32 Years of Glasgow School of Art Exhibitions 1988 - Present Day

Total Page:16

File Type:pdf, Size:1020Kb

32 Years of Glasgow School of Art Exhibitions 1988 - Present Day 32 years of Glasgow School of Art Exhibitions 1988 - present day 1988 1. ‘Glasgow Girls: Women at the Art School 1880-1920’, 15 July – 31 Aug 1988, Mackintosh Museum. Curated by Jude Burkhauser. ‘...an exhibition showcasing the work of The Glasgow Girls held in The Mackintosh Museum at The Glasgow School of Art. The exhibition ran from the 15th of July to the 31st of August 1988 and was the precursor for a larger Glasgow Girls exhibition that would be shown two years later [at Kelvingrove Museum]. This particular exhibition was curated by Jude Burkhauser who went on to write a full PhD on The Glasgow Girls.’ GSA Archives catalogue entry GSAA/EPH/10/43. 1989 1. Soviet Season: Academic Tradition, 28 Oct-2 Dec 1989. Newbery Gallery. External curator: Galina Kargopolova. ‘Work from three leading Soviet Art Schools.’ 1990 1. Hannah Frew Paterson Embroidery Retrospective 1963-1990, 12 April – 5 May, Newbery gallery. GSA Archives: catalogue, poster. This show marked her retirement from GSA. 2. ‘V: Five Years of Photography in Fine Art at GSA 1985-1990’, 10-24 March 1990, Mackintosh Museum and Newbery Gallery. GSA Archives: poster and press release. 3. ‘Artwork from IBM’s UK locations’, 4 May – 2 June 1990, Mackintosh Museum. An exhibition curated by Clare Henry (includes Gilbert & George) 4. A series of Glasgow 1990 events. ‘Passing Out’, 24 Aug-15 Sept – an exhibition of UK silversmith & Jewellery depts. GSA Archives: catalogue. 5. ‘View from the inside’, exhibition of art from Scottish Prisons, 6 Oct – 3 Nov, Newbery Gallery 6. ‘Contemporary Visions’, exhibition of architects responding to Mackintosh architecture, 9-31 Aug 1990. GSA Archives: poster / catalogue. 7. ‘Mackintosh in context’, 7 July – 8 Aug 1990, Studio 31 8. ‘Cassina I Maestri’, contemporary furniture exhibition, 7 July – 18 Aug 1990 9. ‘Ten Years, GSA Sculpture Graduates’, 4 Aug – 1 Sept 1990, Newbery Gallery 10. ‘Saying it with Clay’, 6-7 Oct 1990, Mackintosh Musem. ‘... An exhibition held in The Mackintosh Museum at The Glasgow School of Art that showcased the work of graduating ceramics students from across Britain. The exhibition ran on the 6th and 7th of October 1990 and was funded by Potterycraft Ltd and The Glasgow District Council's Festival Budget for The Glasgow 1990 Culture Capital of Europe.’ GSA Archives catalogue entry GSAA/EPH/10/41. 11. ‘Exchanging Influences’, Shona Barr, Lorraine Cotterell, Fiona Robertson, Lorraine Turley, 12 – 26 Nov 1990, Newbery Gallery. 12. ‘Artists in Schools’, an exhibition of collaborative works, photographs and texts. The result of projects initiated by Student Artists in Residence in Strathclyde Nursery, Primary and Special Schools, March – April 1990, Newbery gallery 13. ‘Haldane Connections’, 11 Aug – 9 Sept 1990, Haldane Building GSA Archives: poster. 