, Associate Curator, and Sally Berger, Assistant Curator, Department of Film and Video, The Museum of Modern Art. -more- 11 West 53 Street, New York, New York 10019 Tel: 212-708-9400 Fax: 212-708-9889 2 "At first glance the young artists in this show appear to use the video camera to capture ordinary gestures, such as simply putting on clothes. -
Patrick Painter, Inc
PATRICK PAINTER, INC Glenn Brown Born 1966, Northumberland, England Lives and works in London Education 1992 Goldsmiths’ College, London 1988 Bath College of Higher Education 1985 Norwich School of Art, Foundation Course Solo Exhibitions 2006 Galerie Max Hetzler, Berlin, Germany 2005 Patrick Painter Inc., Santa Monica, CA 2004 Serpentine Gallery, London, England Gagosian Gallery, New York, New York 2002 Galerie Max Hetzler, Berlin, Germany 2001 Patrick Painter Inc., Santa Monica, California Künstlerverein Malkasten, Düsseldorf, Germany 2000 Domaine de Kerguéhennec, Centre d’art Contemporain, Bignan, Franc Galerie Max Hetzler Berlin, Germany Patrick Painter Inc., Santa Monica, California Jerwood Space, London, England Galerie Ghislaine Hussenot, Paris, France 1996 Queen’s Hall Arts Centre, Hexham, England 1995 Karsten Schubert Gallery, London, England Group Exhibitions 2005 Translations, Thomas Dane, London, England Ecstasy: In and About Altered States, Museum of Contemporary Art, Los Angeles, California Strata: Difference and Repetition, Fondazione Davide Halevim, Milan, Italy 2003 La Biennale di Venezia: Delays and Revolutions, Padiglione Italia, Giardini della Biennale, Venice, Italy 2002 Sao Paulo Bienal: Iconografias Metropolitanas, Oscar Niemeyer Bulding, 1 PATRICK PAINTER, INC Pavilhao Ciccillio Matarazzo, Parque Ibirapuera Melodrama, Artium, Centro-Museo Vasco de Arte Contemporaneo, Spain and Palacio de los Condes de Gabia, Granada Biennale of Sydney 2002: (The World May Be) Fantastic, Museum of Contemporary Art Sydney and Art Gallery -
Karen Moss Curriculum Vitae Page 1
KAREN MOSS CURRICULUM VITAE PAGE 1 PROFESSIONAL EXPERIENCE OTIS COLLEGE OF ART AND DESIGN Ø Interim Director of Exhibitions anD Galleries (as of July 2014) Overseeing operations and programs for the Ben Maltz Gallery including Jorge and Lucy Orta’s Art / Life / Water exhibition and artists’ residency, Talking to Action: Decolonizing Experiments in Art from the Americas, an exhibition/symposium for the Getty’s PST Los Angeles/Latin America and other upcoming projects. Ø Senior Lecturer (2008 - Present) Teach courses in the Graduate Public Practice MFA program including Histories and Strategies of Public Art and Production Studio Critique Seminars. Conduct regular studio visits and advise on final MFA exhibition. While Chair Suzanne Lacy was on sabbatical, served as Acting Chair for the GPP MFA program. ORANGE COUNTY MUSEUM OF ART, 2003 - 2012 Ø Adjunct Curator (August 2010 - December 2012) Curated State of Mind: New California Art Circa 1970, an exhibition of conceptual art and other new genres in conjunction with the Getty’s Pacific Standard Time Initiative. Wrote successful proposals for a $175,000 research grant and a $225,000 implementation grant for presentations of the exhibition at Orange County Museum of Art and the UC Berkeley Art Museum and Pacific Film Archive, 2011-2012, followed by a 2-year tour to the Belkin Art Gallery, University of British Columbia, Vancouver; SITE Santa Fe; Bronx Museum of the Arts and the Smart Museum of Art, University of Chicago. The accompanying fully illustrated scholarly book was published by the University of California Press. Also curated 50 Years Forward, a photographic exhibition of OCMA’s institutional, exhibition and collection history in conjunction with the museum’s 50th anniversary. -
Download PDF Title Sheet
New title information Dimensions Variable Product Details New Works for the British Council Collection £15 Artist(s) Fiona Banner, Don Brown, Angela Bulloch, Mat Collishaw, Martin Creed, artists: Fiona Banner, Don Brown & Stephen Murphy, Angela Bulloch, Willie Doherty, Angus Fairhurst, Ceal Floyer, Douglas Gordon, Graham Mat Collishaw, Martin Creed, Willie Doherty, Angus Fairhurst, Ceal Gussin, Mona Hatoum, Damien Hirst, Floyer, Douglas Gordon, Graham Gussin, Mona Hatoum, Damien Hirst, Gary Hume, Michael Landy, Stephen Gary Hume, Michael Landy, Chris Ofili, Simon Patterson, Vong Murphy, Chris Ofili, Simon Patterson, Phaophanit, Georgina Starr, Sam Taylor-Wood, Mark Wallinger, Gillian Vong Phaophanit, Georgina Starr, Wearing, Rachel Whiteread, Catherine Yass Sam Taylor-Wood, Mark Wallinger, Gillian Wearing, Rachel Whiteread, Catherine Yass The title of this book and the choice of George Stubbs’s painting of a zebra on its cover points to one of the underlying preoccupations of the Publisher British Council artists