DOCSLIB.ORG

American Jukebox

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
American Jukebox [email protected] Playlist* Originating on WMNR Fine Arts Radio Garrett Stack’s American Jukebox® Program is archived 24-48 hours after broadcast and can be heard free of charge at Public Radio Exchange, > prx.org > American Jukebox Show #: 244 Broadcast Date: June 3, 2017 Time: 16:00 - 18:00 # Selections: 35 * Playlist is in chronological order with early influences on the Beatles leading up to Sgt. Pepper Classic Pop, Rock & Soul from the ‘50s, ‘60s and ‘70s American Jukebox Theme Song Credit: What Did You Do With Your Old 45’s, Bobby Vinton, Bobby Vinton’s Greatest Hits, Curb Records, 1989. By Pam A. Hanna & George Pickard. Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Holiday Release Date Date Played Date Played Copy 2:24 Chuck Berry Roll Over Beethoven Chuck Berry 20Th Century Masters: The Millennium MCA 1956 29 RKM Berry 0:15 2 1999 6/3/17 Collection: Best Of Chuck Berry 2:50 Carl Perkins Honey Don’t Carl Perkins Pop Single Purchases 1940-70 V.5 iTunes 1956 CLS RKV PopSingPur 0:05 6 6/3/17 2:12 Carl Perkins Matchbox Carl Perkins Pop Single Purchases 1940-70 V.5 iTunes 1956 CLS RKV PopSingPur 0:04 7 6/3/17 2:10 Johnson/Penniman/Blackwell Long Tall Sally Little Richard Rock ‘n’ Roll Era: 1956 Time-Life 1956 6 CD 1956 CDV-2 Series RnR Era none 18 5/7/11 6/3/17 1:50 Buddy Holly Words of Love Buddy Holly Greatest Hits MCA 1957 CLS RKM Holly 0:13 12 11/1/08 6/3/17 Never charted but has become a classic. 2:34 Chuck Berry Rock And Roll Music Chuck Berry Chuck Berry - Icon Geffen/Chess 1957 8 RKM Berry none 5 2011 6/3/17 2:36 B Gordy, Jr/Janie Bradford Money (That's What I Want) Barrett Strong BOX: Hitsville USA 1959-1971 Motown 1960 23 CD3" Mtwn Collect Vol 1/CD '60 Still.. BOX Motown 1 0:21 1/1 10/18/143/25/17 6/3/17 2:29 Brian Holland/Frederick Gorman Please Mr. Postman The Marvelettes Pure 60's: The #1 Hits UTV Records 1961 1 Absolutely clean and remasterd sound. Pristine. RKV various none 4 2002 10/9/10 1/29/11 3/10/12 2/16/13 1/10/15 11/28/157/30/16 6/3/17 45/MtnHt/CDMrvlts+61/GG 2:53 William “Smokey” Robinson You've Really Got A Hold On Me Miracles AM Gold 1962 Time-Life 1962 8 ALSO MOTOWN BOX Series AM Gold 0:12 19 1991 6/3/17 2:35 Phil Medley/Bert Russell Twist And Shout The Isley Brothers Land Of 1000 Dances, Vol. 1 ACE 1962 17 Used as Fun Test: 11/3/2012 RKV Land of 0:06 6 1999 12/31/1111/3/12 6/3/17 2:38 Richard P Drapkin Devil in His Heart The Donays Pop Single Purchases 1940-70 V.1 iTunes 1962 0 Goodies Old Is New - Rare Singles from the Golden Age of Rock N Roll RKV POP Si 0:06 7 2007 10/31/156/3/17 Song was “discovered” by George Harrison and the Beatles recorded it as “Devil In Her 2:52 Arthur Alexander Anna (Go To Him) Arthur Alexander Rock ‘n’ Roll Era: Rock Classics - The Originals Time-Lie 1962 68 CD Rock Classics: The Originals Series RnR Era 0:07 4 6/3/17 2:32 Jerry Goffin/Carole King Chains Cookies The Best of the Girl Groups Vol 2 Rhino 1962 17 45/LPSuGrl/CD 60's Rave On+Grl Grp2 RKV 98 0:07 7 4/9/11 9/24/11 12/1/12 6/3/17 LPV-15/CDV-6B, 98 2:41 Bacharach/David/Williams Baby It's You The Shirelles The Shirelles Anthology: 1959-1964 Rhino 1962 8 w/m by Burt Bacharach, Mac David, and Barney Williams RKG Shir 0:11 9 09 1986 2/4/06 10/10/093/20/10 12/4/10 2/5/11 5/20/17 6/3/17 LP GH/WnderWom../CD+GH'62+TonNght 2:03 Scott/Marlow A Taste Of Honey The Beatles