14. ‘MA1’, First Year MA Fine art student work terms 1 & 2, 12-28 April 1990 15. ‘Good, a celebration of Graphic Design’, 1-15 Dec 1990, Mackintosh Museum 16. ‘Work in Progress’, Glasgow School of Art Printmaking Dept, 13 Jan – 3 Feb 1990 32 years of Glasgow School of Art Exhibitions 1988 - present day 1991 1. ‘20th Century Arts from Czechoslovakia’, 18 Oct – 24 Nov 1991 2. ‘YARD’, 26 April – 26 July 1991, off-site project in ‘a new building on Broomielaw’ staff exhibition 3. ‘Finnish wooden churches’, 3-31 Aug 1991 4. ‘Albanian Painting and Caricature exhibition (no further information) 5. ‘Hand Signals’, a thematic exhibition by students and staff of the Dept of Silversmith & Jewellery, GSA Gallery 1 (Mackintosh Museum), 6-18 April 1991 6. ‘Open Leaves’, Akira Kurosaki, 2-23 Nov 1991 7. ‘Drawing from life’, Joe MacAvoy, Embroidered & Woven Textiles, 13-27 April 1991, Mackintosh Museum 8. ‘Wire Toys from Zimbabwe’, 4-26 Oct 1991 9. ‘Portrait of GSA, its governors and staff’, photography by Andy Stark, 30 Nov – 14 Dec 1991, Newbery Gallery 1992 1. ‘8 ½ years: a Retrospective of Printed & Knitted Textiles’, Mackintosh Museum 2. ‘Work in Progress’, the Department of Environmental Art, 6-18 April 1992 3. ‘Fireworks’, BABA (British Artist Blacksmiths Association), 25 April – 18 May 1992, Newbery Gallery 1993 1. ‘Sojourn, Eleven Years’, Thomas Joshua Cooper. GSA Archives: postcards. 2. ‘Look’, an art exhibition by young people with little or no sight, 6-27 Feb 1993. GSA Archives: flyer 3. ‘Small and Special’, exhibition as part of Design Renaissance Congress’ programme, Sept 1993, including design by graduates Savage + Booth, and Timorous Beasties 4. ‘Jonnie + Cathy Wilkes’, Newbery Gallery, GSA Archives: Interview 1 & Interview 2, which are collaborative works 5. ‘In a Still Climate’, Victoria Morton, Tom O’Sullivan, Jonnie Wilkes, 18 – 22 May 1993, Newbery Gallery 6. ‘Evidence of Justice No.2’, John Baturin, 29 April – 10 May 1993 1994 1. ‘Dave Cohen’, ceramicist, 10 Jan – 15 Feb 1994, Mackintosh Museum 2. ‘Work of GSA Ceramics staff and visiting artists’, 10-21 Jan 1994, Newbery Gallery 3. ‘Meubles d’en France’, an exhibition of chairs, 15 Oct – 12 Nov 1994, Mackintosh Museum 1995 1. ‘Miao Chinese Costumes’, 11-26 May 1995, Mackintosh Gallery. Tour initiated by Surrey Institute GSA Archives: photographs. 32 years of Glasgow School of Art Exhibitions 1988 - present day 2. ‘Producing the goods’, Pam Hogg, Chuck Mitchell, Tom Scott, John McNeece, Frank McFadgen, Joe Hall, Ian McIlroy, Janice Kirkpatrick, Alex Leckie, Hannah Frew Paterson, Sandie Anderson, John Macfarlane, Mackintosh Museum 3. ‘The Continuing Tradition: GSA 1920-1995, 75 Years of painting at GSA’, selected by Sandy Moffat, Mackintosh Building. Part of GSA’s 150th anniversary year. GSA Archives: list of artists, catalogue. 1996 1. ‘Gillespie, Kidd and Koia’, 26 Jan – 17 Feb 1996, Mackintosh Museum 2. ‘David Donaldson 80’, 1-30 Aug 1996, studios, Mackintosh Building 3. ‘Fra Newbery’, 2-30 Aug 1996, Mackintosh Museum. Curated by George Rawson. 4. ‘Karl Hofer’, exchange exhibition 7-24 Nov 1996, Mackintosh Museum. Seven Berlin artists show at GSA. The exchange is 7 Scottish artists show in Berlin – Margaret Barron, John Beagles, William McCall, Kate Daw (?), Julie Low, Angus Miller & Shauna McMullan 1997 The following exhibitions relate to a programme based on India. 1. ‘God and Mammon’, 28 July – 13 Sept 1997, Mackintosh Museum. India’s textiles from the collection of Ritu Kumar 2. ‘Contemporary Indian Painting’, Sunil Gaude, 28 July – 30 Aug 1997, Mackintosh Museum 3. ‘Peter Bevan: Sculpture 1989-1997, between visits to India’ 4. ‘India 1993-1996’, Sandra Petrillo 5. ‘Sutra, the thread that binds’, 28 July – 13 Sept 1997 1998 1. ‘Designers Republic’, 5-18 Feb 1998, Mackintosh Gallery. 