selected: the constantly shifting perspectives that new ISBN 9780863553769 information, new technologies and new circumstances make evident. Format softback Dimensions Variable features recent purchases for the British Council Pages 112 Collection of works by a generation of artists who have come to Illustrations over 100 colour and 9 b&w prominence in the last decade. The works, each illustrated in full colour, illustrations represent a variety of approaches, concerns and means of realisation. Dimensions 295mm x 230mm Weight 700 The influence of past movements in 20th Century art – particularly Conceptualism, but also Minimalism, Performance and Pop Art – are readily discerned in much of the work. Young British artists have received a great deal of attention in the past few years and have often been perceived as a coherent national grouping. -
{FREE} the Art of Tracey Emin
THE ART OF TRACEY EMIN PDF, EPUB, EBOOK Chris Townsend,Mandy Merck,Etc. | 224 pages | 01 Nov 2002 | Thames & Hudson Ltd | 9780500283851 | English | London, United Kingdom The Art of Tracey Emin by Chris Townsend White Cube. Save Me , Xavier Hufkens. Sex 26 Sydney , The way you spoke to me , I Loved My Innocence , There was so much more of me , Little woman - Something I've always wanted Aste Boetto. Love Is What You Want , Lougher Contemporary. Crane , No Time for Love. The Kiss Was Beautiful , In The Art of Tracey Emin, distinguished critics from Britain and the United States address her achievement in depth for the first time, tracing Emin's influences from Egon Schiele to Judy Chicago and establishing her place in a larger tradition of postmodern and feminist art. Adopting a variety of critical approaches, contributors explore the full range of Emin's work, from photography and monoprints to installation art and videos, showing that, however raw and personal it may seem to be, it actually represents a carefully meditated response to vital issues in contemporary culture and society. Deals the truth about anal intercourse, at last: how liberating it is- but only for the purpetrator. In this case, the work explores the common experience of depression through a very personal and intimate lens. This artwork draws an important distinction between representation and presentation. This piece is not a representation of an object such as a painting or a sculpture. The art object doesn't refer to another object; it is the object itself. Some have argued that this was the key work in elevating women's experiences to the level of artistic expression. -
Angela Bulloch
ANGELA BULLOCH BIOGRAPHY Born 1966 in Rainy River, Canada Lives and works in Berlin, Germany EDUCATION 1985–1988 B.A. (Hons.) Fine Art, Goldsmiths College, London, UK RESIDENCIES 1994 Artist Residency, ARCUS Projects, Moriya Manabi-no-Sato, Japan AWARDS AND GRANTS 2011 Vattenfall Contemporary Art Prize, Berlinische Galerie, Berlin, Germany Visual Arts Grant, The Canada Council for the Arts, Ottawa, Canada Junge Stadt sieht Junge Kunst, The City of Wolfsburg, Wolfsburg, Germany 2002 Cultural Grant, ASEF (Asia-Europe Foundation), Singapore 1989 Whitechapel Artists’ Award, Whitechapel Gallery, London, UK FORTHCOMING EXHIBITIONS 2022 Musée d'Arts de Nantes, Nantes, France SELECTED SOLO EXHIBITIONS 2019 “…then nothing turned itself inside-out and became something.”, Simon Lee Gallery, New York, NY Anima Vectorias, Museum Art Architecture Technology (MAAT), Lisbon, Portugal 2017 Euclid in Europe, Cristina Guerra, Lisbon, Portugal Heavy Metal Body, Esther Schipper, Berlin, Germany Angela Bulloch, Omi International Arts Center, the Fields Sculpture Park, Ghent, NY 2016 One way conversation…, Simon Lee Gallery, Hong Kong Considering Dynamics and the Forms of Chaos, Sharjah Art Museum, Sharjah, UAE (exh. cat) Space Fiction Object, Galerie Eva Presenhuber, Zurich, Switzerland 2015 Archetypes and Totem Antidotes, Galerie Micheline Szwajcer, Brussels, Belgium Topology: No Holes, Four Tails, Mary Boone Gallery, New York, NY New Wave Digits, Simon Lee Gallery, London, UK 2014 Universal Pixels And Music Listening Stations, Kerstin Engholm Gallery, Vienna, Austria In Virtual Vitro, Esther Schipper, Berlin, Germany Pentagon Principle, Galeria Helga de Alvear, Madrid, Spain 2013 Universal Mineral, Simon Lee Gallery, Hong Kong. 2012 Short Big Yellow Drawing Machine, Galerie Esther Schipper, Berlin, Germany Short Big Drama, curated by Nicolaus Schafhausen, Witte de With, Center for Contemporary Art, Rotterdam, The Netherlands (exh. -
Films from the THIRTIES: PART II 1935-39
