ELIZABETH GASKELL BIBLIOGRAPHIC SUPPLEMENT 2012-2019
BIBLIOGRAPHIES/BIBLIOGRAPHIC ESSAYS
Baker, Fran. “Gaskelliana for the Twenty-First Century.” Gaskell Society Newsletter 60 (Autumn, 2015): 30-34. Print.
Burton, Anthony. “Books at Elizabeth Gaskell’s House.” The Gaskell Society Newsletter 65 (Spring, 2018): 4-6. Print.
Dzelzainis, Ella. Elizabeth Gaskell. New York: Oxford University Press, 2012. Internet resource. Part of Oxford Bibliographies. Victorian literature database. A subscription is required to access.
Lingard, Christine. “Time for Some Light Relief: ‘Gaskell’ on the Silver Screen.” Gaskell Society Newsletter 60 (2015): 36-37. Print.
Marigliano, Emma. “A Brief Account of Illustrated Editions of Elizabeth Gaskell’s Works.” Gaskell Society Newsletter 54 (Autumn, 2012): 25- 30. Print.
Recchio, Thomas. Elizabeth Gaskell’s Cranford: A Publishing History. 2009. Oxon and NY: Routledge (Har/Ele edition), 2016. Kindle.
Weyant, Nancy S. “The Expanding World of Gaskell Scholarship.” The Gaskell Society Newsletter 67 (Spring, 2019): 3-5. Print
BIOGRAPHIES/BIOGRAPHICAL FOOTNOTES
Allan, Lynn. “The Gaskells and the Portico.” Gaskell Society Newsletter 64 (Autumn, 2017): 7-10. Print.
Alston, Jean. “Marianne and Her Family in Worcestershire.” Gaskell Society Newsletter 59 (Spring, 2015): 19-21. Print.
Barnard, Pat. “Ford Madox Brown: Pre-Raphaelite Pioneer.” Gaskell Society Newsletter 53 (Spring, 2012): 16-20. Print.
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_____. “The Murillo Trail of ‘Woman Drinking’!” Gaskell Society Newsletter 58 (Autumn, 2014): 11-14. Print.
Bonaparte, Felicia. The Gypsy-Bachelor of Manchester: The Life of Mrs. Gaskell’s Demon. Charlottesville: U of Virginia Press, 2015. Print. (Paperback version of biography published in hardback in 1992.)
Booth, Alison. “Elizabeth Gaskell in Knutsford and Plymouth Grove.” Homes and Haunts: Touring Writers’ Shrines and Countries. Oxford: Oxford UP, 2016. 135-144. Print.
Brooks, Ann. “Understanding Elizabeth Gaskell’s Garden and its History.” Gaskell Journal 27 (2013): 22-48. Print.
Brooks, Ann and Bryan Haworth. “A Very Modern Marriage.” Gaskell Society Newsletter 58 (Autumn, 2014): 14-20. Print.
Chapple, John. “William Gaskell, ‘Hints on English Composition’.” Gaskell Society Newsletter 62 (Autumn, 2016):26-27. Print.
Cheshire, Jim and Michael Crick Smith. “Taste and Morality at Plymouth Grove: Elizabeth Gaskell’s Home and its Decoration.” Gaskell Journal 27 (2013): 1-21. Print.
Darlington, Marjorie. “Gaskell’s Purchase of The Lawn, Holybourne.” The Gaskell Society Newsletter 65 (Spring, 2018): 20-21. Print.
Drife, James. “A Gynaecologist Looks at Mrs. Gaskell.” Gaskell Society Newsletter 53 (Spring, 2012): 4-12. Print.
Dunne, Susan. “Mrs. Gaskell and Her ‘Good Old Woman.’” The Gaskell Society Newsletter 67 (Spring, 2019): 10-11. Print.
Easley, Allison Masters. “An American in Manchester.” Gaskell Society Newsletter 62 (Autumn, 2016): 2-4. Print.
Easson, Angus. “Domestic Medicine: with Some Notes about Mercury Treatment.” Gaskell Society Newsletter 59 (Spring, 2015): 3-6. Print.
_____. “‘Trawling Private Accounts Out to the Public Gaze’: Answers and Problems.” The Gaskell Society Newsletter 56 (Autumn, 2013): 35-38. Print.
“Elizabeth Gaskell.” Profiles of Women Writers. Anaheim, CA: Golgotha Press, 164-188. Print.
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Foster, Shirley. “Elizabeth Gaskell and Food.” The Gaskell Society Newsletter 55 (Spring, 2013): 2-8. Print.
The Gaskell Society. Elizabeth Gaskell’s Knutsford. Knutsford: The Gaskell Society, 2015. Print.
Greenwood, John. “Gaskell and Sand: Two Unlikely Soulmates.” Gaskell Society Newsletter 60 (Autumn, 2015): 24-29. Print.
_____. “Mme de Sévigné: ‘a well-known friend to me all my life’.” Gaskell Society Newsletter 62 (Autumn, 2016): 33-38. Print. (“French Life”)
Griffiths, Pam. “A Distant Connection.” Gaskell Society Newsletter 57 (Spring, 2014):40-42. Print. (Life of Charlotte Brontë)
Halkyard, Stella. “‘The Arte of Limning’: Speculations on a Portrait Miniature of Elizabeth Gaskell.´ PN Review 40.6 (July-August 2014). Web. 5 July 2015.
Hall, Audrey. “Ellen Nussey and Mrs. Gaskell’s Portrait.” Brontë Studies 39 (2014): 54-57. Print.
Herrington, Katie SEE Milner, Rebecca and Katie Harrington
Jensen, Uffa. “Mrs. Gaskell’s Anxiety.” Learning How to Feel: Children’s Literature and Emotional Social Serialization. Eds. Ute Frevert et al. Oxford: Oxford UP, 2014. 21-39. Print (My Diary)
Jung, Daun. “Critical Names Matter: ‘Currrer Bell,’ ‘George Eliot,’ and ‘Mrs. Gaskell’.” Victorian Literature and Culture 45 (2017): 763-781. doi: 10.1017/51060150317000201
Keaveney, Jenny. “Who was Louy Jackson?” Gaskell Society Newsletter 57 (Spring, 2014): 27-33. Print.
Kennedy, Margaret S. “A Breath of Fresh Air: Eco-Consciousness in Mary Barton and Jane Eyre.” Victorian Literature and Culture 45 (2017): 509-526. Print.
Kiggins, Pauline. “‘A bonny bit’: Elizabeth Gaskell and Burton.” Gaskell Society Newsletter 63 (Spring, 2017): 5-7. Print
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(Mary Barton)
_____. Casa Guidi Florence.” Gaskell Society Newsletter 54 (Autumn, 2012): 31-32. Print.
_____. “Elizabeth Gaskell and Thomas Glover.” Gaskell Society Newsletter 57 (Spring, 2014): 33-40. Print.
_____. “The Scottish Holiday that Didn’t Happen.” The Gaskell Society Newsletter 67 (Spring, 2019): 8-9. Print.
Larner, A. J. “Dr. Samuel Gaskell (1807-1886): a Brief Biography and Thoughts on his Possible Influence on Elizabeth Gaskell’s Writings.” Gaskell Society Newsletter 62 (Autumn, 2016): 11-18. Print.
_____. “Elizabeth Gaskell and Charles Thurstan Holland – Another Liverpool Connection.” Gaskell Society Newsletter 59 (Spring, 2015): 7-8. Print
Lee, Alexander. “The Historian's Cookbook: Simnel Cake.” History Today 69.4 (April, 2019): 84-88. Print.
Lethbridge, J. P. “Murder near Cranford Over Peover, Cheshire 1840.” Gaskell Society Newsletter 62 (Autumn, 2016): 42-48. Print. (Mary Barton)
Lingard, Christine. “Away from It All.” Gaskell Society Newsletter 54 (Autumn, 2012):33-35. Print.
_____. “Death in Leamington Spa?” Gaskell Society Newsletter 53 (Spring, 2012): 20-23. Print.
_____. “Julia, Education and the Role of Women.” Gaskell Society Newsletter 66 (Autumn, 2018): 9-11. Print.
_____. “Marianne.” Gaskell Society Newsletter 60 (Autumn, 2015): 15-17. Print.
_____. “More about Elizabeth Gaskell’s Early Years.” Gaskell Society Newsletter 63 (Spring, 2017): 9—12. Print.
_____. “Primitive, Cheap and Bracing: the Gaskell’s in the Alps.” Gaskell Society Newsletter 58 (Autumn, 2014): 2-6. Print.
_____. “A Sunday in 1861.” Gaskell Society Newsletter 62 (Autumn, 2016): 5-11. Print.
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_____. “To Tuscany with Murray.” Gaskell Society Newsletter 57 (Spring, 2014): 10-13. Print.
McKay, Brenda. “Victorian Women Novelists: Gossip and Creativity.” Gaskell Society Newsletter 59 (Spring, 2015): 9-15. Print.
_____. “Why Was Elizabeth Gaskell ‘Dangerous to Associate with’? Jane Carlyle and Mrs. Gaskell: 19th-Century Women Writers, Gossip and Creativity Part Two.” Gaskell Society Newsletter 62 (Autumn, 2016): 19-26. Print.
Milner, Rebecca and Katie Herrington. “The Reverend and the Factory Girl: Paintings by Annie Swynnerton and the Gaskell Connection.” The Gaskell Society Newsletter 66 (Autumn, 2018): 3-8. Print.
Rye, Elizabeth. “An Investigation into a Portrait Thought to Be of Elizabeth Gaskell.” The Gaskell Journal 32 (2018): 55-76. Print.
O’Brien, Ann. “Margaret Emily Gaskell.” The Gaskell Society Newsletter 55 (Spring, 2013): 17-21. Print.
Ohno, Tatsuhiro. The Life of Elizabeth Gaskell in Photographs. Osaka: Osaka Kyoiku Tosho, 2012. Print.
Payne, George Andrew. Mrs. Gaskell and Knutsford. 1900. Sligo: Hardpress, 2013. Print.
Regaignon, Dara Rossman. “Motherly Concern.” Victorian Review 39.2 (2013): 32-35. Project Muse. Web. 6 July 2015. DOI: 10.1353/vcr.2013.0034. (My Diary)
Salmon, Richard. “Moving Statues: The Iconography of the ‘Printing Woman.’” The Formation of the Literary Profession. NY: Cambridge UP, 2013. 174-209. Print.
Santiago, Evelyn. Elizabeth Gaskell: 148 Success Facts: Everything You Need to Know. Brisbane, Australia, [2014?].
Shelston, Alan. “The Life and Death of Gaskell.” Gaskell Society Newsletter 63 (Spring, 2017): 12-13, 16-18. Print.
_____. “The Naming of the Train.” Gaskell Society Newsletter 58 (Autumn, 2014): 7-9.
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(Biography, Cranford, North and South)
_____. “The Two Elizabeths.” Gaskell Society Newsletter 54 (Autumn, 2012): 17-21. Print.
Smith, Michael Crick SEE Cheshire, Jim and Michael Crick Smith
Smith, Stephen. “The Gaskell House on Dover Street.” Gaskell Society Newsletter 67 (Spring, 2019): 14-15. Print.
_____. “The Gaskell Memorial Tower in Knutsford.” Gaskell Society Newsletter 63 (Spring, 2017): 18-20. Print.
Stevens, Helen. “Paradise Closed: Energy, Inspiration and Making Art in Rome in the Works of Harriet Hosmer, William Wetmore Story, Elizabeth Barrett Browning, Nathaniel Hawthorne, Elizabeth Gaskell and Henry James, 1847-1903. Diss. Kings College London, 2016. (Ruth, Correspondence)
Stevens, Helen SEE ALSO Stevens, Nell
Stevens, Nell. “Communing with Mrs. Gaskell.” New York Review of Books Daily. October 24, 2018. https://www.nybooks.com.daily/2018/10/24
_____. Mrs. Gaskell and Me (UK) / The Victorian and the Romantic (USA). London: Picador / NY: Doubleday, 2018 This novel, which draws heavily on Gaskell’s life, was published under different titles in the United Kingdom and the United States.
Stevens, Nell SEE ALSO Stevens, Helen
Sutherland, John. “Mrs. Gaskell 1810-1865.” Lives of the Novelists: a History Of Fiction in 294 Lives. New Haven: Yale UP, 2012. 100-102. Print.
Thornber, Craig. “Uncle Peter and Cousin Henry.” Gaskell Society Newsletter 53 (Spring, 2012): 12-16. Print.
Tucker, Jackie. “The Assembly Room in Cranford: the Reality behind the Fiction.” Gaskell Society Newsletter 63 (Spring, 2017):77-9.Print. (Cranford)
_____. “In Search of Sweet Nancy.” Gaskell Society Newsletter 64 (Autumn, 2017): 18- 19. Print
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(Mary Barton)
Wagner, Tamara Silvia. “The Sensational Victorian Nursery: Mrs Henry Wood's Parenting Advice.” Victorian Literature and Culture 45:4 (December, 2017): 801-819.
Walford, Lucy Bethina. “Elizabeth Gaskell.” Twelve English Authoresses. 1892. Ann Arbor, MI: U of Michigan Library, 2014. Print.
Watts, Philip. “A Folded Newspaper: William Gaskell.” Gaskell Society Newsletter 64 (Autumn, 2017): 10-12. Print. (Correspondence)
Watts, Ruth. “Elizabeth Gaskell.” Gender, Power and the Unitarians in England 1760-1860. London and NY: Taylor and Francis, 2014. 208- 213.
Webb, Sarah. “‘That Unfrequented Stonehall’: Elizabeth Gaskell and Tabley Old Hall.” Gaskell Society Newsletter 54 (Autumn, 2012): 7-12. Print.
Weyant, Nancy S. “Chronology.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. x-xviii. Print.
Wiltshire, Irene. “What the Gaskells Did Next: Life after Mother.” Gaskell Journal 27 (2013): 49-67. Print.
Wood, Butler. “Charlotte Brontë on Her Contemporaries.” Brontë Studies 41.2 (2016): 146-157. Print.
CORRESPONDENCE
Alston, Jean. “Samuel Bamford and South Lancashire Dialect.” Gaskell Society Newsletter 65 (Spring, 2018), 10-12. Print.
Baker, William. “‘What a certainty of instinctive faith I have in heaven and in the Mama’s living on’: Unpublished letters of Mrs. Gaskell and unpublished Gaskell family letters.” Victorian Institute Journal 29 (2001) [VIJ Annex]. Web. [18 October. 2012] http://www.nines.org/exhibits/vij_baker .
Bernard, Pat. “The Connection between Elizabeth Gaskell, Charles Eliot
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Norton and the Autumn Leaves by John Everett Millais.” The Gaskell Society Newsletter 56 (Autumn, 2013): 22. Print
Greengood, John. “Our Happy Days in Rome”: The Gaskell-Norton Correspondence.” Gaskell Journal 28 (2014): 97-104. Print.
Kolich, Sr. Rosemary. “‘In the Language of the Bible’: Scripture as Subtext in Elizabeth Gaskell’s Letters.” Gaskell Journal 28 (2014): 90-96. Print.
Levityan, Kathrin. “Catching the Past: Elizabeth Gaskell as Traveler and Letter-Writer.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore, Farnham, Surry and Burlington, VT: Ashgate, 2015. 123-135. Print.
Longmuir, Anne. “A Friendship of ‘Mutual Esteem’: The Correspondence of Elizabeth Gaskell and John Ruskin.” Gaskell Journal 31 (2017): 1-19.
Nestor, Pauline. “‘A Conscientious and Well-Informed Victorian Mother’: Elizabeth Gaskell’s Letters to Her Daughters.” Women’s History Review, 24.4 (2015): 591-602. DOI: 10.1080/09612025.2015.1015331. Web. 17 June 2015.
Ota, Miwa. “Evil and the ‘Taste for Beauty and Convenience’ in Gaskell’s Letters.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 505-520. Print.
Shelston, Alan. “What a Single Word Can Do.” Gaskell Society Newsletter 54 (Autumn, 2012): 24. Print. (Mary Barton)
Wiltshire, Irene, ed. Letters of Mrs. Gaskell’s Daughters, 1856-1914. Penrith: Humanities EBooks, 2012. Print.
LITERARY CRITICISM
NOTE: Where the title of the source does not include the title of Gaskell’s work(s) discussed, works are listed alphabetically in a parenthetical notation.
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Addcox, J. Stephen. “Memory and Legal Testimony in Victorian Literature.” Diss. U of Florida, 2014. U of Florida Digital Collections. Web. 19 June 2015. (Mary Barton)
Al-Badarneh, Abdullah Fawaz Hamed. “Female Oppression and Aspiration in Selected Nineteenth-Century Novels by Elizabeth Gaskell, Charlotte Brontë, Harriet Beecher Stowe and Elizabeth Stuart Phelps.” Diss. Indiana U of Pennsylvania, 2012. (Mary Barton, North and South)
Al-Haj, Ali Albashir Mohammed. “A Study of Women’s Labor in Elizabeth Gaskell’s Mary Barton.” Theory and Practice in Language Studies 4 (2014): 1132-1137. DOI: 10.4304/tpls.4.6.1132-1137.
Al-Yasin, Nayef. “The Enduring Compromise: Elizabeth Gaskell’s North and South and E. M. Forster’s Howard’s End.” Damascus University Journal for the Arts and Humanities. 31 (2015): 61-93. Paper.
Alavi, Majid. Elizabeth Gaskell: Historical Consciousness and Politics of Gender in Selected Novels. Saarbrücken: LAP LAMBERT Academic Publishing, 2012. (Cranford, Mary Barton, North and South, Ruth, Sylvia’s Lovers)
Alban, Gillian M. E. “Gaskell’s Characters Challenging Gender Norms.” Gender Studies 15 (2017): 45-59. DOI: 10.1515/genst-2017-0004 (Mary Barton, North and South, Ruth)
Alexander, Lynn M. “Diminishing Violence: Strategising Character in Industrial Fiction.” Victoriographies – A Journal of Nineteenth-Century Writing 1790-1914 7.2 (July 2017): 161-177. (Mary Barton)
Allen, Christie. “Trauma in the ‘Tea-Cup Drama’: Cranford on the World War II Home Front.” Gaskell Journal 28 (2014): 1-16. Print.
Allison, Sarah. “Narrative Form and Facts, Facts, Facts: Elizabeth Gaskell’s Life of Charlotte Brontë.” Genre 50.1 (2017): 97-116. DOI: 10.1215/00166928-3761372
Allukian, Kristin F. “‘If not in this world in another perhaps?’ Transatlantic approaches in the New Man Question in Elizabeth Gaskell’s North and South and Elizabeth Stuart Phelps’s The Silent Partner.” Symbiosis: A
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Journal of Anglo-American Literary Relations 19.1 (2015): 25-45. Print.
Ameera, V. U. “The ‘Condition of England Novels’ and Victorian Woman Novelists.” The Criterion: An International Journal in English. 12.2 (2013): 1-9. Print. (Mary Barton, North and South).
Anderson, Amanda. “Dickens, Charlotte Brontë, Gaskell: Politics and Its Limits.” The Cambridge History of the English Novel. Eds. Robert L. Caserio and Clement Hawes. Cambridge: Cambridge UP, 2012. 341- 356. Print. (North and South)
_____. 1993. “Melodrama, Morbidity and Unthinking Sympathy: Gaskell’s Mary Barton and Ruth.” Tainted Souls and Painted Faces. Ithaca: Cornell UP, 2018. 108-140. Print
_____. “Revisiting the Political Novel.” Bleak Liberalism. Chicago: University of Chicago Press, 2016. 78-98. (North and South)
Anderson, Kathleen and Kelsey Satalina. “‘An honest up and down fight’: Confrontation and Social Change in North and South.” Gaskell Journal 27 (2013): 108-125. Print.
Andres, Sophia. “Women’s Voices in the Pre-Raphaelite Space of Elizabeth Gaskell’s Novels.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore, Farnham, Surry and Burlington, VT: Ashgate, 2015. 193-207. Print. (Correspondence, Ruth, Sylvia’s Lovers)
Antinucci, Raffaella. “(Un)intellectual, Social, Feminist or Canonical Writer? Reading Gaskell in the Twentieth Century and in the New Millennium.” Adapting Gaskell: Screen and Stage Versions of Elizabeth Gaskell’s Fiction. Ed. Loredona Salis. Newcastle upon Tyne: Cambridge Scholars, 2013. 17-32. Print. (Bibliography, Cousin Phillis, Cranford, Life of Charlotte Brontë, Mary Barton, My Lady Ludlow, North and South, Sylvia’s Lovers, Wives and Daughters)
Arai, Megumi. “That Lady They Call Clare: The Evil Step-Mother in Wives and Daughters.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 393-408. Print.