2. ‘Like a Shadow’, 3 Sept-2 Oct 1998, Mackintosh Museum. This exhibition linked to ‘The social context of Death, Dying and Disposal’, 4th International Conference proceedings. Catalogue and info available. “‘Like a Shadow’ is an exhibition of installation, video and 2d images exploring themes of death and dying” Media Release. Exhibition info: John Bellany, Alan Clark, Ken Currie, Robert del Tredici, Julie Roberts, Andre Serrano, Edward Stewart & Stephanie Smith, Richard Wright, Bill Viola. 3. ‘Bliss: Douglas Percy Bliss’, 25 July – 28 Aug 1998, Mackintosh Museum. Bliss was Director of GSA 1946-1964. Catalogue and list of works available. 4. ‘Pillar to Post’, Fraser Taylor and David Band 24 July – 2 August 1998, Mackintosh Museum. ‘This exemplary exhibition by former graduates of GSA explores crossovers between Design and Fine Art practice’, Media Release. GSA Archives: list of works, admin, posters, photographs and Fraser Taylor catalogue. 5. Chuck Mitchell, 9-29 Oct 1998, Mackintosh Gallery. Solo show by lecturer in Printed Textiles. 6. Colin St John Wilson. Touring exhibition of architect of New British Library’s work. 7. ‘Brussels, contemporary art from Brussels’, 31 Oct – 21 Nov 1998, Mackintosh Gallery. ‘An exchange of artists and ideas between Brussels and Glasgow’, media release. This was part of a wider programme, also at CCA, GSA, Intermedia, Botanic Gardens. 32 years of Glasgow School of Art Exhibitions 1988 - present day 8. ‘Sense Scotland’ award, Helen Keller Award, 4 Nov 1998, Mack building corridors. 9. Mark Harrington, 9-29 April 1998, Mackintosh Gallery. Solo show by rector of Nordland Kunst OG Filmskole. 1999 1. ‘Made in Scotland’, 14 Jan – 12 Feb 1999, Mackintosh Gallery. Contribution to Glasgow’s Year of Architecture and Design, demonstrating contribution of designers to quality of everyday life. Includes photographs of students hanging work and a speaker. 2. ‘Brave New Worlds’, 1-13 March 1999, Mackintosh Gallery. Scottish and Hungarian furniture from 1930-50. Academic exchange between GSA and National Board for Protection of Historic Monuments Budapest. 3. Flexible Furniture, 27 April – 21 May 1999, Atrium Gallery. Craft Council exhibition. 4. Jessie King, 26 July – 3 Sept 1999, Mackintosh Gallery. Exhibition curated by David Devereux, Stewartry Museum, Kirkcudbright. Part of an anniversary programme of events for her 50th anniversary. Includes list of works. 5. ‘House for Art Lovers: a 20th century ideal’, curated by Prof Andy MacMillan, designer Drew Plunkett. The 1900 competition entries and their legacy – Mackintosh, Baillie Scott, Hoffman, le Corbusier and Alto. 6. ‘Looking for the perfect house’, 21 July – 11 Sept 1999. 36 models of houses form Paris, London, Copenhagen and Helsinki. 7. Ettore Sottsass and Associates, 21 July – 24 Sept 1999. Includes slides and associated admin. 8. ‘Scott Kilgour: Interspace’, slides of install and photograph of model he made for planning exhibition in Mackintosh Museum. He was a painter at GSA in 1980s. 9. ‘Technocraft’, Susan Cohn, 3 Dec 1999 – 3 Jan 2000. Artist and Jeweller. 2000 1. ‘Propositions: Thinking through drawing’, Barry Atherton, Pete Bevan, Jock McInnes, Robert Wyatt, in collaboration with Ray Mackenzie, 17 Jan – 4 Feb 2000, curated by Mark Baines and Gerry Barnett (?). 2. Young Forum 2000: Finland’s New Designers’, 17 April – 13 May 2000. From Design Forum Finland. 3. James D Robertson, 22 July – 1 Sept 2000.
