@Gifestival #Gi2020 glasgowinternational.org international 24 April –– 10 May 2020 Admission Scotland’s biennial festival Free of contemporary visual art Exhibitions Performances Events

9th Edition I am delighted to introduce the ninth edition Glasgow is a city where the production and Welcome to the ninth edition of Glasgow International. The theme for 2020 is of Glasgow International, Scotland’s biennial dissemination of world-class contemporary Attention and the festival is a chance to see what artists both in Glasgow and festival that celebrates contemporary visual art is part of our life-blood. It’s built into the across the world are turning their – and our – attention to right now. So often art from artists living and working right here in DNA of the city. today we are glued to our phones and other screens that we become beholden Glasgow as well as introducing new work by to the feed in one form or another, whether it be social media or news. Audiences are hungry for the ambitious artists from around the world. and challenging work that is being made in This festival is a chance to reflect on that – to take a step back and appreciate Glasgow is a city where art is risk-taking studios, workshops and galleries in every part how artists invite us to look at the world in different ways, to see what we and internationally significant, and Glasgow of the city. might be missing. To pay something attention is to bestow the value of our International plays a vital role in supporting concentration and time upon it. To attend to someone or something is to Glasgow International is the critical moment artists and audiences, providing a unique express care. This could be an act of love, but equally an act of futility, as in the when we invite artists and visitors from platform to showcase the city and its visual case of Sisyphus pushing his rock up a mountain. around the world to join us in celebrating this art offering at its very best. extraordinary and inspiring community, when Attention is both a theme but also a way of looking, thinking and approaching Glasgow International has a particularly we showcase Scottish contemporary art to the world and the work of artists – with effort, depth and over a span of time. It important role to play in nurturing Glasgow’s the world. offers a framework or methodology for thinking through some of the urgencies extraordinary artistic ecology. In 2020, this of today; today’s urgencies that are likely to remain tomorrow’s. As outlined in Glasgow’s Culture Plan has been supported for the first time through currently under consultation, Glasgow The festival is a special moment, a crescendo in the creative rhythm of the a grant from the Scottish Government’s International is a key component of the city’s city – it is a burst of energy, but one that also offers opportunities to pause Festivals EXPO fund, enabling the festival to vibrant cultural ecology, directly contributing and take stock. It is also the sum of an extraordinary collaborative effort, and champion artistic excellence and provide an to the future health, prosperity and would not happen without the practical and moral support of colleagues and international platform for more of Glasgow’s sustainability of our city and its people. friends in Glasgow, Scotland, and further afield. Although there are too many artists. people to mention here, particular acknowledgment must be given to the The exhibitions also allow us to experience This year, as part of Scotland’s Year of festival’s Advisory Board chaired by Leonie Bell, and our key funders: Glasgow Glasgow’s cultural institutions in different Coasts and Waters 2020, Glasgow Life, Creative Scotland, the Scottish Government and EventScotland, whose ways. Watch out for GI in Kelvingrove Art International is navigating the Forth and ongoing investments have allowed GI to become the internationally recognised Gallery and Museum, Kelvin Hall, Clyde Canal, where a new film by Glasgow- event that it is. We’d like to extend particular thanks to colleagues at Glasgow and GoMA among many others. based artist Alberta Whittle is a particular Museums and Tramway for their support and partnership in helping to realise highlight. Glasgow International is also building on commissions and exhibitions. work taking place across the city. In 2019, GI 2020 takes place at a moment when Also, sincere thanks to those funders who have made contributions in 2020 Glasgow has supported an artist in residence Scotland’s place in the world could not feel including Art Fund, Canada Council for the Arts, SWG3, British Council, in every ward, echoing our ambition to ensure more significant, when international dialogue Outset, Henry Moore Foundation and the Bridget Riley Art Foundation, as that every member of our community has and exchange are vital to maintaining the well as Sigrid and Stephen Kirk, and other individual patrons and sponsors access to great art and culture. dynamism and inclusiveness of our nation. who have given so generously to this festival edition. This is by no means an I look forward to being inspired by artists Councillor David McDonald exhaustive list and I would urge people to explore the pages of this guide bringing critical thinking and insight to these Depute Leader of Glasgow City Council, and the acknowledgements section at the back to appreciate the extensive complex political times. Chair of Glasgow Life community of engagement that enables a festival like GI to happen. We are hugely indebted to Eoin Dara, Hanne Mugaas and Alberta Whittle, the selectors Fiona Hyslop for the Across the City programme, who approached an almost impossible task Cabinet Secretary for Culture, with insight and consideration. However, above all, our thanks must go to the Tourism and External Affairs artists and the artistic community of Glasgow for their unique and extraordinary work that must be the focus of all our attention. Richard Parry Director Glasgow International

02 #Gi2020 @Gifestival glasgowinternational.org 033 Access Visiting Gi Exhibitions that are part of the GI programme Support If you like what you see at the Glasgow International takes place every take place in venues across the city. We have festival please consider making two years in traditional and alternative used the following symbols to indicate access art venues across the city. Established in and facilities at each venue. These symbols a donation of any amount from 2005, it both commissions artists based in can be found in individual listings beneath the Scotland and internationally through the venue address. £5 to support our work. Director’s Programme and selects proposals Good Access: The venue has good All donations directly support our programme. Make a donation from artists, curators and organisations wheelchair access with level access via our website at glasgowinternational.org/support in Glasgow through the Across the City and/or lifts to access upper floors. programme. Limited Access: Some parts of the All exhibitions and events in the GI programme £5 £15 £25 venue are accessible for wheelchair are free to attend, however some events require users, other areas can only be accessed advance booking. Please check individual Those donating £100 or above get 20% off editions year round, via stairs (see the GI Access Guide for listings for opening times and booking with more benefits at larger amounts. For more information more info). information. on becoming a patron and to find out more about how your Not Accessible: The venue can only donations supports the festival, please visit the website. The majority of exhibitions are open from be accessed via stairs. 24 April to 10 May. Some events are one- off or only happen a few times – these can Toilets: The venue has toilets be identified in listings by looking out for the available for visitors. Glasgow Receive 20% off editions hollow circle. Accessible Toilets: The venue has international over our opening weekend, Find out about getting to Glasgow and getting a wheelchair-accessible toilet. around on pages 76 and 77. Gender Neutral: The venue has toilets Editions Thu 23 April – Sun 26 April.

not separated by gender or sex. Glasgow International Hub We work closely with artists to commission limited editions, Glasgow International Hub Hearing Loop: The venue has a hearing Centre for Contemporary Arts exclusive to GI and signed and numbered by the artist. loop available. Centre for Contemporary Arts 350 Sauchiehall Street Discover works from Lubaina Himid, Charlotte Prodger, Tai Shani, Find us at our city centre hub in the Centre for Refreshments: There is a café G2 3JD and new commissions for GI 2020 from France-Lise McGurn and Contemporary Arts foyer from 10am every day or somewhere you can purchase Thu 23 April – Sun 10 May Georgina Starr online at glasgowinternational.org or on display of the festival. See page 24 for more details. refreshments. Mon – Sun, 10am – 6pm in the GI Hub at the CCA throughout the festival.

We have also produced an extended GI Lubaina Himid, Breaking in Breaking out Breaking up Breaking down (2018), Access Guide with further information about limited edition available in GI Shop There is a large print version accessibility and facilities available at festival of this brochure available at venues. See glasgowinternational.org/access the GI Hub at the Centre for The GI Access Guide also includes information about Autism Hours and BSL tours which are Contemporary Arts. available for some exhibitions in the programme. For further information and if you have any Content Notes queries about the above, please contact We have a document containing content [email protected] notes indicating any potentially distressing subject matter for exhibitions and events in the programme. See glasgowinternational.org/ access

04 #Gi2020 @Gifestival glasgowinternational.org 055 Join us for a weekend of exhibition openings, talks, Glasgow International have partnered with David Roberts Art Opening performances, evening events and parties. Glasgow Foundation (DRAF) to present a performance programme to launch the festival. The event draws on a shared history Check out GI’s website for a full schedule of exhibition We ekend International of developing and staging dynamic performance work and openings and events taking place over the opening incorporates work by internationally recognised artists weekend. All are free but some require booking. x DRAF responding to the festival’s theme of Attention. Key opening weekend highlights include: Opening Party Taking place across spaces at SWG3, the programme . includes Paul Maheke, who is showing a new performance Lina Lapelyte commissioned by The Renaissance Society in Chicago, . Paul Maheke Lina Lapelyte, fresh from winning the 2019 Venice Biennale . . Thu 23 April Fri 24 April Sun 26 April Nina Beier Golden Lion (with collaborators Rugile Barzdžiukaite and . Glasgow International x Panel Discussion Performance: + Vaiva Grainyte), and Nina Beier who is presenting an extract DRAF Opening Party Alberta Whittle Hubris presented of a major new performance commission taking place at A discussion event by Civic Room MO.CO. in Montpellier in April. Each artist is engaging with A performance programme including artists exhibiting Join us for a newly different registers of attention throughout the evening, whether presented by GI and David as part of the Director’s commissioned performance SWG3 100 Eastvale Place through the flickering presence of dancers, plays on folk, Roberts Art Foundation with Programme work by Glasgow-based pop and opera, or the vulnerability of a changing world. The additional performances artist Alberta Whittle. The G3 8QG Reid Auditorium, Reid presentation at GI marks the beginning of a new phase in presented by Civic Room performance accompanies Thu 23 April, 9pm – late Building, 164 Renfrew DRAF’s work, collaborating across the UK with institutional her new work created SWG3 Street, G3 6RQ Free ticketed event - partners to share their work more broadly and to wider especially for GI. See page 9pm – late 12pm – 1pm booking essential via audiences. 33 for details. glasgowinternational.org . . Free, but booking essential Free, but booking essential Supported by Juste Kostikovaite at Lithuanian Culture Institute The Engine Works via glasgowinternational.org via glasgowinternational.org and Lithuanian Embassy in the , and Institut 23-25 Lochburn Road Français du Royaume-Uni GI Warehouse Party G20 9AE Drinks sponsor: Theodore Gin SWG3 12pm Doors: 10pm Free, but booking essential As part of the GI 2020 opening events at SWG3, Civic Room presents Hubris, a programme of performances with artists Please note that this party via glasgowinternational.org Christian Noelle Charles, Fontaine, William Joys and Wassili is organised and hosted by Widmer. See page 49 for details. SWG3. Tickets, prices and details on how to book can Sun 10 May Nina Beier, The Complete Works (2010) in Performance Year Zero, be found at swg3.tv Final Day Performances Tanks, Tate Modern (2012) and Party Dancer: Ellen Van Shuylenburch, courtesy Tate Modern, London Sat 25 April Join us for a programme Panel Discussion of activity on the last day of GI 2020, including a A discussion event performance by Jimmy including artists Robert at SWG3, participating in Glasgow presented in association International’s Across the with The Hunterian, as well City programme as other events. See the Centre for website for further details Contemporary Arts and booking information. 350 Sauchiehall Street SWG3 G2 3JD 7pm – late 12.30pm – 2pm Free, but booking essential Free, but booking essential via glasgowinternational.org via glasgowinternational.org