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Archibald, Diana C. “Learning across ‘Different Zones’: Bridging the Gap between ‘Two Nations’ through Community Engagement.” Service Learning and Literary Studies in English. NY: Modern Language Association of America, 2015. 116-127. Print. (Mary Barton)
Armstrong, Isobel. “Reading for Democratic Imaginations: Inquiry, Form, and Illegitimate Mothers.” Novel Politics: Democratic Imaginations in Nineteenth-Century Fiction. Oxford: Oxford UP, 2016. 102-140. Print. (Ruth)
_____. “Theories of Space and the Nineteenth-Century Novel. Interdisciplinary Studies in the Long Nineteenth-Century 19 (2016). 1-17. DOI: http://doi.org/10/.16995/ntm.615 (North and South)
Armstrong-Price, Amanda. “Infrastructures of Injury: Railway Accidents and the Remaking of Class and Gender in Mid-Nineteenth Century Britain.” Diss. ProQuest. U of California, Berkeley, 2015. (Cranford)
Arnett, James. “First as Farce, Then as Tragedy: Cranford and the Internal Periphery of Capitalism.” Lit: Literature Interpretation Theory 25 (2014): 1-19. DOI: 10/1080/10436928.2014.868216
Athmanathan, Divya. “Courtship and Spaciality in Nineteenth Century English Novels. Diss. Nanyang Technological U, 2014. http://hdl.handle.net/10356/59544. Web. 29 May 2015. (North and South)
_____. “‘You might pioneer a little at home’: Hybrid Spaces, Identities and Homes in Elizabeth Gaskell’s North and South.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 37-52. Print.
Avarvarei, Simona Catrinel. “(Dis)covering/(De)constructing Identity in Elizabeth Gaskell’s North and South.” Proceedings of the Second International Conference on Globalization, Intercultural Dialogue and National Identity, May 29-30. Mures, Romania: Archipelag P, 2015. Web. 6 July 2015. (Mary Barton, North and South)
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Ayres, Brenda. “Gaskell’s Activism and Animal Agency.” Victorians and their Animals: Beast on a Leash. Ed. Brenda Ayres . NY and Oxon: Routledge, 2018. 23-44. http://ebookcentral.proquest.com/lib/aul/detail.action?docID =5607395 (Cranford, “The Grey Woman”, Mary Barton, North and South, Ruth, Wives and Daughters)
Badinjki, Tahr. “Mary Barton: Sins of the Upper Classes Are Visited on the Lower.” I.U.P. Journal of the English Studies. 13.3 (2018): 24-33.
Baker, Fran. “The Double Life of ‘The Ghost in the Garden Room’: Charles Dickens Edits Elizabeth Gaskell.” The Boundaries of the Literary Archive. Eds. Carrie Smith and Lisa Stead. Farnham, Surrey and Burlington, VT: Ashgate, 2013. 75-90. Print.
Baker, Katie. “From Fallen Woman to Businesswoman: The Radical Voices of Elizabeth Gaskell and Margaret Oliphant.” Diss. U of Chester, 2018. (Cousin Phillis, “Lizzie Leigh” North and South, Ruth, Wives and Daughters)
Balkaya, Mehmet Akif. “Mrs. Gaskell’s North and South with Reference to Preston Lockout.” The Industrial Novels: Charlotte Brontë’s Shirley, Charles Dickens’ Hard Times and Elizabeth Gaskell’s North and South. Cambridge: Cambridge Scholars Publishing, 2015. 67-86. Print.
Bartlett, Jami. “Gaskell’s Lost Objects.” Object Lessons: The Novel as a Theory of Reference. Chicago and London: U of Chicago P, 2016. 102- 121. Print. (Cranford)
_____. “Sensational Developments: Criminality and Class in Nineteenth- Century British Fiction.” Diss. ProQuest. U of Tulsa, 2015. (Mary Barton)
Bayne, Matthew William. “Tarrying with Useless Things: Reparative Readings of Victorian Social Inequality.” Diss. U of Rochester, 2016. http://gradworks.uni.com/10/15/10157767 (Cranford, Mary Barton)
Bazell, Beatrice. “The ‘Atrocious’ Interior: Wallpaper, Machinery and 1850s Aesthetics in North and South.” Gaskell Journal 26 (2012): 36-51. Print.
Benamor, Naima. “Geographical and Social Exploration as Female
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Empowerment in Elizabeth Gaskell’s North and South. Diss. U of Tlemcen (Algeria), 2017.
Benmansour, Fayza. “An Examination of the Northern Lancashire and Yorkshire Dialects through the Works of Mrs. Gaskell’s North and South and Emily Brontë’s Wuthering Heights. Diss. U of Tlemcen (Algeria), 2015. http://dspace.univ-tlemcen.dz/handle/112/7970
Benton, Michael. “The Aesthetics of Biography – And What It Teaches.” Journal of Aesthetic Education. 49.1 (2015): 1-19. JSTOR. Web. 18 May 2015. (Life of Charlotte Brontë)
Bhattacharyya, Tania. “The City as Monster: Reading Monstrosity in the Nineteenth-Century British Urban Landscape.” Diss. Purdue U, 2013. Purdue University e-Pubs. Web. 17 March 2014. (Mary Barton)
Bhowmik, Urmi. “Empire and the Industrial Novel: Imperial Commodities and Colonial Labor in Elizabeth Gaskell's North and South.” Nineteenth- Century Studies 26 (2016): 117-134.
Billington, Josie. “Gaskell’s ‘Rooted’ Prose Realism.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 159-171. Print. (Correspondence, Life of Charlotte Brontë, North and South, Sylvia’s Lovers, Wives and Daughters)
_____. “On Not Concluding: Realist Prose as Practical Reason in Gaskell’s Wives and Daughters.” Gaskell Journal 30 (2016): 23-40. Print.
_____. “Reading and Writing Short Fiction: Elizabeth Gaskell and George Eliot.” Gaskell Journal 29 (2015): 23-36 Print. (Cousin Phillis, The Moorland Cottage)
Birdwell, Robert Z. “The Coherence of Mary Barton: Romance, Realism, and Utopia. Victoriographies 5.3 (2015): 185-200. DOI: 10.3366/vic. 2015.0194. Web. 19 June 2016.
Blair, Meagan. “Anticontagionism and social reform in nineteenth-century transatlantic literature.” Diss. ProQuest. U of North Carolina at Chapel Hill, 2016. (Ruth)
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Bloch, Elina. “‘Unconfessed Confessions’: Strategies of (Not) Telling in Nineteenth-Century Narratives.” Diss. Yale U, 2012.
Boehm, Katharina. “Transatlanticism and the Old Indian: Old Age and Cross- Racial Mentorship in Narratives of National Belonging.” Interdisciplinary Perspectives on Aging in Nineteenth-Century Culture. Eds. Katharina Boehm, Anna Farkas and Ann-Julia Zwierlein. NY and London: Routledge, 2014. 95-114. Print. (Lois the Witch)
Bohata, Kirsti. “Mistress and Maid: Homoeroticism Cross-Class Desire and Disguise in Nineteenth-Century Fiction.” Victorian Literature and Culture 45.2 (June, 2017), 341-359. doi.org/10.17/S1060150360000644 (“The Grey Woman”)
Boos, Florence S. “Writing across the Class Divide.” The History of British Women’s Writing, 1830-1880. Ed. Lucy Hartley. London: Palgrave Macmillan, 2018. 282-302. Print. (Mary Barton, Ruth) Booth, Alison. “Ladies with Pets and Flowers; with Graveyards and Windswept Moors.” Homes and Haunts: Touring Writers’ Shrines and Countries. Oxford: Oxford University Press, 2016. 102-157. (Cranford, Life of Charlotte Brontë)
_____. “Some Versions of Narration.” A Companion to the English Novel. Ed. Stephen Arata, Madigan Haley, J. Paul Hunter, and Jennifer Wicke. Chichester, Sussex: Wiley Blackwell, 2015. 177-191. (Cousin Phillis, Cranford, Mary Barton, North and South, Ruth, Wives and Daughters)
Boyce, Charlotte. “Suffering, Asceticism and the Starving Male Body in Mary Barton.” The Victorian Male Body. Eds. Joanne Ella Parsons and Ruth. Heholt. Edinburgh U P, 2018. Print.
Bredesen, Dagni. “An Emblem of All the Rest Wearing the Widow’s Cap in Victorian Literature.” Fashioning the Nineteenth Century: Habits of Beings 3. Eds. Christina Giorcelli and Paul Rabinowitz. Minneapolis: U of Minnesota Press, 2014. JSTOR. Web. 25 June 2016. (Ruth)
Bruusgaard, Emily. “Disruptive Threads and Renegade Yarns: Domestic Textile Making in Selected Women’s Writing 1881-1925.” Diss. Queen’s U (Ontario), 2016.
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https://qspa.library.queenu.ca/handle/1974/14694 (Cranford)
Burdett, Carolyn. “Sympathy.” The History of British Women’s Writing, 1830- 1880. Ed. Lucy Hartley. London: Palgrave Macmillan, 2018. 320-335. Print. (Mary Barton, North and South)
Burnett, Katharine. “The Pro-Slavery Social Problem Novel: Maria J. Mcintish’s Narrative of Reform in the Plantation South.” College Literature 42.4 (Fall, 2015): 619-647. (North and South)
Burroughs, Robert. “Gaskell on the Waterfront: Leisure, Labor, and Maritime Space in the Mid-Century.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 11-22. Print. (Correspondence, Cranford, “Manchester Marriage”, Mary Barton, “Moorland Cottage”, North and South, Ruth, “The Sexton’s Hero”, Sylvia’s Lovers)
_____. “The Nautical Melodrama of Mary Barton. Victorian Literature and Culture 44 (2016): 77-95. Print. (Mary Barton, North and South)
Burton, Anna. “Remarks on Forest Scenery: North and South and the ‘Picturesque’.” The Gaskell Journal 32 (2018): 37-53. Print.
Bussing, Ilse M. “The Victorian Haunted House as a Space of Seduction.” The House of Fiction as the House of Life; Representations of the House from Richardson to Woolf. Eds. Francesca Saggini and Anna Enrichetta Soccio . Newcastle upon Tyne: Cambridge Scholars, 2012. 119-127. Print. (The Old Nurse’s Story”)
Buzard, James. “Ethnographic and Narrative Frontiers: The Case of Gaskell’s Mary Barton.” Raritan 32 (2012): 118-139. Print.
Byrne, Katherine. “Anxious Journeys and Open Endings: Sexuality and the Family in the BBC’s Wives and Daughters (1999).” Adapting Gaskell: Screen and Stage Versions of Elizabeth Gaskell’s Fiction. Ed. Loredona Salis. Newcastle upon Tyne: Cambridge Scholars, 2013. 77-96. Print.
_____. “Consuming the Family Economy: Disease and Capitalism
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in Charles Dicken’s Domby and Son and Elizabeth Gaskell’s North and South. Tuberculosis and the Victorian Literary Imagination. 2011. Cambridge: Cambridge UP. 2013. 45-68. Print. Paperback version of critical work published in hardback in 2011.
Cameron, Lauren N. “Renegotiating Science: British Women Novelists and Evolution Controversies, 1826-1876.” Diss. U of North Carolina at Chapel Hill, 2013. (Sylvia’s Lover’s)
Cammack, Susanne S. “‘You Have Made Him What He Is’: Irish Laborers and the Preston Strike in Elizabeth Gaskell’s North and South.” New Hibernia Review 20.4 (2016): 113-127 DOI: https://doi.org/10.1353/nhr.2016.0060
Cantor, Paul. “Elizabeth Gaskell’s North and South: Industrial Energy Versus ‘The Idiocies of Rural Life’” Capitalism and Commerce in Imaginative Literature: Perspectives on Business from Novels and Plays. Ed. Edward W. Younkins. Lanham, MD: Lexington Books, 2016. 125-142. Print.
Caracciolo, Peter L. “The Enemy’s ‘Son of All Destructions’: Picasso-esque Refashioning of George Eliot and Elizabeth Gaskell in Wyndham Lewis’s Self Condemned and Monstre Gai.” Journal of Wyndham Lewis Studies 5 (2014): 60-74. Print. (North and South)
_____. “Microcosm, Macrocosm: Barbara Hardy, Wyndham Lewis, Mrs. Gaskell, and Nineteenth-Century Narrative.” Carlyle Studies Annual 31 (2015/16) 109-122. Print. (North and South)
Cassidy, Camilla Mary. “Iron Times and Golden Ages: Nostalgia and the Mid Victorian Historical Novel.” Diss. U of Oxford, 2014. http://ethos.bl.uk/OrdereDetails.do?uin=uk.bl.ethos.627855 (Sylvia’s Lovers)
_____.”Nostalgia or das Heimweh: Home-sickness and the Press-gang Soldier in Sylvia’s Lovers (1863).” Journal of Victorian Culture 22 (2017): 1-21 DOI: 10.1080/13555502.2017.1294988 (Sylvia’s Lovers)
Cazamian, Louis Francois. “Mrs. Gaskell and Christian Interventionism.” The
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Social Novel in England, 1830-1850: Dickens, Disraeli, Mrs. Gaskell, Kingsley. 1973. Trans. Martin Fido. Vol. 2 London: Routledge, 2009. 211-246. Print. (Biography, Mary Barton, North and South)
Celeste, Mark. “‘You say you want a Revolution’: Dialectical Soundscapes in Gaskell’s North and South.” Gaskell Journal 26 (2012): 18-35. Print.
Chappell, Patrick R. “The Recirculation Plot.” Diss. Rutgers State U of New Jersey, 2015. http://dx.doi.org.doi:10.7282/T30K2BJ1 (Cranford)
Chase, Karen. “‘Senile’ Sexuality: The Price of Sexuality in Old Age.” Interdisciplinary Perspectives on Victorian Old Age. Eds. Anne-Julia Zwierlein, Katharina Boehm and Anna Farkas. Hoboken: Taylor and Francis, 2013. 270-298. Print. (Cranford)
Chavez, Julia McCord. “Gaskell’s Other Wives and Daughters: Reimagining the Gothic and Anticipating the Sensational in Lois the Witch and The Grey Woman. Gaskell Journal 29 (2015): 59-78. Print.
_____. “Reading ‘An Every-Day Story’ through Bifocals: Seriality and the Limits of Realism in Elizabeth Gaskell’s Wives and Daughters.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015, 147-157. Print.
Chen, Lizhen. “Narrating Desire: Secrets and Disillusion in Cousin Phillis.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 345-359. Print.
Chen, Yinghuei. “The Limitation and Development of Elizabeth Gaskell’s Social Vision.” Journal of Literature and Art Studies 7.5 (2017): 489- 499. doi: 10.17265/2159-5836/2017.05.001 (Mary Barton, North and South)
Chitwood, Brandon. “A Victorian Christmas in Hell: Yuletide Ghosts and Necessary Pleasures in the Age of Capital.” Diss. Marquette U, 2009. http://epublications,marquette.edu/dissertations_mu/181 (Mary Barton, “Old Nurse’s Story”)
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Chiu, Chen-Hsiang. “Revisiting Elizabeth Gaskell’s North and South: A Female Travelogue. Journals of Nanhua University: Literature in a New Key. (2014): 29-52. http://nhuir.nhu.edu.tw/handle/987654321/23683
Chivoiu, Oana M. “Lost and Found: Mid-Nineteenth Century British Literary Imagination of Crowds.” Diss. Purdue U, 2017. (North and South)
Ciobanu, Irina Raluca. “The Gothic as Mass Hysteria: The Threat of the Foreign Other in Gaskell’s Lois the Witch.” Philologica Jassyensia An. X, Nr. 1 19 (2014), Supliment. 139-148.
Cirstea, Ariana. Women’s Urban Modernity: Brontë, Gaskell and Woolf.” Mapping British Women Writers Urban Imaginaries: Space, Shelf and Spirituality. Houndsmills, Basingstoke, Hampshire and NY: Palgrave Macmillan, 2015. (North and South)
Clayton, Jay SEE Meadows, Elizabeth
Cody, Emily K. “Grave Matters: Gothic Places and Kinetic Spaces in Elizabeth Gaskell’s Mary Barton. Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 53-64. Print.
Cohen, Michele. “A Mother’s Dilemma: Where Best to Educate a Daughter, at Home or at School.” Gaskell Journal 28 (2014): 35-52. Print. (My Diary, Wives and Daughters)
Colón, Susan E. “Professional Frontiers in Elizabeth Gaskell’s ‘My Lady Ludlow’.” The Professional Ideal in the Victorian Novel. NY and Houndsmills, Basingstoke: Palgrave, 2007. 75-96. Print.
Combs, Shelly. “A Humor of their Own: Feminist Humor in the Works of Jane Austen, Elizabeth Gaskell, Caroline Kirkland and Marietta Holley.” Diss. Saint Louis U, 2012. ProQuest (2012): Item 3514498. Web. http://search.proquest.com/docview/1029493309.
Cooke, Simon. “From George Du Maurier to Hugh Thompson: Illustrating the Work of Elizabeth Gaskell.” The Victoria Web http://www.victorianweb.org/art/llustration/dumaurier/cooke2.html5/2 3/17. (Cousin Phillis, Cranford, “The Grey Woman”, “Lizzie Leigh”, Sylvia’s Lovers, Wives and Daughters)
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Cooney, Brian. “Violence, Terror, and the Transformation of Genre in Mary Barton.” Victorian Transformations. Ed. Biance Tredennick. 2011. Farnham, Surry and Burlington VT: Ashgate, 2013. (Kindle version of 2011 Hardcover.)
Cooper, Isabella Lucy. “Humankindness: Illness, Animality, and the Limits of the Human in Victorian Fiction.” Diss. U of Maryland, College Park, 2016. (Life of Charlotte Brontë)
Corbett, Mary Jean. “Generational Critique and Feminist Politics in The Heavenly Twins and The Voyage Out.” Women’s Writing 26.2 (May, 2019): 214-228. (Ruth)
Coté, Amy. “Parables and Unitarianism in Elizabeth Gaskell’s Mary Barton. Victorian Review 40.1 (2014): 59-76. Project Muse. Web. 17 May 2016.
Cox, Kimberly Nicole. “When Hands Touch: Manual Intercourse in Victorian Literature.” Diss. SUNY at Stony Brook, 2014. DAI-A 76.7 (2016): Item DA3684734. ProQuest. Web. 17 June 2015. (North and South)
Cox, Natalie Rose SEE Deininger, Michelle
Craik, Wendy A. Elizabeth Gaskell and the Provincial Novel. 1975. London and New York: Routledge, 2013. Print.
Cronin, Meaghan B. “Love, Labor, and Loss: An Interdisciplinary View of Work and Nostalgia in Gaskell’s North and South.” Impact 1 (2012): 19-28.
Damkjær, Maria. “Division into Parts: Elizabeth Gaskell’s North and South and the Serial Instalment.” Time, Domesticity and Print Culture in Nineteenth-Century Britain. Houndsmills, Basingstoke, Hampshire and NY: Palgrave Macmillan, 2016. 85-116.
_____. “Domestic Time in Mid-nineteenth-century British Print Culture.” Diss. King’s College, London, 2013. Print. (North and South)
Daraiseh, Isra. “The Literary Unconscious: Ideology and Utopia in the Nineteenth-Century Realist Novel in England and Russia.” Diss. ProQuest. University of Arkansas, 2015.
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(Mary Barton)
David, Deidre, ed. The Cambridge Companion to the Victorian Novel. 2nd ed. Cambridge: Cambridge UP, 2012. (Cousin Phillis, Cranford, Mary Barton) North and South)
Dawsonm Gowan, Chris Lintott and Sally Shuttleworth. “Constructing Scientific Communities in Nineteenth and Twenty-First Centuries.” Journal of Victorian Culture 20.2 (2015): 246-254. http://dx.doi.org/10.1080/13555502.2015.1022053 (Mary Barton)
De Moraes Abrahão, Viviane. “Corpus Stylistics: Analyzing Elizabeth Gaskell.” JACLR: Journal of Artistic Creation and Literary Research 2.1 (2014) 24-37. https://www.ucm.es/data/cont/docs/119-2014-08-26- 2.1.3Moraes.pdf (Cranford, Mary Barton, North and South, Ruth, Wives and Daughters)
Dean, Bradley. “Veiled Women in the Marketplace of Culture: Authorships and Domesticities in Gaskell and Eliot.” Making of the Victorian Novelist: Anxieties of Authorship in the Mass Market. 2003. NY and London: Routledge, 2014. 113-138. Print. (Cranford, Life of Charlotte Brontë, Mary Barton)
Available in both Kindle and paperback formats.
DeBlassie, Maria. “From the Philosophical Wanton to the Respectable Lady: Rewriting the Female Intellectual’s Moral, Sexual and Political Identities in the Courtship Novel, 1790-1850.” Diss. U of Washington, 2012. Print. (North and South)
Deininger, Michelle and Natalie Rose Cox. “‘Different Shades of Green’: Elizabeth Gaskell’s Ecogothic Short Fictions.” Victorian Ecocriticism. Lanham, MD: Lexington, 2017. 165-184. Print. (Correspondence, “Doom of the Griffiths”, Lois the Witch, “Sketches Among the Poor”)
Delafield, Catherine. “The Periodical and the Serialized Novel.” Serialization and the Novel in Mid-Victorian Magazines. Farnham, Surry and Burlington, VT: Ashgate, 2015. 73-91. Print (Cranford, Lizzie Leigh, Mary Barton, My Lady Ludlow, North and South, Wives and Daughters)
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DeWitt, Anne. “Moral Uses, Narrative Effects: Natural History in the Novels of George Eliot and Elizabeth Gaskell.” Moral Authority, Men of Science, and the Victorian Novel. Cambridge and NY: Cambridge UP, 2013. 53-93. Print. (Wives and Daughters)
Dharmawimala, T. D. “Beyond an ‘External Feminine’ Identity: A Feminist Study of North and South by Elizabeth Gaskell. Proceedings of the First Undergraduate Research Symposium (HUG 2015), Faculty of Humanities, U of Kelaniya. Sri Lanka. 2015. http://repository.kln.ac.lk/handle/123456789/10667 di Laurea, Tesi. “Translating Elizabeth Gaskell’s ‘Right at Last’ with an Eye on Italian Translations of Gaskell’s Works: Problems and Strategies.” Corso de Laurea Magistrale. U degli Studi de Padova (Italy), 2016/2017. (“Half a Lifetime Ago”, North and South, “Right at Last”, “Six Weeks at Heppenheim”)
DiBattista, Maria and Deborah Epstein Nord. “Emancipation.” At Home in the World: Women Writers and Public Life, from Austen to the Present. Princeton UP, 2017. 43-77. Print. (Mary Barton)
Dickson, Melissa. “Confessions of an English Green Tea Drinker: Sheridan Le Fanu and the Medical and Metaphysical Dangers of Green Tea.” Victorian Literature and Culture 45.1 (2017): 77-94. doi:10.1017/S1060150316000449 (Cranford)
Diniejoko, Andrzej. Ruth and the Fallen Woman Question in Victorian England.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 121-136. Print.
