APPENDIX: ELIZABETH Gaskell's PUBLICATIONS and PUBLISHERS

Total Page:16

File Type:pdf, Size:1020Kb

APPENDIX: ELIZABETH Gaskell's PUBLICATIONS and PUBLISHERS APPENDIX: ELIZaBETH GaSKELL’S PUBLICaTIONS aND PUBLISHERS This Appendix lists Gaskell’s short stories, journalism and novels in chron- ological order, together with the publication in which they frst appeared or the publisher. It also indicates the attribution of each of the texts. Title Date Publication/publisher Attribution Clopton Hall 1838 The Rural Life of England Unattributed (Howitt) Cheshire Customs 1838 The Rural Life of England Unattributed (Howitt) Libbie Marsh’s Three 1847 Howitt’s Journal Cotton Mather Mills Eras Esq The Sexton’s Hero 1847 Howitt’s Journal Cotton Mather Mills Esq Christmas Storms and 1848 Howitt’s Journal Cotton Mather Mills Sunshine Esq Mary Barton 1848 Chapman and Hall Unattributed Hand and Heart 1849 Sunday School Penny Mrs Gaskell Magazine The Last Generation in 1849 Sartain’s Union Magazine By the author of England Mary Barton The Moorland Cottage 1850 Chapman and Hall By the author of Mary Barton Martha Preston 1850 Sartain’s Union Magazine By the author of Mary Barton Lizzie Leigh 1850 Household Words © The Author(s), under exclusive license to Springer Nature 171 Switzerland AG 2021 C. Lambert, Elizabeth Gaskell’s Smaller Stories, https://doi.org/10.1007/978-3-030-79705-8 172 APPENDIX: ELIZABETH GASKELL’S PUBLICATIONS AND PUBLISHERS Title Date Publication/publisher Attribution The Well of Pen-Morfa 1850 Household Words Unattributed The Heart of John 1850 Household Words Unattributed Middleton Mr Harrison’s 1851 Ladies Companion and Unattributed Confessions Monthly Magazine Disappearances 1851 Household Words Unattributed Two Reviews 1851 The Athenaeum Unattributed Cranford 1851–1853 Household Words Unattributed Bessy’s Troubles at 1852 Sunday School Penny Mrs Gaskell Home Magazine The Schah’s English 1852 Household Words Unattributed Gardener The Old Nurse’s Story 1852 Household Words Unattributed Cumberland Sheep 1853 Household Words Unattributed Shearers Traits and Stories of the 1853 Household Words Unattributed Huguenots Morton Hall 1853 Household Words Unattributed My French Master 1853 Household Words Unattributed The Squire’s Story 1853 Household Words Unattributed Ruth 1853 Chapman and Hall By the author of Mary Barton Modern Greek Songs 1854 Household Words Unattributed Company Manners 1854 Household Words Unattributed An Accursed Race 1855 Household Words Unattributed Half a Life-Time Ago 1855 Household Words Unattributed North and South 1855 Chapman and Hall The Poor Clare 1856 Household Words Unattributed The Half Brothers 1856 Fulcher’s Ladies Memorandum Book Preface to Mabel 1857 Sampson Low Vaughan Life of Charlotte Bronte 1857 Smith, Elder & Co. E.C. Gaskell An Incident at Niagara 1858 Harpers New Monthly Falls Magazine Right at Last (The Sin 1858 Household Words Unattributed of a Father) The Manchester 1858 Household Words Unattributed Marriage My Lady Ludlow 1858 Household Words Unattributed The Doom of the 1858 Harper’s New Monthly Griffths Magazine Round the Sofa 1859 Samson Low Lois the Witch 1859 All the Year Round Unattributed APPENDIX: ELIZABETH GASKELL’S PUBLICATIONS AND PUBLISHERS 173 Title Date Publication/publisher Attribution aThe Crooked Branch 1859 All the Year Round Unattributed Curious if True 1860 Cornhill Magazine The Grey Woman 1861 All the Year Round Unattributed Preface to Garibaldi at 1862 Macmillan Caprera Six Weeks at 1862 Cornhill Magazine Heppenheim Shams 1863 Fraser’s Magazine An Italian Institution 1863 All the Year Round Unattributed Robert Gould Shaw 1863 Macmillan The Cage at Cranford 1863 All the Year Round Unattributed A Dark Night’s Work 1863 All the Year Round By the authoress of Mary Barton aCrowley Castle 1863 All the Year Round Unattributed