Black Box: Please Please Me (UK only) EMI/Capitol 1963 Album reworkd in the US and released as "Introducing The Beatles" on Vee-Jay Records. BlkBx Beatles none 12 2009 6/3/17 This Box Set (stereo remaster), released in 2009, is a collection of all the original UK 2:21 (m)Johnny Russell (l)Vonie Act Naturally Buck Owens Country USA: 1963 Time-Life 1963 #1 on the Country charts Series Cntry USA 0:04 2 6/5/10 2/7/15 6/3/17 Morrison 2:37 Brian Wilson Pet Sounds The Beach Boys Pet Sounds - 2012 Remaster Capitol 1966 0 Influenced Sgt. Peppper album RKG Beach 12 2012 6/3/17 2:36 Brian Wilson You Still Believe In Me The Beach Boys Pet Sounds - 2012 Remaster Capitol 1966 0 Influenced Sgt. Peppper album RKG Beach 2 2012 6/3/17 3:07 Brian Wilson I'm Waiting For The Day The Beach Boys Pet Sounds - 2012 Remaster Capitol 1966 0 Influenced Sgt. Peppper album RKG Beach 5 2012 6/3/17 2:03 Lennon/McCartney Sgt. Pepper's Lonely Hearts Club The Beatles Black Box: Sgt. Pepper's Lonely Hearts Club Band EMI/Capitol 1967 This Box Set (stereo remaster), released in 2009, is a collection of all the original UK BlkBx Beatles 01 2009 6/3/17 albums of the Beatles released on the EMI/Parlophone label that essentially made up the 2:44 Lennon/McCartney WithBand A Little Help From My The Beatles Black Box: Sgt. Pepper's Lonely Hearts Club Band EMI/Capitol 1967 0 This Box Set (stereo remaster), released in 2009, is a collection of all the original UK BlkBx Beatles 02 2009 2/22/14 6/3/17 albums of the Beatles released on the EMI/Parlophone label that essentially made up the Sgt. Pepper is 50! 3:28 Lennon/McCartney LucyFriends In The Sky With Diamonds The Beatles Black Box: Sgt. Pepper's Lonely Hearts Club Band EMI/Capitol 1967 This Box Set (stereo remaster), released in 2009, is a collection of all the original UK BlkBx Beatles 03 2009 6/3/17 albums of the Beatles released on the EMI/Parlophone label that essentially made up the 2:48 Lennon/McCartney Getting Better The Beatles Black Box: Sgt. Pepper's Lonely Hearts Club Band EMI/Capitol 1967 This Box Set (stereo remaster), released in 2009, is a collection of all the original UK BlkBx Beatles 04 2009 6/3/17 albums of the Beatles released on the EMI/Parlophone label that essentially made up the 2:37 Lennon/McCartney Fixing A Hole The Beatles Black Box: Sgt. Pepper's Lonely Hearts Club Band EMI/Capitol 1967 This Box Set (stereo remaster), released in 2009, is a collection of all the original UK BlkBx Beatles 05 2009 6/3/17 albums of the Beatles released on the EMI/Parlophone label that essentially made up the 3:35 Lennon/McCartney She's Leaving Home The Beatles Black Box: Sgt. Pepper's Lonely Hearts Club Band EMI/Capitol 1967 This Box Set (stereo remaster), released in 2009, is a collection of all the original UK BlkBx Beatles 06 2009 6/3/17 albums of the Beatles released on the EMI/Parlophone label that essentially made up the 2:38 Lennon/McCartney Being For The Benefit Of Mr. Kite! The Beatles Black Box: Sgt. Pepper's Lonely Hearts Club Band EMI/Capitol 1967 This Box Set (stereo remaster), released in 2009, is a collection of all the original UK BlkBx Beatles 07 2009 6/3/17 albums of the Beatles released on the EMI/Parlophone label that essentially made up the 5:05 Lennon/McCartney Within You Without You The Beatles Black Box: Sgt. Pepper's Lonely Hearts Club Band EMI/Capitol 1967 This Box Set (stereo remaster), released in 2009, is a collection of all the