Dobbins, Meg. “Jane Eyre's Purse: Women's Queer Economic Desire in the Victorian Novel.” Victorian Literature and Culture 44:4 (2016): 741- 759. doi:10.1017/S1060150316000206 (Mary Barton, North and South)
Dolin, Tim. “A Moabite among the Israelites: Ruth, Religion and the Victorian Social Novel.” Literature and Theology 30.1 (2016): 67-81. DOI: 10.1093/litthe/fruo62 Web. 24 May 2016.
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Dominguez-Rué, Emma. “Nightmares of Repetition, Dreams of Affiliation: Female Bonding in the Gothic Tradition.” Journal of Gender Studies (2014) 23:2, 125-136. DOI: 10.1080/09589236.2012.750238 (“The Grey Woman”)
Dotson, Emily Ann. “Strong Angles of Comfort: Middle Class Managing Daughters in Victorian Literature.” Diss. U of Kentucky, 2014. Theses and Dissertations—English. Paper 13. (available at http://unknowledge.uky.edu/english_etds/13) Web. 16 June 2015. (North and South)
Dredge, Sarah. “Negotiating ‘A Woman’s Work’: Philanthropy to Social Science in Gaskell’s North and South.” Victorian Literature and Culture 40 (2012): 83-97. Print.
Dugan, Sally. “Mrs. Gaskell, ‘My Lady Ludlow’ (1858): The Guillotine Viewed from the Sofa; or Fictions of the French Revolution as Therapy.” JVC Online: Selected Papers from Strange New Day (Exeter, 17 September 2011). 29 April 2013. Web. 29 June 2015.
Dunst, Maura. “‘Speak on, desolate mother!’: Elizabeth Gaskell’s Isolated (M)others.” Gaskell Journal 26 (2012): 52-69. Print. (Mary Barton, My Diary, North and South, Ruth, Wives and Daughters) Easson, Angus. Elizabeth Gaskell. 1979. London and New York: Routledge, 2016. Print.
Eckert, Sierra. “‘Sticking Together Pieces’: Gender, Genre and the Figure of Peter in Gaskell’s Cranford.” Stanford Undergraduate Research Journal 12 (2013): 63-68.
Elahipanah, Nooshian SEE Moqari, Shaqaneq
Ellison, David. “The Ghost of Injuries Present in Dickens’s ‘The Signalman’.” Textual Practice 26 (2012): 649-665. (Cranford)
Elmira, Vasileva. “Stereotypes about Women in E. Gaskell’s novels of 1848- 1853.” Advances in Social Science, Education and Humanities Research 122 (2017): 109-111. (Cranford, Mary Barton, Ruth)
Elsley, Susan Jennifer. “Images of the Witch in Nineteenth-Century Culture.” Diss. U of Liverpool, 2012. (available at http://hdl.handle.net/10034 /253452).
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(Life of Charlotte Brontë, “Lois the Witch”, Mary Barton, “The Poor Clare”, Ruth)
Emberson, Ian M. “Asya and Phillis: Comparisons and Contradictions.” Gaskell Society Newsletter 57 (Spring, 2014): 2-6. Print. (Cousin Phillis)
Enderwitz, Anne. “Loving ‘without Thought of Self’: Sin and Repentance in ‘Lizzie Leigh; and Other Stories.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 441-455. Print. (“Heart of John Middleton”, “Lizzie Leigh”, “Well of Pen-Morfa”)
Enderwitz, Anne and Doris Feldmann. “Nostalgia and Material Culture: Presenting the Past in Cranford.” Neo-Victorian Literature and Culture: Immersions and Revisitations. Eds. Nadine Boehm-Schnitker and Susanne Gruss. Hoboken: Taylor and Francis, 2014. 51-63. Print.
Engelhardt, Molly. “The Language of Flowers in the Victorian Age.” Victoriographics 3 (2013): 136-160. DOI: 10.3366/vic.2013.0129 (Correspondence, Mary Barton, Wives and Daughters)
England, Catherine. “Moral Appetites in Elizabeth Gaskell’s Wives and Daughters.” Postscript 34.1, 2018.
Everett, Karina Jiminez. “Domestic Intimacies: Servants and Secrets in the Victorian Novel.” Diss. Fordham U, 2013. DAI-A 75.2 (2014): Item DA3600972. ProQuest. Web. 17 June 2015. (North and South)
Eyre, Angharad. “Elizabeth Gaskell and the Coarse Authorship of Charlotte Brontë: Religious Perspectives on Women’s Writing.” Brontë Studies 44.1 (January, 2019): 20-32. Print. (Life of Charlotte Brontë)
Fedewa, Rebecca Parker. “Truth Telling: Testimony and Evidence in the Novels of Elizabeth Gaskell.” Diss. Marquette U, 2012. ProQuest Abstract. Web. 18 May 2015. (Cranford, Mary Barton, North and South, Ruth, Sylvia’s Lovers, Wives and Daughters)
Feldmann, Doris SEE Enderwitz, Anne and Doris Feldmann.
Fenton-Hathaway, Anna. “Gaskell’s Detours: How Mary Barton, Ruth, and
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Cranford Redefined ‘Redundancy’.” Victorian Literature and Culture 42 (2014): 235-250. Print.
_____. “Novel Perspectives on Victorian Britain’s ‘Redundant Women’.” Diss. Northwestern U, 2012. Print. (Cranford, Mary Barton, Ruth)
Fernandez, Jean Marie. “Oral Pleasures: Repression and Desire in Emily Brontë’s Wuthering Heights (1847) and Elizabeth Gaskell’s ‘The Old Nurse’s Story’.” Victorian Servants, Class and the Politics of Literacy. 2009. NY: Routledge, 2015. 54-86. Print. Paperback version of critical work published in hardback and Kindle in 2009.
_____. “‘Some great war’: The Aga Jenkyns and the Repression of History in Elizabeth Gaskell’s Cranford. Gaskell Journal 30 (2016):41-56. Print
Finashina, Carmen Ashley. “Thinking Like a Heroine: Investigating the Role of Genre in Identity and Perception.” Diss. Northwestern U, 2016. (Wives and Daughters)
Fincher, Lindsay Mayo. “‘Uncleaned Corners’: Dirt and the Politics of Place in Elizabeth Gaskell’s North and South.” North and South: Essays on Gender, Race and Region. Eds. Christine Devine and Mary Ann Wilson. Cambridge: Cambridge Scholars, 2012. 21-38. Print.
Fisher, Darlene. “Marriage and Paradoxical Christian Agency in the Novels of Mary Wollstonecraft, Jane Austen, Anne Brontë and Elizabeth Gaskell.” Diss. U of Kent, 2016. http://kar.kent.ac.uk/56688 (Ruth)
Floyd, Stacey. “Teaching Chartist Fiction with Canonical Texts: Pairing Thomas Wheeler’s Sunshine and Shadow with Elizabeth Gaskell’s Mary Barton.” Teaching Laboring-Class British Literature of the Eighteenth and Nineteenth Centuries. New York, NY: Modern Language Association of America, 2018. 211-218. Print.
Ford, Amanda. “‘The Pinafore, the Childish Garment…and Aprons’: Dress and the Representation of Victorian Womanhood in Elizabeth Gaskell’s Cousin Phillis.” Gaskell Journal 29 (2015): 97-108. Print.
Foster, Louisa Jayne. “The Monstrous Transatlantic Witchcraft Narrative:
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Elizabeth Gaskell’s “Lois the Witch”.” Transatlantic Traffic and (Mis)Translations. Eds. Robin Peel and Daniel Maudlin. Durham, New Hampshire: U of New Hampshire Press, 2013. 63-83. Print.
Foster, Shirley. “Brontë Myth-Making: Versions of Emily from Gaskell to Sinclair.” Questioni de genere: Femminilità e effeminatezza nella cultura vittoriana. Eds. Roberta Ferrari and Laura Giovanneli. Bologna, Italy: Bononia University Press, 2016. 69-86. Print. (Life of Charlotte Brontë)
_____. 1985. “Elizabeth Gaskell: The Wife’s View.” Victorian Women’s Fiction: Marriage, Freedom and the Individual. NY and London: Routledge, 2012. 136-184. Print. (Cranford, Cousin Phillis, “The Grey Woman,” “Half a Life Time Ago”, “Manchester Marriage,” Mary Barton, “My Lady Ludlow,” North and South, Ruth, Sylvia's Lovers, Wives and Daughters )
Fraiman, Susan. “Behind the Curtain: Domestic Industry in Mary Barton.” Extreme Domesticity: A View from the Margins. New York: Columbia U P, 2017. 45-67. Print.
Frank, Cathrine O. “Gossip, Hearsay and the Character Exception in Victorian Law and Literature.” Law and Humanities 9.2 (November, 2015): 172-202. http://dx.dei.org/10.1080/17521383.2015.1093299 (Cranford)
_____. “Revolution and Reform in Elizabeth Gaskell’s Fiction.” Law, Culture and the Humanities 10 (2014): 421-439. (My Lady Ludlow, North and South, Sylvia’s Lovers)
Frank, Gretchen Marie. “Discourses of the Nineteenth-Century Family: Reading British Victorian Women and their Families through Communicative Representation.” Diss. Illinois State U, 2014. Theses and Dissertations 225. http://ir.library.illinoisstate.edu/edt/225 (North and South)
Fratz, Deborah M. “‘A Feminine Morbidity of Conscience’: Disability, Gender, and the Economy of Agency in Elizabeth Gaskell’s Ruth.” Victorians 127 (2015): 4-17. Print.
Freedgood, Elaine. “The Novelist and Her Poor.” Novel: A Forum on Fiction 47 (2014): 2010-223. DOI 10.1215/00295132-2647158 (Mary Barton)
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_____. “The Novelist and Her Poor: Nineteenth-Century Character Dynamics.” Ranciere and Literature. Eds. Grace Hellyer and Julian Murphet. Edinburgh: Edinburgh University Press, 2016. 125-142. https://www.jstor.org/stable/1.3366/j.ctt1bh2k5z11 (Mary Barton)
Frye, Doris A. “‘A Patchy Affair’: Paternalism in the Old Vic Adaptations of Jane Eyre and Mary Barton.” The Victorian [Online], 1.1 (2013): n. pag. Web. 12 Jul. 2014 (Available at: http://journals.sfu.ca/vict/index.php/vict/article/ view/ 20 )
_____. “ ‘Vulgarized’: Victorian Women’s Fiction in Minor Theatres.” Diss. Louisiana State U, 2013. (Mary Barton)
Fusco, Carla. “Ruth: An Unusual Prostitute. Elizabeth Gaskell’s Speculative Gaze vs. Victorian Masculine Vision of Women.” British and American Studies 21 (2015): 55-60. Print.
Fyfe, Paul. “Industrial Accidents and Novel Insurances.” By Accident or Design: Writing the Victorian Metropolis. Oxford: Oxford UP, 2015. 100-131. Print. (Mary Barton)
Galef, David. “‘What is Done in Youth’: Sibling Rivalry in Elizabeth Gaskell’s ‘The Old Nurse’s Story’.” Gothic Studies 16 (2014): 52-65. Humanities Full Text. Web. 14 June 2015.
Gallick, Elizabeth Louise Bevis. “The (Anti)Social Life of Religious Conviction in Victorian Literature.” Diss. Indiana University, 2018. (North and South)
Garratt, Peter. “Death and Variations: North and South and the Work of Adaptation.” Gaskell Journal 26 (2012): 73-87. Print.
Geary-Jones, Hollie. “An Infectious Vessel: The Nineteenth-Century Prostitute Undressed.” Diss. U of Chester, 2017. http://hdl.handle.net/10034/621042 (Mary Barton)
Gilbert, Anna. “Truth, Trauma and Fiction: An Examination of Charlotte Brontë’s Life.” Diss. Durham U, 2011. (Life of Charlotte Brontë)
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Glatt, Carra. “Narrative and Its Non-Events: Counterfactual Plotting in the Victoria Novel.” Diss. Harvard U, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493430 (Life of Charlotte Brontë, Mary Barton)
Gleeson, Miun Sara. “Feminizing grief: Victorian women and the appropriation of mourning.” Diss. ProQuest. University of Missouri – Kansas City, 2016. (North and South)
Glotova, Elena. “Metaphor and the Political Identity of a Writer (on the Basis of Elizabeth Gaskell’s Mary Barton).” Topics in Linguistics 12 (December, 2013): 56-64. Print.
Granic-White, Maria. “A Prohibitive Presence by Language: Never the Father, Always the Son.” The Representation of the Past in Literary and Material Culture. Eds. Elizabeth Wåghäll Nivre, Beate Schirrmacher, and Claudia Egerer. Stockholm: Acta Universitatis Stockholmiensis, 2013. 125-147. Print. (Ruth)
Grant, Shawn Michael. “Wordsworthian Romanticism and New Models of Secularization.” Diss. Florida State U, 2012. Electronic Theses, Treatises and Dissertations. Paper 4875. Web. 1 Apr 2014. (Ruth)
Gravil, Richard. “Negotiating Mary Barton.” Master Narratives: Tellers and Telling in the English Novel. 2001. NY: Routledge, 2016. 87-100. Print (Mary Barton, “Sketches Among the Poor”)
Greenwood, John. “Elizabeth Gaskell and Honoré de Balzac.” The Gaskell Society Newsletter 56 (Autumn, 2013): 32-35. Print. (“The Manchester Marriage”)
_____. “In Praise of the Independent Singleton.” Gaskell Society Newsletter 58 (Autumn, 2014): 20-29. Print (Cousin Phillis, Ruth, Sylvia’s Lovers)
Griffiths, Sam. “Reading the Text as a City: The Architectural Chromotrope in Two Nineteenth-Century Novels.” Proceedings of the 10th International Space Syntax Symposium. 17 July 2015. U College of London. 105:1-105:10. http://www.sss10.bartlett.ucl.ac.uk/proceedings (North and South)
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Gryzhak, Lyudmyla. “Evaluative Adjectives in the Portrayal of Victorian Women.” Linguaculture 9.1 (2018): 85-97. (Cranford)
Gu, Tie-xia and Na Li. “Alienation of Humanity and Salvation of Love in Ruth.” Proceedings of the Sixth Northeast Asia International Symposium on Language, Literature and Translation. Marietta, GA: American Scholars Press, 2017: 348-353. Print
_____. “Love Being the Theme, Kindness Being the Core – An Interpretation of Mrs. Gaskell’s Novels from the Perspective of Ethical Conception.” Proceedings of the Fifth Northeast Asia International Symposium on Language, Literature and Translation. May 26-29, 2016. Langfang, China. Eds. Lisa Hale, Jin Zhang, Linda Sun, Qi Fang, et al. Marietta, Georgia: American Scholars Press, 2016. 416-421. Print. (Cranford, Mary Barton, North and South, Ruth, Sylvia Lovers, Wives and Daughters)
Guy, Josephine M. “‘The Chimneyed City’: Imagining the North in Victorian Literature.” The Literary North. Ed. Katherine Cockin. Houndsmills, Basingstoke and NY: Palgrave and Macmillan, 2012. 22-3 7. Print. (Mary Barton)
Haefele-Thomas, Ardle. “Escaping Heteronormativity: Queer Family Structures in Elizabeth Gaskell’s Lois the Witch and ‘The Grey Woman’.” Queer Others in Victorian Gothic: Transgressing Monstrosity. Cardiff: U of Wales P, 2012. 48-71. Print.
_____. “‘Those most intimately concerned’: the Strength of Chosen Family in Elizabeth Gaskell’s Gothic Short-Fiction.” Gothic Kinship. Eds. Agnes Andeweg and Susan Zlosnik. Manchester: Manchester UP, 2013. 30-47. JSTOR. Web. 25 June 2016. (“Clopton House”, Lois the Witch “Curious If True”, “The Old Nurse’s Story”, “The Grey Woman”)
Haefele-Thomas, Ardel SEE ALSO Thomas, Ardel
Hakala, Taryn. “Linguistic Self-Fashioning in Elizabeth Gaskell’s Mary Barton.” Dialect and Literature in the Long Nineteenth-Century. Ed. Jane Hodson. NY: Routledge, 2016. 162-178. Print.
Hakman, Eknel Emrah. “North and South: A Conceptual Comparison between Two Worlds in One Novel.” Vluslararasi Sosyal Arastirmalar Dergisi/The Journal of International Social Research 10, Issue 54 (2017): 99-104.
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Hamdan, Mohammed. “Liberating the Classroom: The Artistic Teaching of Gender in Nineteenth-Century Literatures Courses at An-Najah National University.” Nineteenth-Century Gender Studies 12.2 (2016): n. pag. Web. 25 April 2018. (“Old Nurse’s Story”)
Hammer, Cynthia A. Bacon. “Discovering beauty, discovering God.” Doctor of Ministry thesis, University of Dubuque Theological Seminary, 2015. (Mary Barton)
Hammond, Mary, “Wayward Orphans and Lonesome Places: The Regional Reception of Elizabeth Gaskell’s Mary Barton and North and South.” Victorian Studies 60 (2018): 390-411. http://mujse.jhu/article/703351
Hamza Reguig Mouro, Wassila. “Dialogic Relations in Wives and Daughters and Orlando. International Journal of English and Literature (IJEL) 5 (2015): 71-76. Web. 12 May 2016.
_____. “Intertextuality in Elizabeth Gaskell’s Wives and Daughters.” International Journal of English and Literature (IJEL) 3 (2013): 37-42. Web. 14 Sept 2015.
_____. “Metafiction in the Feminine Novel: Elizabeth Gaskell’s Wives and Daughters and Virginia Woolf’s Orlando. Diss. U of Tlemcen (Algeria), 2014. Web. 14 Sept 2015.
Harbers, Ashley. “The Sympathetic Impulse: Duty and Morality in Emma and North and South.” Persuasions: The Jane Austen Journal On-Line 38.1 (Winter, 2017).
Harde, Roxanne. “‘At rest now’: Child Ghosts and Social Justice in Nineteenth-Century Women’s Writing.” Transnational Gothic: Literary and Social Exchanges in the Long Nineteenth-Century. Eds. Monika Elbert and Bridget M. Marshall. Farnham, Surry and Burlington VT: Ashgate, 2013. 189-200. Print. (“The Old Nurse’s Story”)
Hardy, Barbara. “Elizabeth Gaskell and George Eliot: Siblings, Spoilt Dogs,
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Cream Jugs, Torn Dresses, Farm Labourers, the Judgment of Solomon, and the Outward Gaze.” The Gaskell Society Newsletter 55 (Spring, 2013): 9-16. Print. (Cranford, “Lizzie Leigh”, “Moorland Cottage”, North and South, Ruth, Wives and Daughters)
_____. “Elizabeth Gaskell’s Middlemarch: Timothy Cooper, the Judgement of Solomon, and the Women at the Window.” George Eliot Review 46 (2015): 16-20. Print. (Cousin Phillis, North and South, Wives and Daughters)
Harman, Claire. Charlotte Brontë: A Fiery Life. London: Viking, 2015. (Life of Charlotte Brontë)
Harner, Christie. Physiognomic Discourse and the Trials of Cross-Class Sympathy in Mary Barton.” Victorian Literature and Culture 43 (2015): 705-724. DOI: 10.1017/S1060150315000224. Web. 15 June 2016. (Mary Barton, “The Squire’s Story)
Harper, Siobhan Catherine. “‘Among the healthy and the happy’: Health in the Novels of Mid-Nineteenth Century.” Diss. Durham U, 2017. http://etheses.dur.ac.uk/12044 (North and South, Wives and Daughters)
Harrison , Dana M. “Realism in Pain: Literary and Social Constructions of Victorian Pain in the Age of Anesthesia, 1846-1870.” Diss. Temple U, 2013. Temple U Electronic Theses and Dissertations. Web. 15 September 2015. (Mary Barton)
Harrison, Mary-Catherine. “The Great Sum of Universal Anguish: Statistical Empathy in Victorian Social-Problem Literature. Rethinking Empathy through Literature. Eds. Meghan Marie Hammond and Sue J. Kim. NY and London: Routledge, 2014. 135-149. http://ebookcentral.proquest.com/lib/bucknell/detail.action?docID:173 4142 (Mary Barton, North and South)
Harvey, Margaret Patricia. “A Woman’s Worth: Gendered Concepts of Value in Victorian Literature and Culture.” Diss. Rice U, 2017. http://hdl.handle.net/1911/95623. (Cranford, North and South)
Hatano, Yoko. “The Erosion of Faith at Hope Farm.” Evil and Its Variations in
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the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 361-376. Print. (Cousin Phillis)
Hattaway, Meghan Burke. “Fallen Bodies and Discursive Recoveries in British Women’s Writing of the Long Nineteenth Century.” Diss. Ohio State U, 2012. (Life of Charlotte Brontë, “Lizzie Leigh”, Mary Barton, Ruth)
_____. “‘Such a Strong Wish for Wings’: The Life of Charlotte Brontë and Elizabeth Gaskell’s Fallen Angels.” Victorian Literature and Culture 42 (2014): 671-690. Print.