Sylvia’s Lovers 1863 Smith, Elder & Co. Mrs Gaskell Cousin Phillis 1863–1864 Cornhill Magazine French Life 1864 Fraser’s Magazine Review of W Torrens 1865 Reader: A Review of Lancashire’s Lesson Current Literature Wives and Daughters 1866 Cornhill Magazine aBoth of these stories are attributed to ‘Mrs Gaskell’ in the list of contents to the collected volume of stories (as are the other contributors) but unattributed in the collections themselves (Dickens 1868). BIBLIOgRaPHY PRIMaRY SOURCES Published Primary Sources Anon. The New Female Instructor or Young Woman’s Guide to Domestic Happiness. London: Thomas Kelly, 1834. Bamford, Samuel. The Autobiography of Samuel Bamford. Volume 1: Early Days. W. H. Chaloner, ed. London: Frank Cass, [1844], 1967. Bayly, Thomas Haynes. The Mistletoe Bough. c 1830 in The News Chronicle Christmastide Melodies. London: The News Chronicle Publications Department (n.d.). Browning, Robert. The Poetical Works of Robert Browning. London: Oxford University Press, 1960. Cassell’s Household Guide: Being a Complete Encyclopaedia of Domestic and Social Economy etc. London: 1869, Vols. 1–IV. Chapple, J A V and Pollard, Arthur eds. The Letters of Mrs Gaskell. Manchester: Manchester University Press, 1997. Chapple, J A V and Shelston, Alan eds. Further Letters of Mrs Gaskell. Manchester: Manchester University Press, 2003. D’Aulnoy, Marie-Catherine, John Ashberry, trans. ‘The White Cat’ in Wonder Tales: Six Stories of Enchantment, ed. Marina Warner. London: Chatto and Windus, 1994. pp. 19–63. Dickens, Charles. The Christmas Numbers of All the Year Round. London: Chapman and Hall, 1868. © The Author(s), under exclusive license to Springer Nature 175 Switzerland AG 2021 C. Lambert, Elizabeth Gaskell’s Smaller Stories, https://doi.org/10.1007/978-3-030-79705-8 176 BIBLIOGRAPHY Gaskell, Elizabeth. The Works of Elizabeth Gaskell, Volume 1: Journalism, Early Fiction and Personal Writings. Shattock, Joanne, ed. London: Pickering and Chatto, 2005. Gaskell, Elizabeth. The Works of Elizabeth Gaskell, Volume 2: Novellas and Shorter Fiction 1. Shelston, Alan, ed. London: Pickering and Chatto, 2005. Gaskell, Elizabeth. The Works of Elizabeth Gaskell, Volume 3: Novellas and Shorter Fiction 1I. Mitchell, Charlotte, ed. London: Pickering and Chatto, 2005. Gaskell, Elizabeth. The Works of Elizabeth Gaskell, Volume 4: Novellas and Shorter Fiction I1I. Hughes, Linda, ed. London: Pickering and Chatto, 2006. Gaskell, Elizabeth. The Works of Elizabeth Gaskell, Volume 5: Mary Barton. Wilkes, Joanne, ed. London: Pickering and Chatto, 2005. Gaskell, Elizabeth. The Works of Elizabeth Gaskell, Volume 7: North and South. Jay, Elisabeth, ed. London: Pickering and Chatto, 2005. Gaskell, Elizabeth. The Works of Elizabeth Gaskell, Volume 8: The Life of Charlotte Brontë. Peterson, Linda H, ed. London: Pickering and Chatto, 2006. Gaskell, Elizabeth. ‘The Ghost in the Garden Room’ edited with an introduction and notes by Fran Baker. Bulletin of the John Rylands University Library of Manchester, Volume 86, Number 1, Spring 2004, pp. cxxiv–84. Gaskell, Elizabeth. Cranford, with a preface by Anne Thackeray Ritchie. London: Macmillan and Co.; Limited, 1907. Gaskell, William. The Duties of the Individual to Society: A Sermon on Occasion of the Death of Sir John Potter M.P. Preached at Cross Street Chapel, Manchester, October 31st, 1858, with the address at the Interment on the day preceding. London: E.T. Whitfeld, 1858. Green, Henry. Christian Doctrine as generally held by Unitarians. John Rylands Library: Jamison Family Archive, Box 4/5, n.d. Herford, Brooke. Travers Madge: A Memoir. 