Recommended publications
  • Newsletter 04-11
    Newsletter No 36 Spring 2011 From the Chair Errata Many thanks to all those members who made it along Unfortunately due to an oversight some errors to our re-scheduled AGM (thanks to the snow) – it appeared in Louise Boreham’s essay in the last was great to see such a good turnout and thanks are Journal. The corrections are as follows: due to Simon Green for a fascinating talk and to the Architectural Heritage Society of Scotland for letting 1. page 49, line 10 of paragraph 2, the name should us use the magnificent Glasite Meeting Room. be Blyth, with no 'e' on the end. I would also like to thank all of you who have so generously answered our plea for support for the 2. page 53, no 6, should have a closing bracket after journal – it’s really heartening to know that so many Fig.5 of you value the journal and were willing to help us meet its rising production costs. We still have a long 3. page 53, no 7a, the dates should read 1898 – 1934 way to go in order to put the journal on a sustainable footing, however, so if there are still any members Apologies for these mistakes. who were thinking about making a contribution, do please get in touch! Last year sadly saw quite a dip in our Notices membership numbers as the recession really started to bite. Our priority therefore has to be to get our Helen Adelaide Lamb, Illuminated numbers back up again, and once again we’d be very Manuscripts – Request for information grateful for anything you can do to help – if you By Helen E Beale know anyone who you think might be interested in joining, start badgering them now! Further information would be warmly welcomed on Finally, we will soon be advertising some the Illuminated Manuscripts of Helen Adelaide Lamb, guided tours and other events for members, so keep 1893-1981, a native of Dunblane, admitted to the an eye out for those, and we hope you’ll be able to Glasgow School of Art at the unusually young age of come along.
    [Show full text]
  • KARLA BLACK Born 1972 in Alexandria, Scotland Lives And
    KARLA BLACK Born 1972 in Alexandria, Scotland Lives and works in Glasgow Education 2002-2004 Master of Fine Art, Glasgow School of Art 1999-2000 Master of Philosophy (Art in Organisational Contexts), Glasgow School of Art 1995-1999 BA (Hons) Fine Art, Sculpture, Glasgow School of Art Solo Exhibitions 2021 Karla Black: Sculptures 2000 - 2020, FruitMarket Gallery, Edinburgh 2020 Karla Black: 20 Years, Des Moines Art Centre, Des Moines 2019 Schirn Kunsthalle, Frankfurt Galerie Gisela Capitain, Cologne 2018 The Power Plant, Toronto Karla Black / Luke Fowler, Capitain Petzel, Berlin 2017 Stuart Shave / Modern Art, London Festival d’AutoMne, Musée des Archives Nationales and École des Beaux-Arts, Paris MuseuM Dhondt-Dhaenens, Deurle 2016 Galleria Raffaella Cortese, Milan A New Order (with Kishio Suga), Scottish National Gallery of Modern Art, National Galleries of Scotland, Edinburgh David Zwirner, New York Galerie Gisela Capitain, Cologne 2015 Irish MuseuM of Modern Art, Dublin 2014 Stuart Shave / Modern Art, London Galleria Raffaella Cortese, Milan David Zwirner, New York 2013 Kestner Gesellschaft, Hannover Institute of ConteMporary Art, University of Pennsylvania, Philadelphia Galerie Gisela Capitain, Cologne GeMeenteMuseuM, The Hague 2012 Concentrations 55, Dallas MuseuM of Art, Dallas Schinkel Pavillon, Berlin Gallery of Modern Art, Glasgow Stuart Shave / Modern Art, London 2011 Scotland + Venice 2011 (curated by The FruitMarket Gallery), Palazzo Pisani, 54th Venice Biennale, Venice 2010 Capitain Petzel, Berlin WittMann Collection, Ingolstadt
    [Show full text]
  • 'The Neo-Avant-Garde in Modern Scottish Art, And