Haugtvedt, Erica. “The Sympathy of Suspense: Gaskell and Braddon’s Slow and Fast Sensation Fiction in Family Magazines.” Victorian Periodicals Review 49.1 (2016): 149-170. DOI: 10.1353vpr.2016.0009. Project Muse. Web. 9 May 2016. (Cranford, A Dark Night’s Work)
Hayes, Laura. “The Body Plot: Self-Mastery and the Counter Narrative of Gaskell’s North and South.” Iowa Journal of Cultural Studies 18.1 (2018). 05-112. https://ir.uiowa.edu/ijcs
Healy, Meghan. “Masculinity and Manliness in the Work of Elizabeth Gaskell.” Diss. St. Andrews U, 2017. (Cousin Phillis, Mary Barton, Ruth, Wives and Daughters)
_____. “Models of Masculinity in David Copperfield and Cousin Phillis.” RSV: Rivista di Studi Vittoriana. a. 16/17, n. 32-33, luglio 2011-gennaio 2012. 93-120. Print.
_____. “Weak-Willed Lovers and Deformed Manliness: Masculinities in the Scarlet Letter and Ruth.” Gaskell Journal. 28 (2014): 17-34. Print.
Heeley, Kate. “The Representation of Female Prostitution in Victorian and Neo-Victorian Literature.” Diss. U of Chester. 2015. http://hdl.handle.net/10034/596714 (Mary Barton)
Heiniger, Abigail Ruth. “Jane Eyre and Her Transatlantic Literary Descendants: The Heroic Female Bildungsroman and Constructions of National Identity.” Diss. Wayne State U, 2013. (Life of Charlotte Brontë)
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Henry, Nancy. “Elizabeth Gaskell: Investment Cultures and Global Contexts.” Women, Literature and Finance. NY: Palgrave, 2018. 85-137. Print. (Correspondence, Cousin Phillis, Cranford, Life of Charlotte Brontë, Lois the Witch, Mary Barton, My Diary, North and South, Ruth, Sylvia’s Lovers, Wives and Daughters)
Hensley, Nathan K. and Philip Steer. “Signatures of the Carboniferous: The Literary Forms of Coal.” Ecological Form: System and Aesthetics in the Age of Empire. New York, NY: Fordham University Press, 2019. 63-82. Print. (Cranford; North and South)
Higgs, Stephanie. “Invisible Threads: Fictions of Cotton in the Anglo-Atlantic Triangle, 1833-1863.” Diss. Vanderbilt U, 2016. (North and South)
Hines, Emily Bartlett Whitney. “Referential Worlds.” Diss. Vanderbilt U, 2012. (Mary Barton)
Ho, Aaron Khai Han. “Shame, Darwin, and Other Victorian Writers.” Diss. City U of New York., 2017. (Cranford, Ruth)
Hoyt, Veronica. “English Tea and Chinese Opium: A Contrast between Good and Evil in Mary Barton.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 9-24. Print.
_____. “One of Us: Constructions of Englishness in the Writings of Elizabeth Gaskell.” Diss. U of Canterbury (New Zealand), 2013. (“An Accursed Race”, “Christmas Storms and Sunshine”, “Company Manners”, Cousin Phillis, Cranford, “The Last Generation in England”, Lois the Witch, Mary Barton, The Moorland Cottage, “Morton Hall”, My Lady Ludlow, North and South, Ruth, “The Sexton’s Hero”, “The Shah’s English Gardener”, Sylvia’s Lovers, Wives and Daughters)
Hsu, Sophia. “Genres of Population: Biopolitics and the Victorian Novel.” Diss. Rice U, 2017. http://hdl.handle.net/1911/96130. (Mary Barton)
Huang, (Pei-Ching) Sophia. “Ribbons, Gowns, cake and Coins: Gifts and
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Gaskell’s Exploration of Gendered Power Relations in Sylvia’s Lovers.” Gaskell Journal 31 (2017): 55-70. Print.
_____. Women in their Worlds of Objects: Construction of Female Agency through Things in the Novel of Jane Austen and Elizabeth Gaskell.” Diss. U of Hull, 2015. https://hydra.hull.ac.uk/resources/hull:13224 (Cranford, North and South, Ruth, Sylvia’s Lovers, Wives and Daughters)
Huguet, Christine. “North and South: Gaskell’s Version of the Felix Culpa.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 169-184. Print.
Huie-Harrison, Kathryn M. “Surrogate Power: The Agency of the Replacement Mother in Mid-Victorian Literature.” Diss. Georgia State U, 2015. Web. 30 August 2015. http://scholarworks.gsu.edu/english_diss/144 (Mary Barton, North and South, “The Old Nurse’s Story, Ruth, Wives and Daughters)
Hunt, Kerrie. “‘Nouns that were signs of things’: Object Lessons in Elizabeth Gaskell’s North and South.” The Gaskell Society Newsletter 55 (Spring, 2013): 3-17. Print.
_____. “Reality Effects.” Diss. U of Chicago, 2014. DAI-A 75.11 (2015): Item DA3627838. ProQuest. Web. 29 June 2015. (North and South)
Hunt, Meghan. “Self, Form, Fiction: Life Writing and the Novel in Great Britain,, 1780-1900.” Diss. State University of New York at Binghamton, 2014. DAI-A 75.11 (2015): Item DA3630884. ProQuest. Web 29 June 2015. (Life of Charlotte Brontë)
Hunter, Georgina Rose Radermacher. “Economic Expansion and Geographical Affect in Mid-Nineteenth-Century British Fiction.” Diss. University of Exeter (UK). 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.700206 (Mary Barton, North and South)
Ingham, Patricia. “North and South. Gendering the Narrator: the Subversive Female.” The Language of Gender and Class. 1996. London and NY: Routledge, 2013. 55-77. Print.
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Inglis, Katherine. “Unimagined Community and Disease in Ruth. Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 67-82. Print.
Jaffe, Audrey. 2000 “Under Cover: Sympathy and Ressentiment in Gaskell’s Ruth.” Scenes of Sympathy: Identity and Representation in Victorian Fiction. Ithaca and London: Cornell UP, 2018. 77-94. Kindle reprint of 2000 edition
Jagannathan, Meera. “Poetics of Dislocation: Comparative Cosmopolitanism in Charlotte Brontë, Flora Tristan, and Toru Dutt.” Diss. University of Houston, 2018. (Life of Charlotte Brontë)
Jain, Jasbir. “Whose Story is Mary Barton? A Study of Emotional and Moral Conflict.” Women’s Writing: Text and Context. 3rd ed. Ed. Jasbir Jain. Jaipur: Rawat Publications, 2014. 333-344. Print.
James, Felicity R. “Evil, Past and Present, in ’Lois the Witch’ and Other Stories.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 457-472. Print. (“Lois the Witch”, “The Old Nurse’s Story”, “The Poor Clare”)
_____.“Writing the Lives of Dissent: Life Writing, Religion and Community from Edmund Calamy to Elizabeth Gaskell.” Life Writing 14.2 (2017): 185-197. http://dx.doi.org/10.1080/14484528.2017.1291269 (North and South)
James, Roxie Jennifer. “Out o’ Sight, Out o’ Mind: The Progression of Dirt in Victoria Literature and Culture.” Diss. U of Louisiana at Lafayette, 2014. Print. (North and South)
Janssen, Flore. “‘Common Rules of Street Politeness’? The Clash of Gender and Social Class in Representations of Street Harassment by Elizabeth Gaskell and Eliza Lynn Linton.” Nineteenth-Century Gender Studies 12.3 (Winter, 2016): n. pag. Web. 6 June 2017 (http://www.negsjournal.com/issue123/issue123.htm) (Mary Barton, North and South)
Jasper, Kelli Towers. “Gathering Flowers: Romantic Era Botanico – Literary
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Production and the Transatlantic Mediation of Culture.” Diss. U of Colorado, 2016. http://scholar.colorado.edu/eng_gradetds/100 (Mary Barton)
Jenkins, Melissa Shields. “Elizabeth Gaskell Writes a Father’s Life.” Fatherhood, Authority and British Reading Culture, 1831-1907. Farnham and Burlington: Ashgate, 2014. 17-43. Print. (Cranford, Life of Charlotte Brontë, Mary Barton, Ruth, Wives and Daughters)
_____. “‘A Long Private Letter’: Motherhood and Text in the Works of Elizabeth Gaskell.” Motherhood Memoirs: Mothers Creating/Writing Lives. Eds. Justin Dymond and Nicole Willey. Bradford, Ontario: Demeter P, 2013. 644-84. Print. (Cousin Phillis, Cranford, Correspondence, Life of Charlotte Brontë, Mary Barton, My Diary, “On Visiting the Grave of My Still-Born Little Girl”, “The Sexton’s Hero”)
Jewusiak, Jacob M. “The Character of Attention: Temporality and Marginality in the Victorian Novel.” Diss. S.U.N.Y. at Buffalo, 2012. Print (Cranford)
Joshi, Priti. “An Old Dog Enters the Fray; or Reading Hard Times as an Industrial Novel.” Dickens Studies Annual 44 (2013): 221-241. DOI 10.7756/dsa. O44.011.221-241. (Mary Barton)
Jumaah, Ruaa Talal. “A Corpus-Based Analysis of the Verb ‘Seem’.” Journal of Al-Nisour University College 1.1 (2017): 1-10. https://www.researchgate.net/profile/Ruaa-Talal (Mary Barton, North and South, Wives and Daughters)
Jung, Daun. “‘Threshold Names’ in Victorian Novels and Culture.” Diss. U of Wisconsin, Madison, 2014. Print. (Mary Barton)
Kanwit, John Paul M. “‘Mere Outward Appearances’? Teaching Household Taste and Social Perception in Elizabeth Gaskell’s North and South and Contemporary Art Commentary.” Victorian Art Criticism and the Woman Writer. Columbus: Ohio State U P, 2013. 31-52. Print.
Kaplin, David. “Transparent Lies and the Rearticulation of Agency in Our Mutual Friend.” Papers on Language & Literature 51.3 (2015): 244- 268. (Cranford)
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Kaptan, Gizem. “The Analysis of Social Stratification in Elizabeth Gaskell’s Mary Barton: A Tale of Manchester Life from a Marxist Perspective.” Lublin Studies in Modern Languages and Literature 41.1 (2017): 86- 98. http://www.lsmll.umcs.lublin.pl
Karaduman, Alev. “Search for Female Identity in an Urban Environment in Thackeray’s Vanity Fair and Mrs. Gaskell’s Cranford. Edebiyat Fakültesi Dergisi/Journal of Faculty of Letters. 32.2 (Aralik/December, 2015): 155-160. Print.
Kawasaki, Akiko. “Illness and Aging in Elizabeth Gaskell’s Cranford.” Journal of the Institute of Cultural Science. 78 (2014): 301-322. Print.
_____. “The Neutralization of Illness in Ruth.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 137-151. Print.
Keating, Peter. 1971 “Industrialization, Urbanism and Class Conflict.” The Nineteenth Century Novel: The Working-Classes in Victorian Fiction. London: Routledge and Kegan Paul, 2016. 223-245. (Mary Barton, North and South)
Kellogg, David SEE Li, Fang and David Kellogg
Kennedy, Margaret S. “A Breath of Fresh Air: Eco-Consciousness in Mary Barton and Jane Eyre.” Victorian Literature and Culture 45 (2017): 509-526. Print.
Kiggins, Pauline. “Clap-bread, Old Alice’s ‘home remembered dainty’.” The Gaskell Society Newsletter 65 (Spring, 2018): 13, 16-17. Print.
Kimura, Akiko. “The Lie and Discourses of Evil in Sylvia’s Lovers.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 281-296. Print.
King, Jeannette. Spinsters, Widows and Mothers: Fictional Responses.” Discourses of Aging in Fiction and Feminism: the Invisible Woman. Houndsmills, Basingstoke and NY: Palgrave Macmillan, 2012. 19-38. Print. (Cranford, Mary Barton, Ruth)
King, Kenneth. “Obsession – Beginning with the Brontës: A Revisitation.” The Antioch Review 73.2 (Spring 2015): 225-241. (Life of Charlotte Brontë)
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Kingstone, Helen. “In Defense of Living Memory: ‘Sixty Years Since’ or Less.” Victorian Narratives of the Recent Past: Memory, History, Fiction. Basingstoke: Palgrave Macmillan, 2017. 141-174. DOI 10.1007/978-3-319-49550-7_7 (Mary Barton, My Lady Ludlow, Sylvia’s Lovers, Wives and Daughters, “My Lady Ludlow”) Reissued in paperback in 2018.
Knežvić, Borislav. “The Novel as Cultural Geography: Elizabeth Gaskell’s North and South. Studia Romanica et Anglica Zagrabiensia 56 (2012): 85-105. (Cranford, Mary Barton, North and South)
Koehler, Karin. “‘A husband without suspicions does not intercept his wife’s letters’: Letters and Gender in the Victorian Novel.” Private and Public Voices: An Interdisciplinary Approach to Letters and Letter Writing. Eds. Karin Koehler and Kathryn McDonald-Miranda. Freeland, Oxfordshire: Inter-Disciplinary P, 2015. 155-182. Print. (Wives and Daughters)
_____. “Valentines and the Victorian Imagination: Mary Barton and Far from the Madding Crowd. Victorian Literature and Culture 45 (2017) 395-412. doi: 10.1017/S106015031600067X
Koivuvaara, Pirjo. “The Evils of Drink in Sylvia’s Lovers.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 297-311. Print.
_____. “Hunger, Consumption, and Identity in Elizabeth Gaskell’s Novels.” Diss. U of Tampere (Finland), 2012. Print. (Cranford, Mary Barton, North and South, Sylvia’s Lovers, Wives and Daughters)
Kolich, Sr. Rosemary. “Prophetic Imagining: The Gospel According to Elizabeth Gaskell”. Diss. St. Louis U, 2013. Print. (Correspondence, “Libbie Marsh”, Life of Charlotte Brontë, “Lizzie Leigh”, Mary Barton, North and South, Ruth, “Well of Pen Morpha”)
Koppen, Randi. “The Economy of Emotions: Sympathy and Sentimentality in
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Victorian Culture.” Exploring Text and Emotions. Eds. Lars Sætre, Lombardo Patrizia and Julien Zanetta. Aarhus, Denmark: Aarhus Universitetsforlag, 2014. 241-265. Print. (North and South)
Koustinoudi, Anna. “Biographer as Biographee: Elizabeth Gaskell (1810- 1865).” Biographical Misrepresentations of British Women Writers: a Hall of Mirrors and the Long Nineteenth Century. Ed. Brenda Ayres. Houndsmills, Basingstoke and NY: Palgrave and Macmillan, 2017. 189- 209. Print. (Biography, Life of Charlotte Brontë)
_____. “The Question of Evil in A Dark Night’s Work: Psychic Investments in Societal/Social and Familial Bonds.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 329-344. Print.
_____. “Temporality, Narrative Discordance and the Phantom as Transgenerational Trauma in Elizabeth Gaskell’s ‘The Poor Clare’.” Gothic Studies 14 (2012): 23-29. Print.
Koustinoudi, Anna and Charalampos Passalis. “Gaskell the Ethnographer: The Case of ‘Modern Greek Songs’.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 137-146. Print.
Kriegel, Jill. “Mary’s Absolute Value: Gaskell’s Mary Barton as a Magdalene Type.” StAR March/April, 2012. 7-8.
Krienke, Hosanna. “The ‘After-Life’ of Illness: Reading Against the Deathbed in Gaskell’s Ruth in Nineteenth-Century Convalescent Devotionals.” Victorian Literature and Culture 45 (2017): 35-53. doi: 10.1017/S1060150316000425
Krisuk, Jennifer J. “Museums, Home Collections, and the Genderings of Knowledge in the Nineteenth-Century Novel.” Diss. U of Tulsa, 2012. Print. (Mary Barton)
Krstovic, Jelena. “Elizabeth Cleghorn Gaskell 1810-1865.” Short Story Criticism 218. Ed. Lawrence J. Trudeau. Farmington Hills, MI: Gale, Cengage Learning, 2016. 181-320. Web. 24 Jan 2016.
Krueger, Kate. “The Spinster Re-drawing Rooms in Elizabeth Gaskell’s
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Cranford.” British Women Writers and the Short Story, 1850-1930. NY: Palgrave Macmillan, 2014. 18-57. Print.
Kubiesa, Jane M. “The Victorians and their Fallen Women: Representations of Female Transgression in Nineteenth Century Genre Literature.” The Victorian [Online], 2.2 (2014: n. pag. Web. 12 July 2014. (Ruth)
Kucich, John. “Political Melodrama Meets Domestic Fiction: The Politics of Genre in North and South.” Novel: A Forum on Fiction 52.1 (May, 2019): 1-22. DOI 10.15/00295132-7330056
_____. “Reverse Slumming: Cross-Class Performativity and Organic Order in Dickens and Gaskell. Victorian Studies. 55 (2013): 471-499. Print. (Cranford, North and South)
Kuhlman, Mary Haynes. “Deception and Discord in North and South.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 185-200. Print.
Lackey, Joanne B. “Things that Matter; Commodities, Clutter, and the Objects of Victorian Literature.” Diss. U of Wisconsin, 2013. Print. (Mary Barton)
Lambert, Carolyn Shelagh. “The Female Voice and Industrial Fiction: Elizabeth Gaskell’s Mary Barton.” British Women’s Writing from Brontë to Bloomsbury, Volume 1: 1840s and 1850s. London: Palgrave Macmillan, 2018. 123-135.
_____. “Lingering ‘on the borderland’: The Meanings of Home in Elizabeth Gaskell’s Fiction.” Diss. U of Sussex, 2012. Sussex Research Online. Web. 27 Sept. 2012. (“An Accursed Race,” “The Cage at Cranford,” Cousin Phillis, Cranford, “A Dark Night's Work”, “The Doom of the Griffiths”, “The Grey Woman”, “Hand and Heart”, “The Last Generation in England”, “Libbie Marsh's Three Eras”, “Lizzie Leigh”, Lois the Witch, “The Manchester Marriage”, Mary Barton, “Mr. Harrison's Confessions”, “The Moorland Cottage”, “Morton Hall”, My Diary, My Lady Ludlow, North and South, “The Old Nurse's Story”, “Right at Last”, Ruth, Sylvia's Lovers, Wives and Daughters)
_____. The Meanings of Home in Elizabeth Gaskell’s Fiction. Brighton: Victorian Secrets, 2013. Print.
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(“An Accursed Race,” “The Cage at Cranford,” Cousin Phillis, Cranford, “A Dark Night's Work”, “The Doom of the Griffiths”, “The Grey Woman”, “Hand and Heart”, “The Last Generation in England”, “Libbie Marsh's Three Eras”, “Lizzie Leigh”, Lois the Witch, “The Manchester Marriage”, Mary Barton, “Mr. Harrison's Confessions”, “The Moorland Cottage”, “Morton Hall”, My Diary, My Lady Ludlow, North and South, “The Old Nurse's Story”, “Right at Last”, Ruth, Sylvia's Lovers, Wives and Daughters)
Lanone, Catherine. “An Entomology of Literature: Male Taxonomies and Female Antennae from Mrs. Gaskell to Virginia Woolf.” Beyond the Victorian/Modernist Divide: Remapping the Turn-of-the Century Break in Literature, Culture and the Visual Arts. Eds. Anne-Florence Gillard- Estrada and Anne Bessault-Levita. NY and Oxon: Routledge, 2018. (Mary Barton, Wives and Daughters)
Lanser, Susan Sniader. 1992. “Single Resistances: The Communal ‘I’ in Gaskell, Jewett and Audoux.” Fictions of Authority: Women Writers and Narrative Voice. London and NY: Routledge, 2018. 239-254. Print. (Cranford)
Larner, A. J. “Headache in the Writings of Elizabeth Gaskell (1810-1865).” Journal of Medical Biography. OnlineFirst. Web. 12 December 2014. DOI: 10. 1177/0967772013506817 (Cousin Phillis, Cranford, A Dark Night’s Work, “Grey Woman”, “Half a Life-Time Ago”, Life of Charlotte Brontë, “A Manchester Marriage”, Mary Barton, “Mr. Harrison’s Confessions”, Moorland Cottage, North and South, Ruth, Sylvia’s Lovers, Wives and Daughters)
Leahy, Richard. “The Evolution of Artificial Illumination in Nineteenth Century Literature: Light, Dark, and the Spaces in Between.” Diss. U of Chester, 2016. http://hdl.handle.net/10034/621231
_____.“Fire and Reverie: Domestic Light and the Individual in Cranford and Mary Barton. Gaskell Journal 28 (2014): 73-88. Print.
Lee, Julia Sun-Loo. “Sylvia’s Lovers, England’s Friends.” Symbiosis: A Journal of Anglo-American Literary Relations. 17.2 (2013): 117-137. Print.
Lee, Michael Parrish. “The Rise of the Food Plot in Victorian Fiction.” The Food Plot in the Nineteenth-CenturyBritish Novel. NY: Palgrave. 2016. 43-73. Print.