original UK BlkBx Beatles 08 2009 6/3/17 albums of the Beatles released on the EMI/Parlophone label that essentially made up the 2:38 Lennon/McCartney When I'm Sixty-Four The Beatles Black Box: Sgt. Pepper's Lonely Hearts Club Band EMI/Capitol 1967 0 This Box Set (stereo remaster), released in 2009, is a collection of all the original UK BlkBx Beatles 0:08 09 2009 2/8/14 12/31/166/3/17 albums of the Beatles released on the EMI/Parlophone label that essentially made up the 2:42 Lennon/McCartney Lovely Rita The Beatles Black Box: Sgt. Pepper's Lonely Hearts Club Band EMI/Capitol 1967 0 This Box Set (stereo remaster), released in 2009, is a collection of all the original UK BlkBx Beatles 10 2009 2/8/14 6/3/17 albums of the Beatles released on the EMI/Parlophone label that essentially made up the 2:41 Lennon/McCartney Good Morning Good Morning The Beatles Black Box: Sgt. Pepper's Lonely Hearts Club Band EMI/Capitol 1967 This Box Set (stereo remaster), released in 2009, is a collection of all the original UK BlkBx Beatles 11 2009 6/3/17 albums of the Beatles released on the EMI/Parlophone label that essentially made up the 1:19 Lennon/McCartney Sgt. Pepper's Lonely Hearts Club The Beatles Black Box: Sgt. Pepper's Lonely Hearts Club Band EMI/Capitol 1967 This Box Set (stereo remaster), released in 2009, is a collection of all the original UK BlkBx Beatles 12 2009 6/3/17 albums of the Beatles released on the EMI/Parlophone label that essentially made up the 5:37 Lennon/McCartney ABand Day (Reprise) In The Life The Beatles Black Box: Sgt.
Load more

Recommended publications
  • Clarky List 50 31/07/2012 13:06 Page 1
    Clarky List 51_Clarky List 50 31/07/2012 13:06 Page 1 JULY 2012 PHONE RESERVATIONS ESSENTIAL : 8am – 9pm OVERSEAS ORDERS PLEASE WRITE FIRST. Postage & Packing Rates (all recorded delivery): LP’s/12"s: £6.00 for the first, £1.00 each thereafter 45’s: £2.50 for the first, 50p each thereafter Special Delivery on 45s – £7.50 to be paid on all orders over £30 ALL BIDS MUST BE IN WRITING All Mint/VG+ unless indicated otherwise. Discs held for 7 days. Any returns within 7 days. No responsibility for Post Office mis han dling The Coach House, Cromer Road, North Walsham, Norfolk, NR28 0HA, England Tel: 01692 403158 / ianclarkmusic.com 24 HOUR AUTO FAX! Fax in your requests - just let the phone ring! (same number as above) NORTHERN SOUL US ORIGINALS 1) Jackie Ross I Got the Skill Chess £8 2) Jackie Wilson Sweetest Feeling/Nothing But Heartaches Brunswick (DJ) £30 3) Jackie Wilson I Don’t Want to Lose/Just Be Sincere Brunswick (DJ £35 4) Jackie Wilson Who Who Song Brunswick (DJ) £30 Three rare promos of these soul classics 5) Young Holt Unlimited California Montage Brunswick (DJ) £25 6) Linda Lloyd Breakaway (swol) Columbia (WDJ) £175 7) James Carr A Losing Game Goldwax £25 8) Icemen How Can I Get Over? (brilliant) ABC £40 9) Volumes You Got it Baby/A Way to Love Inferno (WDJ) £40 10) Chessmen Why Can’t I Be Your Man? Chess (WDJ) £50 11) Jimmy Norman Love Sick Raystar £20 12) Nancy Wilcox Coming On Strong RCA (WDJ) (SWOL) £70 13) Herb Ward Honest to Goodness RCA (DJ) £200 14) Johnny Bartel If This Isn’t Love (WDJ) Solid State VG++ £100 15) Twilights
    [Show full text]
  • Why Am I Doing This?
    LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS .....................................................................................................................................