06 #Gi2020 @Gifestival glasgowinternational.org 07 For his first solo exhibition in Europe, and composer Alice Coltrane who in later Includes New Nep Sidhu Canadian artist Nep Sidhu presents a body years became a swamini, or Hindu ascetic. 01 Commissions of work embedded in Sikh metaphysics and Running throughout is the idea of deep An Immeasurable Melody, histories to explore relationships between rhythms and a sense of both the spiritual and memory, memorial and the divine. At once the earthly. While the works invite multiple Director’s Programme Medicine For A Nightmare personal yet also forged within a strong perspectives and readings, at their core is a Gallery of Modern Art sense of community, the work is inspired by desire for healing and awakening; call and (GoMA) ancestral bonds and present-day resonances, response. Royal Exchange Square bringing forward a sense of ritual, kinship and Supported by Canada Council for the Arts, G1 3AH seva (selfless service). The High Commission of Canada in the UK Fri 24 April – Sun 4 October Sidhu’s finely honed works incorporate a and Henry Moore Foundation Mon – Wed & Sat, wide variety of media including tapestry, Part of #CanadaGoesGlasgow, a year-long 10am – 5pm metal, earth and video. Sidhu merges his programme promoting the next generation of Thu, 10am – 8pm artistic practice with his musical interests Nep Sidhu with Nicholas Galanin, Axes in Polyrhythm from the inspiring Canadian talent showcased across Fri & Sun, 11am – 5pm and inspirations, including jazz musician series When My Drums Come Knocking, They Watch (2018) the city of Glasgow in 2020 Courtesy of the artist

08 Centre and North Centre and North 09 Péju Alatise, Ana Beatriz Seher Shah 02 03 Almeida, Ag Anara, Argument from Silence

Transmission Shai Andrade, Melvin Edwards, Glasgow Print Studio Glasgow Print Studio presents Argument from Silence, 28 King Street Mmakgabo Helen Sebidi Trongate 103 Seher Shah’s first solo exhibition in Scotland. Shah’s G1 5QP G1 5HD practice combines her experiences in the fields of art and architecture to explore the poetics and fractures of space. Fri 24 April – Sun 10 May Kalunga Fri 24 April – Sat 30 May Bringing together graphite drawings, etchings, woodcuts, Mon – Sun, 11am – 7pm Mon – Wed & Fri – Sun, In collaboration with Ana Beatriz Almeida, Transmission photogravures and sculpture, the exhibition reflects Shah’s 10am – 6pm co-curates an international group exhibition that centres interest in architectural abstraction and the erased and Thu, 10am – 8pm on Cameroonian philosopher Achille Mbembe’s analysis of rewritten histories of specific architectural sites. necropolitics – the ways in which death and violence may be used to exert power over the living. Kalunga is a presentation of artworks produced by non-hegemonic identities, located methodologically between anthropology and art criticism. The proposal is to activate global and local memories through cognitive schema contra to the hegemonic logic of Western imperialism. Supported by Glasgow International Seher Shah, Unit Object (gate) (2014) Published at the Glasgow Print Studio and printed by Stuart Duffin. Péju Alatise, Water No Get Enemy (ongoing) Courtesy the artist, Green Art Gallery and Nature Morte

10 Centre and North Centre and North 11 Sekai Machache, Aideen Doran, Beth Dynowski, 04 Awuor Onyango 05 Susannah Stark

Street Level Photoworks Body of Land Glasgow Project Room Songs for Work

Trongate 103 1st floor Body of Land explores African diasporic femininities in Songs for Work brings together moving image, sound, G1 5HD Trongate 103 Scotland and Kenya, through the work of Sekai Machache and performance, poetry, and installation by three Glasgow-based G1 5HD Fri 24 April – Sun 10 May Awuor Onyango, who collaborated in a residency exchange artists – Aideen Doran, Beth Dynowski and Susannah Stark Mon – Wed & Fri – Sat, produced by Fòcas Scotland. Working across photography Tue – Sun, 12pm – 5pm – to examine the effects of work on subjectivity, community 10am – 5pm and other media, Zimbabwe-born, Dundee-based Machache and wider social, political and ethical imaginaries. Being Thu, 10am – 8pm engages with the psychological sensation that one’s identity about work, the exhibition is also necessarily about time – the Sun, 12pm – 5pm is divided into multiple parts. Nairobi-based Onyango takes an absence or abundance of it – and about the spaces between Mon 11 May – Sun 28 June experimental approach that often results in mixed media pieces violence and reverie. and installations based upon film and photography. Tue – Sat, 10am – 5pm Performed by Penny Chivas and Zoe Katsilerou Sun, 12pm – 5pm Supported by Glasgow International Sekai Machache, White Aspect (2018) Courtesy of the artist

Nils McDiarmid, 06 Leslie Thompson, Robin Wise

Project Ability Gallery It’s in the detail

1st floor It’s in the detail highlights three artists with much more in Trongate 103 common than their medium. Nils McDiarmid, Leslie Thompson, G1 5HD and Robin Wise all make drawings, mostly using black ink Fri 24 April – Sun 10 May on paper. They also share a love of intricate pattern and line Mon – Sun, 10am – 5pm in creating works that imbue recognisable images with new Tue 12 May – Sat 30 May energy and life. Thompson is also undertaking a three-day residency in the gallery, during which visitors can watch the Tues – Sat, 10am – 5pm artist drawing live. For details of when to visit Thompson in residence, please visit glasgowinternational.org

12 Centre and North Centre and North 13 Méabh Breathnach, 07 Jack Brennan, Paul Kindersley,

The Brunswick Hotel Susannah Stark, 108 Brunswick Street Mimei Thompson, Ben Toms, G1 1TF Fri 24 April – Sun 10 May Urara Tsuchiya Mon – Thu, 1pm – 5pm Give us a Meow Fri – Sat, 6pm – 9pm Sun, 1pm – 5pm For Give us a Meow, artist Urara Tsuchiya has created the interior of an imaginary hotel room frozen in time and installed it within a real Glasgow hotel. Tsuchiya has also produced new site-specific ceramic and textile works for the installation, which replace the standard hotel fittings and amenities. On a monitor are film works by Tsuchiya and artist Ben Toms and there is also a programme of performances by invited artists. For details of performance times, please visit glasgowinternational.org Supported by Glasgow International

Douglas Coupland, 08 Garnet Hertz, Hyphen-Labs, Urara Tsuchiya, untitled (2018) Photo: Urara Tsuchiya. Courtesy of the artist South Block Michael Mandiberg, Nastja Säde 60-64 Osborne Street Rönkkö, Addie Wagenknecht, G1 5QH Fri 24 April – Sun 10 May Alan Warburton Mon – Fri, 9am – 5pm Sleep Mode Sat – Sun, 11am – 5pm Are you living your life in sleep mode – never fully on or off? This international group exhibition of media art addresses our diminished capacity to pay attention in a world based on a ceaseless cycle of production and consumption. In Sleep Mode, playful and funny art works, installed in a co-working space, explore ideas relating to surveillance, the gig economy, inescapable connectivity, and the balance between public and private. Supported by the High Commission of Canada in the UK, Somerset , University of Glasgow Information Studies and the Digital Departures Lab Curated by Sarah Cook Part of #CanadaGoesGlasgow, a year-long programme promoting the next generation of inspiring Canadian talent showcased across the city of Glasgow in 2020

14 Centre and North Centre and North 15 Ilana Halperin susan pui san lok 09 10 Excerpts from the Library 7x7

Patricia Fleming Gallery Excerpts From The Library at Patricia Fleming, Glasgow and The Briggait 7x7 marks the Scottish exhibition debut of London-based South Block There Is A Volcano Behind My House at Mount Stuart, Isle of 141 Bridgegate artist and writer, susan pui san lok. Incorporating site-specific 60-64 Osborne Street Bute, bring together an expansive new body of work by Ilana G1 5HZ installation, sound and sculpture, the exhibition foregrounds G1 5QH Halperin on both sites. Halperin is assembling a quietly urgent, (via Clyde Street the artist’s enquiry into the history and folklore around international narrative of the history of the earth, rooted in her rear entrance) witchcraft, and themes of power, place, memory, voice and Fri 24 April – Tue 31 May own life, alongside local human and geologic history, featuring witnessing. Inspired by local stories and sites including Pollok Wed – Fri, 12pm – 5pm sculptures, textile, drawing and off-site performance. Fri 24 April – Sun 10 May House and the Mugdock Park Drowning Ponds, 7x7 seeks to Sat, 12pm – 4pm Mon – Sun, 10am – 5pm connect narratives of persecution and resistance. Curated by Mother Tongue Supported by Glasgow International

Ilana Halperin, Sakurajima, 31 Oct 2019 (2019) Photo: Ilana Halperin. Courtesy the artist and Patricia Fleming, Glasgow susan pui san lok, Score for Voices (2019)

16 Centre and North Centre and North 17 Eva Rothschild Luke Fowler 11 12 Inside The Modern Institute’s gallery on Aird’s Lane and Two 16mm films by Luke Fowler are on show at The Modern expanding onto the green space outside are new works by Institute’s gallery on Osborne Street. Fowler’s film portraits The Modern Institute Eva Rothschild that extend the artist’s interest in reinvigorating The Modern Institute often hinge on neglected public figures or movements Aird’s Lane conventional sculpture. In 2019, Rothschild represented Osborne Street which have been marginalised, erased or misrepresented by 3 Aird’s Lane Ireland at the Venice Biennale. Rothschild’s aim with these 14-20 Osborne Street contemporary culture. These two new works mark a turn away G1 5HU new works is to create multiple spaces for contemplation, G1 5QN from this previous focus: both take as their subject matter the conversation and collective engagement. domestic archives of letters and notes created by the artist’s Fri 24 April – Sun 10 May Fri 24 April – Sun 10 May parents. Mon – Wed & Fri, 10am – 6pm Mon – Wed & Fri, 10am – 6pm Thu, 10am – 8pm Thu, 10am – 8pm Sat – Sun, 12pm – 5pm Sat – Sun, 12pm – 5pm