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(Cranford, Mary Barton)
Leighton, Mary Elizabeth and Lisa Surridge. “Evolutionary Discourse and the Credit Economy in Elizabeth Gaskell’s Wives and Daughters.” Victorian Literature and Culture 41 (2013): 487-501. DOI: 10.1017/S10601503130000 65.
Leonard, Rachel Samantha. “Luxury and Corruption: A Literary and Cultural Study, 1800-1875.” Diss. Birkbeck, U of London.2014 http://bbktheses.da.ulcc.ac.uk/86/ (Mary Barton)
LePan, Don. “Plot and Empathy, Suspense and Love: Elizabeth Gaskell’s ‘The Crooked Branch’ and the Transformation of Feeling.” Annual Conference of the Victorian Studies Association of Western Canada Winnipeg, April 22, 2016. https://papers.ssrn.com/so/3/papers.cfm?abstract_id=2870985
Lethbridge, J. P. “Murder in Mrs. Gaskell Country: Hyde, Cheshire 1831.” Gaskell Society Newsletter 60 (Autumn, 2015): 18-21, 24. Print. (Mary Barton)
_____. “Murder near Cranford Over Peover, Cheshire 1840.” Gaskell Society Newsletter 62 (Autumn, 2016): 42-48. Print (Mary Barton)
Lewis, Michael D. “Democratic Networks and the Industrial Novel.” Victorian Studies 55 (2013): 243-252. Print. (North and South)
Levine, Caroline. “The Enormity Effect: Realist Fiction, Literary Studies, and the Refusal to Count.” Genre 50.1 (2017): 59-75. (Mary Barton)
_____. “Whole.” Forms: Whole, Rhythm, Hierarchy, Network. Princeton: Princeton UP, 2015. ProQuest Ebook Central. (North and South)
Li, Fang. “Divas and Lazarus: Indifference Novelized as Evil in Mary Barton.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 25-40. Print.
_____. “Engendering Voices: The Origins of Polyphony and the
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Novelization of Political Economy in Gaskell’s North and South.” Journal of English Studies in Korea 25 (2013): 143-165.
Li, Fang and David Kellogg. “Revoicings and Devoicings: Requests, Confessions and Acts of Violence in Three Industrial Novels.” Scientific Study of Literature 2 (2012): 108-127. (Mary Barton, North and South)
_____. “A Science for Verbal Art: Elizabeth Gaskell’s Contribution to a Critique of Political Economy.” Language Sciences 70 (November, 2018): 92-102. https://doi.org/10.1016/j.langsci.2018.05.011 (Mary Barton; North and South)
Li, Na SEE Gu, Tie-xia
Liggins, Emma. “Reinventing the Old Maid: Cranford and Hopes and Fears.” Odd Women? Spinsters, Lesbians and Widows in British Women’s Fiction, 1850s-1930s. Manchester and NY: Manchester UP, 2014. 47- 57. Print.
Lingard, Christine. “The Seamstress.” The Gaskell Society Newsletter 56 (Autumn, 2013): 13-22. Print. (Correspondence, “Libbie Marsh”, Mary Barton, Ruth, Sylvia’s Lovers)
Linker, Laura. “Private Selves and Public Conflicts: Mastery and Gender Identity in Elizabeth Gaskell’s North and South.” Gender Forum 51 (2015): 3-17.
Lintott, Chris SEE ALSO Gowan, Dawson
Litvack, Leon. “Dickens and the Codebreakers: The Annotated Set of All the Year Round.” Dickens Quarterly 32.4 (2015): 313-337. DOI: https://doi.org/10.1353/dqt.2015.0037
Livingston, Molly. “‘This Little Action’: The Feminine Manner of Touching in Elizabeth Gaskell’s Wives and Daughters.” Victorian Network 6.1 (2015): 55-71. Web. 26 June 2016.
_____. “Touching Scenes: The Politics of Female Touch in Nineteenth- Century British Literature. Diss. Georgia State U, 2015. (Wives and Daughters)
Lo, Kyung Eun. “Urban Vision and Gender in Engels’ The Condition of the
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Working Class in England and Gaskell’s North and South.” Studies in English Language and Literature. 40.2 (2014): 65-82. Web of Science Export Transfer Service. Web. 8 Jul 2016.
Longmuir, Anne. “Consuming Subjects: Women and the Market in Elizabeth Gaskell’s North and South.” Nineteenth-Century Contexts 34 (2012): 237-252.
_____. “‘The Eatables Were of the Slightest Description’: Consumption and Consumerism in Cranford.” British Women’s Writing from Brontë to Bloomsbury, Volume 1: 1840s and 1850s. London: Palgrave Macmillan, 2018. 167-179.
Louttit, Chris. “The Pleasures of the Return: Cranford, the Sequel.” The Gaskell Society Newsletter 55 (Spring, 2013): 103-117. Print.
_____. “Working-Class Masculinity and the Victorian Novel.” The Victorian Novel and Masculinity. Ed. Phillip Mallett. Houndsmills, Basingstoke, Hampshire and NY: Palgrave Macmillan, 2005. 31-49. Print. (Mary Barton, North and South)
Lucas, John. 1977. The Literature of Change: Studies in the Nineteenth Century Provincial Novel. NY: Routledge, 2016. (Cousin Phillis, A Dark Night’s Work, Mary Barton, Sylvia’s Lovers)
Ludlow, Elizabeth. “Elizabeth Gaskell’s Early Contributions to Household Words: The Use of Parable and the Transformation of Communities through ‘Kinder Understanding’.” Victorian Review 42.1 (Spring, 2016), 107-125. DOI: https://doi.org/10.1353/vcr.2016.0042 (“Heart of John Middleton”, “Libbie Marsh’s Three Eras”, “Lizzie Leigh, Mary Barton, Ruth, “Traits and Stories of the Huguenots”, “The Well of Pen Morpha”)
Ludlow, Elizabeth and Rebecca Styler. “Elizabeth Gaskell and the Short Story.” Gaskell Journal 29 (2015): 1-22. Print.
Lundie, Alison. “Elizabeth Gaskell and Shawls: Creative Artistry and Identity.” The Gaskell Society Newsletter 56 (Autumn, 2013): 6-12. Print. (Cousin Phillis, Cranford, Mary Barton, North and South)
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Lymberopoulos, Jessica Ray. “A Byronic Heroine in Elizabeth Gaskell’s North and South.” The Explicator 72:2 77-79. DOI: 0.1080/00144940.2014. 902789.
Lynch, Eve M. “Public Relations: Toward a Victorian Ideology of Service.” Victorian Review 31 (2013): 65-68. Project Muse DOI:10.1353/vcr.2013.0037. Web. 15 June 2015. (My Lady Ludlow)
MacLure, Jennifer. “Diagnosing Capitalism: Vital Economics and the Structure of Sympathy in Gaskell's Industrial Novels.” Nineteenth- Century Contexts 38.5 (2016): 343-352. DOI: 10.1080/08905495.2016.1219199 (Mary Barton, North and South)
Madsen, Emily. “The Nun in the Garret: The Marriage Plot and Religious Epistemology in the Victorian Novel.” Diss. U of Wisconsin-Madison. ProQuest. Web. 26 Aug 2015. (North and South)
Makala, Melissa Edmundson. “Ghostly Lovers and Transgressive Supernatural Sexualities.” Women’s Ghost Literature in Nineteenth- Century Britain. Cardiff: U of Wales P, 2013. JSTOR. Web. 25 June 2016. (“The Poor Clare”)
Mapp, Rennie. “Wayward Tastes: Women’s Judgment and Pleasure in British Novels and Culture, 1800-1865.: Diss. U of Virginia, 2015. (Wives and Daughters)
Marcellus, Stephanie A. “Making the Rural Home in Nineteenth-Century British Literature.” Diss. U of South Dakota, 2014. DAI-A 75.11 (2015): Item DA3629794. ProQuest. Web. 17 June 2015. (Mary Barton, North and South)
Marchesi, Marcia and Patricia Marchesi. “From Page to Stage: Elizabeth Gaskell’s North and South as Musical Theatre.” Adapting Gaskell: Screen and Stage Versions of Elizabeth Gaskell’s Fiction. Ed. Loredona Salis. Newcastle upon Tyne: Cambridge Scholars, 2013. 97-122. Print.
Marchesi, Patricia SEE Marchesi, Marcia and Patricia Marchesi
Marroni, Francesco. “Evil and Ontological Loneliness in Mary Barton.” Evil
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and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 41-55. Print.
_____. “Ruth: Gaskell’s Ideologic Impasse and Ruthlessness.” RSV Rivista di Studi Vittoriana 19-20 (2014-2015):29-51. Print. Martin, Claudia J. “Place and Displacement: The Unsettling Connection of Women, Property, and the Law in British Novels of the Long Nineteenth Century.” Diss. State University of New York at Binghamton, 2018. https://orb.binghamton.u (Cranford)
Martolell, C. Miralles. “Facing the ‘Uncanny’: The Ghost Tales of Elizabeth Gaskell, Margaret Oliphant, Amelia Edwards and Vernon Lee.” Tesis Doctoral Universidad Nacional de Educación a Distancia, 2015. (Biography, “Old Nurse’s Story”, Sylvia’s Lovers)
Mathieson, Charlotte. “‘The distance is quite imaginary’: Traveling beyond Europe.” Mobility in the Victorian Novel: Placing the Nation. Houndsmills, Basingstoke, Hampshire and NY: Palgrave Macmillan, 2015. (Cranford)
Matsuoka, Mitsuharu, ed. Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Osaka: Osaka Kyoiku Tosho, 2015. Print.
_____. “‘There’s Good and Bad in Everything’: The Status Quo as a Necessary Evil in North and South.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 201-216. Print.
Matus, Jill. “The Psyche in Pain: Dream and trance: Gaskell’s North and South as a ‘condition of consciousness’ novel.” Victorian Literature: Criticism and Debates. New York: Routledge, 2016. 244-249.
McAleavey, Maia. “The Plot of Bigamous Return.” Representations 123 (2013): 87-116. (Sylvia’s Lovers)
_____. “The Plot in Time: Historical Bigamy and Sylvia’s Lovers.” The Bigamy Plot: Sensation and Convention in the Victorian Novel. Cambridge: Cambridge UP, 2016. 23-45. Print.
McAllister, David. “‘A Use in Measured Language’: Poetic Allusion and the
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Victorian Culture of Death.” Forum for Modern Language Studies Vol. 49, No 3, DOI 10.1093/fmls/cqso35 Advance Access Publication 27 November 2012. (Mary Barton)
McDonagh, Josephine. “Women Writers and the Provincial Novel.” The History of British Women’s Writing, 1830-1880. Ed. Lucy Hartley. London: Palgrave Macmillan, 2018. 125-142. Print. (Cranford)
McGavran, Dorothy H. “Oversleeping Oneself: Elizabeth Gaskell’s Wake-Up Call in Wives and Daughters.” Time of Beauty, Time of Fear: The Romantic Legacy in the Literature of Childhood. Ed. James Holt McGavran, Jr. Iowa City: U of Iowa Press, 2012. 89-104. Print.
McKay, Brenda. “The BBC’s Decade of High Culture: Cranford (1972) as ‘History Reconstructed’.” Adapting Gaskell: Screen and Stage Versions of Elizabeth Gaskell’s Fiction. Ed. Loredona Salis. Newcastle upon Tyne: Cambridge Scholars, 2013. 51-76. Print.
McNeil, Geoffrey Ian. “Misery Loves Company: Melancholy Aesthetics and Nineteenth-Century British Fiction. Diss. U of California, Santa Barbara. 2013. (“The Poor Clare”)
McVeagh, John. 1970 Elizabeth Gaskell. London: Routledge, 2016. Print.
Meadows, Elizabeth and Jay Clayton. “‘You’ve Got Mail: Technologies of Communication in Victorian Literature. The Oxford Handbook of Victorian Literary Culture. Oxford: Oxford University Press, 2016. 458- 480. Print
Mearns, Gabriella. “Appropriate Fields of Action: Nineteenth-Century Representations of the Female Philanthropist and the Parochial Sphere.” Diss. U of Warwick, 2012. (Life of Charlotte Brontë, Mary Barton, My Lady Ludlow, North and South, Ruth)
Messuri, Kristin. “Deviant Inheritances: Anxieties about Maternal Transmissions in Nineteenth-Century Fiction.” Diss. Pennsylvania State U, 2014. (“Lizzie Leigh”, Mary Barton, Ruth)
Mews, Hazel. Frail Vessels: Woman’s Role in Women’s Novels from Fanny Burney to George Eliot. London: Bloomsbury Publishing, 2014. Print.
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(Cousin Phillis, Cranford, Life of Charlotte Brontë, “Lizzie Leigh”, Mary Barton, My Lady Ludlow, North and South, Ruth, Sylvia’s Lovers, Wives and Daughters.)
Michie, Helena. “Hard Times, Global Times: Simultaneity in Anthony Trollope and Elizabeth Gaskell.” SEL: Studies in English Literature 56.3 (Summer 2016): 605-626. DOI: https//doi.org/10.1353/se/2016.0024 (Mary Barton)
Milota, Megan. “‘But every man cannot be a surgeon’: Elizabeth Gaskell’s Many-Sided Medical Practitioners.” Orbis Litterarum. 68 (2013): 473- 505. (Cranford, Mary Barton, “Mr. Harrison’s Confession”, North and South, Ruth, Wives and Daughters)
Miner, Heather. “Communities of Place: Making Regions in the Victorian Novel.” Diss. Rice U, 2013. Rice U Electronic Theses and Dissertations (http://hdl.handle.net/1911/72009). Web. 1 Apr. 2014. (Mary Barton, North and South, Ruth)
Minogue, Mary Ellen. “The Sororal Relationship in the Nineteenth-Century Novel: Potential and Power.” Diss. St. John’s U (New York), 2014. DAI- A 75.7 (2015): Item DA3759934. ProQuest. Web. 29 June 2015. (Wives and Daughters)
Mitchell, Elise J. “There's No Place Like ‘Home’: Displacement, Domestic Space, and Ecological Consciousness in the work of Elizabeth Gaskell and Susanna Moodie.” Diss. ProQuest. U du Quebec a Chicoutimi (Canada), 2016. (short fiction, Mary Barton, North and South, Sylvia’s Lovers, Ruth, Wives and Daughters, Lois the Witch)
Miyamaru, Yuji. “‘The World Must Be Very Bad’: The Rules Dominating Cranford.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 73-87. Print.
Mollmann, Steven. “Observing Observation: The Ethical Investigator in Elizabeth Gaskell’s Wives and Daughters” Gaskell Journal 27 (2013): 88-107. Print.
_____. “Visions of the Victorian Scientist.” Diss. U of Connecticut, 2016. https://opencommons.uconn.edu/dissertations/1078 (Wives and Daughters)
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Montz, Amy L. “‘Look Back at Me’: The Material Re-Performance of the Victorian in North and South.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 209-217. Print.
_____. “The Personal is Pilgrimage: Literary Tourism through and with Ms. Austen and Mrs. Gaskell.” Gaskell Journal 30 (2016): 57-80. Print.
Moore, Ben Peter. “Gaskell, Engles and the ‘Shock City’: Two Responses to Industrial Manchester in the 1840s.” JVC Online. Selected Papers from Strange New Day (Exeter, 17 September 2011). 29 April 2013. Web. 29 June 2015. (Mary Barton, North and South)
_____. “Invisible Architecture and Social Space in North and South. The Gaskell Journal 32 (2018): 17-35. Print.
_____. Invisible Architecture Ideologies of Space in the Nineteenth- Century City. Diss. U of Manchester. Web. 3 June 2016. (Mary Barton)
Moore, Grace. “Perspectives on North and South (Marxism, Historicism and Ecocriticism).” Idiom 53.2 (2017): 11-13. http://search.informit.com.au/documentSummary:dn=171136599042 029;res=IELHSS
_____. The Victorian Novel in Context. NY and London: Continuum, 2012. Print (Mary Barton, North and South)
Moore, Sarah Elizabeth. “Daughters of the Church: Women’s Place and Religious Practice in Victorian Women’s Religious Novels.” Diss. U of Texas at Dallas, 2017. (Cranford, North and South)
Moore, Sarina Gruver SEE ALSO Scholl, Lesa, Emily Morris and Sarina Gruver Moore
Moqari, Shaqayeq and Nooshinn Elahipanah. “Ruth and De-valuation of the Values of Victorian Period.” International Letters of Social & Humanities Sciences 57 (2015): 160-165. doi: 10.18052/www/scipress.com/ILSHS.57.160
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Morey, Philip. “Fiction Illuminated by Reportage: Mary Barton and Léon Faucher’s Etudes sur l’Angleterre.” Gaskell Journal 28 (2014): 53-72. Print.
_____. “Mary Meynieu’s Review of Mary Barton, Paris 1849.” Gaskell Journal 27 (2013): 126-139. Print.
Morris, Emily. “‘For her very life’: Duty, Health and the Poisonous Atmosphere of Haworth in Elizabeth Gaskell’s The Life of Charlotte Brontë.” Brontë Studies 38 (2013): 185-194. Print.
_____. “‘A Very Pleasant-Looking Dragon’: Ethnography, Humor, Evil, and Otherness in Cranford.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 89-103. Print.
Morris, Emily SEE ALSO Scholl, Lesa, Emily Morris and Sarina Gruver Moore
Morris, Ruth. Mary Elizabeth Braddon and Yorkshire: Dialect, Place and Setting in Victorian Sensation Literature. Palo Alto, CA: Academica Press, 2013. Print. (“A Dark Night’s Work”, Life of Charlotte Brontë, “The Poor Clare”, Sylvia’s Lovers)
Morrissey, Colleen. “Struck: The Victorian Female Novelist and Male Pain.” Diss. Ohio State U, 2018. OhioLINK Electronic Theses and Dissertaations Center. 31 Oct 2018, (North and South)
Moulds, Alison. “The Female Witness and the Melodramatic Mode in Elizabeth Gaskell’s Mary Barton.” Victorian Network 5.3 (2013): 67-88. 26 June 2016.
Mullen, Mary. “In Search of Shared Time: National Imaginings in Elizabeth Gaskell’s North and South.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 107-119. Print.
Nadeau, Ashley. “Mary Barton’s Undoing: Affect, Architecture and the Victorian Courthouse.” Gaskell Journal 31 (2017): 37-54. Print.
Nandres, Lorri G. “Sense in the Middle: Teleological vs. Cumulative Plotting.”
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Misfit Forms: Paths Not Taken by the British Novel. NY: Fordham UP, 2015. 111-143. Print. (Mary Barton)
Nelson, Heather Lea. “The Law and the Lady: Consent and Marriage in Nineteenth-Century British Literature.” Diss. Purdue U. 2015. http://docs.lib.purdue.edu/open_access_dissertations/525. (Wives and Daughters)
“North and South by Elizabeth Cleghorn Gaskell.” Nineteen-Century Literature Criticism. Ed. Lawrence J. Trudeau. Vol. 264. Detroit: Gale, Cengage Learning, 2013. 1-156. Print.
Nurulhady, Eta Farmacelia. “Gender Performance in Elizabeth Gaskell’s Ruth.” Humanika 19.1 (2014): 12-19. DOI: 10.14710/humanika.19.1.12-19
O’Donnell, Molly C. “Mirrors, Masks and Masculinity: The Homosocial Legacy from Dickens to Machen.” Victoriographies 6.3 (2016): 256-275. DOI: 10.3366/vic.2016.0241 (Cranford)
____. “Speaking Amazonian: communities of practice in Elizabeth Gaskell’s Cranford.” Gaskell Journal 30 (2016): 1-9.
O’Farrell, Mary Ann. “Gaskell’s Blunders” North and South.” Telling Complexions: The Nineteenth-Century English Novel on the Blush. Durham: Duke UP, 2012. 58-81.
O’Gorman, Francis. “Gaskell’s Sylvia’s Lovers and the Scandal in Trollope’s The Warden.” Notes and Queries 59 (2012): 396-399. Print.
Öğünç, Ömer. “The Question of Victorianism and Progress in Gaskell’s Cranford: A Romanticised Offer.” Selcuk Universitesi Edebiyat Fakultesi Dergisi-Selcuk (University Journal of Faculty of Letters) 37 (2017): 351-360. (Cranford)
Ohno, Tatsuhiro. “The Absolute Interpretation of Mary Barton.” Kumamoto Journal of Culture and Humanities 103 (2012): 65-83.
_____. “A Defense of the Digital Humanities Analysis of Literature: A Corpus-Stylistic Approach to the Bible-Related Words in the Fiction of Elizabeth Gaskell.” Kumamoto University Studies in Social and Cultural Science 15 (2017): 21-49. Print
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“An Accursed Race” Cousin Phillis, Cranford, “The Grey Woman”, “Hand and Heart”, “Half a Life-Time Ago”, “The Heart of John Middleton”, “Libbie Marsh’s Three Eras”, Life of Charlotte Brontë, Lois the Witch, Mary Barton, “Mr. Harrison’s Confessions”, My Lady Ludlow, North and South, “The Poor Clare”, Ruth, “The Sexton’s Hero”, “Six Weeks at Heppenheim”, “The Squire’s Story”, Sylvia’s Lovers, “Traits and Stories of the Huguenots”, Wives and Daughters)
_____. “A Topic-Modelling Analysis of the Sacred and the Secular in The Life of Charlotte Brontë.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 217-232. Print.