3rd edition. London: Hamilton, Adams and Company, 1868. Holland, Henry. Chapters on Mental Physiology: London: Longman, Orme, Brown, Green and Longmans, 1852. Kingsley, Charles. The Water Babies. London: Macmillan, 1863. Mackay, Charles. Memoirs of Extraordinary Popular Delusions. London: Richard Bentley, 1841. Madden, Richard Robert. Phantasmata: or Illusions and Fanatacisms of protean forms productive of great evils. London: T C Newby, 1857. Martineau, Harriet. Miscellanies. Volume 1. Hilliard, Gray and Company: Boston, 1836. Martineau, James. Endeavours after the Christian Life. Fourth edition. London: Longmans, Green, Reader and Dyer, 1867. Prichard, James Cowles. A Treatise on Insanity and Other Disorders Affecting the Mind. London: Sherwood, Gilbert, and Piper, 1835. Ritchie, Anne Thackeray. Blackstick Papers. London: Smith, Elder, & Co. 1908. BIBLIOGRAPHY 177 Stickney-Ellis, Sarah. The Wives of England. London: Fisher, Son & Co, 1843. Storey, Graham, Fielding, Kenneth, eds. The Letters of Charles Dickens, Volume V: 1847–49. Oxford: Clarendon Press, 1981. Storey, Graham, Tillotson, Kathleen and Burgis, Nina eds. The Letters of Charles Dickens, Volume VI: 1850–52. Oxford: Clarendon Press, 1988. Storey, Graham, Tillotson, Kathleen and Easson, Angus eds. The Letters of Charles Dickens, Volume VII: 1853–55. Oxford: Clarendon Press, 1993. Storey, Graham, ed. The Letters of Charles Dickens, Volume IX: 1859–61. Oxford: Clarendon Press, 1997. Thackeray, William. The Rose and The Ring. New York and London: G.P. Putnam’s Sons, 1854. Nineteenth-Century Newspapers, Periodicals, and Reports Dickens, Charles. ‘Frauds on the Fairies’. Household Words, Saturday, October 1, 1853, pp. 97–101. Gaskell, Elizabeth. ‘The Last Generation in England’ in Sartain’s Union Magazine, July 1849, V, pp. 45–68. Howitt’s Journal of Literature and Popular Progress. Howitt, William and Howitt, Mary eds. London: William Lovett, 1847–1848. Martineau, Harriet. ‘On Witchcraft’. Monthly Repository, August 1832, 6: 68, pp. 545–555. Savage, George. ‘An Address on the Borderland of Insanity’. British Medical Journal, 1, No 2357, 1906, pp. 489–490. Shelley, Mary. ‘On Ghosts’, London Magazine 9 (March 1824), pp. 253–256. The Sunday School Penny Magazine. Published by the
Recommended publications
  • The Radical Voices of Elizabeth Gaskell and Margaret Oliphant
    From Fallen Woman to Businesswoman: The Radical Voices of Elizabeth Gaskell and Margaret Oliphant Item Type Thesis or dissertation Authors Baker, Katie Citation Baker, K. (2018). From Fallen Woman to Businesswoman: The Radical Voices of Elizabeth Gaskell and Margaret Oliphant. (Doctoral dissertation). University of Chester, United Kingdom. Publisher University of Chester Rights Attribution-NonCommercial-NoDerivs 3.0 United States Download date 30/09/2021 14:12:07 Item License http://creativecommons.org/licenses/by-nc-nd/3.0/us/ Link to Item http://hdl.handle.net/10034/621387 From Fallen Woman to Businesswoman: The Radical Voices of Elizabeth Gaskell and Margaret Oliphant Thesis submitted in accordance with the requirements of the University of Chester for the degree of Doctor of Philosophy by Katie Baker April 2018 Declaration The material being presented for examination is my own work and has not been submitted for an award of this or any other HEI except in minor particulars which are explicitly noted in the body of the thesis. Where research pertaining to the thesis was undertaken collaboratively, the nature and extent of my individual contribution has been made explicit. Signed Date Abstract This thesis demonstrates the ways in which Elizabeth Gaskell and Margaret Oliphant drew upon their domestic identities as wives and mothers to write in radical, yet subtle, ways which had the potential to educate and inform their young female readership. While in the nineteenth century the domestic space was viewed as the rightful place for women, I show how both Gaskell and Oliphant expanded this idea to demonstrate within their novels and short stories the importance of what I term an 'extended domesticity'.