Mon 11 – Sat 23 May Mon 11 – Sat 23 May Thu – Sat, 12pm – 5pm Mon – Fri, 10am – 6pm or by appointment Sat, 12pm – 5pm Eva Rothschild, Kosmos (2018) Installation view, ACCA, Melbourne Photo: Andrew Curtis. Courtesy of the artist and The Modern Institute / Toby Webster Ltd., Glasgow

18 Centre and North Centre and North 19 Adam Christensen, 13 SAGG Napoli, Jeanne Tullen, 13

5 Florence Street Nora Turato 5 Florence Street New York-based artist, writer, and educator Kameelah Janan G5 0YX Too Much G5 0YX Rasheed is known for work that takes an experimental approach to narrating black experience. Working across Fri 24 April – Sun 10 May Fri 24 April – Sun 10 May a range of media, Rasheed often conceives exhibitions as Mon – Wed & Fri – Sun, Too Much reflects upon performativity labelled as excessive Mon – Wed & Fri – Sun, or disruptive, questioning the representation of the body in a pedagogical experiences with the power to explore conflicting 11am – 5pm 10am – 5pm histories, hidden narratives, archives, memory, and public Thu, 11am – 8pm patriarchal society. Curated by Giulia Gregnanin and produced Thu, 10am – 7pm by Sarah L. Smith, the project features interventions from space. Rasheed is showing newly developed work following a recent residency in Glasgow. Mon 11 May – Sun 24 May Adam Christensen, SAGG Napoli, Jeanne Tullen, and Nora Mon – Sun, 11am – 5pm Turato. Over the course of Glasgow International, four evening Supported by Glasgow International events present performative practices of disobedience that Curated by Exhibitions Opening performances exceed norms and expectations and open new possibilities for Fri 24 April, 6pm – 8pm subjectivity. Jeanne Tullen, Nora Turato Venue partner: Urban Office Closing performances Curatorial supporter: Resonance Capital Sun 10 May, 5pm – 6pm Supported by Glasgow International Adam Christensen, With thanks to Michael Murphy and Bal Kalirai SAGG Napoli

Adam Christensen, I’m Not Done with You Yet (2019) Kameelah Janan Rasheed, How to Suffer Politely (And Other Etiquette) (2014-present) Installation view at Goldsmiths CCA. Photo: Andy Stagg Courtesy of the artist and Transmission Gallery, 2016

20 Centre and North Centre and North 21 Laura Aldridge, PHYSICAL CULTURE: Raise your vibration Laura Aldridge, and stick this up where it will do some good IRL (2019) Courtesy of the artist and Koppe Astner, Glasgow 14 Leanne Ross, Judith Scott

Koppe Astner The Outside is Inside 36-38 Coburg Street Everything We Make G5 9JF Fri 24 April – Sun 10 May The Outside is Inside Everything We Make is a group Tue – Sun, 12pm – 6pm exhibition conceived by Glasgow-based artist Laura Aldridge.

Alongside new sculptural works by Aldridge, the exhibition Mon 11 May – Tue 30 June includes hand-painted posters composed of overheard Wed – Sat, 12pm – 6pm elements of conversation by Leanne Ross and objects methodically wrapped in layer upon layer of fibre by Judith Scott (1943 – 2005). The exhibition offers a way of exploring power and empowerment beyond that of established structures of experience.

Erika Silverman, 15 Raymond Strachan,

86 Maxwell Street Debbie Young G1 4EQ Sex Club Fri 24 April – Sun 10 May Mon – Wed, 12pm – 5pm Uncover hidden layers of Glasgow history at 86 Maxwell Thu, 12pm – 7pm Street, previously home to Legs and Co. strip club. Featuring Fri – Sun, 12pm – 5pm work by Erika Silverman, Raymond Strachan, and Debbie Young, whose diverse practices span painting, sculpture, film and textiles, Sex Club aims to reveal the building’s past narratives, partly still visible if you look closely enough. The exhibition provokes discussion about sex, public health, queer spaces, and intimacy within an urban context. Supported by Glasgow International

22 Centre and North Centre and North 23 Annie Crabtree Denise Ferreira da Silva, 16 Tell me, how do I feel? 17 Arjuna Neuman

Royal College of Dual-screen moving image work Tell me, how do I feel? Centre for Soot Breath/Corpus Infinitum

Physicians and Surgeons challenges the positioning of people as unreliable witnesses Contemporary Arts Arjuna Neuman and Denise Ferreira da Silva’s latest film, of Glasgow of their own bodies. Grounded in artist Annie Crabtree’s own 350 Sauchiehall Street Soot Breath / Corpus Infinitum, continues their interest in experience of ill health and hospitalisation, the work collages G2 3JD 232-242 St Vincent Street together personal testimony to critique the power dynamics reimagining histories of knowledge away from Eurocentric and G2 5RJ Fri 24 April – Sun 07 June of medical practice. The work is on show inside the Royal colonial origins. The film gathers a variety of examples where Mon – Sat, 11am – 6pm Fri 24 April – Fri 1 May College of Physicians and Surgeons of Glasgow, alongside subjectivity is unbound from the body alone, and rebound to Sun, 12pm – 6pm Mon – Fri, 9am – 6pm objects from the college’s collection. the world. It scales between the cultural, organic, quantum and Sat – Sun, 10am – 6pm cosmic – all the while tracking the element of earth through its many forms and facets. Mon 4 May – Sun 10 May Supported by Glasgow International, Hope Scott Trust Mon – Fri, 9am – 6pm and Creative Scotland

Arjuna Neuman and Denise Ferreira da Silva, 4 Waters, film still (2019) Courtesy of the artists

17 Glasgow International Hub Find us at our city-centre hub in the Centre for Contemporary Arts foyer from 10am every day of the festival. Grab a coffee Centre for from Saramago Café Bar, plan your visit with our guides and Contemporary Arts maps, meet other festival visitors and artists, and chat to our 350 Sauchiehall Street team of friendly volunteers who can tell you about events, G2 3JD recommend exhibitions, and help you navigate the festival. Thu 23 April – Sun 10 May There is a selection of GI's editions available to view Mon – Sun, 10am – 6pm and purchase. Café Saramago food served 12pm – 9pm daily

24 Centre and North Centre and North 25 Kate Davis, Charlie Hammond, Adrien Hester, 17 Hayley Tompkins 17 Elizabeth Murphy

Centre for Termite Tapeworm Fungus Moss Centre for What’s He Doing Here? Contemporary Arts Contemporary Arts Termite Tapeworm Fungus Moss is an exhibition of new This semi-fictional serialised radio play has been written Intermedia Gallery Theatre Space work by three Glasgow-based artists – Kate Davis, Charlie especially for Glasgow International 2020. Every day during 350 Sauchiehall Street 350 Sauchiehall Street Hammond, and Hayley Tompkins – which explores their shared the festival, Glasgow-based artists Adrien Hester and G2 3JD G2 3JD interest in the commonplace. Although working across a Elizabeth Murphy are releasing a new fifteen-minute episode Fri 24 April – Sun 10 May diverse range of media, these artists each begin with what Available online 24 hours, that asks vital questions about the relationship between the Mon – Wed & Fri – Sun, is close at hand. Their practices are enmeshed with their Fri 24 April – Sun 10 May arts and the city. Paying close attention to underrepresented 11am – 5pm everyday lives and they share a desire to examine, unpick, at glasgowinternational.org people and enclaves of queer, What’s He Doing Here? Thu, 11am – 7pm and re-imagine the minutiae of their daily experiences. Live event: Sun 10 May, combines field recordings with methods of improvisation to create a continuous chorus of diverse voices. Supported by Glasgow International 7.30pm – 9pm Supported by Glasgow International

Hayley Tompkins, Upgrade II (2019) Courtesy of the artist and The Modern Institute, Glasgow

D. Graham Burnett, Francis 17 McKee, ESTAR(SER) collective,

Centre for Joanna Fiduccia, Katherine Contemporary Arts MacBride, Hermione Spriggs Theatre Space 350 Sauchiehall Street Vigils and Vigilance: Attention, G2 3JD Duration, Subjectivity Thu 30 April 3pm – 6pm Vigils and Vigilance is a day-long symposium at CCA. Featuring talks, discussion, a performance lecture and participatory workshop, the symposium delves into multiple conceptions of attention. The programme has been influenced both by pioneering Scottish physiologist, Norman H. Mackworth, who created the first apparatus for measuring vigilance in the 1940s, and also by the spiritual and memorial power of the vigil, which has traditionally linked attention to waiting and time. Supported by Glasgow International

26 Centre and North Centre and North 27 Yuko Hasegawa, Iman Tajik 18 19 Fumihiko Sumitomo Bordered Miles

Glasgow School of Art Mutual Mirror Graduate Bursary Bordered Miles is a day-long group walk from Glasgow

Reid Auditorium city centre to Dungavel House immigration removal centre. This two-day walking workshop is led by internationally Civic House 164 Renfrew Street Conceived by Iman Tajik, the walk draws attention to the prominent Japanese curators Yuko Hasegawa and Fumihiko 26 Civic Street G3 6RQ movement of bodies as a natural right of any species, but one Sumitomo. Hasegawa is artistic director of the Museum of G4 9RH frequently constrained by multiple borders, both visible and Thu 7 May – Fri 8 May Contemporary Art, , while Sumitomo is director of Arts Group walk: invisible. The walk culminates in a group action at Dungavel. Thu – Fri, 10am – 5pm Maebashi and associate professor at Tokyo University of Arts. Sun 3 May, 7.30am There is also an accompanying exhibition of documentation, Free, ticketed event, While moving through the city and inviting conversations (meet at Civic House) with further opportunities for conversation, at Civic House. advance booking required. with practitioners in Scotland, the workshop introduces the Exhibition: 24 April – 10 May, In collaboration with Deveron Projects glasgowinternational.org curators’ practices and provides opportunities for open-ended discussion and mutual questioning. Mon – Sun, 12pm – 4pm Awarded the Glasgow International 2020 Graduate Bursary A collaboration between the Glasgow School of Art, University Discussion: Supported by Glasgow International of Glasgow and The Drouth, supported by Daiwa Foundation Wed 6 May, 5.30pm

Iman Tajik, A to B: II (2018)

28 Centre and North Centre and North 29 Furmaan Ahmed, Ratty Byebye, Andrew Sim 19 19 Sorcha Clelland, Flint McDonald, Heal the Sick, Raise the Dead