t% The Museum of Modern Art 1] West 53 Street, New York, N.Y. 10019 Tel. 245-3200 Cable: Modernart No. 83 FOR RELEASE: Friday, August 25, I968 Films from THE THIRTIES: PART II 1935-39 The Museum of Modern Art, will present a retrospective of films from the thirties beginning August 23, and running through October 6. The Thirties, according to Willard Van Dyke, Director of the Department of Film, will consist of 39 pictures, representing some of the richest creative talent in American cinema at a time that has been called "the dear, dead days not beyond recall." Two years ago the Museum presented The Thirties, U.S.A., Part I, covering the first half of the decade. The films being shown now as Part II were made from 1935 ^^ 193 '• Among the pictures to be shown are: Frank Capra's "Lost Horizon"; Paul Muni in "The Life of Emile Zola," the Story of a Northern Jew's lynching in the South; the great thriller "Night Must Fall," an adaptation of the Emlyn Williams play starring Robert Montgomery; and "The Good Earth," a spectacle film in black and white, from Pearl Buck's popular novel, for which Luise Rainer won her second Academy Award, with Paul Muni in the starring role. The latter part of the thirties was characterized by further achievements in the musical film, largely due to the talents of Fred Astaire, who with Ginger Rogers starred in "Top Hat," and "Shall We Dance," both of which are in the retrospective. The most important contributions to the annals of films made in the thirties was the series of "snowball" comedies Hollywood turned out at a time of grim, economic hardships. -
Contemporary Art from the Richard Brown Baker Collection September 23, 2011-January 8, 2012
Made in the UK: Contemporary Art from the Richard Brown Baker Collection September 23, 2011-January 8, 2012 Made in the UK offers an exceptional look at developments in British art--from the abstract painting of the 1950s to the hyperrealist images of the 1970s to the varied approaches of contemporary work. Throughout this period British art has been integral to international developments in contemporary art, but many of the artists included in this exhibition are less well known in America today than they once were. The RISD Museum's extraordinary collection of postwar British art-- uniquely strong in the United States--was made possible by the foresight and generosity of renowned collector Richard Brown Baker (American, 1912--2002). The show celebrates his extraordinary gift of British art as well as the works purchased with the substantial bequest he provided to continue building the collection. Baker, a Providence native, moved to New York in 1952, living just blocks from the 57th Street art galleries. As the city evolved into the new center of the art world, Baker was compelled to collect. Although he did not have large funds at his disposal, he became one of the most prescient collectors of American and European contemporary art in the late 20th century, acquiring more than 1,600 works, many before the artists had established their reputations. Baker never intended to build a collection of British art; his British holdings developed naturally in the context of his international outlook. He gave most of his collection to the Yale University Art Gallery, his alma mater, but gifted the RISD Museum more than 300 works, of which 136 are British. -
Glasgow International 24 April –– 10 May 2020 Admission Scotland’S Biennial Festival Free of Contemporary Visual Art Exhibitions Performances Events
@Gifestival #Gi2020 @Gifestival glasgowinternational.org Glasgow international 24 April –– 10 May 2020 Admission Scotland’s biennial festival Free of contemporary visual art Exhibitions Performances Events 9th Edition I am delighted to introduce the ninth edition Glasgow is a city where the production and Welcome to the ninth edition of Glasgow International. The theme for 2020 is of Glasgow International, Scotland’s biennial dissemination of world-class contemporary Attention and the festival is a chance to see what artists both in Glasgow and festival that celebrates contemporary visual art is part of our life-blood. It’s built into the across the world are turning their – and our – attention to right now. So often art from artists living and working right here in DNA of the city. today we are glued to our phones and other screens that we become beholden Glasgow as well as introducing new work by to the feed in one form or another, whether it be social media or news. Audiences are hungry for the ambitious artists from around the world. and challenging work that is being made in This festival is a chance to reflect on that – to take a step back and appreciate Glasgow is a city where art is risk-taking studios, workshops and galleries in every part how artists invite us to look at the world in different ways, to see what we and internationally significant, and Glasgow of the city. might be missing. To pay something attention is to bestow the value of our International plays a vital role in supporting concentration and time upon it. -