Ortega Ramiro, Silvia. “Different Loves: A Corpus Stylistics Analysis of Pride and Prejudice and North and South.” JACLR: Journal of Artistic Creation and Literary Research 2.2 (2014):26-37. Web. 15 June 2015. Available at https://www.ucm.es/siim/journal-of-artistic- creation-and-literary-research © Universidad Complutense de Madrid, Spain.
Pacious, Kathleen. “Intermental Thought and Mutual Focalization: Narrative Sympathy in North and South.” Style 5.1 (2016): 80-98. Web. 1 May 2016.
Park, Joohyun. “Stories of Industrial Pain as Told by the Factory ‘Hand’: Gaskell's Bessy Higgins as the Critic of the Factory System.” Journal of English Language and Literature 63.3 (2017): 445-463. DOI: 10.15794/jell.2017.63.3.003 (North and South)
Parry, Laura. “Remapping Elizabeth Gaskell’s North and South within a Global Network.” Oxford Research in English 2 (Winter, 2015): 37-52. Web. 27 May 2016.
Passalis, Charalampos SEE Koustinoudi, Anna and Charalampos Passalis
Pastor, Christiana Rodriguez. “Brain Fever in Gaskell’s Cousin Phillis: Reading and Hiding Love in the Body of Victorian Heroines.” Creative Practices for Improving Health and Social Inclusion. 5th International Health Humanities Conference, 2016. Seville. U of Seville, 2017. 31- 40.
Peterson, Linda H., ed. The Cambridge Companion to Victorian Women’s Writing. Cambridge: Cambridge UP, 2015. Print.
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Pettitt, Clare. “Time Lag and Elizabeth Gaskell’s Transatlantic Imagination.” Victorian Studies 54 (2012): 599-623. Print. (“The Gray Woman”, Lois the Witch, “Robert Gould Shaw”, Sylvia’s Lovers)
Pickens, Kara Lynne. “The Reinterpretation of Biblical Symbols through the Lives and Fictions of Victorian Women: ‘To come within the orbit of possibility’.” Diss. U of Glasgow, 2012. Glasgow Theses Service. Web. 3 Apr 2014. (Correspondence, Ruth)
Piep, Karsten. “The Nature of Compassionate Orientalism in Elizabeth Gaskell’s Cranford. CEA Critic 75 (2013): 243-249.
Pike, E. Holly. “‘Exposed to Corruption’: Evil as Contagion in Ruth. Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 153-167. Print.
_____. “‘Felicitations to the Brontëites’: the 1895 Inaugural Volume of the Brontë Society’s Transactions and Other Publications.” Brontë Studies 39 (2014): 165-177. Print. (Life of Charlotte Brontë)
Pinch, Adela. “Reality Sensing in Elizabeth Gaskell: Or, Half-Mended Stockings.” ELH 83.3 (Fall 2016): 821-837. DOI: https:/doi.org/10.1353/elh.2016.0031 (Cousin Phillis)
Plotz, John. “The Provincial Novel.” A Companion to the English Novel. Ed. Stephen Arata, Madigan Haley, J. Paul Hunter, and Jennifer Wicke. Chichester, Sussex: Wiley Blackwell, 2015. 360-372. (Cranford, Mary Barton, Wives and Daughters)
Potter, Leatrice. “The Social Worker, the Consumer and the Prostitute: Escape from Domestic Ideology in the Victorian and Neo-Victorian Novel.” Re:Search 1.1 (2014): 50-57. (North and South)
Pouliot, Amber. “‘Swallow It’: Imagining Incest in Inter-war Writing on the Brontës.” Brontë Studies 44.1 (January, 2019): 136-148. Print.
(Life of Charlotte Brontë)
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Powell, Kathryn. “Engineering Heroes: Revising the Self-Help Narrative in Elizabeth Gaskell’s Cousin Phillis. Gaskell Journal 29 (2015): 79-96. Print.
_____. “Railways and Regret: Revising Mobility Myths in Victorian Literature and Culture, 1857-1891.” Diss. U of Tennessee, 2017. (Cousin Phillis, Cranford)
Puri, Tara. “Fabricating Intimacy: Reading the Dressing Room in Victorian Literature.” Victorian Literature and Culture 41 (2013): 503-525. DOI 10.1017/S1060150313000077 (“The Grey Woman”, North and South)
_____. “Indian Objects, English Body: Utopian Yearnings in Elizabeth Gaskell’s North and South.” Journal of Victorian Culture 22.1 (March 2017): 1-23. (North and South)
Quarini, Carol Ann. “The Domestic Veil: Exploring the Net Curtain through the Uncanny and the Gothic.” Diss. U of Brighton, 2015. (Wives and Daughters)
Queener, Jessica A. “Victorians Thinking Globally: Identity and Empire in Middle-Class Reading.” Diss. West Virginia U, 2015. Web. 17 Jan. 2016. (Cranford)
Quiller-Couch, Sir Arthur. “Mrs. Gaskell.” Charles Dickens and Other Victorians 1927. Cambridge: The University P, 2008. 182-200. Print. (Biography, Cranford, Cousin Phillis, The Life of Charlotte Brontë, Mary Barton)
Ranzato, Irene. “Introduction: Reading Dialect Varieties in the Literary Macrotext.” StatusQuaestionis: Language. Text, Culture 11 (2016): 1-16. (North and South)
Rappaport, Jill. “Conservation in Cranford: Sympathy, Secrets and the First Law of Thermodynamics.” Giving Women: Alliance and Exchange in Victorian Culture. Oxford: Oxford UP, 2012. 68-85. Print.
_____. “Friendship and Intimacy.” The History of British Women’s Writing, 1830-1880. Ed. Lucy Hartley. London: Palgrave Macmillan, 2018. 303- 319. Print.
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(North and South, Wives and Daughters)
Recchio, Thomas. “Adapting Mary Barton: History, Research, Possibilities.” Adapting Gaskell: Screen and Stage Versions of Elizabeth Gaskell’s Fiction. Ed. Loredona Salis. Newcastle upon Tyne: Cambridge Scholars, 2013. 33-49. Print.
_____. “Elizabeth Gaskell as ‘A Dramatic Common’: Stanley Houghton’s Appropriation of Mary Barton in Hindle Wakes.” Gaskell Journal 26 (2012): 88-102. Print.
_____. “Passion and Economics in Jane Eyre and North and South.” Jane Eyre (Critical Insights) Ed. Katie R. Peel. Ipswich, MA: Salem P, 2013. 99-110.
_____. “Wordsworthian Pastoral and the Problem of Evil in The Moorland Cottage.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 57-72. Print.
Reeder, Jessie. “Broken Bodies, Permeable Subjects: Rethinking Victorian Women’s ‘Agency’ in Gaskell’s North and South.” Nineteenth-Century Gender Studies 9.3 (2013): n.pag. Web 3 January 2014.
Reeds, Eleanor. “The Ethics of Risk in Elizabeth Gaskell’s North and South: The Role of Capital in an Industrial Romance.: Victorian Review 4.2 (2014): 55-71. Project Muse. Web. 17 May 2016.
Reeves, Nancee. “Better Off Dead: Euthanasia and Victorian Literature.” Diss. Perdu U, 2013. ProQuest Web. 13 May 2015. (“Lizzie Leigh”, Mary Barton, Ruth, “Well of Pen-Morfa”)
Regaignon, Dara Rossman. “Anxious Uptakes: Nineteenth-Century Advice Literature as a Rhetorical Genre.” College English 78.2 (November, 2015), 139-161. Print (My Diary)
Reilly, Ariana Elain. “Leave-Takings: Anti-Self-Consciousness and the Escapist Ends of the Victorian Marriage.” Diss. Princeton, 2015. (Available at http://arks.princeton.edu/ark:/88435) (Mary Barton)
Rennie, Simon. “Forgotten Commentaries: Poetry of the Lancashire Cotton Famine.” Gaskell Society Newsletter 64 (Autumn, 2017): 13, 16-17. Print.
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(Mary Barton)
Richard, Melissa Jill. “Genres of Work: Working Identities and the Factory Girl in Victorian Literature.” Diss. U of North Carolina, Greensboro, 2013. NCDOCKS. Web. 1 June 2016. (Mary Barton)
Robinson, Amy J. “The Victorian Provincial Novel.” Literature Compass 12 (2015): 548-554. Print. (Cranford)
Rocket, Danika Taylor. “Single Women in the Borders: Religion and Philanthropy as Paths to Social Action in Victorian Britain.” Diss. U of Maryland, Baltimore, 2012.\
(Mary Barton, North and South)
Rohrs. Lauren M. “North and South as Jane Austen Fanfiction: How Gaskell’s Use of Austen’s Characters and Structure Strengthen Her Social Protest Novel.” The Victorian 6.1 (April, 2018), 1-8.
Rosenberg, Anat. “Separate Spheres Revisited: On the Frameworks of Interdisciplinarity and Constructions of the Market.” Law and Literature 24 (2012): 393-429. DOI: 10.1525/lal.2012.24.3.393. (Ruth)
Ross, J. H. “Elizabeth Gaskell (1810-1865) and the Medical World.” Journal of Medical Biography. OnlineFirst. Web. 12 December 2014. DOI: 10. 1177/0967772014525102 (Biography, Cranford, “Mr. Harrison’s Confessions”, Wives and Daughter
_____. “Elizabeth Gaskell (1810-65) and the Medical World.” Gaskell Society Newsletter 60 (Autumn, 2015): 9-14. Print. (Biography, “Mr. Harrison’s Confession”, Ruth, Wives and Daughters) Originally published in the Journal of Medical Biology. Reprinted with the Journal’s permission.
Rosaler, Ruth. “Ruth: Gaskell’s Careful Protest.” Conspicuous Silences: Implicature and Fictionality in the Victorian Novel. Oxford: Oxford UP, 2016. 60-73.
Rosaler, Ruth SEE ALSO Schuldiner, Ruth Faye
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Rosenthal, Jesse. “What Feels Right: Ethics, Intuition and the Experience of Narrative.” Good Form: The Ethical Experience of the Victorian Novel. Princeton UP, 2016. 1041. Print. (Mary Barton)
Sabiston, Elizabeth Jean. “Anglo-American Connections: Elizabeth Gaskell, Harriet Beecher Stowe and the ‘Iron of Slavery’.” The Discourse of Slavery: Aphra Behn to Toni Morrison. Eds. Carl Plasa and Betty J. Ring. 1994. London and NY: Routledge, 2013. 94-117. JSTOR. Web. 26 June 2016. (Mary Barton, North and South)
_____. “The Iron of Slavery in her Heart”: The Literary Relationship of Elizabeth Gaskell and Harriet Beecher Stowe.” Private Sphere to World Stage from Austen to Eliot. 2008. Farnham, Surrey and Burlington, VT: Ashgate, 2013. Kindle file. (Mary Barton)
Salis, Loredona, ed. Adapting Gaskell: Screen and Stage Versions of Elizabeth Gaskell’s Fiction. Newcastle upon Tyne: Cambridge Scholars, 2013. Print.
_____. “Remediating Gaskell: North and South and its BBC Adaptation, 2004.” Adapting Gaskell: Screen and Stage Versions of Elizabeth Gaskell’s Fiction. Ed. Loredona Salis. Newcastle upon Tyne: Cambridge Scholars, 2013. 123-147. Print.
Satalina, Kelsey SEE Anderson, Kathleen and Kelsey Satalina
Sattaur, Jennifer. “Thinking Objectively: An Overview of ‘Thing Theory’ in Victorian Studies.” Victorian Literature and Culture. 40 (2012): 347- 357.
Schaffer, Talia. “Ephemerality: The Cranford Papers.” Novel Craft: Victorian Domestic Handicraft and Nineteenth-Century Fiction. 2011. Oxford: Oxford UP, 2014. 61-89. Print Paperback version of critical work published in hardback in 2011.
Schaub, Melissa. “The Serial Reader and the Corporate Text: Hard Times and North and South.” Victorian Review 39 (2013): 182-199.
Schippers, Margriet. “Editing Mable Vaughan: Gaskell and the Struggle for Emancipation.” The Gaskell Journal 32 (2018): 1-15. Print. (“An Incident at Niagara Falls”, Mary Barton, North and South, “The Sexton’s Hero”)
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_____. “Elizabeth Gaskell, Citizen of the World: Civic Lessons.” Diss. U of Leicester, 2017. (“An Accursed Race”, “Cheshire Customs”, “Christmas Storms and Sunshine”, “Clopton Hall”, “Company Manners”, “Curious If True”, A Dark Night’s Work , “The Ghost in the Garden Room/ The Crooked Branch”, “The Half-Brothers”, “The Heart of John Middleton”, “An Incident at Niagara Falls”, “The Last Generation in England”, “Libbie Marsh’s Three Eras”, “Lizzie Leigh”, Lois the Witch, “Manchester Marriage”, “Martha Preston”, “Modern Greek Songs”, “My French Master”, My Lady Ludlow, North and South, “Our Society at Cranford”, “The Poor Clare”,“ “Robert Gould Shaw”, Ruth, “The Sexton’s Hero”, “The Sin of the Father/Right at Last”, “Stories of the Huguenots”, Sylvia’s Lovers “The Well of Penmorfa”)
_____. Elizabeth Gaskell, Citizen of the World: Civic Lessons. Amsterdam: Pallas Publications, 2017. Print. (“An Accursed Race”, “Cheshire Customs”, “Christmas Storms and Sunshine”, “Clopton Hall”, “Company Manners”, “Curious If True”, A Dark Night’s Work , “The Ghost in the Garden Room/ The Crooked Branch”, “The Half-Brothers”, “The Heart of John Middleton”, “An Incident at Niagara Falls”, “The Last Generation in England”, “Libbie Marsh’s Three Eras”, “Lizzie Leigh”, Lois the Witch, “Manchester Marriage”, “Martha Preston”, “Modern Greek Songs”, “My French Master”, My Lady Ludlow, North and South, “Our Society at Cranford”, “The Poor Clare”,“ “Robert Gould Shaw”, “The Sexton’s Hero”, “The Sin of the Father/Right at Last”, “Stories of the Huguenots”, Sylvia’s Lovers, “The Well of Penmorfa”)
Schmidt, Michael. “The Fiction Industry: Charles Dickens, Harrison Ainsworth, Elizabeth Gaskell, Willkie Collins.” The Novel: A Biography. Cambridge, MA: Belknap, Harvard UP, 2014. 252-283. Print. (Biography, Cranford, Mary Barton, North and South, Ruth, Sylvia’s Lovers, Wives and Daughters)
Scholl, Lesa. “Humanizing the Mob.” Hunger Movements in Early Victorian Literature: Want, Riots, Migration. Burlington, VT: Ashgate Publishing, 2016. 50-83. (Mary Barton, North and South)
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_____. 2016. “Humanizing the Mob.” Hunger Movements in Early Victorian Literature: Want, Riots, Migration. Oxon and NY: Routledge, 2018. 50- 83. (Mary Barton, North and South) A Kindle version of the 2016 edition (See above).
_____. “Moving Between North and South: Cultural Signs and the Progress of Modernity in Elizabeth Gaskell’s Novel.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 95-105. Print.
_____. “The Rhetoric of Taste: Reform, Hunger and Consumption in Elizabeth Gaskell’s Mary Barton.” Food, Drink and the Written Word in Britain 1820 -1954. London: Pickering & Chatto, 2016. 65-83. http://ebookcentral.proquest.com
_____. “Social Communion.” Hunger Movements in Early Victorian Literature: Want, Riots, Migration. Oxon and NY: Routledge, 2018. 150-157. (Mary Barton)
_____. 2016. “Social Communion.” Hunger Movements in Early Victorian Literature: Want, Riots, Migration. Oxon and NY: Routledge, 2018. 150-157. (Mary Barton) A Kindle version of the 2016 edition (See above).
Scholl, Lesa, Emily Morris and Sarina Gruver Moore. Eds. Place and Progress in the Works of Elizabeth Gaskell. Farnham, Surry and Burlington, VT: Ashgate, 2015.
Schramm, Jan-Melissa. “‘Standing for’ the people: Charles Dickens, Elizabeth Gaskell, and Professional Representation in 1848.” Atonement and Self-Sacrifice in Nineteenth-Century Narrative Cambridge: Cambridge UP, 2012. 106-139. Print. (Mary Barton)
Schuldiner, Ruth Faye. ”Conspicuous Silences: Implicature and Fictionality in the Victorian Novel.” Diss. U of Oxford, 2012. (Ruth)
Schuldiner, Ruth Faye SEE ALSO Rosaler, Ruth
Schülting, Sabine. “Dirt in Victorian Literature and Culture Writing
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Materiality.” Urban Emotions 115-151. Print. (Mary Barton)
Schwartz, Catherine. “Barometric Books: The Atmosphere in Nineteenth- Century English and French Novels.” Diss. ProQuest. University of Toronto, 2016. (Life of Charlotte Brontë, North and South)
Secord, Anne. “Elizabeth Gaskell’s Social Vision: The Natural Histories of Mary Barton.” Uncommon Contexts Encounters between Science and Literature, 1800–1914. Eds. Ben Marsden, Hazel Hutchison and Ralph O’Connor. London: Pickering and Chatto, 2013. 125-143. Print
Séllei, Nóra. “The Humanizing Transformations of the Space of the Home in Gaskell’s Cranford.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 23-36. Print.
Severn, Stephen. “The Afterlife of Elizabeth Gaskell’s ‘Disappearances’: ‘Right at Last’ and ‘The Manchester’ as Experiments in Detective Fiction.” Gaskell Journal 29 (2015): 37-58. Print.
_____. “Narrative Cessation and Professional Culture in Elizabeth Gaskell’s A Dark Night’s Work.” Victorian Review 40.1 (2014): 155-175. Project Muse. Web. 17 May 2016.
Shaikh, Fariha. “Emigration Aesthetics: Elizabeth Gaskell, Charles Dickens and Catherine Helen Spence.” Nineteenth-Century Settler Emigration in British Literature and Art. Edinburgh: Edinburgh University Press, 2018. 161-190. (Mary Barton, Correspondence)
____. “Temporally Out of Sync: Migration as Fiction and Philanthropy in Gaskell’s Life and Work.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 83- 93. Print. (Correspondence, Lois the Witch, Mary Barton, “My French Master”)
Shakinovsky, Lynn. “Christianity and Class in Elizabeth Gaskell’s Mary Barton.” SEL: Studies in English Literature 1500-1900 58 (Autumn, 2018): 899-918. DOI: https://doi.org/10.1353/sel.2018.0034
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Sharpe, Ada. “Margaret Hale’s Books and Flowers: Paratextual Dialogues with Felicia Hemans.” Victoria Review 40.1 (2014): 197-209. Project Muse. Web. 17 May 2016. (North and South)
Shattock, Joanne. “Feminisation of Literary Culture.” The History of British Women’s Writing, 1830-1880. Ed. Lucy Hartley. London: Palgrave Macmillan, 2018. 23-38. Print. (Life of Charlotte Brontë, Mary Barton)
____. “Literature and the Expansion of the Press.” The Oxford Handbook of Victorian Literary Culture. Oxford: Oxford University Press, 2016. 507- 521.
Shaw, Amber. “’Like the incense of a bad heart’: the Ethics of Industry in Sophia Hawthorne's and Margaret Fuller's English travelogues.” Nathaniel Hawthorne Review 41.1 (2015): 75-95. Print. (North and South)
Shaw, Marion. “‘Give me Sylvia or else I die’; Obsession and Revulsion in Elizabeth Gaskell’s Sylvia’s Lovers.” For Better or Worse: Marriage in Victorian Novels by Women. Eds. Carolyn Lambert and Marion Shaw. NY and London: Routledge, 22017. 46-57. Print.
Sheehan, Lucy. “Trials of Embodiment: Being a Gothic Body in Mary Barton.” Victorian Review 38 (2012): 35-53.
Shelston, Alan. “Elizabeth Gaskell and Henry James.” Gaskell Society Newsletter 58 (Autumn, 2014): 31-34. Print. (Cranford, “Old Nurse’s Story”, Wives and Daughters)
_____. “Elizabeth Gaskell and her Publishers.” Adapting Gaskell: Screen and Stage Versions of Elizabeth Gaskell’s Fiction. Ed. Loredona Salis. Newcastle upon Tyne: Cambridge Scholars, 2013. 1-16. Print. (Biography, Cranford, Life of Charlotte Brontë, North and South) _____. “Illustrating the Everyday: Illustration and Text in Gaskell’s ‘Wives and Daughters.’” George du Maurier: Illustrator, Author, Critic: Beyond Svengali. Farnham, Surrey: Ashgate Publishing, 2016. 51-66.
_____. “The Uncertainty of Endings.” The Gaskell Society Newsletter 56 (Autumn, 2013): 38-41. Print. (Cousin Phillis, A Dark Night’s Work, North and South, Wives and Daughters)
Shooshtari, Seyed Majid Alavi. “Revisiting Gender and Socio-Political
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Awareness in Elizabeth Gaskell’s Sylvia’s Lovers. MAGNT Research Report 3.1 (2015): 435-442. Web. 14 Feb 2016. DOI: dx.doi.org/ 14.9831/1444-8939.2015/3-1/MAGNT.45
Shuttleworth, Sally SEE Gowan, Dawson
Ŝimić, Andrea. “The Domestic Woman and the Employed Woman in Jan Eyre, North and South, and Middlemarch. Diss. U of Zagreb (Croatia), 2018.