Civic House Benaissa Majeri, Dylan Moore, Civic House Often small in scale but in narrative power, the works of 26 Civic Street Davinder Singh, Sgàire Wood 26 Civic Street Glasgow-based artist Andrew Sim traverse the lines between G4 9RH G4 9RH personal and collective queerness. Working predominantly in pastel on paper, Sim brings together mythical creatures, Fri 24 April – Sun 10 May Stepping Out Fri 24 April – Sun 10 May ancient archetypes, and pop culture references to create Mon – Sun, 12pm – 6pm Mon – Sun, 12pm – 6pm Bringing together the work of eight artists, Stepping Out worlds that are at once familiar and unsettling. The resulting shines a spotlight on Glasgow’s diverse queer performance works address issues around mental health while situating scene. By presenting an array of costumes that would usually queer histories within a variety of occult traditions. only be seen from a distance on a club stage, and allowing Supported by Glasgow International visitors to take the time to view them up close, the exhibition offers the opportunity to gain a deeper understanding of the thought, care and labour that underpins queer performance. Curated by Love Unlimited Supported by Glasgow International

Ratty Byebye, Take Me Somewhere Sticky (2018) Andrew Sim, New Sodom under a God-Proof Space Dome, 3000AD (2019) Photo: Tiu Makkonen Photo: Malcolm Cochrane

30 Centre and North Centre and North 31 Canal Programme New Alberta Whittle 20 21 Developed in partnership with Glasgow Sculpture Studios, Commission business as usual: Glasgow International’s Canal Programme includes a major Navvies’ Barge new commission by Glasgow-based artist Alberta Whittle, The Engine Works hostile environment Applecross Wharf exhibited as installations in both The Engine Works and a 23-25 Lochburn Road Alberta Whittle’s new work is informed by collective thinking, G4 9SP studio space at National Theatre of Scotland. Whittle is G20 9AE making and discussion with women from Maryhill Integration Thur 23 April – Sun 10 May showing both her new commission, alongside the existing Thu 23 – Sun 26 April Network’s Joyous Choir and groups from Carnival Arts. Mon – Sun, 10am – 6pm video works sorry, not sorry (2018) and what sound does the Thu – Sun, 10am – 6pm Whittle’s new film, business as usual: hostile environment, black atlantic make (2019) and sculptural works. For activity times and further explores the ways that political and ecological climates shape one another. Dispersed across three interconnected sites programme information visit Further related activities are taking place on and around the along Glasgow’s Forth and Clyde Canal, the work utilises glasgowinternational.org canal including workshops with local community groups, Performance: the physical canal infrastructure as both a literal and poetic talks, guided tours, performances, and film screenings. Sun 26 April, 12pm route through which to reflect on the role of waterways in The programme offers visitors the opportunity to discover Free, but booking essential the voluntary and involuntary movement of people. Through important overlooked stories relating to the industrial legacy via glasgowinternational.org creating a movable and mutating encounter, the project of Glasgow’s canals. Information about the project is available highlights the dual nature of environment as a set of conditions to collect from Navvies’ Barge, a canal boat moored at capable of both hostility and nurture. the Applecross Wharf, with canal boat tours available on selected dates in the festival. For more details please check 22 glasgowinternational.org

National Theatre of Scotland Alberta Whittle, sorry, not sorry (2018) Supported by the Esmée Fairbairn Foundation, Rockvilla Courtesy of the artist EventScotland’s Year of Coasts and Waters 2020, 125 Craighall Road Glasgow Connected Arts Network and The National Lottery G4 9TL Heritage Fund Tue 27 April – Sat 9 May Mon – Fri, 10am – 6pm Sat, 10am – 5.30pm Closed, Sun 3 and Fri 8 May

Please note the two different venue locations and dates for this exhibition.

32 Centre and North Centre and North 33 Adelita Husni-Bey, Gabecare Alistair Dearie, Lotte Gertz, 23 (Rachel Adams, Tessa Lynch), 24 Lorna Macintyre

Springburn District Library G.O.D.S. (Ashanti Harris, Letitia 4 Murano Street Exercises in Style and Museum Maryhill Pleiades), Winnie Herbstein, Exercises in Style brings together work by three artists Atlas Square G20 7SD who share an interest in what art historian Norman Bryson 179 Ayr Street Katerina Konarovská, Harriet Fri 24 April – Sun 10 May has described as the ‘slow, almost geological rhythm’ of G21 4BW Rose Morley, Katie Shannon, Mon – Sun, 12pm – 5pm simple utensils, in contrast to the instant obsolescence of Fri 24 April – Sun 10 May complex technologies. Taking place in Alistair Dearie’s pottery Mon – Sun, 10am – 6pm Tara Marshall-Tierney studio, the exhibition expands the notion of still life through Thu, 10am – 8pm photography, sculptural installations, ceramic objects and

You’re Never Done painting – and the slow process of building relations

between them. You’re Never Done is a group exhibition featuring works by local and international artists that explores the invisible Supported by Glasgow International narratives of labour within our cities. Inspired by Glasgow’s public wash houses (known as ‘Steamies’), the exhibition transforms the disused Springburn Public Library and Museum into a collaborative co-working space created to address the gendered division of labour and visibility within working-class communities. Leontios Toumpouris Curated by Thomas Abercromby and Katerina Sidorova 25 Supported by Glasgow City Heritage Trust, Glasgow Palimpsest of voices

International, Hope Scott Trust and NG Homes Oakgrove Primary School Leontios Toumpouris presents Palimpsest of voices, a 20 St Peter’s Street new site-responsive work installed in the Assembly Hall of Harriet Rose Morley, Self Care in Self-Build (2019) G4 9PW Oakgrove Primary School. Through a series of workshops Courtesy of Hotel Maria Kapel based on creative learning, Toumpouris has been working with Fri 24 April – Sun 10 May the school’s pupils, families and staff to explore language and Mon – Fri, 3pm – 7pm communication beyond words or background. The project Sat – Sun, 12pm – 6pm results in a mural of bisque-fired ceramic pieces and 3D animations of an invented language. In partnership with Oakgrove Primary School, Queens Cross Housing Association and Glasgow Sculpture Studios Supported by Creative Scotland, Cultural Section of Cyprus High Commission and Glasgow International Produced by Alex Misick

34 Centre and North Centre and North 35 Carol Rhodes New France-Lise McGurn 26 26 See the World Commission Aloud

Director’s Programme Carol Rhodes (1959 – 2018) was a Glasgow-based artist Director’s Programme France-Lise McGurn’s newly commissioned installation known for her paintings of partly fictive, human-made draws on her personal experiences of Kelvingrove Art Gallery Kelvingrove Art Gallery landscapes – combinations of the natural and the artificial, Kelvingrove Art Gallery and Museum; the hours she spent there as a child and then and Museum suspended between intimacy and estrangement. This first and Museum later as an adult, inhabiting but also observing. In particular, Argyle Street posthumous solo exhibition focuses on Rhodes’ rarely Argyle Street Albert Moore’s well-loved painting, Reading Aloud (1884), G3 8AG exhibited drawings alongside key paintings and invites close G3 8AG has provided a point of departure for McGurn: especially Fri 24 April – Mon 25 May examination of her artistic processes and preoccupations. Fri 24 April 2020 – the positioning and postures of the models, its textures and ambiguous lack of urgency or context. Mon – Thu & Sat, Her works focus on topographic blind spots and peripheries, Sun 25 May 2021 10am – 5pm ‘non-places’ such as service stations, airports, railway depots, Mon – Thu & Sat, McGurn’s figurative practice delivers a wholly immersive Fri & Sun, 11am – 5pm development centres, trade parks and brown-field industrial 10am – 5pm experience, launching the viewer into a three-dimensional belts. These are environments often associated with the flow Fri & Sun, 11am – 5pm world of archetypal women and men, often portrayed in of material and labour, storage and distribution, the mining a state of undress, reclining in both ecstasy and agony. of natural resources, or the deposit of industrial waste and Sometimes they appear and attentive, sometimes byproduct. Human activity is everywhere, yet human beings languid, bathed in an air of euphoria. themselves do not feature, and the place and state of the In McGurn’s new work, her fluid application of paint breaks psyche is highly ambiguous. Rhodes drew upon various from the canvas, emerging unrestrained across sculptural sources, from geography textbooks and environmental surveys forms on the museum balcony. The compositional layering to urban planning manuals and her own photographs taken of paint onto transparent Perspex panels directly reflects the from helicopters and planes. The distance and detachment of exposure of private lives and intimacy so frequently at play in the aerial viewpoint is critical: absence and displacement are McGurn’s work. themes throughout. Supported by Henry Moore Foundation Supported by Bridget Riley Art Foundation

France-Lise McGurn, Earth Girls Are Easy (2019) Photo: Ben Westoby Carol Rhodes, River, Roads (2013) Courtesy of the estate of Carol Rhodes Courtesy of the artist and Simon Lee Gallery

36 West and South West West and South West 37 Centre and North

L GoMA The Modern Institute 17 Termite Tapeworm 4 Murano Street The Pyramid at Anderston e 24 n z i e 01 Nep Sidhu 11 Eva Rothschild Fungus Moss 24 Exercises in Style 32 Yuko Mohri

S 21 t d 12 Luke Fowler 17 What’s He Doing Here? 32 Jumbies R A803 Transmission Oakgrove Primary School rn Firhill Rd bu h SPRINGBURN 17 Vigils and Vigilance c 02 Kalunga 5 Florence Street 25 Leontios Toumpouris The Mitchell Library o L

21 13 Too Much Glasgow School of Art 33 Sharon Hayes Glasgow Print Studio Kelvingrove 03 Seher Shah 13 Kameelah Janan Rasheed 18 Mutual Mirror 26 Carol Rhodes The Pearce Institute A81 23 Street Level Photoworks Koppe Astner Civic House 26 France-Lise McGurn 34 Who’s Counting 14 The Outside is Inside 19 Iman Tajik A81 04 Body of Land Kelvin Hall Ibrox Library Everything We Make 19 Stepping Out 27 Gretchen Bender 35 Mathew Parkin F o Glasgow Project Room r 23 19 Andrew Sim th 86 Maxwell Street 27 Duncan Campbell a 05 Songs for Work Govan Project Space nd C 15 Sex Club Canal Programme 27 Ana Mazzei lyd 36 Jacqueline Donachie e C Project Ability Gallery anal 20 Navvie’s Barge 21 06 It’s in the detail Royal College of Physicians SWG3 37 Jacqueline Donachie 20 and Surgeons of Glasgow 21 Alberta Whittle 28 Georgina Starr Brunswick Hotel House for an Art Lover 16 Annie Crabtree 22 Alberta Whittle 22 07 Give us a Meow The Hunterian Art Gallery 38 Katie Watchorn Centre for Contemporary Springburn District 29 Jimmy Robert 38 Sulaïman Majali South Block Library and Museum Arts (Gi Hub) 33 Rosevale Street 38 These Stories... 08 Sleep Mode 23 You’re Never Done 17 Soot Breath/ 30 Don’t Let The Bastards 38 The Magic Roundabout Patricia Fleming Gallery Corpus Infinitum Grind You Down and the Besom 09 Ilana Halperin 38 Soufiane Ababri Berkeley Terrace Lane The Briggait 31 Garage Vivant 10 susan pui san lok A81 West and South West ST. GEORGE’S CROSS St Georges Rd 25 19 HILLHEAD 29