    ‘THE NEO-AVANT-GARDE IN MODERN SCOTTISH ART, AND WHY IT MATTERS.’ CRAIG RICHARDSON DOCTOR OF PHILOSOPHY (BY PUBLISHED WORK) THE SCHOOL OF FINE ART, THE GLASGOW SCHOOL OF ART 2017 1 ‘THE NEO-AVANT-GARDE IN MODERN SCOTTISH ART, AND WHY IT MATTERS.’ Abstract. The submitted publications are concerned with the historicisation of late-modern Scottish visual art. The underpinning research draws upon archives and site visits, the development of Scottish art chronologies in extant publications and exhibitions, and builds on research which bridges academic and professional fields, including Oliver 1979, Hartley 1989, Patrizio 1999, and Lowndes 2003. However, the methodology recognises the limits of available knowledge of this period in this national field. Some of the submitted publications are centred on major works and exhibitions excised from earlier work in Gage 1977, and Macmillan 1994. This new research is discussed in a new iteration, Scottish art since 1960, and in eight other publications. The primary objective is the critical recovery of little-known artworks which were formed in Scotland or by Scottish artists and which formed a significant period in Scottish art’s development, with legacies and implications for contemporary Scottish art and artists. This further serves as an analysis of critical practices and discourses in late-modern Scottish art and culture. The central contention is that a Scottish neo-avant-garde, particularly from the 1970s, is missing from the literature of post-war Scottish art. This was due to a lack of advocacy, which continues, and a dispersal of knowledge. Therefore, while the publications share with extant publications a consideration of important themes such as landscape, it reprioritises these through a problematisation of the art object.
    [Show full text]
  • Download Press Release
    LUCY SKAER CAROL RHODES HANNELINE VISNES HEAVY WEATHER May 18 – July 13, 2019 Opening Saturday May 18th Frans Halsstraat 26 From 6pm until 8pm GRIMM is proud to present Heavy Weather, an exhibition showers’ and ‘Violent Thunder’. These works function as an organised by Lucy Skaer (UK, 1975) with selected works by exploration of the role of feeling, emotion and subjectivity in Carol Rhodes (UK, 1959-2018) and Hanneline Visnes (NO, how we experience history, objects, images, or situations, 1972). The works in the show are united by the theme of despite degrees of abstraction or transmutation. temporality and landscape, meditating on nature, how it is altered and effected by human vision and action. This is In the paintings of Hanneline Visnes, which surround Skaer’s Skaer’s second exhibition with the gallery in Amsterdam La Chasse, stylised motifs of animals and plants are used to and follows her recent collaborative exhibition The Green comment on the representation and control of nature. Visnes Man held at the Talbot Rice Gallery in Edinburgh (UK). merges disparate patterns, motifs, and subjects into her meticulously crafted paintings. She explores and harnesses Lucy Skaer’s main body of work in the exhibition is titled the power of colour, utilising complementary hues that bounce La Chasse, after Le Livre du Chasse, a hunting manual by and fight off the surface, causing her still lifes to dance with Gaston Phébus from the fourteenth century. Skaer was agitated energy. By treating her ‘subject’ and background compelled by illustrations in this medieval manuscript with the same process, the traditional focal point of the work for their representation of time and form.
    [Show full text]
  • Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
    Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre.