    [Show full text]
  • The Women of the Confederacy, in Which Is Presented the Heroism Of
    THE UNIVERSITY OF ILLINOIS ^' '^ Una vv Return this book on or before the Latest Date stamped below. A charge is made on all overdue books. U. of I. Library 14 M '3? JO/VS^ ioUTH R£S£HV£ m^ 16 1944 lA 13k FtB2^1975 /, InSS -5 1353 JflN i K' (1)815 MSR 1.2 i3S ftUG 3 1 1989 , nri!) ^jiij MAY 17 m sse ^c^ 130 DEC 6 l:iCb ocr I1148-S y,^ •^ '-^^^^ ^^ ^^ ' w ^ ^ Gerard C. Berthold University of Illinois Library at Urbana-Champaign ^4A^yo "o^. ^k^c^^/a^r^^--"^^'^'^ THE WOMEN OF THE CONFEDERACY In which is presented the heroism of the women of the Con- federacy with accounts of their trials during the War and the period of Reconstruction, with their ultimate triumph over adversity. Their motives and their achievements as told by writers and orators now preserved in permanent form. BY REV. J. L. UNDERWOOD Master of Aris, Mercer University, Captain and Chaplain in the Confederate Army New York and Washington THE NEALE PUBLISHING COMPANY 1906 Copyright, 1906 By J. L. UNDERWOOD DEDICATION To the memory of Mrs. EivIzabeith Thomas Curry, whose remains rest under the live oaks at Bainbridge, Ga., who cheerfully gave every available member of her family to the Confederate Cause, and with her own hands made their gray jackets, and who gave to the author her Christian patriot daughter, who has been the companion, the joy and the crown of his long and happy life, this volume is most affectionately dedicated. If . CONTENTS Chapter Page I. Symposium of Tributes to Coneederatd Women, 19 Tribute of President Jefferson Davis, 20 Tribute of a Wounded Soldier, 21 Tribute of a Federal Private Soldier, 21 Joseph E.
    [Show full text]
  • On John Lennon's Music
    “She Said She Said” – The Influence of "Feminine Voices" on John Lennon’s Music (1) John Lennon’s songs show the recurrent influence of female voices, and this can be shown by musicological comparisons of Lennon compositions with earlier songs sung by women, which he was familiar with. Some of these resemblances have already been pointed out; others are discussed here for the first time. Although these influences featured throughout Lennon’s work, we will focus on the early Beatles (1958-1963), and how specific songs, mostly US R&B, influenced Lennon’s songwriting (he wrote in partnership with Paul McCartney, but it is possible to establish the balance of their contributions by reference to secondary literature, eg Miles 1997, Sheff and Golson 1982, MacDonald 2005). (2) In the period 1958-1963 the Beatles developed from a covers band into the most famous popular music group in the world. The group were constantly listening for new material (they had a huge repertoire of covers), and were absorbing and experimenting with different musical styles in response to increasingly feminised audiences. They initially saw their songwriting as addressing a primarily female audience (Lewisohn 2013). Moreover, almost all the works featuring woman’s voices identified in Lennon’s work come from this period. (3) Lennon, by most accounts, was the “macho” Beatle and was occasionally violent towards women, so it seems surprising that he led the way in covering and borrowing from songs sung by women, most particularly, early 60s US girl-groups such as The Shirelles, the Marvelettes and The Cookies. (4) Most accounts of the Beatles' influences emphasise male artists such as Elvis Presley, Little Richard, Buddy Holly and Chuck Berry (Dafydd, Crampton 1996, 4; Gould 2007, 58–68).
    [Show full text]
  • Faces-Around-The-Cross.Pdf
    This Lenten devotional guide comes from Keep Believing Ministries. You can find us on the Internet at www.KeepBelieving.com. Questions or Comments? We love getting your feedback. Facebook: https://www.facebook.com/KeepBelievingMinistries Twitter: https://twitter.com/raypritchard Email: [email protected] 2 Were You There? That’s the question asked by a beloved spiritual: “Were you there when they crucified my Lord?” No, we weren’t there, but we have the next best thing. We have the stories of those who were there when Jesus entered Jerusalem for the final time. We know who they were, what they said, what they did, and in many cases, we know why they did it. In this Lenten series we will meet the men and women who were the “faces around the cross.” Our journey begins with a blind man who found the miracle he needed, and it ends with a man who could see but couldn’t recognize Jesus on the road to Emmaus. In between, we’ll meet a woman who poured perfume on Jesus’ feet and then wiped his feet with her hair. Herod thought Jesus was a joke, while Pilate’s wife couldn’t keep him out of her dreams. We’ll meet a thief who didn’t believe and one who did. We’ll spend several days thinking together about Judas. We know what he did, but after two thousand years, we still wonder why he did it. Many other men and women will cross our path as we walk with Christ on the road to the cross and the empty tomb: Caiaphas who came so close to the truth.