Simionato, Deborah Mondadori. “ ‘Why Are We to Shut Up the Book Weeping?’: Elizabeth Gaskell’s Ruth and the (Im)possibility of Redemption for the Fallen Women.” Organon 33.65 (July-December, 2018): 1-16.
Simmons, Emily Catherine. “Contextualizing Value: Market Stories in Mid Victorian Periodicals.” Diss. U of Toronto, 2013. Open Access Theses and Dissertations. Web 1 Apr 2014. (“Cranford Papers”)
Simpson, Vicky. “‘I SAW a ghost’: The Phantasmagoric Narration of Gaskell’s ‘The Old Nurse’s Story’.” Victorians Institute Journal 41 (2013): 86- 102. Print. (“Libbie Marsh’s Three Eras”, “Old Nurse’s Story”, “The Squire’s Story”)
Singer, Margo. “The Paisley Shaw: The Must-Have Accessory of the 19th Century.” The Gaskell Society Newsletter 65 (Spring, 2018): 17-20. Print. (Biography, Mary Barton, North and South)
Singh, Veena. “Women without Men: Family Patterns in Cranford.” Women’s Writing: Text and Context. 3rd ed. Ed. Jasbir Jain. Jaipur: Rawat Publications, 2014. 76-83. Print.
_____. “The World of Cranford: A Structural Approach. Women’s Writing: Text and Context. 3rd ed. Ed. Jasbir Jain. Jaipur: Rawat Publications, 2014. 84-93. Print.
Skaris, Katherine. “‘A Damned Mob of Scribbling Women’: Affective Labor in British and American Fiction, 1848-1915.” Diss. Durham U, 2015.
Singer, Margo. “The Paisley Shaw: The Must-Have Accessory of the 19th Century.” The Gaskell Society Newsletter 65 (Spring, 2018): 17-20. Print.
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(Biography, Mary Barton, North and South)
Smeele, Wietske. “The Victorian Posthuman: Monstrous Bodies in Literature and Science.” Diss. Vanderbilt U, 2018. (North and South)
Smith, Lindi M. “British Militarism and Victorian Women’s Writing.” Diss. U of Tulsa, 2016. (Sylvia’s Lovers)
Smith, Richard. “Cranford’s Illustrator Hugh Thompson.” Victorian Visual Culture. http://www.qub.ac.uk/schools/schoolof English/visual- culture/illust-book/Hugh-Thomson.html. August 15, 2016.
Soares, Rebecca D. “Immaterial Print.: Spiritualism and Nineteenth-Century Transatlantic Literature.” Diss. U of Wisconsin, 2014. (Lois the Witch, North and South)
Sowa, Matsuto. “Poor Brontë and Preachy Gaskell: Evils in The Life of Charlotte Brontë.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 233-248. Print.
Spooner, Catherine Louise. “‘Dark and Cold and Rugged is the North’: Regionalism, Folklore and Elizabeth Gaskell’s ‘Northern Gothic’.” Gothic Britain: Dark Places in the Provinces and Margins of the British Isles.” Eds. William Hughes and Ruth Heholt. Cardiff: U of Wales Press, 2018. 27-43. (“Doom of the Griffiths”, “The Grey Woman”, Life of Charlotte Brontë, Lois the Witch, “The Poor Clare”)
Stainthorpe, Clare. “Activity and Passivity: Class and Gender in the Case of the Artificial Hand.” Victorian Literature and Culture 45.1 (2017): 1- 16. doi:10.1017/S1060150316000401 (Mary Barton)
Steele, Kathleen R. “‘To Give Way’: Women and Grief in Elizabeth Gaskell’s North and South.” Gaskell Journal 31 (2017): 21-36. Print.
Steere, Elizabeth Lee. “‘Kitchen Literature’: The Female Servant in Sensation Fiction.” Diss. U of Georgia, 2012. (“The Grey Woman”)
_____. “‘We will still be husband and wife’: The Servant as Spouse in
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Gaskell’s ‘The Grey Woman’.” The Female Servant and Sensation Fiction: “Kitchen Literature”. NY and Basingstoke: Palgrave Macmillan, 2013. Print.
Stein, Faith. “Wallpapering the Novel: Economics, Aesthetics, and the Realist Home.” Diss. U of Illinois, 2013. (North and South)
Stevens, Helen. “Paradise Closed: Energy, Inspiration and Making Art in Rome in the Works of Harriet Hosmer, William Wetmore Story, Elizabeth Barrett Browning, Nathaniel Hawthorne, Elizabeth Gaskell and Henry James, 1847-1903.” Diss. King’s College London, 2016. (Correspondence, Ruth)
_____. SEE ALSO Stevens, Nell
Stewart, Lindsey. “Monomania: The Life and Death of a Psychiatric Idea in Nineteenth-Century Fiction 1836-1860.” Diss. Open University, 2018. (Mary Barton; North and South)
Stober, Katharyn L. “Superior Mirth: National Humor and the Victorian Ego.” Diss. U of North Texas, 2012. http://digital.library.unt.edu/ark:677531/metadc115168/m1/1/
Stoneman, Patsy. “‘Such a Life’: Elizabeth Gaskell and Charlotte Brontë. The Gaskell Society Newsletter 56 (Autumn, 2013): 23-32. Print. (Biography, Correspondence, Life of Charlotte Bronte)
Styler, Rebecca. “Elizabeth Gaskell and the Madonna: Metaphors of the Maternal Divine.” Gaskell Journal 27 (2013): 68-87. Print. (Cranford, “The Poor Clare”, Ruth)
_____. “Monstrous Parenting in ‘The Crooked Branch’, ‘The Grey Woman’, and ‘Right at Last’.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 153-167. Print.
Styler, Rebecca SEE ALSO Ludlow, Elizabeth and Rebecca Styler
Sullivan, Kathleen Marion. “The Function of Letters in Nineteenth-Century Realist Novels: Epistolarity and Character in Austen, Thackeray, Dickens and Gaskell.” Diss. Catholic U of America, 2017. (Wives and Daughters)
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Surridge, Lisa SEE Leighton, Mary Elizabeth and Lisa Surridge
Suzuki, Mitsuoko. “Deceit versus Honesty: Women’s Education in Helen and Wives and Daughters.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 409-424. Print.
Sylvester, Diane Barbara. “Perceptions of Province: Doing One’s Duty in Victorian England.” Diss. U of Sydney, 2017. http://hdl.handle.net/2123/17322 (Correspondence, Cousin Phillis, Cranford, Life of Charlotte Brontë, Mary Barton, North and South, Ruth, Sylvia’s Lovers, Wives and Daughters)
Tamai, Fumie. “Sylvia’s Lovers: Liberty, Violence, and the Problem of Democracy.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 313-327. Print.
Tamura, Manami. “The Life of Charlotte Brontë: Life Writing and Ill Will.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 249-264. Print.
Taouli, Manel. “The Changing Roles in the Victorian Family in Elizabeth Gaskell’s North and South.” Diss. U of Tlemcen (Algeria), 2017.
Telegina, Olga. “The Theme of Sea as a National Motif in English Victorian Literature (Based on Elizabeth Gaskell’s Novels)” Young Scientist USA 1 (2014): 106-110. (Cranford, Mary Barton, North and South)
Thomas, Ardel. “Queer Victorian Gothic.” The Victorian Gothic: An Edinburgh Companion. Eds. Andrew Smith and William Hughs. Edinburgh: Edinburgh UP, 2012. 142-155. JSTOR. Web. 25 June 2016. (“The Grey Woman”)
Thomas, Ardel SEE ALSO Haefele-Thomas, Ardel
Threlkeld-Dent, Debra. “Victorian Women and the Carnivalesque in Six Novels.” Diss. WorldCat. Georgia State University, 2017. (North and South)
Tomaiuolo, Saverio. “Becoming Ladies and Gentlemen in W. M. Thackeray’s
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Denis Duval and Elizabeth Gaskell’s Wives and Daughters. Victorian Unfinished Novels: The Imperfect Page. Houndsmills, Basingstoke and NY: Palgrave Macmillan, 2012. 21-51. Print.
Toogood, Mickey A. “Another Mediocrity: Victorian Realism and Local Detachment.” Diss. ProQuest. Tufts University, 2017. (North and South)
Travis, Erika K. “Unitarian Theology and the Short Fiction of Elizabeth Gaskell.” Diss. ProQuest. The Claremont Graduate University, 2016.
Tri Widyahening, Ch Evy. “Women’s Struggle in Surviving their Lives as Seen on the Novel Entitled Mary Barton by Elizabeth Gaskell (A Feminist Study).” Widya Wasana 11.2 (2016): 135-146.
Twinn, Frances. “Applied Meteorology: Scientific Accuracy and Imaginative Writing in Elizabeth Gaskell’s ‘Cousin Phillis’ and Wives and Daughters.” Place and Progress in the Works of Elizabeth Gaskell. Eds. Lesa Scholl, Emily Morris and Sarina Gruver Moore. Farnham, Surry and Burlington, VT: Ashgate, 2015. 175-191. Print.
Urdang, Esther. “The Impact of Biographer Involvement and Bias: Charlotte Brontë and Her First Biographer, Elizabeth Gaskell.” Parallels between Writing Biographies and Clinical Practice. Washington, DC: NASW Press, 2014. 45-76. Print. (The Life of Charlotte Brontë)
Valentino, Anthony Alfred. “Finding Happiness in the Poor, Humble Cottage: ‘Contented Poverty’ in Irish Novels from Famine to Free State.” Diss. Drew U, 2015. Web. 15 Sept 2015. (Mary Barton)
Van Bockstaele, Rynn. “‘How different men were to women!’: Elizabeth Gaskell and Victorian Authorship.” Diss. Ghent U, 2015. Web. 17 May 2016. (Biography, Correspondence, North and South, The Life of Charlotte Brontë)
VanArendonk, Kathryn. “The Episode: Serial Storytelling in Television and the Nineteenth-Century Novel.” Diss. Stanford U, 2014. (Wives and Daughters)
Vanden Bossche, Chris. “Reforming Trade Unionism in Mary Barton and North and South.” Reform Acts: Chartism, Social Agency, and the Victorian Novel, 1832-1867. Baltimore: Johns Hopkins UP, 2014. Print.
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Vargo, Gregory. “Questions from Workers Who Read: Education and Self Formation in Chartist Print Culture and Elizabeth Gaskell’s Mary Barton.” Victorian Literature and Culture 44 (2016): 133-161. doi: 10.1017/S1060150315000467
_____. “Questions from Workers Who Read: Education and Self- Formation in Chartist Print Culture and Elizabeth Gaskell’s Mary Barton.” An Underground History of Early Victorian Fiction: Chartism, Radical Print Culture and the Social Problem Novel. Cambridge: Cambridge UP, 2017. 115-147. Print.
Vasileva, Elmira. “Sins and Tales in ‘The Old Nurse’s Story,; ‘The Doom of the Griffiths,’ and ‘Crowley Castle’. Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 489-504. Print.
Vasiliu, Dana. “Challenging the Patriarchal Ethos: The Role of the Amazons in Elizabeth Gaskell’s Cranford.” The Victorian [Online], 2.1 (2014): n. pag. Web. 12 Jul. 2014.
Vazquez, Amber Susan Cobb. “Common Ends: Death and the Poor in the Time of Dickens.” Diss. George Washington U, 2014. DAI-A 75.4 (2014): Item DA3607679. Web. 21 June 2015. (Mary Barton, North and South)
Vozmilkina, Valeriya. “The Role of E. Gaskell in the Development of the British 19th Century Social Novel.” In the World of Scientific Discoveries 57 (2014): 7996-814. (Mary Barton)
Wagner, Shandi Lynne. “Sowing Seeds of Subversion: Nineteenth-Century British Women Writers’ Subversive Use of Fairy Tales and Folklore.” Diss. Wayne State U, 2015. (“Grey Woman”, “Curious If True”)
Wagner, Tamara. “Tigerish Skin and Burnt Bouquets: Domestic Gothic in Wives and Daughters.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 425-439. Print.
Wallace, Diana. “Be-witched and Ghosted” Elizabeth Gaskell’s Gothic Historical Tales.” Female Gothic Histories: Gender, History and the Gothic. Cardiff: U of Wales P, 2013. JSTOR. Web. 25 June 2016.
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(Clopton Hall’, ‘Morton Hall, ‘The poor Clare’, ‘Lois the Witch’ “The Grey Woman”)
_____. “‘Our Poor Land of Wales’: National Identity and National Heroism in Women’s Historical Fictions.” Women’s Writing 24.4 (2016): 482-498. DOI: 10.1080/09699082.2016.1268344 (“Doom of the Griffiths”)
Wallace, Mark. “Towards a Wise Despotism: Traces of Thomas Carlyle in the BBC North and South (2004).” Between Vol. II.4 (2012), http:www.Between-journal.it/
Wang, Ping. “An Analysis of the Heroine of North and South: Margaret Hale as an Independent Woman.” Journal of Arts and Humanities 6.10 (2017): 32-38. DOI: http://dx.doi.org/10.18533/journal.v6110.1289
Ward, Megan. “The Cybernetic Character of Domestic Realism.” Genre 51.1 (2018): 1-25. DOI 10.1215/00166928-4365082 (Correspondence, Wives and Daughters)
_____. “Our Posthuman Past: Victorian Realism, Cybernetics, and the Problem of Information.” Configurations 20 (2012): 279-297. (Cranford)
_____. Seeming Human: Artificial Intelligence and Victorian Realist Character. Columbus, OH: Ohio State University Press, 2018. (Wives and Daughters)
Warner, Sylvia Townsend. “Elizabeth Gaskell 1810-1865.” Our Time 4 (February, 1945). The Journal of the Sylvia Townsend Warner Society (2013): 45-52. Print. (Cranford, Life of Charlotte Brontë, Mary Barton)
Watkins, Adam Edward. “The City in Mind: Environmental Literacy and Adaptation in Nineteenth-Century British Literature.” Diss. Purdue U, 2013. https://docs.lib.purdue.edu/open_access_disertations/18
Watson, Kate. “Elizabeth Cleghorn Gaskell (1810-1865).” Women Writing Crime Fiction 1860-1880: Fourteen American, British and Australian Authors. North Carolina and London: McFarland & Company, 2012. 38- 43. Print. (A Dark Night’s Work, “Grey Woman”, “Disappearances” “Squire’s Story”)
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Watt, George. 1984. “Ruth.” The Fallen Woman in the Nineteenth-Century English Novel. London and NY: Routledge, 2016. 19-40. Print.
Weaver, Roslyn. “North and South and the Intersections of Environment and Health.” Hektoen International: A Journal of Medical Humanities 8.2 (Spring, 2016) (http://hekint.org/tag/elizabeth-gaskell/)
Weber, Brenda R. “Reconstructing Charlotte: The Making of Celebrated ‘Female Genius’.” Women and Literary Celebrity in the Nineteenth Century: The Transatlantic Production of Fame and Gender. Farnham and Burlington: Ashgate, 2012. 33-71. Print. (Life of Charlotte Brontë)
Webster, Rachel. “‘I Think I Must Be an Improper Woman without Knowing It’: Fallenness and Unitarianism in Elizabeth Gaskell’s Ruth.” Victorian Network 4 (2012): 10-28.
_____. “Nineteenth-century Dissenting Women Writers: Literary Communities, Conviction and Genre. Diss. U of Leeds. 2014. White Rose eTheses Online. Web. 16 June 2015. (Ruth)
Weeks, Mark. “Cranford’s ‘Organic Community’ and the Dark Spectre of Time.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 489-504. Print.
Weimer, David E. “Protestant Institutionalism: Religion, Literature and Society after the State Church.” Diss. Harvard U, 2016. (Mary Barton, North and South)
Weygandt, Ariel. “Stirring It Up: The Changing of the British Nation Through Food.” Diss. Texas Christian U, 2018. (Mary Barton)
Wheeler, Michael. “An Environment of Circumstances: Elizabeth Gaskell.” English Fiction of the Victorian Period. NY: Routledge, 2014. 75-82. Print. (Mary Barton, North and South, Wives and Daughters)
_____. “Mid-Century Fiction.” English Fiction of the Victorian Period: 1830-1890. 2nd ed. 1994. London and NY: Longman, 2014. 35-99. Kindle version of the 2nd edition
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(Life of Charlotte Brontë, Mary Barton, North and South, Wives and Daughters)
Whitmore , Clara Helen. “Mrs. Gaskell.” Women’s Work in English Fiction from the Restoration to the mid-Victorian Period. 1910. Washington, DC: Library of Congress, 2013. 274-292. Print. (Cranford, Mary Barton, Wives and Daughters)
Wilhelm, Lindsay. “‘Looking South’: Envisioning the European South in North and South.” Studies in the Novel 46.4 (2014): 406-422. Humanities Full Text. Web. 18 May 2015.
Wilkinson, Shaunna Kay. “(Re)making the Gentleman: Masculinities and the Country Estate in the Novels of Charlotte Smith, Jane Austen and Elizabeth Gaskell.” Diss. Marquette U, 2014. Web. 27 June 2015. (Wives and Daughters)
Williams, Elizabeth. “Ruth and the Governess Question.” Gaskell Society Newsletter 57 (Spring, 2014): 17-22. Print.
Williams, Heather. “Papa has now me only’: Charlotte Brontë and the House of Unwed Daughters and Widowed Fathers.” Brontë Studies 43 (2018): 55-60. Print.
Winter, Jade Werner. “Cranford and the Gothic Everyday.” Dickens Studies Annual 49 (2018): 155-181. Print.
Wilson, Cheryl A. “Le Contretemps Dangereaux: Enter the Waltz.” Literature and Dance in Nineteenth-Century Britain: Jane Austen to the New Woman. 2009. Cambridge: Cambridge UP, 2012. 132-171. Print. (Wives and Daughters)
Wilson, Michelle L. “Legal Spectres, Narrative Ghosts: Mothers and the Law in the Victorian Novel.” Diss. U of Southern California, Los Angeles, 2012. USC Digital Library. Web. 19 June 2015. (Mary Barton)
Wilwerding, Lauren E. “Contingency and Vocation in Cranford.” Victorians: A Journal of Culture and Literature 131 (Summer, 2017): 82-98. DOI: https://doi.org/10.1353/vct.2017.008
Wojcik, Adrianne A. “Theatrical Weddings and Pius Frauds: Performance and Law in Victorian Marriage Plots.” Diss. Marquette U, 2018. https://epublications.marquette.edu/dissertations_mu/767 (North and South, Wives and Daughters)
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Womack, Elizabeth Coggin. “Anticipated Ends, Atonement, and the Serialization of Gaskell's North and South.” Dickens Studies Annual 48 (2017): 231-252. Print.
Wootton, Sarah. “Elizabeth Gaskell’s Byronic Heroes: Wives and Daughters and North and South.” Byronic Heroes in Nineteenth-Century Women’s Writing and Screen Adaptation. Basingstoke, NY: Palgrave Macmillan, 2016. 93-123.
Wright, Erika. “Narrative Competence and the Family Doctor in Gaskell’s Wives and Daughters.” Reading for Health: Medical Narratives and the Nineteenth-Century Novel. Athens, OH: Ohio UP, 2016. 139-210. Print.
Wynne, Catherine. “Popular Fiction in Performance: Gaskell, Collins and Stevenson on Stage.” New Directions in Popular Fiction: Genre, Distribution, Reproduction. Ed. Ken Gelder. London: Palgrave Macmillan, 2016. 327-348. (Mary Barton)
Wynne, Deborah. “The ‘Charlotte’ Cult: Writing the Literary Pilgrimage, from Gaskell to Woolf.” Charlotte Brontë: Legacies and Afterlives. Manchester, England: Manchester U P, 2019. 43-58. (Life of Charlotte Brontë)
Yan, Shu-Chuan. “‘Bright Glances’ or ‘Clever Hands’? The Domestic Image of Working-Class Women in Eliza Cook's Journal.” Victorian Literature and Culture 44:4 (2016): 779-799. Doi:10.1017/S1960150316000218 (Mary Barton)
_____. “Pernicious Literacy and Working-Class Education in My Lady Ludlow.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 265-279. Print.
_____. “Teaching Cranford in Taiwan.” Victorian Review 38 (2012): 15- 20. DOI: 10. 1353/vcr.2012.0011
Yatsugi, Aya. “Sleeping Beauty and the Evil Influences of Fairy Tales in Cousin Phillis.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays. Ed. Mitsuharu Matsuoka. Osaka: Osaka Kyoiku Tosho, 2015. 489-504. Print.
Yeniçeri, Zuhal, Leman Korkmaz and Doğan Kökdemir. “An Existential
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Alliance of Byronic and ‘Lilithian’ Heroes.” International Conference on Knowledge and Politics in Gender and Women’s Studies. Middle East Technical University, Turkey (2015): 1035-1043. (North and South)
Zhen, Yan Hua. “Moral Dilemma and Personal Growth: the Heroines’ Psychological Development in Gaskell’s Social Fiction.” Diss. Shanghai International Studies U, (People’s Republic of China), 2014. (Mart Barton, Ruth, North and South)
Zirker, Angelika. “Poetic Justice: A Few Reflections on the Interplay of Poetry and Justice.” Connotations 25:2 (2015/2016): 135-151. (Mary Barton)
MASTERS AND HONORS THESES
Aalgaard, Kristin. “Contesting the Rural Idyll in Elizabeth Gaskell’s Cranford.” MA Thesis. U of Bergen (Norway), 2015.