    [Show full text]
  • Gaskell Society Newsletter Contents
    GASKELL SOCIETY NEWSLETTER CONTENTS No.1. March 1986. Nussey, John. Inauguration of the Gaskell Society: a Brontë Society Members’ Account. p3-5. Brill, Barbara. Annie A. and Fleeming [Jenkin]. p6-11. [Leach, Joan]. Mrs Gaskell – a Cinderella at Chatsworth. p14-16. No.2. August 1986. Brill, Barbara. Job Legh and the working class naturalists. p3-6. [Keaveney, Jennifer]. Mastermind. p6. Kirkland, Janice. Mrs Gaskell’s country houses, [Boughton House, Worcester; Hulme Walfield, Congleton; The Park, near Manchester]. p10-11. Leach, Joan. Mrs Gaskell’s Cheshire; Summer Outing – June 29th 1986, [Tabley House & chapel. The Mount, Bollington]. [illus.] p12-19. Monnington, Rod. Where can I find Mrs Gaskell? [The Diary of a Hay on Wye Bookseller, by Keith Gowen, 1985]. p23-24. No.3. Spring 1987. Hewerdine, H., F.R.S.H. Cross Street Chapel. p3-5. Marroni, Francesco. Elizabeth Gaskell in Italian translation. p6-8. Leach, Joan. Cleghorn. p9-10. Moon, Richard. Letter on Boughton Park, [Worcester]. p14. Leach, Joan. Thomas Wright, the Good Samaritan [by G.F. Watts]. [illus.] p15-25. No.4. August 1987. Thwaite, Mary. The “Whitfield” Gaskell collection, [Knutsford Library]. p3-5. Brill, Barbara. William Gaskell’s hymns. p6-8. [Leach, Joan]. Green Heys Fields, [Manchester]. [Country rambles and wild flowers by Leo Grindon, 1858]. p11-12. [Heathwaite House, Knutsford]. [illus. of 1832 water colour]. p13. Summer outing to North Wales, [Sunday June 29th 1987]. [gen. table]. p14-21. [Lascelles, Gen. Sir Alan]. A Cranford fan. p23. [Leach, Joan]. The Gaskells and poetry. p24. No.5. March 1988. Jacobi, Elizabeth (later Rye). Mrs. Gaskell, [port. by H.L.
    [Show full text]
  • The Gothic As Mass Hysteria and the Threat of the Foreign Other in Lois
    The Gothic as Mass Hysteria: the Threat of the Foreign Other in Gaskell’s Lois the Witch Irina Raluca CIOBANU* Key-words: Lois the Witch, female Gothic, mass hysteria, social and religious discourse Born into a Unitarian family and married to a Unitarian minister, author of several social novels, Elizabeth Gaskell, the Victorian “Sheherezade” in Dickens’ words, was particularly appreciated during her lifetime for her inborn storytelling talent that she equally exploited in her realist and Gothic shorter fiction (short stories or novellas). Her Unitarian liberal education and outlook determined her to take position against the dangers of religious fanaticism, especially since the religious confession she belonged to, in spite of its 19th century strength and status, had often been the subject of various attacks, mainly directed to the Unitarians rejection of the holy trinity1. Gaskell’s own position towards both Unitarianism and Anglicanism that she had been fascinated with2 from a young age speak for her lack of sectarian bias and tolerant religious attitude, which is essentially Christian in approach and transgresses from both her novels and her shorter fiction. Which is more, as a Victorian female writer, Gaskell was always torn between the two discursive options women in general, and female authors in particular had access to: preaching or silencing. Her social novels, Mary Barton (1848), North and South (1856) and Ruth (1853), as well as Cranford (1853) play with both preaching and silencing, with what is said or taught to the audience and what remains unuttered, while her Gothic stories proved to be her chance to give up this frustrating game and develop techniques of displacing unpleasant truths into familiar figures and thus direct her criticism against them.