M8 M8 KELVINBRIDGE Great Western Road

Byres Road

COWCADDENS

Kelvin Hall Dumbarton Road PARTICK

18 1 30 26 Sauchiehall St 27 KELVINGROVE PARK M8 17 Renfrew St

Bath St CHARING in 33 lv CROSS e 31 K r e iv Sauchiehall St R M8 33 CHARING 28 Argyle St 31 CROSS

Hope St St Vincent St 34 River Clyde Kelvinhaugh St BUCHANAN ST A814 16 QUEEN ST

GOVAN GEORGE EXHIBITION West Campbell St SQUARE CENTRE 32 32 George St 37 SEC Govan Road ANDERSTON ANDERSTON Hydro Buchanan St 01 Ingram St HIGH ST GLASGOW Argyle St CENTRAL 07 M8 Queen St

ARGYLE ST High St Govan Road M8 River Clyde

ST. ENOCH Osborne St 05 06 Trongate IBROX Broomielaw 04 03 36 15 09 02 River Clyde 08 12 Clyde St

CESSNOCK 11 Bridgegate 35 10 BRIDGE ST Saltmarket Paisley Rd West KINNING PARK 14 SHIELDS ROAD M8 WEST STREET Norfolk St GLASGOW A77 GREEN 38 13

38 Centre and North West and South West 39 Langside Halls Radclyffe Hall Glasgow Women’s Library Platform 39 Sarah Forrest 43 Emmie McLuskey 47 Ingrid Pollard 50 Walker & Bromwich Ima-Abasi Okon Tramway David Dale Gallery Civic Room 40 Bodys Isek Kingelez Queens Park Railway Club 48 Dan Walwin 51 Dawn Mellor 40 Martine Syms 44 Graham Fagen Market Gallery The Gallow Gate 40 Jenkin van Zyl 3/1 38 Torrisdale Street 49 A many-voiced 52 Ndidi Dike 40 Georgina Starr 45 Deslices argument with life Celine Glasgow Autonomous Space 41 Donald Rodney 46 Hamja Ahsan The Deep End 42 Fabric of Society

South East

Westerhouse Rd 50 River Clyde M8

A77

COWCADDENS M8

Wardie Rd Nelson St

BRIDGE STREET M8 14 Cook St 13 50 Crown St

KINNING PARK A74

M8 WEST STREET Eglinton St SHIELDS ROAD M74 BUCHANAN ST QUEEN ST NECROPOLIS

Commercial Rd

t George St S h West St Hig Kilburnie St 51 46 Duke St HIGH ST GLASGOW CENTRAL 49 Duke St DUKE STREET

BELLGROVE

London Rd Shields Rd 52 A89 Gallowgate River Clyde Albert Dr Saltmarket M74 40 POLLOKSHIELDS EAST BRIDGE STREET

Abercromby St

Victoria Rd 14 13 Broad St 43 Nithsdale Rd 48 A77 A74

BRIDGETON POLLOKSHIELDS WEST 47 London Rd 42

James St QUEENS PARK Allison St A77 44 45 41

GLASGOW CROSSMYLOOF GREEN CROSSHILL Minard Rd

QUEENS PARK 39

40 South East 41 New Duncan Campbell New Ana Mazzei

27 Commission 27 Commission For his new commission, -winning artist Duncan Drama O’Rama: Other Scenes Campbell presents us with a giant electromagnetic mechanical Director’s Programme display. Akin to a message board at a railway station, airport, Director’s Programme Ana Mazzei’s first commission for a public institution in Scotland is a large-scale site-specific installation. The Kelvin Hall or stock exchange, the screen creates highly pixelated moving Kelvin Hall images, somewhere between animation, film and drawing, but Brazilian artist presents an unfurling series of rooms, filled with 1445 Argyle Street 1445 Argyle Street abstracted sculptural forms each pertaining to states of mind, G3 8AW on a cinematic scale. In conjunction with this is a recorded G3 8AW voice that tries to order information and present it to us. In which taken together suggest an open-ended narrative. Fri 24 April – Sun 10 May attempting to corral all this visual data, the work interrogates Fri 24 April – Sun 10 May At once vivid in colour and offering shifts in perspective Mon – Sun, 10am – 6pm the relationship between memory and what appears on the Mon – Sun, 10am – 6pm and viewpoint, each room could be a twist in a plot or a screen. figment from a dream or memory. There is a deliberate Campbell’s new commission draws upon his own earlier sense of somehow being caught in a choreographed works such as Falls Burns Malone Fiddles (2004) and It game, with sculptures that take on their own vocabulary of for Others (2013). Both these earlier works and Campbell’s forms, conjuring half-remembered episodes or fragmented new installation express an interest in values and a repressed mythologies. instinct of biographical curiosity. Key touchstones are the Residency supported by Hospitalfield novels of Samuel Beckett, which seem suspended in mid-air Exhibition supported by British Council between oppressive container and a yearning for containment. and Henry Moore Foundation Made possible with Art Fund support

Duncan Campbell, untitled (2020) Ana Mazzei, Run Rabbit Run (2018) Photo: Patrick Jameson. Courtesy of the artist Photo: Alex Wolfe

42 West and South West West and South West 43 As part of the Pictures Generation (a group Total Recall (1987) is a monumental multi- Gretchen Bender of 1970s New York media artists), pioneering channel video installation. It assembles 27 US artist Gretchen Bender (1951-2004) twenty-four stacked TV monitors and three Total Recall questioned the politics of entertainment projection screens to present a compelling and mass media products. Early on, in the eighteen-minute performance of moving Director’s Programme 1980s, her works offered an outlook upon images. Sourced from US TV commercials as Kelvin Hall the coming revolution of the digital and its well as Hollywood films, the footage is edited 1445 Argyle Street multiple impacts upon contemporary culture: to a rapid beat in order to create a pulsing G3 8AW accelerated globalisation, increasing levels stream of visual over-stimulation. Bender’s Fri 24 April – Sun 10 May of surveillance, the corporate production of work, presented in Scotland for the first time, Mon – Sun, 10am – 6pm desire, and the 24/7 newsfeed culture we is a truly immersive experience that critically experience today. reflects on the power of media. Supported by The Block and Robert Longo

Please note this exhibition is in a wheelchair accessible Gretchen Bender, Total Recall (1987). Photo: Tate part of the building.

44 West and South West West and South West 45 Moment Memory Monument (2017) is scientists test a time machine on a man Georgina Starr a large-scale sculptural performance who has recently attempted suicide, thereby 28 installation situated within the setting of forcing him to relive his real or imagined Moment Memory Monument the Time and Memory Research laboratory, memories. In the exhibition, it is visitors who transplanted into the Galvanizers, a former are invited to enter ‘The Sphere’, where Director’s Programme warehouse space at SWG3. At the centre they listen to a tale which takes them on an SWG3 of the work is ‘The Sphere’, a giant brain-like otherworldly journey. Galvanizers sculptural form with a soft and embracing Supported by Alcantara, The Hunterian, 100 Eastvale Place interior. University of Glasgow, Henry Moore G3 8QG Foundation and SWG3 Fri 24 April – Sun 10 May Moment Memory Monument revisits a Mon – Sat, 10am – 6pm scenario from Alain Resnais’ darkly surrealist Georgina Starr, Moment Memory Monument (2017) sci-fi film Je t’aime, Je t’aime (1968), in which Sun, 12pm – 6pm Courtesy of Georgina Starr and Alcantara Performances Thu 23 April, 7pm – 9pm Fri 24 April, 2pm – 5pm Sat 25 April, 2pm – 5pm Sun 10 May, 4pm – 7pm

46 West and South West West and South West 47 Jimmy Robert Christian Noelle Charles, 29 28 Tobacco Flower Liv Fontaine, William Joys,

The Hunterian Art Gallery Tobacco Flower is a major installation of new work by artist Part of the Wassili Widmer University of Glasgow Jimmy Robert, which focuses on relationships between GI Opening Party Europe and the Caribbean. Robert handles this urgent and Hubris 82 Hillhead Street SWG3 contentious material with care: Tobacco Flower is as intimate G12 8QQ 100 Eastvale Place Civic Room presents Hubris, a programme of performances as it is political. Working across several mediums, including Stobcross Road taking place at arts, music and events space SWG3. In Fri 24 April – Sun 12 July film and performance, Robert engages directly with The Mon, 11am – 4pm G3 8QG ancient Greece, hubris signified an overreaching arrogance Hunterian and its historical collections to examine the cultural that angered the gods and led to the offender’s downfall. Tue – Sat, 10am – 5pm framing of identities and desires. Thu 23 April, 9pm – late Sun, 11am – 4pm Here, in new works by Christian Noelle Charles, Liv Fontaine, Supported by Glasgow International and Goethe-Institut Free ticketed William Joys, and Wassili Widmer, hubris can be an act of events, advance transgression, one that challenges social norms in a way that Jimmy Robert, Untitled (belladonna) (2007) booking is required: may be inhumane or all too human. Courtesy of the artist and Tanya Leighton, glasgowinternational.org Curated by Civic Room This event takes place alongside the Glasgow International x David Roberts Art Foundation (DRAF) Opening Party. See page 7 for details.