    [Show full text]
  • Discoverscotland's Most Influential
    1–31 OCT 2016 www.glasgowmackintosh.com Discover Scotland’s most influential creative figure A Charles Rennie Mackintosh The Mackintosh Festival is organised 1868–1928. by members of Glasgow Mackintosh: Architect. Artist. Designer. Icon. Kelvingrove Art Gallery & Museum The work of the Scottish architect, designer Scotland Street School Museum and artist, Charles Rennie Mackintosh is today The Glasgow School of Art celebrated internationally. Mackintosh was one Charles Rennie Mackintosh Society of the most sophisticated exponents of the House for An Art Lover theory of the room as a work of art, and created The Hunterian distinctive furniture of great formal elegance. In The Hill House Glasgow, you will see the finest examples of his The Lighthouse buildings and interiors and examples of his creative The Glasgow Art Club collaborations with his wife, the accomplished Glasgow Museums Resource Centre (GMRC) artist and designer Margaret Macdonald. Mackintosh Queen’s Cross Special thanks to our partners: GBPT Doors Open Day Glasgow Women’s Library The Willow Tea Rooms The Glad Café Glasgow City Marketing Bureau Glasgow Restaurateurs Association Welcome to the fifth Mackintosh Festival Glasgow Mackintosh is delighted to present another month-long programme of over 40 arts and cultural events to celebrate the life of Charles Rennie Mackintosh, Glasgow’s most famous architect, designer and artist. This year we are celebrating House – where you can celebrate installation of Kathy Hinde’s the 2016 Year of Innovation, their 20th birthday with kids
    [Show full text]
  • Argyll & the Isles
    EXPLORE 2020-2021 ARGYLL & THE ISLES Earra-Ghàidheal agus na h-Eileanan visitscotland.com Contents The George Hotel 2 Argyll & The Isles at a glance 4 Scotland’s birthplace 6 Wild forests and exotic gardens 8 Island hopping 10 Outdoor playground 12 Natural larder 14 Year of Coasts and Waters 2020 16 What’s on 18 Travel tips 20 Practical information 24 Places to visit 38 Leisure activities 40 Shopping Welcome to… 42 Food & drink 46 Tours ARGYLL 49 Transport “Classic French Cuisine combined with & THE ISLES 49 Events & festivals Fáilte gu Earra-Gháidheal ’s 50 Accommodation traditional Scottish style” na h-Eileanan 60 Regional map Extensive wine and whisky selection, Are you ready to fall head over heels in love? In Argyll & The Isles, you’ll find gorgeous scenery, irresistible cocktails and ales, quirky bedrooms and history and tranquil islands. This beautiful region is Scotland’s birthplace and you’ll see castles where live music every weekend ancient kings were crowned and monuments that are among the oldest in the UK. You should also be ready to be amazed by our incredibly Cover: Crinan Canal varied natural wonders, from beavers Above image: Loch Fyne and otters to minke whales and sea eagles. Credits: © VisitScotland. Town Hotel of the Year 2018 Once you’ve started exploring our Kenny Lam, Stuart Brunton, fascinating coast and hopping around our dozens of islands you might never Wild About Argyll / Kieran Duncan, want to stop. It’s time to be smitten! Paul Tomkins, John Duncan, Pub of the Year 2019 Richard Whitson, Shane Wasik/ Basking Shark Scotland, Royal Botanic Garden Edinburgh / Bar Dining Hotel of the Year 2019 Peter Clarke 20ARS Produced and published by APS Group Scotland (APS) in conjunction with VisitScotland (VS) and Highland News & Media (HNM).