    [Show full text]
  • From Cranford to the Country of the Pointed Firs: Elizabeth Gaskell's American Publication and the Work
    From Cranford to The Country of the Pointed Firs: Elizabeth Gaskell’s American Publication and the Work of Sarah Orne Jewetti ALAN SHELSTON In this second of two articles on Elizabeth Gaskell’s American connections I plan first to outline the history of the publication of her work in the United States during her own lifetime, and then to consider the popularity of Cranford in that country in the years following her death. I shall conclude by discussing the work of the New England writer, Sarah Orne Jewett whose story sequences Deephaven (1877) and The Country of the Pointed Firs (1896) clearly reflect the influence of Gaskell’s work. I One of the remarkable things about Gaskell’s career as a novelist is the way in which, after a late start, her career took off. She was in her late thirties when Mary Barton was published, but from then on, and in particular through the 1850s, her output was incessant. This was partly due to the fact that Dickens took her up for Household Words; it is interesting to watch her becoming increasingly independent of his encouragement and influence through the fifties decade. What is also interesting is the extent to which she was taken up abroad, both on the continent and in the USA. To some extent this is because publishers in those countries found it more profitable to publish established English authors - even if, as in the case of the Europeans, they had to translate them - than to develop native talent. It was a period when popular fiction flourished, often published in cheap and sometimes unauthorised popular series.
    [Show full text]
  • Principal Sources Consulted
    Principal Sources Consulted The Dictionary of National Biography and The Pimlico Chronology of British History, Pimlico, revised edition 1996, have been used where relevant. Main texts The Letters of Mrs Gaskell, eds J. A. V. Chapple and Arthur Pollard (Manchester University Press, 1966, 1997; Mandarin edn with corrections. Further Letters of Mrs Gaskell, eds John Chappell and Alan Shelston (Manchester University Press 2000, 2003 edn with corrections and additional letters). Chapple, John, Elizabeth Gaskell: The Early Years (Manchester University Press, 1997). Chapple, J. A. V. and Anita Wilson eds, Private Voices: The Diaries of Elizabeth Gaskell and Sophia Holland (Keele University Press, 1996). Easson, Angus, Elizabeth Gaskell (Routledge and Kegan Paul, 1979). Easson, Angus ed., Elizabeth Gaskell: The Critical Heritage (Routledge, 1991). Foster, Shirley, Elizabeth Gaskell: A Literary Life (Palgrave/Macmillan, 2002). Shaen, Margaret J. ed., Memorials of Two Sisters, Susanna and Catherine Winkworth (Longman, 1908). Sharps, John Geoffrey, Mrs Gaskell’s Observation and Invention: A Study of Her Non-Biographic Works (Linden Press, 1970). Smith, Margaret, ed., The Letters of Charlotte Brontë, 3 vols (Oxford, 1995-2004). Smith, Walter E., Elizabeth Gaskell: A Bibliographical Catalogue of First and Early Editions, 1848–1866 (Heritage Bookshop, Los Angeles, California, 1998). Twinn, Frances, ‘Half-finished Streets’, ‘Illimitable Horizons’ and ‘Enclosed Intimacy: The Landscapes of Elizabeth Gaskell’s Writing’, unpublished PhD thesis, University of Durham, 1999. Uglow, Jenny, Elizabeth Gaskell: A Habit of Stories (Faber and Faber, 1993). Waller, Ross D, ed., Letters Addressed to Mrs Gaskell by Celebrated Contemporaries (Manchester University Press, 1935). Ward, A. W. ed., The Knutsford Edition of the Works of Mrs Gaskell, 8 vols (Smith, Elder, 1906).