Minty Donald, Nic Green, 31 Ashanti Harris, Stewart Laing,

10 Berkeley Terrace Lane Neil McGuire, Millar, G3 7DB Pester and Rossi, David Sherry Liv Fontaine, Paul Kindersley, Sat 2 May, 2pm – 7pm 30 Garage Vivant Huhtamaki Wab For one night only, a roller-shutter garage behind Glasgow’s Drawing Life Studio Don’t Let The Bastards Mitchell Library hosts Garage Vivant, a series of performances 33 Rosevale Street Grind You Down at the intersection between theatre and visual art. Minty G11 6ES Donald, Neil McGuire and Nick Millar have invited other artists An exhibition of exhibitionists, starring Liv Fontaine, Paul to respond to the concept of the tableau vivant, an artform in Fri 24 April – Sun 10 May Kindersley, and Huhtamaki Wab. Known for creating larger- which silent actors or models, sometimes costumed, create Mon – Sun, 10am – 5pm than-life personae, these artists explore the surreal, the static scenes with props and lighting. political and the outrageous within their own lives and wider Supported by Glasgow International society. Don’t Let The Bastards Grind You Down aims to draw attention to the paintings and drawings that underpin each artist’s practice. Expect whimsical scenes of joy, depravity and all the messiness of life. Curated by Cabbage Supported by Glasgow International 48 West and South West 49 New Yuko Mohri Sharon Hayes

32 Commission 33 Such is the delicacy of Japanese artist Yuko Mohri’s work that Ricerche it is often activated by only the tiniest vibrations or movements Director’s Programme around the installations, which involve elements of sound, The Glasgow Room Sharon Hayes’ major new project with The Common Guild is The Mitchell Library the culmination of Ricerche, a suite of video works that the The Pyramid at Anderston sculpture and kinetics. Set within the magnificent Pyramid North Street artist has been working on since 2013. Ricerche features a 759 Argyle Street congregation hall – now a deconsecrated space – this new installation incorporates microphones and a piano. The work G3 7DN range of individuals: from poets and labourers to students at G3 8DS a women’s college in Massachusetts, and children of queer involves a feedback loop, whereby the piano will ‘interpret’ Fri 24 April – Sun 10 May Fri 24 April – Sun 10 May or gender non-conforming parents. The result is a sustained and play back the sounds it ‘hears’ within the room, whether Mon – Fri, 10am – 5pm Mon – Sun, 10am – 6pm they be footsteps or the hubbub of chatter. The work shifts our investigation of public speech, and its intersections with Thu, 10am – 8pm history, politics, activism, queer theory, love and sexuality. focus away from sight and towards what comes through Sat – Sun, 12pm – 5pm our ears. Presented by The Common Guild Mohri’s work is location- and event-specific. It incorporates elements of chance involving whoever might be visiting on a Sharon Hayes, Ricerche (2019) given day. In this way there is an echo of the pioneering work Courtesy of the artist and Tanya Leighton, Berlin of John Cage: the inclusion of the piano reminds us of Cage’s most infamous work, 4´33”, in which the pianist plays nothing and the sound of the audience comprises the music. Supported by British Council, Great Britain Sasakawa Foundation, Young Collectors Collective and Henry Moore Foundation

Yuko Mohri, Voluta (2018). Installation view at Camden Arts Centre Photo: Damian Griffiths. Courtesy of Camden Arts Centre

Ashanti Harris, Zephyr Liddell, 32 Patricia Panther

The Pyramid at Anderston Jumbies

759 Argyle Street Jumbies is a collaborative ‘group-show-as-performance’ G3 8DS which weaves together the diverse practices of visual artist

Ashanti Harris, textile designer Zephyr Liddell and sound Fri 24 – Sun 26 April artist Patricia Panther. Taking its title from the jumbie – a Free, ticketed events, Caribbean colloquial for ghost – the performance combines advance booking is required: dance, sound, and printed textiles to explore Jacques Derrida’s glasgowinternational.org concept of ‘hauntology’; creating a space of layered fictions, alternate realities, apparitions and re-presentations. Supported by Creative Scotland, Glasgow International and Panel

50 West and South West West and South West 51 Margaret Salmon, Untitled photograph [detail] (2019) Courtesy of the artist Kader Attia, Margaret Salmon 34 Who’s Counting?

The Pearce Institute Glasgow-based curatorial co-operative Chapter Thirteen 840-860 Govan Road presents an exhibition that champions empathy, love and G51 3UU healing as visceral approaches to political discourse. Who’s Counting? pairs a new project by Margaret Salmon that Fri 24 April – Sun 10 May reflects on feminist economic theory alongside context- Mon – Sun, 12pm – 5pm responsive work exploring the notion of ‘repair’ by Kader Attia, Closed, Fri 8 May who is showing in Scotland for the first time. Taking place in the historic Pearce Institute, the exhibition incorporates Events every Sat, 25 April, additional materials, discussions and events. 2 May and 9 May at 3pm Supported by Glasgow International, Goethe-Institut and Institut Français du Royaume-Uni

Mathew Parkin 35 Lug

Ibrox Library Artist Mathew Parkin has long been interested in ideas relating Midlock Street to the body and accessibility, class and intimacy, geography, G51 1SL queerness, sex and kinship. Parkin’s work often involves collaboration with friends, lovers, peers and family, both as Fri 24 April – Sun 10 May subjects and during the process of production. Parkin’s latest Mon, Wed & Fri – Sat, exhibition, Lug, which makes reference to the Yorkshire Dialect 10am – 5pm Society, consists of a new online moving image work and an Tue & Thu, 10am – 8pm installation in Ibrox Library. Supported by Glasgow International, The Art House, Wakefield and Creative Scotland

52 West and South West West and South West 53 Jacqueline Donachie Katie Watchorn 36 38 STEP Zero-Grazing

Govan Project Space Jacqueline Donachie is known for her socially-engaged House for an Art Lover New work by Katie Watchorn spans the gallery and courtyard 249 Govan Road practice that is rooted in an exploration of individual, family Studio Pavilion at Studio Pavilion at House for an Art Lover. Watchorn’s G51 1HJ and collective identity and the structures, platforms and Bellahouston Park practice is rooted in the rhythms of her family’s dairy farm in spaces through which it is constructed and supported. For 10 Dumbreck Road rural Ireland. Primarily through sculpture, she attempts to worry Fri 24 April – Sun 10 May Glasgow International, she is engaging directly with the city’s G41 5BW through her family’s farm life, as her father worries over his Mon – Sun, 10am – 4pm architectural heritage, questioning how we can continue animals. Using agriculturally specific materials, she creates the Fri 24 April – Sun 10 May Symposium: Thu 30 April to access it. Her work acts as a vibrant place for people to sensation of entering onto private land – as if the landowner commune and begin new discussions. Mon – Sun, 10am – 5pm has only just departed. Supported by Glasgow City Heritage Trust, Glasgow Supported by Culture Ireland and Glasgow International International, Sculpture Placement Group and SWG3 37

Offsite public art work: Govan Graving Docks Entrance via gate at corner of Stag Street and Clydebrae Street G51 2AJ Jacqueline Donachie, Headphones, Music, Boats and Trains (2017) Mon – Sun, 12pm – 5pm Installation view at Gallery of Modern Art, Glasgow Photo: Ruth Clark. Courtesy of Patricia Fleming Projects, Glasgow Katie Watchorn, BalehomeBalehome (2018)

54 West and South West West and South West 55 Sulaïman Majali Andrew Black, Aman Sandhu 38 38 false dawn The Magic Roundabout

House for an Art Lover false dawn invokes Scheherazade from the folktale ‘1001 House for an Art Lover and The Besom Studio Pavilion Nights’ and imagines her as a radical disruptor who maps Studio Pavilion Project Space and obstructs the colonial matrix. The exhibition proposes the Shed Space These two new film works are united by an interest in queer Bellahouston Park tales – subsumed by Orientalism and encountered through Bellahouston Park narratives of place. Shot inside a car, Aman Sandhu’s The 10 Dumbreck Road a diasporic optic – as a vehicle for spatial and temporal 10 Dumbreck Road Magic Roundabout uses a notorious traffic intersection in G41 5BW disruption, through which Scheherazade performs collapse G41 5BW Swindon as a stage for the retelling of male indiscretions in within the apparatus of disposability and maps divergence as a local Punjabi family. Andrew Black’s The Besom combines Fri 24 April – Sun 10 May a weapon to be deployed in the house of an enduring imperial Fri 24 April – Sun 10 May Mon – Sun, 10am – 5pm Mon – Sun, 10am – 5pm gay erotic fantasy, architectural ruin and nostalgic pastoral imaginary. narratives in the countryside surrounding a US military radar Supported by Glasgow International station in North Yorkshire. Supported by Glasgow International

Sekai Machache, Thulani Rachia 38 These stories...

Aman Sandhu, The Magic Roundabout (2020) House for an Art Lover This pair of conceptually linked solo exhibitions comprises Heritage Centre The Divine Sky by Sekai Machache and ‘...Wathint’ Imbokodo’ Bellahouston Park by Thulani Rachia. Making reference to Your Silence Won’t 10 Dumbreck Road Protect You, a posthumously published collection of essays, G41 5BW speeches, and poems by African American writer Audre Lorde, the exhibitions piece together fragments, histories, Fri 24 April – Sun 10 May and mythologies as a form of resistance against the daily, Mon – Sun, 10am – 5pm systematic oppression experienced by people of colour. Curated by Katherine Ka Yi Liu Supported by Glasgow International

56 West and South West West and South West 57 Soufiane Ababri New Sarah Forrest 38 39 Sub! Commission

Are we seeing what we’re supposed to see? What clues are Artist Soufiane Ababri works across a range of forms: from House for an Art Lover Director’s Programme being hinted at and how are we, the viewer or reader, caught performance and sculpture to film and drawing. His work often The Gardener’s Bothy up in the narrative? This new work by Glasgow-based artist critiques prescriptive gender roles, highlighting the legacies of Langside Halls Bellahouston Park Sarah Forrest takes on the detective novel as its starting point oppressive colonial structures, specifically relating to racism 1 Langside Avenue 10 Dumbreck Road in order to unravel how our attention is shifted when we are on and homophobia. Sub! is Ababri’s first solo exhibition in G41 2QR G41 5BW the trail of a sleuthing mystery. Scotland. It is a confrontation of the intimate with the social Fri 24 April – Sun 10 May Fri 24 April – Sun 10 May world and what can be drawn from these situations. Mon – Sun, 10am – 6pm In detecting, the act of inquiry means that our senses become Mon – Sun, 10am – 5pm heightened as every object encountered could be laced with Supported by Glasgow International apparent or hidden meanings. The detective novel supposes that logic will ultimately triumph over dark forces. We are led from A to B to C in a sequence that foregrounds rationality Soufiane Ababri, Bedwork (2017) Courtesy of the artist and Praz Delavallade Paris Los Angeles and precision. It is the triumph of close looking. And yet in many instances the detective is male and presented as a kind of rational saviour. This patriarchal trait is subverted and problematised in Forrest’s tightly wrought new work. Supported by Glasgow School of Art (GSA)