Giorgio Sadotti – Monster
Ikon Gallery, 1 Oozells Square, Brindleyplace, Birmingham b1 2hs tel. +44 (0) 121 248 0708 / fax. +44 (0) 121 248 0709 website. www.ikon-gallery.co.uk IKON Ikon Gallery is a registered charity no. 528892 Giorgio Sadotti THIS THIS MONSTER THIS THINGS 1 May – 14 July 2013 Tower Room Since 2010, British artist Giorgio Sadotti has been assembling THIS THIS MONSTER THIS THINGS, an exquisite corpse made from objects produced by fifty-one artist friends and acquaintances, most of whom have had an impact on Sadotti’s identity as an artist. This process of gradual accumulation has resulted in a meta-artwork or a curatorial monster that mockingly presents a complete entity; a Frankensteinian self-portrait, drawn from people who have become familiar with Sadotti and his work over a twenty-five year period. The various elements of Sadotti’s figure are fitted onto a precisely engineered aluminium skeleton to present a character constructed from assorted media, including sculpture, two-dimensional materials such as painting and photography, neon, a rose frozen in a block of ice and audio-visual body parts. These objects result in a cacophony, which represent the different facets of the artist’s personality, as well as the varied ways of producing and interpreting figurative artworks. Among the remains are Simon Martin’s consciousness, which comes in the form of a real lemon, Georgina Starr’s brain made from bubble-gum and a tarot card, and Paul Noble’s spinning, hallucinogenic and multi-faceted left foot and toes hewn from polystyrene and plaster. THIS THIS MONSTER THIS THINGS will be displayed in Ikon’s Tower Room. -
MGM Studio News (December 3, 1938)
12 NO. 5 VOL. 1938 3, DEC. \ I ^ | \ METRO-GOLDWYN-MAYER I T U D I 0 N E _w s 3 Numbers 3 New Myrna Loy’s Pet Pooch by Crawford Sung To Play A sta Role In Follies* ' For Ice New Thin Man Picure Headed straight for the hit parades of Myrna Loy’s wire-hair terrier, the country are three songs sun<? by Joan Published In the Interests of Metro-Goldwyn-Mayer Pictures Spike, will play the famous role of Follies of 1939,“ her California Crawford in “Ice Studios . Culver City, Asta in “The Thin Man Returns.” — new Metro-Goldwyn-Mayer starring pro- Spike, whose brother was fea- duction in which she appears with James tured in a national contest by Stewart and Lew Ayres. Mark Taxes Hellinger, is being trained for the Realistic Film Battle The songs are “Something’s Gotta Hap- part when William Powell and Miss pen Soon,” by Brown and Freed, “Here Loy resume their popular roles in Again,” by Roger Stars I Co Falling In Love Endurance of Stand Up the “Thin Man” series. Edens, and “It’s All So New to Me,” by Petkere and Symes. The original Asta later became Mr. Smith in another picture, but Preview performances of the numbers the name Asta belongs to Metro- by Miss Crawford have already clicked, Goldwyn-Mayer. Spike’s ability to but the songs will not be used for record- learn tricks gave Miss Loy the idea ing or broadcast until shortly before the of giving him a chance to play the release of the film. -
Seen from the Wings : Luise Rainer My Mother, the Journey. Pdf, Epub, Ebook
SEEN FROM THE WINGS : LUISE RAINER MY MOTHER, THE JOURNEY. PDF, EPUB, EBOOK Francesca Knittel Bowyer | 454 pages | 03 Jun 2019 | BookBaby | 9781543965629 | English | Pennsauken, United States Seen from the Wings : Luise Rainer My Mother, The Journey. PDF Book After moving to London, she helped fellow actors escape Nazi Germany. Name required. You are commenting using your Facebook account. Funeral services will be held on Monday at 1 P. Harvey and Tim are together again Greetings from New York! Her determination was her strength. In London, we were walking down the street. She really understood life, and she hungered to learn more about life and humanity, which is why she surrounded herself with people that we read about in books. Create a website or blog at WordPress. As an openly bisexual American actress who was charged with murdering her husband inspiring three films , Libby Holman led a controversial life. We grabbed the most delicious foods from local delis and have picnics. Do something about it. I always tell my children that no matter how bad it gets, you can take it with humor later on as a story to tell with a smile on your face. You are commenting using your Google account. So often, we choose the strong personalities that we looked up to in the partners we choose in our lives. Each book lays bare the stark reality of being raised in Hollywood, where the glamour and drama of being raised by world-renowned parents is tempered by the pressure to succeed in life and love in the shadow of Hollywood perfection.