    [Show full text]
  • Global Mothering and Othering in the Works of Elizabeth Gaskell
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2002 Notes from the motherland| Global mothering and othering in the works of Elizabeth Gaskell Christine M. Solomon The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Solomon, Christine M., "Notes from the motherland| Global mothering and othering in the works of Elizabeth Gaskell" (2002). Graduate Student Theses, Dissertations, & Professional Papers. 3103. https://scholarworks.umt.edu/etd/3103 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Matoétett and Mike MANSFIELD LIBRARY The University of Montana Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. **Please check "Yes" or "No" and provide signature** Yes, I grant permission No, I do not grant permission Author's Signature; I [ÂYsAX'^— Date; Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. 8/98 Notes from the Motherland: Global Mothering and Othering in the Works of Elizabeth Gaskell By Christine M. Solomon B.A. Whitworth College, Spokane, Washington, 2000 Presented in partial fulfillment of the requirements for the degree of Master of Arts The University of Montana August 2002 ;,oved bv: erson Dean, Graduate School Date UMI Number: EP34671 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted.
    [Show full text]
  • Please Share Your Stories About How Open Access to This Item Benefits You
    Elliott, Dorice Williams. “Class Act: Servants and Mistresses in the Works of Elizabeth Gaskell.” Elizabeth Gaskell: Victorian Culture and the Art of Fiction: Essays for the Bicentenary. Ed. Sandro Jung. Ghent, Belgium and Lebanon, NH: Academia Press, 2010. 113-130. Publisher’s official version: http://www.upne.com/9038216294.html. Open Access version: http://kuscholarworks.ku.edu/dspace/. Please share your stories about how Open Access to this item benefits you. [This document contains the author’s accepted manuscript. For the publisher’s version, see the link in the header of this document.] Keywords: Gaskell, Elizabeth Cleghorn, 1810-1865 --Criticism and interpretation Women and literature --England --History --19th century. English literature --19th century --History and criticism. Great Britain --History --Victoria, 1837-1901. Paper citation: Elliott, Dorice Williams. “Class Act: Servants and Mistresses in the Works of Elizabeth Gaskell.” Elizabeth Gaskell: Victorian Culture and the Art of Fiction: Essays for the Bicentenary. Ed. Sandro Jung. Ghent, Belgium and Lebanon, NH: Academia Press, 2010. 113-130. Text of paper: Class Act: Servants and Mistresses in the Works of Elizabeth Gaskell Dorice Williams Elliott University of Kansas In the first chapter of Gaskell's Cranford, the narrator describes a party at Mrs. Forrester’s “baby-house of a dwelling” (3). While Mrs. Forrester is obviously poor and has only a small charity- school girl to help her, both she and her genteel visitors maintain the fiction that they are “aristocratic” and “that our hostess had a regular servants’ hall, second table, with house-keeper and steward…though she knew, and we knew, and she knew that we knew, and we knew that she knew that we knew, she had been busy all the morning making tea-bread and sponge-cakes” alongside her one young servant.
    [Show full text]
  • Elizabeth Gaskell and Louisa May Alcott
    Domestic Narratives in the Transatlantic Community: Elizabeth Gaskell and Louisa May Alcott Louisa Jayne Charlotte Hodgson Submitted in accordance with the requirements for the degree of PhD University of Leeds School of English September 2010 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2010 The University of Leeds and Louisa Jayne Charlotte Hodgson Acknowledgements With thanks to the Arts and Humanities Research Council for supporting this PhD, and to my supervisors, Professor Bridget Bennett and Dr. Matthew Rubery. I would also like to thank the following people for their help and support: Owen Clayton, Dr. Alice Crossley, Dr. Richard de Ritter, Dr. Tara Deshpande, Irene Addison-Child, Dr. Emma Smith, Dr. Lucy Evans and Dr. Robert Jones. Abstract My thesis investigates the processes of reciprocal, transatlantic literary exchange between Britain and the United States in the nineteenth century. While these specific transnational relations have received much critical attention in recent years, I extend current theoretical frameworks by focusing on how women‘s domestic fiction operates as a currency for literal and ideological interchanges between Britain and the United States. Concentrating primarily upon Elizabeth Gaskell‘s and Louisa May Alcott‘s fictions, I trace how they operate as ‗transatlantic domestic narratives‘. I use this term to refer to the mobility of their material texts as they circulate within a transatlantic community, and also to articulate the generic narrative tropes on which their domestic fictions rely.