    [Show full text]
  • Rubber Souls: Rock and Roll and the Racial Imagination
    Rubber Souls: Rock and Roll and the Racial Imagination The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Hamilton, John C. 2013. Rubber Souls: Rock and Roll and the Racial Imagination. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11125122 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Rubber Souls: Rock and Roll and the Racial Imagination A dissertation presented by Jack Hamilton to The Committee on Higher Degrees in American Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of American Studies Harvard University Cambridge, Massachusetts April 2013 © 2013 Jack Hamilton All rights reserved. Professor Werner Sollors Jack Hamilton Professor Carol J. Oja Rubber Souls: Rock and Roll and the Racial Imagination Abstract This dissertation explores the interplay of popular music and racial thought in the 1960s, and asks how, when, and why rock and roll music “became white.” By Jimi Hendrix’s death in 1970 the idea of a black man playing electric lead guitar was considered literally remarkable in ways it had not been for Chuck Berry only ten years earlier: employing an interdisciplinary combination of archival research, musical analysis, and critical race theory, this project explains how this happened, and in doing so tells two stories simultaneously.
    [Show full text]
  • Herald of Holiness Volume 55 Number 42 (1966) W
    Olivet Nazarene University Digital Commons @ Olivet Herald of Holiness/Holiness Today Church of the Nazarene 12-7-1966 Herald of Holiness Volume 55 Number 42 (1966) W. T. Purkiser (Editor) Nazarene Publishing House Follow this and additional works at: https://digitalcommons.olivet.edu/cotn_hoh Part of the Christian Denominations and Sects Commons, Christianity Commons, History of Christianity Commons, Missions and World Christianity Commons, and the Practical Theology Commons Recommended Citation Purkiser, W. T. (Editor), "Herald of Holiness Volume 55 Number 42 (1966)" (1966). Herald of Holiness/Holiness Today. 467. https://digitalcommons.olivet.edu/cotn_hoh/467 This Journal Issue is brought to you for free and open access by the Church of the Nazarene at Digital Commons @ Olivet. It has been accepted for inclusion in Herald of Holiness/Holiness Today by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. Decem ber 7, 1966 Something Happened in Berlin By W. T. Purkiser (See pages 16-17.) General Superintendent Williamson The Word of Life The Bible is the Foundation of our Chris­ All Christendom is indebted to the Ameri­ tian faith. God was revealed in Christ, the can Bible Society and others engaged with it Word made flesh, and the Eternal Spirit in the publication and distribution of the makes known the living Saviour. Neverthe­ Bible. Seven hundred and fifty million vol­ less this word from Abraham Lincoln is true. umes of the Bible have been sent forth in “All that the Good Saviour gave the world 400 languages by the American Bible Society was communicated through this Book.” The alone in the last 150 years.
    [Show full text]
  • It's All Good Chicago , Illinois, 31 October 2009
    IT’S ALL GOOD BOB DYLAN 2009 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. It’s All Good — Bob Dylan 2009 page 2 of 133 1 INTRODUCTION .............................................................................................................................. 4 2 2009 AT A GLANCE ......................................................................................................................... 4 3 THE 2009 CALENDAR ..................................................................................................................... 4 4 NEW RELEASES AND RECORDINGS........................................................................................... 6 4.1 Together Through Life ................................................................................................................. 6 4.2 Christmas In The Heart ................................................................................................................ 7 4.3 The People Speak ......................................................................................................................... 7 4.4 Web Bob ....................................................................................................................................... 8 4.5 New recordings in circulation 2009 ............................................................................................