Abletshauser, Alexandra C. “Tears, Blushes and Beating Hearts: Masculinity, Emotions and Feelings in Elizabeth Gaskell’s North and South, Thomas Hardy’s Far from the Madding Crowd and Sara Jeannette Duncan’s The Imperialist.” MA Thesis. U of Chester, 2017.
Abtahl, Johanna Heloise. “Ecopsychology in Nineteenth-Century British Literature: Elizabeth Gaskell’s North and South and Percy Bysshe Shelly.” MA Thesis. U of Idaho, 2013.
Algotsson, Anna. “Transgression and Tradition: Redefining Gender Roles in Elizabeth Gaskell’s North and South.” MA Thesis. Linköping U (Sweden), 2015.
Bacon Hammer, Cynthia A. “Discovering beauty, discovering God.” Doctor of Ministry thesis, University of Dubuque Theological Seminary, 2015. (Mary Barton)
Balkaya, Mehmet Afik. “The Effects of the Industrial Revolution as Reflected in Charlotte Brontë’s Shirley, Charles Dickens’ Hard Times and Elizabeth Gaskell’s North and South.” MA Thesis. Atilm U (Ankara, Turkey), 2014.
Barrett, Kara L. “Victorian Women and their Working Roles.” MA Thesis. S.U.N.Y at Buffalo, 2013.
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(Mary Barton)
Bartlett, Christine Nichole. “The Victorian Masculine Woman in Wives and Daughters, Middlemarch, and Jude the Obscure.” MA Thesis. Wichita State U, 2015.
Becker, Alayna Mariam. “‘Plain Work to Do’: Elizabeth Gaskell’s Intervening Re-Productions of Seamstress Labour. MA Thesis. U of British Columbia, 2012. (Cranford, “Libbie Marsh’s Three Eras”, Mary Barton, Ruth)
Benamor, Naima. “Geographical and Social Exploration as Female Empowerment in Elizabeth Gaskell’s North and South.” MA Thesis. Depot Institutional de l’Universite Abou Bekr Belkaid Tlemcen UABT, 2017. http://dspace.univ-tlemcen.dz/handle/112/11380
Blake, Brittany Elizabeth. “Masters and Masculinity: The Men of Industry in Elizabeth Gaskell’s Manchester Novels.” MA Thesis. California State U, Sacramento, 2016. (Mary Barton, North and South)
Book, Bella. “Disobedient Bodies: The Intersection of Class and Sensation in the Victorian Novel. Honors thesis, Mount Holyoke College, 2015. (Mary Barton, North and South)
Borojević, Dahna. “A Comparative Analysis of Elizabeth Gaskell’s Shorter Fiction.” MA Thesis. Filozofski fukulteet u Zagrebu (Croatia), 2018. (“Lizzie Leigh”, “Lois the Witch”, “The Old Nurse’s Story”, “The Poor Clare”.)
Both, Fiona C. M. de. “Rural, Urban, and Industrial Scenes in Victorian Industrial Novels.” MA Thesis. Leiden U, 2018. (Mary Barton, North and South)
Bower, Amy. “‘The Gothic Marriage Plot’: Gothic Realism as Resistance to Patriarchy in the Fiction of Jane Austen, Elizabeth Gaskell and Anne Brontë.” MA Thesis. Emery U, 2018 (“The Grey Woman”)
Bowers, Ryan P. “Master of Your Doman: Descriptions of Interior Space in the Works of Charles Dickens and Elizabeth Gaskell as Social Justice Commentary.” MA Thesis. SUNY at Buffalo, 2012. (Mary Barton, North and South)
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Bránišová, Veronica. “The Perspective of Social Class in Relation to Gender in the Fiction of Elizabeth Gaskell.” BA Thesis. Masaryk U (Czech Republic), 2014. (Mary Barton, North and South)
Brannon, Brittany. “Explaining Selection: Examining Uptake in Theory and Literature.” MA Thesis. U of Kansas, 2014. (North and South)
Broad, Richard. “Water and the Fallen Woman in Victorian Literature and Art.” MA Thesis. Royal Holloway, U of London, 2014. (Ruth)
Bulut, Firdeus. “The Theme of Imprisonment in Little Dorrit and North and South.” BA Thesis. Bogaziçi U (Turkey), 2013.
Burton, Sara E. “Jane Eyre and Mary Barton: Elements of Feminism in Victorian Society.” BA honors Thesis. U of Houston, 2012.
Cauley, Alexandra M. “Delight in Possibility: Female Community and Elizabeth Gaskell.” Senior Thesis. Clarement McKennna College, 2014. [Scripps Senior Thesis. Paper 446. http://scholarship.clarement.edu/scripps_theses446] (Cranford, North and South, Wives and Daughters)
Chen, Ling Yen. “Trauma and Scriptotherapy: Mrs. Gaskell’s Trauma in Mary Barton and North and South. MA Thesis. Zhengzhou U (People’s Republic of China), 2013.
Conejo Husillos, Raquel. “The Gothic Element in Victorian Female Narrative.” BA Thesis. U de Valladolid (Spain), 2014. Web. 26 Aug 2015. (Lois the Witch, “Old Nurse’s Story)
Cox, Laura Elizabeth. “Happily Ever After? Redefining Womanhood and Marriage in Nineteenth-Century Novels.” MA Thesis. U of Arkansas, 2012. (North and South)
Crowhurst, Sylvia. “The Victorian Man: Re-defining and Re-negotiating Masculinity.” MA Thesis. U of South Florida, St. Petersburg, 2014. (North and South)
Di Laurea, Tesi. “Translating Elizabeth Gaskell’s ‘Right at Last’ with an Eye on Italian Translations of Gaskell’s Works: Problems and Strategies.” MA Thesis. U degli Studi di Padova (Italy), 2017.
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DiCillo, Francesco R. “The Use of Mythology in Two Victorian Novels: Persephone in Tess of the d’Urbervilles and North and South.” MA Thesis. St. Bonaventure U, 2014.
Dimitriadis, Kimberly Bridgette. “I am Not Scientific: Women, Astronomy, and the Victorian Novel.” M Phil Thesis. U of Sydney, 2017. (Cranford, North and South, Ruth)
Doski, Natasha. “The Romance of Social Problems in Austen and Gaskell.” MA Thesis. Wake Forest U, 2014. (North and South)
Dungey, Michaela Marshall. “Romantic Friendships in Shirley and Wives and Daughters.” Senior Honors Thesis. Missouri U, 2017.
Eriksson, Johan. “Evil and Innocence: Children in the Ghost Stories by Elizabeth Gaskell, M. R. James, and Susan Hill. MA Thesis. Linköping U (Sweden). 2014. “(Old Nurse’s Story”)
Evans, Clella Deanna. “Ruth’s Pedagogy: Intersections of Sexuality and Class in Somatic Metaphor and Imagery.” Research Scholar BA Thesis. Texas A&M U, 2017.
Fang, Lan. “Margaret As a New Woman in Gaskell’s North and South.” MA Thesis. Hunan Normal U (People’s Republic of China), 2014.
Figueroa, Krissell Krystal. “Frayed edges: Stitching together femininity in British literature.” M.A. Thesis, San Diego State University, 2016. (Ruth)
Flanigan, Ashlie. “Scientific Novels and ‘Lady Novelists’: Nature and Nurture in Austen’s Pride and Prejudice and Gaskell’s Wives and Daughters.” MA Thesis. U of South Florida, St. Petersburg, 2014.
Flynn, Brighid T. “Child Abuse in Victorian England: The Gothic Reality in Brontë’s Jane Eyre, Gaskell’s ‘The Old Nurse’s Story’ and ‘The Poor Clare,’ and LeFanu’s Uncle Silas.” MA Thesis. Villanova U, 2019.
Frieman, Elaine Rhiannon. “Attacking the Angel: Alternative Forms of Victorian Femininity in Elizabeth Gaskell’s Mary Barton, Cranford, and North and South.” MA Thesis. Valdosta State U, 2012.
Galloway, Emma. “Elizabeth Gaskell’s Representation of Women in the
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Industrial Revolution.” BA Thesis. Leiden U, 2016. (Mary Barton, North and South)
Haldorsen, Hrafnhildur. “Apprentice and Mentor?: The Influence of Victorian Women Writers Analyzed through the Relationship and Works of Elizabeth Gaskell and Charles Dickens.” MA Thesis. U of Iceland, 2012. (Mary Barton, North and South)
Halvorson, Cheri Yvonne. “Behind the Comedy Mask: the Function of Incongruous Humor in the Works of Behn, Austen and Gaskell.” MA Thesis. California State U, Fresno, 2012. (Cranford)
Hamadi, Meriem. “British Women in Lady Montagu’s Turkish Embassy Letters and Elizabeth Gaskell’s North and South.” MA Thesis. U of Tlemcen (Algeria)), 2015/2016.
Hamrin, Thomas H. “Parallax Perspectives on the Industrial Novel in Victorian Literature.” MA Thesis. U of Idaho, 2014. (North and South)
Hofstede, Tove Emily. “Quiet Heroism: The Heroism of Middlemarch and Wives and Daughters. MA Thesis. Leiden U, 2014.
Huckelberry Dawn Y. “Text through Textile: External Identity Constructs in Victorian and Postmodern Literature.” MA Thesis. Southern Illinois U, Edwardsville, 2015. (Cranford)
Husillos, Raquel Conejo. “The Gothic Element in Victorian Female Narrative.” BA Capstone Project. U de Valladolid (Spain), 2013/2014. (Lois the Witch, “Old Nurse’s Story”)
Jardins, Kelcie Des. “Haunted Houses, Haunted Texts: Threatening Deviant Women and their Ghosts-Children in the Victorian Domestic Sphere.” BA Honors Thesis. New York U, 2014. (“Old Nurse’s Story”)
Jindřichová, Petra. “Condition of England in Charlotte Brontë’s Shirley and Elizabeth Gaskell’s North and South. MA Thesis. Masaryk U (Czech Republic), 2017.
Johnson, Christiana. “Josephine Butler and Ruth: A Case Study on How Literature Can Instigate Social and Legal Reform Regarding the Fallen Woman.” Senior Honors Thesis. Liberty U, 2017.
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(http://digitalcommons.liberty.edu/honors/672)
Johnson, Sarah. “Searching for Identity and Truth: How Letter Writing Creates Identity in Victorian Literature.” MA Thesis. Southern Illinois U at Edwardsville, 2017. (Cranford)
Kahveci, Rana. “Realisms and Working Women in the Novels of Gaskell and Brontë.” MA Thesis. Middle East Technical U (Turkey), 2014. (Mary Barton, Ruth)
Kallgren, Elyse L. “Reconfiguring Domesticity: Elizabeth Gaskell’s Cranford and Charles Dickens’s Household Words. MA Thesis. U of St. Thomas Saint Paul, Minn.), 2014.
Kan, Ka Ian. “Translation Networks in Republican China: four novels by British Women: Cranford, Jane Eyre, Silas Marner and Pride and Prejudice.” MA Thesis: U of Edinburgh, 2017.
Kokko, Heidi. “Amazonian Spinsters and Philanthropic Ladies: The Fantasy and Reality of Female Communities in Elizabeth Gaskell’s Cranford and Sarah Scott’s Millenium Hall” MA Thesis. U of Tampere (Finland), 2014.
Krénová, Martina. “Women and Wit from Austen to Gaskell. BA Thesis. Masaryk U (Czech Republic), 2013. (North and South)
Kuo, Yi Chen. “Family as Resolution in Elizabeth Gaskell’s North and South.” MA Thesis. National Cheng Kung University (People’s Republic of China), 2015.
Larson, Amanda C. “‘Trifles of Value’: Craft as Communication in Victorian Literature.” MA Thesis. Eastern Michigan U, 2015. (Cranford)
Lawrence, Nicole Lyn. “Hauntings: Victorian Women Writers and Supernatural Fiction (1843-1901).” MA Thesis. Rutgers, The State U of New Jersey, 2015. (“The Grey Woman”, “Old Nurse’s Story”)
Li, Cindy Zhaoran. “Understanding Industrialization through Literature: An Economic Analysis of 19th Century England and Post-1970s China.” BA Senior Thesis, Bard, 2016. (North and South)
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Lisnäs, Stina. “The Byronic Heroine of North and South.” BA Thesis. Karlstad U (Sweden), 2013.
Liu, Jai. “Mrs. Gaskell’s Ecological Values Reflected in Mary Barton.” MA Thesis. Anhui U (People’s Republic of China), 2013.
Lundquist, Ingrid. “Hierarchy, Gentility and Humanity in Elizabeth Gaskell’s Cranford.” BA Thesis, Linköping U (Sweden), 2013.
Lyon, Olivia. “‘There is a great deal to the build and wearing of hats, a great Deal more than at first meets the eye’: The Significance of Headwear in the Novels of Charlotte Brontë and Elizabeth Gaskell.” MA Diss. U of Chester, 2013. (Cranford, Life of Charlotte Brontë, North and South, Wives and Daughters)
Manna, Ilaria. “Nineteenth Century Religious Dissent in the Novels by Elizabeth Gaskell and George Eliot.” MA Thesis, Università Ca' Foscari Venezia (Italy), 2013. (North and South, Ruth)
Martinová, Michaela. “Women Figures in Caribbean and British Setting: Comparison of Two Periods (19th and 20th Centuries).” MA Thesis. Masaryk U (Czech Republic), 2012. (Mary Barton)
Mason, Stephanie R. “Bouts of Brain Fever: Female Rebellion and the Dubiety of Illness in Victorian Fiction.” BA Honors Thesis. College of William and Mary, 2015. (Mary Barton)
May, Amanda M. “The Paradox of Unified Female Selfhood: Social Structures and the Creation of Multiple Identities.” MA thesis. Central Michigan U, 2012. (Ruth)
McBee, Comanchette Rene. “Revoking Victorian Silences: Redemption of Fallen Women through Speech in Elizabeth Gaskell’s Fiction.” MA thesis. Iowa State U, 2012.
Merliza, Maria. “A Study of Molly Gibson’s Maturation as Seen in Elizabeth Gaskell’s Wives and Daughters. BA Thesis. Petra Christian U (Indonesia), 2014.
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Morrissey, Colleen. “‘Present All in All’: Multiplicity and Self-Construction in Elizabeth Gaskell’s North and South.” MA Thesis. U of Kansas, 2012.
Muller, Veerle, “Translating Forms of Address in Jane Eyre and North and South. MA Thesis. Utrecht U, (Belgium), 2016.
Münchová, Luci. “The Country and the City of 19th Century England as Illustrated in Selected Novels by Austen, Gaskell and Hardy. MA Thesis. Masaryk U (Czech Republic), 2013. (North and South)
Nordini, Gina. “Haunted by History: Interpreting Traumatic Memory through Ghosts in Film and Literature. Honors Thesis. Regis College, 2016.” (“The Old Nurse’s Story”)
Petersson, Catrine. “Tradition and Development: The Theme of Revenge in Two Ghost Stories.” MA Thesis. Linköping U (Sweden), 2014. (“The Old Nurse’s Story”)
Prücknerová, Lenka. “The Role of Religion in Elizabeth Gaskell’s Ruth and Mary Barton.” BA Honors Thesis. Charles U in Prague, 2015.
Pummill Patricia Claire. “Development of the Legal Problem Novel from Caleb Williams to Ivanhoe and Mary Barton.” MA Thesis. San Diego State U, 2016.
Raines II, Steven T. “The Evolution of Single Motherhood in Victorian England: Tracking Novels and Social Reception from 1853-1894. BA Honors Thesis. U of Iowa, 2016. (http://uiowa.edu/honors_theses/20.) (Ruth)
Rauschenberger, Marie. “Female Philanthropic Visiting: Margaret Hale as a Sympathetic Mediator in Elizabeth Gaskell’s North and South.” MA Thesis. Arizona State U, 2013.
Rello Pommier, Annick. “Connectedness in Elizabeth Gaskell’s Cranford.” MA Thesis. Université Paris Diderot, 2018.
Riguang, Cong. “Two Nations in the Novel North and South by Elizabeth Gaskell.” M Phil Thesis, St. Petersburg State U (Russia), 2017.
Rither, Morgan Jane. “A Woman in Possession of the Theological Virtues Must Be in Want of Analysis: A Christian Virtue Ethic Approach to Jane
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Austen and Her Contemporaries.” MA Thesis. California Baptist U, 2017. (North and South)
Roffey, Jennifer C. “‘The Story You Well Know’: Language, Narration and the Power of Choice in Elizabeth Gaskell’s Mary Barton.” MA Thesis. John Carroll U, 2012.
Rossetto, Beatrice. “The Serialization of Cranford in Household Words”: the Context for an Unpredictable Novel.” BA Thesis. Universitá Ca’ Forscari Venezia, 2016.
Rouvalis, Maria J. “Charles Dickens and Elizabeth Gaskell: Authorship, Collaboration and Divergence.” BA honors Thesis. Bates College, 2012.
Schadenberg, R. J. E. “The Bildungsroman as a Woman’s Tale in the Framework of Industrialization.” BA Thesis. Utrecht U (Netherlands), 2014. (North and South)
Scuro, Courtney Naum. “Buildings, Bodies and Patriarchs: The Shared Rhetoric of Social Renovation in Jane Austen’s Mansfield Park, Charlotte Brontë’s Villette, and Elizabeth Gaskell’s North and South. MA Thesis. California State U, Long Beach, 2015.
Searway, Robert. “‘And I too change perpetually – now this, now that’: Negotiating Space, Community, Individuality and Mobility with Elizabeth Gaskell’s Realism and Modernity.” MA Thesis. California State U, Stanislaus, 2014. (Cranford, “Libbie Marsh’s Three Eras”, “Lizzie Leigh”, Mary Barton, “Mr. Harrison’s Confession”, “My Lady Ludlow”, North and South, Ruth, “Sketches among the Poor”, Wives and Daughters.)
Sharpe, Monica. “‘A Storm In Her Mind’: Representations Of Female Melancholy In Ruth and The Mill on the Floss.” MA Thesis, Macquarie University (Australia), 2015.
Simionato, Chiara. “Translating Elizabeth Gaskell’s ‘Right at Last’ with an Eye on Italian Translations of Gaskell’s Works: Problems and Strategies.” Tesi di Laurea. Universita degli Studi di Padova, 2016/2017.
Steyaert, Stefanie. “Female Relationships in the Works of Elizabeth Gaskell.” MA Thesis. Ghent U (Belgium), 2012.
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Sukmawati, Meilina. “The Class Struggle Analysis of Manchester Chartism Movement in Elizabeth Gaskell’s A Tale of Manchester Life, Undergraduate Thesis. Diponegoro U (Indonesia), 2015. (http://eprints.undip.ac.ed/45935) (Mary Barton)
Sultana, Alfreen. “Industrial Revolution in Literary Imagination Responses from Three Phases: the Romantic, the Victorian and the Late Victorian Period.” BA Thesis. BRAC U (Dhaka, Bangladesh), 2016. (North and South)
Tobias, Charis. “Giving Power to the Powerless: Elizabeth Gaskell’s Presentation of Women in an Age of Change.” BA Honors Projects. Seattle Pacific U, 2014. (Mary Barton, North and South, Ruth, Wives and Daughters)
Urbanĉíková, Katarína, “Breaking Convention: Gaskell’s Unruly Heroines.” MA Thesis. Masaryk University (Czech Republic), 2014. (North and South, Ruth, Wives and Daughters)
Van de Hoef, Erica. “From Traveling Heroine to Social Explorer: Discourse of Gender and the Process of Self-Realisation in Elizabeth Gaskell’s North and South.” MA Thesis. U of Leiden (Netherlands), 206. van Engelen, Anne. “Public and Private or North and South: Considering Elizabeth Gaskell’s Novel and its 2004 Adaptation in their Respective Contexts.” BA Thesis. Utrecht U (Netherlands), 2016.
Vant, Margaret, “Elizabeth Cleghorn Gaskell and Her Times.” MA Thesis. U of Manitoba, 2012.
Vereecke, Joke. “The Victorian Home Sweet Home Falling to Pieces: A Comparative Analysis of Troubled Family Relationships in the Works of Elizabeth Gaskell.” MA Thesis. Ghent (Belgium), 2016. (”Half-Brothers”, “Heart of John Middleton”, “Lizzie Leigh”, North and South)
VonKaenel, Joslyn McCraw. “Conspicuous Consumers: The Victorian Department Store and the Women’s Movement.” MA Thesis. Clemson U, 2015. (Cranford)
Wang, Jen-Hui. “Elizabeth Gaskell and Education as Seen in her Short Stories.” MA Thesis. National Sun Yat-sen U (Taiwan), 2014.
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(A Dark Night’s Work, “Half a Life-Time Ago”, “Heart of John Middleton”, “Lizzie Leigh”, “Lois the Witch”, My Lady Ludlow, “Old Nurse’s Story” “The Poor Clare”, “Right at Last”, Ruth, “Well of Pen Morpha”)
Watkins, Jessica Leigh. “I am Elizabeth Gaskell: The Literary Evolution of Elizabeth Gaskell throughout Mary Barton, North and South and Wives and Daughters.” MA Thesis. Longwood U, 2006.
Whitted, Emily. “Dropped Stitches: Domestic Handicraft in Elizabeth Gaskell’s Novels.” BA Honors Thesis. U of Richmond. (http://scholarship.richmond.edu/cgi/viewcontent.cgi?article= 1862&context=honors-theses.)
Williams, Brittany. “The Romanticisation of Social Problems in Novels by Jane Austen and Elizabeth Gaskell.” MA Thesis. U of Waikato (New Zealand), 2015. (North and South)
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