    [Show full text]
  • Introduction 1 the Early Years
    Notes Introduction 1 Letter to Elizabeth Gaskell, 9 July 1853, in T. J. Wise and J. A. Symington (eds), The Brontës: Their Lives, Friendships and Correspondence (Oxford: Basil Blackwell, 1932), IV, 76. Gaskell reproduced this letter in the Life, Vol. II, Chapter XIII. 2 Anne Thackeray Ritchie, Preface to Cranford (London: Macmillan, 1891), p. xxi. 3 Margaret J. Shaen (ed.), Memorials of Two Sisters: Susanna and Catherine Winkworth (London: Longman, 1908), p. 24. 4 She uses the term in her ‘Modern Novelists – Great and Small’, Blackwoods, LXXVII, No. CCCCLXXV, May 1855. 5 [George Henry Lewes], ‘A Gentle Hint to Writing Women’, Leader, 18 May 1850, p. 189. Lewes wrote under the pseudonym of ‘Vivian’ in this article. 6 George Henry Lewes, ‘The Lady Novelists’, Westminster Review, LVIII, No. CXIII, July 1852, p. 131. 7 Bessie Raynor Parkes, Essays on Women’s Work (London, 1865), p. 121. Quoted in E. K. Helsinger, R. L. Sheets and W. Veeder (eds), The Woman Question: Society and Literature in Britain and America, 1837–1883, 3 vols (Manchester: Manchester University Press, 1983), III, 3. 8 Standard, 14 October 1887. 9 Wise and Symington op. cit., III, 68. 10 Eliza Lynn Linton, My Literary Life (London: Hodder and Stoughton, 1899), p. 93. 11 Julia Kavanagh to George Smith, Harry Ransom Humanities Research Center, University of Texas at Austin. 12 Margaret Oliphant to Alexander Macmillan, Berg Collection, New York Public Library. 1 The Early Years 1 J. A. V. Chapple, Elizabeth Gaskell: The Early Years (Manchester: Manchester University Press, 1997), pp. 283 and 287. 2 Mrs Ellis H.
    [Show full text]
  • Çankaya University the Graduate School of Social Sciences English Literature and Cultural Studies
    ÇANKAYA UNIVERSITY THE GRADUATE SCHOOL OF SOCIAL SCIENCES ENGLISH LITERATURE AND CULTURAL STUDIES PROBLEMATIZATION AND FLUIDITY OF GENDER IN ELIZABETH GASKELL’S SHORT FICTION M.A. Thesis AYŞE GÜNEŞ JULY 2019 iii ABSTRACT PROBLEMATIZATION AND FLUIDITY OF GENDER IN ELIZABETH GASKELL’S SHORT FICTION GÜNEŞ, AYŞE Department of English Literature and Cultural Studies M.A. Thesis Supervisor: Asst. Prof. Dr. Berkem Sağlam June 2019, 113 pages Elizabeth Gaskell’s short fiction presents a complex portrayal of gender that not only demonstrates but also problematizes the traditional Victorian gender ideology that is based on a hierarchical relationship between men and women. This thesis aims to make a close reading of Elizabeth Gaskell’s “The Doom of the Griffiths,” “Lois the Witch,” and “The Grey Woman,” which share certain characteristics such as publication time, length, genre, and subject matter, in order to study the gender portrayal in these texts and explain how they challenged the gender ideology in the Victorian Era. These stories question Victorian values on gender through the representation of patriarchal views on women’s status, the depiction of women’s victimization in phallocentric societies with oppressors, such as family, society, and religion, and through the portrayal of gender fluidity in male and female characters who both embody and defy conventions. Portraying the victimization of women at different points in their lives: single, married, widowed, and spinster, in all of these stories, stereotypical representations of women are silenced and controversial female figures are assigned greater roles. Moreover, the portrayal of such concepts as motherhood, fatherhood, home, and the gaze further contribute to the unconventional portrayal of gender.
