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We Promote the Collecting of Contemporary Art Through Our Gifts

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We Promote the Collecting of Contemporary Art Through Our Gifts Giant Arc Design / [email protected] / Design Arc Giant 17 Bloomsbury Square London WC1A 2NG Telephone 020 7831 7311 Facsimile 020 7831 7345 [email protected] www.contempart.org.uk [email protected] 7345 7831 020 Facsimile 7311 7831 020 Telephone 2NG WC1A London Square Bloomsbury 17 _Annual Report 2001/2002 Report _Annual Society 2001/2002 Report _Annual Society Contemporary Art Contemporary individuals and Art Contemporary individuals and and guidance we offer companies offer we guidance and companies offer we guidance and to public museums and the advice the and museums public to advice the and museums public to contemporary art through our gifts our through art contemporary gifts our through art contemporary We promote the collecting of collecting the promote We of collecting the promote We CAS Patron Director Annual Report 2001/2 Her Majesty Queen Elizabeth The Queen Mother Gill Hedley (1948 - 2002) Projects Director Vice-Patrons Cat Newton-Groves Bryan Ferry David Gordon Collections Curator Caryl Hubbard Mary Doyle Pauline Vogelpoel Mann The Lord McAlpine of West Green Office Manager The Lord and Lady Sainsbury Paula Hollings of Preston Candover The Lady Vaizey Events/Membership Manager The Viscount and Viscountess Windsor Kate Steel until December 2001 Wynne Waring from January 2002 Artist Patrons Sir Anthony Caro, OM Assistant Collections Curator Bridget Riley, CH Jessica Wallwork until December 2001 Ceri Lewis from January 2002 Committee Members Oliver Prenn, Chairman ARTfutures Selector Pesh Framjee, Honorary Treasurer Jeni Walwin Mark Stephens, Honorary Solicitor Lance Blackstone, Honorary Secretary Accountant (part time) Jolyon Barker Suzana Bakar Janice Blackburn until October 2001 Philip Hewat-Jaboor Accounts Assistant (part time) Doris Lockhart Saatchi from September 2001 Anna Bayraktar from April 2001 Sean Rainbird Babs Thomson Edwin Wulfsohn from December 2001 CAS Patron Director Annual Report 2001/2 Her Majesty Queen Elizabeth The Queen Mother Gill Hedley (1948 - 2002) Projects Director Vice-Patrons Cat Newton-Groves Bryan Ferry David Gordon Collections Curator Caryl Hubbard Mary Doyle Pauline Vogelpoel Mann The Lord McAlpine of West Green Office Manager The Lord and Lady Sainsbury Paula Hollings of Preston Candover The Lady Vaizey Events/Membership Manager The Viscount and Viscountess Windsor Kate Steel until December 2001 Wynne Waring from January 2002 Artist Patrons Sir Anthony Caro, OM Assistant Collections Curator Bridget Riley, CH Jessica Wallwork until December 2001 Ceri Lewis from January 2002 Committee Members Oliver Prenn, Chairman ARTfutures Selector Pesh Framjee, Honorary Treasurer Jeni Walwin Mark Stephens, Honorary Solicitor Lance Blackstone, Honorary Secretary Accountant (part time) Jolyon Barker Suzana Bakar Janice Blackburn until October 2001 Philip Hewat-Jaboor Accounts Assistant (part time) Doris Lockhart Saatchi from September 2001 Anna Bayraktar from April 2001 Sean Rainbird Babs Thomson Edwin Wulfsohn from December 2001 01_CAS Contents Co n t e m p o r a r y Art Society_Annual Report 2001 / 2 00 2 About Contemporary Art Society 02 Chairman’s Statement 03 Director’s Report 05 Museums’ Report 08 Purchases for Special Collection Scheme 14 Distribution Scheme Buyers’ Reports 18 Purchases for Distribution Scheme 20 Projects’ Report 24 Members’ Events 26 Member Museums 28 Statement of Financial Activities 30 Acknowledgement to CAS funders 32 02_CAS 03_CAS About Contemporary CAS has presented over 5000 works CAS also organises ARTfutures, an annual Chairman’s Statement Her Majesty Queen Elizabeth, the Queen distribution in 2004, Thomas Frangenberg, of contemporary art to its member selling event to encourage collecting and Mother, had been our Royal Patron for 54 Lisa Corrin and Barbara Taylor purchased Art Society museums throughout Britain since 1910 support artists. years when she died on March 30th at the vigorously. To the total above must be added by artists from Henry Moore, Francis Bacon age of 101. She was therefore nine years the 121 works purchased by corporate clients The Contemporary Art Society actively and David Hockney to Anthony Caro, CAS individual members join in our events and older than the Contemporary Art Society and, - just under £275,000 in total - which this year supports living artists, and for ninety years, Damien Hirst and Mona Hatoum. activities because they have a curiosity about when she became our Royal Patron, she was included Pearson as a major collector. At the has backed its own judgements about or commitment to contemporary art. the Queen. Her private collection at Clarence end of the year, the Scottish Arts Council which works of contemporary art should be CAS is a registered charity supported by House, which many of us visited in 1998, selected us to be their special advisers for presented to public museum collections. its members and grants