    [Show full text]
  • The Magazine of the Glasgow School of Art Issue 1
    Issue 1 The Magazine of The Glasgow School of Art FlOW ISSUE 1 Cover Image: The library corridor, Mackintosh Building, photo: Sharon McPake >BRIEFING Funding increase We√come Research at the GSA has received a welcome cash boost thanks to a rise in Welcome to the first issue of Flow, the magazine of The Glasgow School of Art. funding from the Scottish Higher Education Funding In this issue, Ruth Wishart talks to Professor Seona Reid about the changes and Council (SHEFC).The research challenges ahead for Scotland’s leading art school. This theme is continued by grant has risen from £365,000 to £1.3million, as a result Simon Paterson, GSA Chairman, in his interview Looking to the Future which of the Research Assessment outlines the exciting plans the School has to transform its campus into a Exercise carried out in 2001. world-class learning environment. President’s dinner A dinner to encourage Creating a world-class environment for teaching and research is essential if potential ambassadors for the GSA was held in the the GSA is to continue to contribute to Scotland, the UK and beyond. Every Mackintosh Library by Lord year 300 students graduate from the GSA and Heather Walton talks to some Macfarlane of Bearsden, the School’s Honorary President. of them about the role the GSA plays in the cultural, social and economic life In his after dinner speech, Lord of the nation. One such graduate is the artist Ken Currie, recently appointed Wilson of Tillyorn, the recently appointed Chairman of the Visiting Professor within the School of Fine Art, interviewed here by Susannah National Museums of Scotland, Thompson.
    [Show full text]
  • The Glasgow Academy WW1 Roll of Honour
    The Glasgow Academy WW1 Roll of Honour From the onset of the First World War in 1914 until 1918, the Glasgow Academy suffered a great many losses during the conflict. In fact, it is believed there was a higher number of losses incurred when compared to other independent schools of the time. The following is a list of the former pupils who were casualties and as far as we have been able to, includes information and photographs to tell the stories of these men. In some case, we have little or no information about some of these individuals, so please get in touch if you have anything which could help us fill in the gaps and help us tell their stories. Email: [email protected] 1 Lt William M Alexander Biography Remembered on the Roll of Honour in Dundee , William lived in Broughty Ferry before the War. Highland Light 8th March 1892-12th Son of John and His brother, Ronald served as a Lieutenant Infantry Oct 1918 Mayflower with the Royal Field Artillery during the Alexander, of 2, Age 26 Great War. Smith St., Hillhead, Glasgow, West 2 Private George W Allan* Biography According to his father, Reverend Charles Allan, his son was 'mentioned in officers' letters for bravery. Going to the help of wounded comrades and was said Highland Light 31st August 1894- 17th Son of the Rev. by his own comrades to have earned the Infantry April 1915 Charles Allan, M.A., Victoria Cross "half a dozen times over"'. and Margaret Allan, He was awarded the 1914 Star Age :21 of Duneira, Greenock posthumously 3 Lieutenant Ramsay Allan Biography Ramsay was an only son.
    [Show full text]
  • Spring 2016 Journal
    JOURNALISSUE 100 | SPRING 2016 JOURNAL SPriNG 2016 ISSUE 100 3 Welcome Stuart Robertson, Director, Charles Rennie Mackintosh Society. 4 Mining for Information The Glasgow School of Art archives are being scrutinised to inform the restoration of the Mackintosh Building. 5 The Willow Tea Rooms Trust The latest updates on the Trust’s plans to restore this iconic building. 6 Mackintosh’s student career at Glasgow School of Art 4 Dr George Rawson, explores the career of Charles Rennie Mackintosh as a student at Glasgow School of Art. 14 Would George be proud? Elisabeth Viguie Culshaw provides an insight into the rebirth of George Walton’s Ault Wharrie. 20 Designing for industry – Mackintosh and textiles Richard Emerson examines Mackintosh’s success as a textile designer. 25 The Architect and the Dancer – part 2 Richard Emerson’s research continues to unearth more 14 information about Mackintosh’s last years. 27 From small acorns – Mackintosh in France 2003 to present Robin Crichton, Chair of L’Association Charles Rennie Mackintosh – the French affiliate of the Mackintosh Society takes a look back at his initiatives and achievements in the South of France. 30 Interview with Andy MacMillan The late Andy Macmillan on Mackintosh, the Society and studying at the Glasgow School of Art. 31 Obituaries 20 Tributes to Filippi Alison and Gareth Hoskins. Above right, top: © Stuart Robertson Front cover: Blue Heart Window, Middle: © John Cowie Queen’s Cross Church. Bottom: © New York Public Library Image: © Stuart Robertson digital collections 2 | CRM Society Journal 100 | Spring 2016 CHARLES RENNIE MACKINTOSH SOCIETY Welcome Mackintosh Queen’s Cross 870 Garscube Road, Glasgow, G20 7EL Since the last Journal the Society has made some great improvements to the facilities Tel: 0141 946 6600 at Mackintosh Queen’s Cross, thanks primarily to the funding from The Monument Trust Email: [email protected] and the Pilgrim Trust.