    [Show full text]
  • A Plea for Sympathy and Understanding in the Portrayal of Motherless Daughters in Elizabeth Gaskell's Fiction Valerie Ann Hyatt Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2006 A plea for sympathy and understanding in the portrayal of motherless daughters in Elizabeth Gaskell's fiction Valerie Ann Hyatt Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons Recommended Citation Hyatt, Valerie Ann, "A plea for sympathy and understanding in the portrayal of motherless daughters in Elizabeth Gaskell's fiction" (2006). Retrospective Theses and Dissertations. 7951. https://lib.dr.iastate.edu/rtd/7951 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. A plea for sympathy and understanding in the portrayal of motherless daughters in Elizabeth Gaskell's fiction by Valerie Ann Hyatt A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program of Study Committee: Kathleen Hickok, Major Professor Allen Michie Barb Blakely DufFelmeyer Iowa State University Ames, Iowa 2006 11 Graduate College Iowa State University This is to certify that the master's thesis of Valerie Ann Hyatt has met the thesis requirements of Iowa State University Signatures have been redacted for privacy Ill Table of Contents Acknowledgements iv Introduction 1 The Sins of the Father: The Incestual Double in "The Poor Clare" 6 The Legacy of Loss In Ruth 22 Persecuting the 'Other' in Lois the Witch 46 Conclusion 75 Works Cited 78 IV Acknowledgements Many people were responsible for offering both intellectual and emotional support In the completion of this thesis.
    [Show full text]
  • 2005 Supplement 2005 Supplement
    2005 SUPPLEMENT BIBLIOGRAPHIESBIBLIOGRAPHIES/BIBLIOGRAPHIC/BIBLIOGRAPHIC ESSAYS Chapple, John A.V. “Early Gaskell Scholars: Adolphus William Ward 1837- 1924.” Gaskell Society Journal 19 (2005): 96-99. Clarke, Gwen. “A Classic Introduction: Introductions from Early World Classics Editions to the Works of Elizabeth Gaskell.” Gaskell Society Journal 19 (2005): 1-13. (“The Cage at Cranford”, Cousin Phillis and Other Tales , Cranford , The Life of Charlotte Brontë , Lois the Witch , Mary Barton , “The Morland Cottage”, North and South , “Right at Last”, Sylvia’s Lovers , Wives and Daughters ) Shattock, Joanne. “The New Complete Edition of the Works of Elizabeth Gaskell.” Gaskell Society Journal 19 (2005): 100-106. BIOGRAPHIESBIOGRAPHIES/BIOGRAPHICAL/BIOGRAPHICAL FOOTNOTES “Elizabeth Cleghorn Gaskell, 1810-1865” Contemporary Authors OnLine . Gale, 2005. Reproduced in Biography Resource Center. Farmington Hills, MI: Thompson Gale, 2005. http://galenet.galegroup.com.serviet/BioRC Handley, Graham. An Elizabeth Gaskell Chronology . Basingstoke: Palgrave Macmillan, 2005. Sanders, Valerie, ed. Elizabeth Gaskell . Vol. 1 of Lives of Victorian Literary Figures III: Elizabeth Gaskell, The Carlyles and John Ruskin by Their Contemporaries London: Pickering & Chatto, 2005. Skrine, Peter. “Elizabeth Gaskell and the Isle of Man.” Gaskell Society Newsletter 40 (Autumn, 2005): 7-9. _____. “Goethe and Emerson in Elizabeth Gaskell’s Manchester.” Gaskell Society Journal 19 (2005): 69-85. CORRESPONDENCE (NONE IDENTIFIED AS OF AUGUST, 2007) NancySWeyant.com LITERARY CRITICISM NOTE : Where the title of the source does not include the title of Gaskell’s work(s) discussed, titles are listed alphabetically in a parenthetical notation. Amir, Zubair Syed. “‘Usurpations and Other Scandals’: Gossip and Social Climbing in the Victorian Novel.” DAI 66 (2005): 185A.
    [Show full text]