from the Arts CAS encourages individuals to collect included Sickert, Monet, Augustus John, the promotion of contemporary collecting Council of England, the Scottish Arts contemporary art and enjoy art by living artists. Piper, Sutherland and Sydney Nolan. They in Scotland and the promotion of Scottish I cannot overestimate the benefits to Council, Henry Moore Foundation, Crafts An extensive range of events, visits to studios were the contemporary artists of her first half contemporary artists; there will be artists and museum visitors provided by Council and the Elephant Trust. and private collections, lectures and overseas century. Augustus John was required to be acquisitions under this heading next year. CAS. It plays a vital role in supporting and trips, are advertised in a regular newsletter. sober when he attended the Palace, which he spreading enthusiasm for the work of living CAS continues to raise funds to benefit found difficult. Her name remains as Royal I referred last year to the launch of the artists throughout the country. 65 museums in England, Scotland, Wales CAS offers professional guidance to those Patron for the year under review and she will ‘Catching Comets’ appeal which gathered Richard Cork and N.Ireland. developing contemporary collections or be well-nigh impossible to replace. momentum between May and December, but commissioning art or craft. has slowed down subsequently. Although CAS has secured major Arts Council of The purpose of the Contemporary Art Society equities are in decline and interest rates are England lottery funding on behalf of 15 For further information and membership forms is the promotion of contemporary art but our low, I do beg all of you to do the ‘Ottoline member museums. please contact: principal objective is the acquisition of works Morrell thing’, which is to devote any spare of art and craft for presentation to public cash to the acquisition of today’s art. If we CAS raises funds for its museum purchases Wynne Waring museums throughout the country. In this want the arts to thrive in this 21st Century we through Contemporary Art Society Projects, [email protected] respect CAS is unique. During the year we have to purchase the art for museum display which offers advice to companies wishing were able to purchase works to the value of as soon as it is made. There is an alternative to develop corporate collections. or visit our website at ww w. c o n t e m p a r t . o r g . u k £553,242 which is a record. to spare cash and that is the gift of a specific work or works, which may be easier in these The Special Collection Scheme, supported di f ficult times. In any case, I once again give my by ACE Lottery, is now in full swing and will telephone number, which is (020) 7938 3440. greatly enhance the collections of the 15 participating museums. For our general Aside from purchases which are made from 04_CAS 05_CAS restricted funds, the Society had a and is a Major Donor with her husband David. Director’s Report 2001/2 If 2000/1 was the year in which, as is our visited the very beautiful sculpture park and satisfactory year financially, showing a custom, we ‘gave it all away’, then 2001/2 Romanesque Monastery at Schoenthal in the modest surplus in a year which contained I welcome Doris Lockhart Saatchi and Edwin seems to have been a time when we began foothills of the alps. no windfalls, no major sponsor and, by a Wulfsohn, who introduced us to the City of to spread the message about CAS further month, no ARTfutures. London School. I hope they will enjoy their than usual. The weather stayed fine as we walked in the term on the Committee. hills to see a range of sculpture including new I cannot close without mentioning In February 2001, CAS was invited by ARCO, work by Nigel Hall who accompanied us. The ARTfutures, held in April at a new venue, the Gill Hedley, Mary Doyle and Cat Newton- the Madrid Art Fair, to participate in their rain only came down as we saw new work by City of London School, opened by Sir Groves have all had a good year. Gill in celebration of British contemporary art. I was Ian Hamilton Finlay inside the chapel and, Nicholas Serota and achieving a turnover of particular is synonymous with the also invited to take part in one of a series of after supper in the monastery hall, a rainbow £155,000 in only four days. The ARTfu t u re s Contemporary Art Society and I hope she panel discussions on public and private appeared as we left. It was a magical visit for team got this together with only two months’ will long continue to be so: I would like to collecting. all of us. notice including Easter! Even better news is thank her for her unflagging efforts which that we shall be back next year at this superb have been rewarded with much success. With funds from Nancy Balfour’s family, I was In July, I took a group of Special Collection location opposite Tate Modern and in the She leads a small team, of which Mary and able to publish a brief illustrated history of Scheme curators to Oporto, on a visit which shadow of St Paul’s Cathedral.
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