Sarah Forrest, I Left It on Page 32 (still) (2013). Courtesy of the artist

58 West and South West South 59 a base to refine his practice. He created and national identity – resonating profoundly Bodys Isek Kingelez works from a variety of everyday and found within today’s contemporary societies – while 40 materials such as coloured paper, cardboard, remaining innately infused with potential. Based in then-Zaire (now Democratic Republic of Congo), plastic and tape, meticulously repurposed Kingelez’s work was included in the ground- Bodys Isek Kingelez (1948 – 2015) created sculptures of in order to radically rethink the world around Director’s Programme breaking 1989 exhibition Magiciens de la imagined buildings and cityscapes that propose fantastical, him. terre at the Centre Pompidou, Paris, and has Tramway T5 utopian models for a more harmonious future society. Working Shown for the first time in a UK solo most recently been exhibited in the first large- 25 Albert Drive in a period of socio-political shifts, Kingelez responded to an exhibition, Kingelez’s ‘extreme maquettes’ scale solo presentation of his work, City G41 2PE urgent need to transform urban reality. are vibrant, ambitious and highly detailed Dreams (2018-2019) at MoMA, New York. Fri 24 April – Sun 10 May From the late 1970s until 1985 Kingelez worked as a self- sculptures. These inventive works raise Supported by Henry Moore Foundation Mon – Fri, 12pm – 5pm taught art restorer at the Institut des Musées Nationaux du questions around difficult issues of urban Sat – Sun, 12pm – 6pm Zaïre, which gave him access to supplies and materials, and planning, economic inequity, nationhood Mon 11 May – Sun 21 June Bodys Isek Kingelez, Kimbembele Ihunga (1992) Tue – Fri, 12pm – 5pm Courtesy of The Museum of Everything Sat – Sun, 12pm – 6pm

60 South South 61 Photo: Tyler Adams (2019) New Martine Syms 40 Commission S1:E4

Director’s Programme S1:E4 is a new episode in Martine Syms’ project SHE MAD (2015-ongoing), in which the artist incorporates elements of Tramway T5 the sitcom format and past TV series to explore ‘the sign of 25 Albert Drive blackness in the public imagination’. Presented in the form G41 2PE of a giant widescreen projection encompassing one wall of Fri 24 April – Sun 10 May Tramway’s largest gallery, the work follows the character Mon – Fri, 12pm – 5pm of Martine, described as an ‘overachieving, stoner graphic Sat – Sun, 12pm – 6pm designer who lives in Hollywood and wishes she were an important artist’. Mon 11 May – Sun 21 June Tue – Fri, 12pm – 5pm In this iteration the focus is on a ‘micro-aggression’ at a client’s Sat – Sun, 12pm – 6pm party, triggering a flashback to the summer of 2000, when Martine was a camper at T-Zone, a week-long empowerment programme for teenage girls founded by a supermodel and business mogul. Co-curated and co-commissioned by Glasgow International and Tramway Supported by Bridget Donahue Gallery, New York, Sadie Coles HQ, London and Henry Moore Foundation

62 South South 63 New Jenkin van Zyl New Georgina Starr 40 40 Commission In Vitro Commission Quarantaine

Director’s Programme We arrive into a chamber of cake ‘heads’ – grotesque mask- Director’s Programme Quarantaine is an ambitious new film by Georgina Starr. Its like baked goods in fridges – and thus begins a journey into title refers to the French word for ‘forty’, and also alludes to the Tramway T4 the witty and bacchanalian world of Jenkin van Zyl. Taking Tramway T1 period of enforced isolation known in English as ‘quarantine’ 25 Albert Drive on the dungeon-like qualities of Tramway’s T4 Theatre, the 25 Albert Drive (so-called because of its original forty-day timeframe). Over G41 2PE artist creates an immersive installation comprising both G41 2PE the course of multiple chapters, it follows the story of two new Fri 24 April – Sun 10 May sculpture and video, inviting viewers into a scenario involving Fri 24 April – Sun 10 May recruits to a clandestine sisterhood whose pursuit of esoteric Mon – Fri, 12pm – 5pm amongst other things airplane fuselage to impress a sense of Mon – Fri, 12pm – 5pm knowledge takes place in a secret place of instruction, similarly Sat – Sun, 12pm – 6pm claustrophobia, sexual ecstasy, hysteria and ‘folk horror’. Sat – Sun, 12pm – 6pm cut off from the world outside. At the heart of the installation is a new film which introduces Contrasting what seems like a cult-like focus on strict us to characters enacting looped rituals of reproduction and supervision and mind-control with other more unruly rituals self-pollination in an effort to achieve community, individuation of mind expansion and extrasensory perception, Quarantaine and re-enchantment. The work seeks to indulge in but also continues Starr’s preoccupation with the otherworldly and the problematise the spectacle of transgression. Pulling together occult, and her longstanding interests in the visionary aspects at once pleasure, pain and hope, van Zyl uses camp and of experimental cinema, to further her exploration of the hidden humour to subvert societal expectations, and imagine what recesses of the creative imagination. abundance and joy could mean outside the cycles of physical Co-commissioned by Film and Video Umbrella, The Hunterian, reproduction and consumption. For the artist ‘the hope University of Glasgow, Leeds Art Gallery and Glasgow of pretending is that, with enough time and practise, the International with Art Fund support through the Moving Image performance becomes you’. Fund for Museums. This programme is made possible thanks Supported by Henry Moore Foundation to Thomas Dane Gallery and a group of private galleries and individuals.

Jenkin van Zyl, In Vitro (still) (2020). Courtesy of the artist Georgina Starr, Quarantaine (still) (2020). Courtesy of the artist

64 South South 65 Donald Rodney Rabiya Choudhry, Raisa Kabir, 41 42 Jasleen Kaur, Rae-Yen Song Artist-run space Celine presents an exhibition of work by artist

Celine Donald Rodney. A leading figure in Britain’s BLK Art Group of The Deep End Fabric of Society

3/2 493 Victoria Road the 1980s, Rodney was renowned for appropriating images 21 Nithsdale Street Fabric of Society is a self-organising collective of four UK- G42 8RL from popular culture in order to explore issues of racial identity (lane entrance accessible based artists of colour. The resulting group exhibition has been and racism. Rodney’s pioneering engagements with new between Pollokshaws Road Fri 24 April – Sun 10 May woven together by an exploration of fabric and textile, invoking media and technology make his work especially relevant to a and Nithsdale Drive) Mon – Sun, 12pm – 6pm the personal stories of the individual artists involved, whilst new generation of artists living and working today. G41 2PZ reflecting on our broader social fabric. Drawing on fabric’s Supported by the estate of Donald Rodney, Glasgow Fri 24 April – Sun 10 May associations with constructions of womanhood and identity, International, professor Mike Phillips and Dr. Guido Bugmann Mon – Sun, 11am – 6pm Fabric of Society creates and interrogates narratives which are Curated by Ian Sergeant and Celine – variously – personal, collective and universal. Supported by Creative Scotland and Glasgow International

Unknown photographer, Untitled photograph (1987) Rabiya Choudhry, COCO!NUTS! Fabrics (2018) Courtesy of the estate of Donald Rodney Photo: Eoin Carey

66 South South 67 Mason Leaver-Yap, Emmie Catalina Barroso-Luque, 43 McLuskey, Ima-Abasi Okon 45 Daniella Valz Gen

Radclyffe Hall 3/1 38 Torrisdale Street Deslices Glasgow-based artist Emmie McLuskey and Ima-Abasi Okon, 2/2 7 Newark Drive G42 8PL who lives and works in and London, are presenting An intimate performance event that incorporates new work by G41 4QJ artwork within the domestic setting of Radclyffe Hall, Glasgow-based artist Catalina Barroso-Luque and Daniella Fri 24 April, 6pm – 9pm Fri 24 April – Sun 10 May alongside texts by writer Mason Leaver-Yap. McLuskey works Valz Gen, who lives and works in London. Deslices combines Sat 25 April, 3pm – 6pm Mon – Sun, 5pm – 7pm with sculpture, print, sound and performance to explore the shared bodily experiences with moments of cross-cultural physical embodiment of communication with a particular focus misunderstanding in order to examine multiple notions of on systems of learning. Okon combines sculpture, sound and gender and the exchanges that shape these relationships. video to produce installations that complicate the construction Staged in a domestic space, Deslices emphasises parallels of knowledge. between everyday power dynamics and those embedded within acts of spectatorship. Supported by Glasgow International Supported by a-n Artist Bursary 2020, Creative Scotland, Glasgow City Council and Glasgow International

Graham Fagen Hamja Ahsan 44 Ping Pong Club 46 Shy Radicals Film Season

Queens Park Railway Club Graham Fagen represented Scotland at the 56th Venice Rattle Library at Glasgow (And Training Films)

492 Victoria Road Biennale in 2015. His latest project started with an archive: Autonomous Space In 2017, Hamja Ahsan published Shy Radicals: The G42 8PQ letters, notes, name tags and invitations, collected over 20 Unit 11, 53 Kilbirnie Street Antisystemic Politics of the Militant Introvert, a book that years, all bearing Fagen’s name, spelt incorrectly. They come G5 8JD acts as a blueprint for the fictional liberation struggle of Fri 24 April – Sun 10 May from airlines, football clubs, the BBC, and even the Prime Thu 30 April – Mon 4 May shy, introverted, and autistic spectrum peoples against Mon – Sun, 12pm – 6pm Minister of the UK. For Fagen, this archive raises questions beyond bureaucratic ineptitude; it touches upon the formation Thu & Fri, Sun & Mon, ‘the Extrovert-Supremacist World Order’. For Glasgow of identity, and the relationships between archives and 7pm – 12am International, Rattle Library is bringing to life a speculative film subjectivity, fiction and the law. Sat, 5pm – 9pm season proposed within the book. The programme includes documentaries, chick flicks, revenge movies, and avant-garde Supported by Glasgow International cinema, all featuring shy heroes or autistic spectrum icons. Supported by Glasgow International

68 South South 69 Ingrid Pollard, Untitled from 17 of 68 series (2019) Courtesy of the artist Ingrid Pollard 47 Glasgow Women’s Library presents specially commissioned Glasgow Women’s Library new work by artist and researcher Ingrid Pollard. Known for 23 Landressy Street paying close attention to histories of representation, Pollard’s G40 1BP work, as she puts it, ‘brings to life what we always knew was there’. Following a residency in 2019, Pollard’s latest work Fri 24 April – Sun 10 May responds to the Lesbian Archive and Information Centre, part Mon – Wed & Fri, of the library’s collections. The result provides a vital challenge 10am – 5pm to the ongoing marginalisation of LGBTQ+ culture and history. Thu, 10am – 7.30pm Sat – Sun, 12pm – 4pm Supported by Esmée Fairbairn Collections Fund and Glasgow International Mon 11 May – Mon 1 June Mon – Wed & Fri, 10am – 5pm Thu, 10am – 7.30pm Sat, 12pm – 4pm