    [Show full text]
  • Charles Rennie Mackintosh in Glasgow
    Charles Rennie Mackintosh In Glasgow Travel This tour starts and finishes at the Hilton Grosvenor Hotel, Glasgow. 1-9 Grosvenor Terrace, Glasgow, G12 0TA Tel: 0141 339 8811 Please note that transport to the hotel is not included in the price of the tour. Transport If you are travelling by car: The Hilton Glasgow Grosvenor is located 5 minutes from the M8 motorway and 5 minutes’ walk from Hillhead subway station. The hotel is situated on the corner of the junction between Byres Road and Great Western Road. On arrival, directly after the hotel turn right, into the lane between the Hilton and Waitrose. Stop at the hotel entrance and get a car park ticket from reception. Finally, drive up the ramp of the Waitrose car park on the left, and keep on going until the top level, which is reserved for hotel guests and the residents of the adjoining flats. Parking is £10 per day, payable locally. If you are travelling by train: The nearest subway stop is Hillhead, which is about a 5 minute walk away on Byres Road. Glasgow Central Station is about 15 minutes by taxi to the hotel. Accommodation The Hilton Grosvenor Hotel The Hilton Grosvenor Hotel is a traditional four-star hotel in the vibrant West End area of the city centre. It is ideally situated in close proximity to the array of locations visited during your tour including the Hunterian Gallery and University. Bedrooms are equipped with all necessities to ensure a relaxing and enjoyable visit, including an en-suite bathroom with bath/shower, TV, telephone, Wi-Fi, hairdryer and complimentary tea/coffee making facilities.
    [Show full text]
  • The Willow Tea Rooms Trust
    O-032-17 TRADE MARKS ACT 1994 IN THE MATTER OF APPLICATION 3105102 BY THE WILLOW TEA ROOMS TRUST FOR THE TRADE MARK THE WILLOW TEA ROOMS AND THE OPPOSITION THERETO UNDER NUMBER 405148 BY ANNE MULHERN Background 1. The Willow Tea Rooms Trust (“the applicant”) applied for the trade mark THE WILLOW TEA ROOMS on 22 April 2015 in classes 35, 41, 42 and 43. 2. The application was accepted and published in the Trade Marks Journal for opposition purposes on 26 June 2015. Anne Mulhern opposes the trade mark application under sections 5(2)(b), 5(3) and 5(4)(a) of the Trade Marks Act (“the Act”). For sections 5(2)(b) and 5(3), Ms Mulhern relies upon two earlier trade mark registrations which she owns, as follows: (i) 1276805 (series of 2 marks) Class 42: Restaurant, tea room, catering and cafe services; all included in Class 42; but not including any of the aforesaid services relating to the provision of alcoholic drinks. Filing date: 1 October 1986; date registration procedure completed: 12 July 1991 (ii) 2251332A (series of 8 marks): Page 2 of 73 Goods and services in classes 9, 11, 16, 20, 21, 24, 30 and 43. Filing date: 3 November 2000; date registration procedure completed: 8 March 2002. 3. Ms Mulhern’s claim under section 5(2)(b) is that there exists a likelihood of confusion owing to the similarities/identity between the marks and the goods/services. Under section 5(3) of the Act, Ms Mulhern claims that the earlier marks have a reputation in certain goods and services such that use of the application without due cause would take unfair advantage of, or be detrimental to, the distinctive character or the repute of the earlier marks.
    [Show full text]