    [Show full text]
  • Download Without the Beatles Here
    A possible history of pop ... DAVID JOHNSTON To musicians and music-lovers, everywhere, and forever. A possible history of pop… DAVID JOHNSTON Copyright © 2020 David Johnston. All rights reserved. First published in 2020. ISBN 978-1-64999-623-7 This format is available for free, single-use digital transmission. Multiple copy prints, or publication for profit not authorised. Interested publishers can contact the author: [email protected] Book and cover design, layout, typesetting and editing by the author. Body type set in Adobe Garamond 11/15; headers Futura Extra Bold, Bold and Book Cover inspired by the covers of the Beatles’ first and last recorded LPs, Please Please Me and Abbey Road. CONTENTS PROLOGUE 1 I BEFORE THE BEATLES 1 GALAXIES OF STARS 5 2 POP BEGINNINGS 7 3 THE BIRTH OF ROCK’N’ROLL 9 4 NOT ONLY ROCK’N’ROLL 13 5 THE DEATH OF ROCK’N’ROLL AND THE RISE OF THE TEENAGE IDOLS 18 6 SKIFFLE – AND THE BRITISH TEENAGE IDOLS 20 7 SOME MARK TIME, OTHERS MAKE THEIR MARK 26 II WITHOUT THE BEATLES A hypothetical 8 SCOUSER STARTERS 37 9 SCOUSER STAYERS 48 10 MANCUNIANS AND BRUMMIES 64 11 THAMESBEAT 76 12 BACK IN THE USA 86 13 BLACK IN THE USA 103 14 FOLK ON THE MOVE 113 15 BLUES FROM THE DEEP SOUTH OF ENGLAND (& OTHER PARTS) 130 III AFTER THE BEATLES 16 FROM POP STARS TO ROCK GODS: A NEW REALITY 159 17 DERIVATIVES AND ALTERNATIVES 163 18 EX-BEATLES 190 19 NEXT BEATLES 195 20 THE NEVER-ENDING END 201 APPENDIX 210 SOURCES 212 SONGS AND OTHER MUSIC 216 INDEX 221 “We were just a band who made it very, very big.
    [Show full text]
  • St. Kosmas Aitolos
    PREFACE I truly came to know Father Kosmas or Kosmas Aitolos, the "Apostle of the Poor," while preparing materials for my course in the History of Modern Hellenism (the period of Ottoman domination) which I have taught at Hellenic College for the past decade. I was overjoyed to discover an amazing and extraordinary personality in a period of history not known for its outstanding individuals. The discovery was confirmed in part by the positive response of my students to many passages that were quoted in the course of my lectures from the Teaching of Kosmas' extant sermons. I therefore proceeded to prepare an English translation of Father Kosmas, also known among Orthodox Christians as "Equal to the Apostles." The decision to publish my efforts was further encouraged by the favorable response to the publication of Kosmas' First Didache (teaching) in a recent number of The Greek Orthodox Theological Review. The credit for introducing Father Kosmas to English-speaking readers, however, belongs to Dr. Constantine Cavamos, who published a slim volume entitled St. Cosmas Aitolos. In it Dr. Cavamos presented a translation of the life of Kosmas, written by Sappheiros Christodoulides, Kosmas' disciple and first biographer, a small number of excerpts from his Teaching, together with an introduction. The Teaching of St. Kosmas, who was considered a saint even by his contemporaries, deserved, I felt, to be treated more fully, for as the reader will come to recognize, he has much to say even with the passage of nearly two hundred years. Although Kosmas' writings have often been printed in their.
    [Show full text]
  • Representations of Men and Masculinity May Influence How Men Behave and Feel About Themselves and How This Process Contributes to Social Change for Men
    University of Huddersfield Repository King, Martin S "Running like big daft girls." A multi-method study of representations of and reflections on men and masculinities through "The Beatles" Original Citation King, Martin S (2009) "Running like big daft girls." A multi-method study of representations of and reflections on men and masculinities through "The Beatles". Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/9054/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ “RUNNING LIKE BIG DAFT GIRLS.” A MULTI-METHOD STUDY OF REPRESENTATIONS OF AND REFLECTIONS ON MEN AND MASCULINITIES THROUGH “THE BEATLES.” MARTIN KING A Thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Doctor of Philosophy.
    [Show full text]
  • Black Sinatras, White Panthers: Race, Genre and Performance in Detroit Black Pop and Rock, 1960-1970
    Black Sinatras, White Panthers: Race, Genre and Performance in Detroit Black Pop and Rock, 1960-1970 by Mark MacAulay Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia November 2010 © Copyright by Mark MacAulay, 2010 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “Black Sinatras, White Panthers: Race, Genre and Performance in Detroit Black Pop and Rock, 1960-1970” by Mark MacAulay in partial fulfillment of the requirements for the degree of Master of Arts. Dated: November 19, 2010 Supervisor: _________________________________ Readers: _________________________________ _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: November 19, 2010 AUTHOR: Mark MacAulay TITLE: Black Sinatras, White Panthers: Race, Genre and Performance in Detroit Black Pop and Rock, 1960-1970 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: May YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author‟s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the thesis (other than the brief excerpts requiring only proper acknowledgement in scholarly writing), and that all such use is clearly acknowledged.
    [Show full text]