Dan Walwin 48 Like clock

David Dale Gallery Dan Walwin, who lives and works in Amsterdam, attends 161 Broad Street closely to the movement of subjects, from the embodied G40 2QR camera to the gallery visitor. The environments that the artist creates combine video, sound, sculpture and installation in Fri 24 April – Sun 10 May order to channel visceral sensations associated with particular Mon – Sun, 11am – 6pm forms of containment. This new work has been commissioned Mon 11 May – Sat 6 June for the gallery and courtyard of David Dale Gallery, a not-for- Thu – Sat, 12pm – 6pm profit contemporary art gallery and artists’ studios. Supported by Creative Scotland, Glasgow International and Mondriaan Fund

East 71 Céline Amendola, Gordon Dawn Mellor 49 Douglas, Saira Harvey, Katy 51 The Trials and Tribulations

Market Gallery Hassall, Annie Hazelwood, Civic Room of Wet Horse Hair

334 Duke Street 215 High Street Ruthie Kennedy, Judith Leupi, For Dawn Mellor’s first exhibition in Scotland, the artist is G31 1QZ G1 1QB showing new paintings of actors such as Marianne Jean- Fri 24 April – Sun 10 May Suds McKenna, Holly Muir, Fri 24 April – Sun 10 May Baptiste, Daniela Nardini and Julie Walters. Cast as members Mon – Sun, 12pm – 6pm Isobel Neviazsky, Nastya Mon – Sun, 11am – 6pm of a judicial system, they are depicted in various states of pleasure. Mellor has also added depictions of real and Nikolskaya, Stephen Polatch, imagined sea life in reference to the phrase, ‘bottom feeders’, meaning not only ocean-floor scavengers but also people who Sabine, Alex Sarkisian, benefit from the misfortune of others. Martin Steuck, Camara Taylor, Curated by Young Team Lizzie Watts Supported by Glasgow International A many-voiced argument

with life Walker & Bromwich, Mosaic Performance (2019) Photo: Julia Bauer Over the eighteen days of Glasgow International, eighteen artists are contributing existing work to a new publication and presenting a day-long intervention at Market Gallery, transforming the space into a site for expanded reading. The gallery invited nine Glasgow-based artists; they in turn invited a further nine. The result is a celebration of friendship in its broadest sense – as the company we choose to keep and the texts we read and return to – and a challenge to curatorial control. Supported by Creative Scotland and Glasgow International Walker & Bromwich 50 Recalled to Life

Platform At 240-feet long, the Easterhouse Mosaic was one of the The Bridge largest handmade murals in Europe. Unveiled in 1983 and 1000 Westerhouse Road widely celebrated, it nonetheless fell into disrepair and was de- G34 9JW commissioned in 2004. Art duo Zoe Walker and Neil Bromwich are working with residents to bring physical fragments of Fri 24 April – Sat 30 May the mosaic back to life through performative walks and an Mon – Sun, 10am – 5pm exhibition, in order to uncover the radical working-class history Performances: of this lost community artwork. Free, ticketed events, Supported by Glasgow International and Seven Lochs advance booking required: Wetland Park glasgowinternational.org

72 East East 73 Ruth Mitchell, commissioned by The Gallow Gate for Hushed by Ndidi Dike (2019) Ndidi Dike 52 Hushed

The Gallow Gate Hushed is the first presentation in Scotland of artist Ndidi Many Studios Dike. Presented at The Gallow Gate, the exhibition features 3 Ross Street new work across installation, archival photography, video and G1 5AR sculpture. Dike’s new work considers the historic and ongoing impacts of the colonial cloth trade, paying particular attention Fri 24 April – Sun 10 May to plants that have been used as sources of the blue dye Wed – Sun, 10am – 6pm indigo: indigofera and lonchocarpus cyanescens. Curated by Natalia Palombo Supported by Glasgow International and British Council

74 East East 75 Rail We encourage you to think green and explore the city on foot, Getting Here There are two main national railway terminals – Central Station Getting Around by bike or by public transport wherever possible. and Queen Street Station – both of which are in the city centre. They both also connect to the local network, which On Foot serves the south and east of the city particularly well. Glasgow is an easy city to navigate on foot, and we have For further national info check thetrainline.com designed this guide with consideration to how visitors may move around venues within each area. Please see the maps on Road pages 38 - 41 and within each section to plan your trip. Glasgow is linked to with the M8, with the M74, Stirling with the M80 and the West Coast of Scotland By Train with the M77. For real-time travel information on all of Travelling by train is one of the quickest, easiest and cost Scotland’s trunk roads visit trafficscotland.org, or access it via effective ways to get around Glasgow, with many stations near the Traveline Scotland app. to key festival venues. See the maps on pages 38-41 to check Air the stations near to festival venues. Glasgow Airport is 15 minutes by taxi or 20 minutes by bus to the city centre, while Glasgow Prestwick is 45 minutes by rail By Bike or road. Edinburgh Airport is 45 minutes by road or 60 minutes We encourage you to cycle around the festival. There are by direct bus. dedicated bike lanes on many of Glasgow’s roads. You can also rent bikes from the Next Bike stations around the city. For more details please visit: nextbike.co.uk/en/glasgow/. You can Glasgow and its surrounding areas offer a wide range of also download their app for Android/iPhone. Where to Stay accommodation to cater for all tastes and budgets. We are By Subway pleased to have Citizen M as our main hotel partner for the Many venues and projects are close by to local network festival. Please check the website to book stations. The SPT ‘Roundabout’ ticket gives one day unlimited citizenm.com/destinations/glasgow/glasgow-hotel. travel by rail and subway to over 110 stations in the Greater Visit peoplemakeglasgow.com for further information on a Glasgow area. These tickets can be purchased through variety of accommodation options, ranging from five-star hotels ScotRail or SPT Travel Centres. to affordable hostels, or options further afield. By Bus First Bus Glasgow operates over 100 routes across the city. Discounts for travel are available, with a number of tickets allowing hop on/hop off travel. For bus timetables and route information you can download the First Bus App for both Android/iPhone. You can also purchase tickets by contactless payment, or through the First Bus app.

Glasgow International is the ideal time to plan a research International / trip to Scotland with your colleagues, patrons and collectors groups. We recommend a minimum of two or three days in Group Visits Glasgow to allow enough time to see key exhibitions, events and commissions. If you would like assistance in planning a group visit or further information about planning your journey to Scotland to visit Glasgow International, email [email protected]

Sign up for professional registration at glasgowinternational.org

76 glasgowinternational.org 77 Thank you Supporters

We wish to thank all of the artists and Wider GI 2020 Team participants in the programme and Glasgow’s Digital Marketing and Online Editor: visual art community, without whose talent, Leah Silverlock innovation, tenacity and hard work, Glasgow Volunteer Coordinator: Helen Wright International would not be possible. Copy Editor: Tom Jeffreys Advisory Group PR: Sam Talbot, Mary Doherty and Leonie Bell (Strategic Lead, Paisley Dido Gompertz at Sam Talbot PR, Partnership), Katie Duffy (Glasgow Life), and Katie Bouchier-Hayes at Cornershop PR Andrew Hamilton (The Modern Institute), Technical Manager: Daniel Griffiths Sigrid Kirk (Co-founder of AWITA and Design: Kerr Vernon and Ed Watt ARTimbarc), Pauline Law (IWC Media), Lisa at Cause & Effect Le Grove (Glasgow City Council), Silka Patel Illustrations: Gabriella Marcella (Marketing and Communications Consultant), at Risotto Studio Ciara Phillips (artist), Andrew Renton Website Development: Kyle McKenzie (Goldsmiths, University of London), at Form Digital Sarah Strang (Civic Room) Editions Coordinator: Ali O’Shea Funders Steering Group With additional thanks to: Norah Campbell (British Council), Amanda Imran Alam, Gordon Anderson, Alessio Catto (Creative Scotland), Sebastian Howell Antoniolli, Gabriel Araujo, Neil Ballantyne, (Scottish Government), Sarah MacIntyre Diljeet Bhachu, Steven Bode, James Brett, (Creative Scotland), Jennifer Stevenson Rachael Browning, Katie Bruce, Paul Burns, (EventScotland) Lucy Byatt, Rocket Caleshu, Susanna Partners Chisholm, Marie Christie, Rob Churm, Additional Support Martin Craig, Ailie Crerar, Kate Davies, Will The Lord Provost’s Office, Cove Park, Davies, Shezad Dawood, Emma Dexter, Robert Longo, Andrew Mickel, Alan Muir, Robert Dingle, Lorna Duguid, James Farlam, Sigrid and Stephen Kirk Cicely Farrer, Ailie Fleming, Andrew Fleming- We are grateful to galleries The Modern Brown, Matthew Fitts, Meryl Gilbert, Alex Institute, Sadie Coles, Simon Lee Gallery and Harvie, Kirsty Hendry, Stefanie Hessler, Rodeo Gallery for their advice and support Nayo Higashide, Orit Gat, Claire Jackson, Merlin James, Moira Jeffrey, Bianca Jones, Across the City Selection Panellists David Laing, Laura Lambert, Allan Madden, With thanks to Eoin Dara (Head of Bridget McConnell, Ned McConnell, Michael Exhibitions, ), McDonagh, Rachel McGuire, Francis McKee, Hanne Mugaas (Director, Kunsthall Alex McLean, Sean McNamara, Jill Miller, Stavanger) and Alberta Whittle (artist) for Alex Misick, Freya Monk-McGowan, Andrew working alongside the curatorial team to Mummery, Ania Neisser, Steff Norwood, Julia select the Across the City programme Paoli, Claricia Parinussa, Dominic Paterson, Adele Patrick, Darren Pih, Sarah Philp, Paul Festival Core Team Noble, Cay Sophie Rabinowitz, Gustavo Director: Richard Parry Riviera, John Rush, David Russ, Mhairi Festival Manager: Diana Stevenson Sawyer, Karen Shaw, Pauline Shaw, Curator: Poi Marr Shoba, Carrie Skinner, Paul Sorley, Miranda Festival Coordinator: Molly Mae Whawell Stacey, Alexander Storey-Gordon, cheyanne Assistant Curator: Nora-Swantje Almes turions, Max Wolf, Anna Young, Claudia Marketing Manager: Tracey Kelly Zeiske And huge thanks to all of our amazing volunteers. 78 glasgowinternational.org 79 Over 60 free exhibitions, performances and events taking place over 18 days across Glasgow

Receive 20% off our artist editions during the GI opening weekend Thu 23 – Sun 26 April at glasgowinternational.org/editions