DOUG HEMPHILL Re-Recording Mixer
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Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23Rd, 2019
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23rd, 2019 FOR IMMEDIATE RELEASE 24th ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES FEATURE FILM LINEUP DANNY BOYLE’S YESTERDAY TO OPEN FESTIVAL ALEX HOLMES’ MAIDEN TO CLOSE FESTIVAL LULU WANG’S THE FAREWELL TO SCREEN AS CENTERPIECE DISNEY•PIXAR’S TOY STORY 4 PRESENTED AS OPENING FAMILY FILM IMAGES AVAILABLE HERE New York, NY (April 23, 2019) – The Nantucket Film Festival (NFF) proudly announced its feature film lineup today. The opening night selection for its 2019 festival is Universal Pictures’ YESTERDAY, a Working Title production written by Oscar nominee Richard Curtis (Four Weddings and a Funeral, Love Actually, and Notting Hill) from a story by Jack Barth and Richard Curtis, and directed by Academy Award® winner Danny Boyle (Slumdog Millionaire, Trainspotting, 28 Days Later). The film tells the story of Jack Malik (Himesh Patel), a struggling singer-songwriter in a tiny English seaside town who wakes up after a freak accident to discover that The Beatles have never existed, and only he remembers their songs. Sony Pictures Classics’ MAIDEN, directed by Alex Holmes, will close the festival. This immersive documentary recounts the thrilling story of Tracy Edwards, a 24-year-old charter boat cook who became the skipper of the first ever all-female crew to enter the Whitbread Round the World Yacht Race. The 24th Nantucket Film Festival runs June 19-24, 2019, and celebrates the art of screenwriting and storytelling in cinema. A24’s THE FAREWELL, written and directed by Lulu Wang, will screen as the festival’s Centerpiece film. -
CANDY L. WALKEN Hair Design/Stylist IATSE 706
CANDY L. WALKEN Hair Design/Stylist IATSE 706 FILM UNTITLED DAVID CHASE PROJECT Department Head, Los Angeles Aka TWYLIGHT ZONES Director: David Chase THE BACK-UP PLAN Department Head Director: Alan Poul Cast: Alex O’Loughlin, Melissa McCarthy, Michaela Watkins NAILED Department Head Director: David O. Russell Cast: Jessica Biel, Jake Gyllenhaal, Catherine Keener, James Marsden THE MAIDEN HEIST Department Head Director: Peter Hewitt Cast: Christopher Walken, Marcia Gay Harden, William H. Macy THE HOUSE BUNNY Hair Designer/Department Head Personal Hair Stylist to Anna Faris Director: Fred Wolf Cast: Emma Stone, Kat Dennings, Katharine McPhee, Rumer Willis DISTURBIA Department Head Director: D.J. Caruso Cast: Shia LaBeouf, Carrie-Anne Moss, David Morse, Aaron Yoo FREEDOM WRITERS Department Head Director: Richard La Gravenese Cast: Imelda Staunton, Scott Glenn, Robert Wisdom MUST LOVE DOGS Personal Hair Stylist to Diane Lane Director: Gary David Goldberg A LOT LIKE LOVE Department Head Director: Nigel Cole Cast: Ashton Kutcher, Amanda Peet CELLULAR Personal Hair Stylist to Kim Basinger Director: David R. Ellis ELVIS HAS LEFT THE BUILDING Personal Hair Stylist to Kim Basinger Director: Joel Zwick UNDER THE TUSCAN SUN Personal Hair Stylist to Diane Lane Director: Audrey Wells THE MILTON AGENCY Candy L. Walken 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 [email protected] www.miltonagency.com Page 1 of 3 SUSPECT ZERO Department Head Director: Elias Merhige Cast: Aaron -
Actores Transnacionales: Un Estudio En Cinema Internacional
Illinois Wesleyan University Digital Commons @ IWU Honors Projects Hispanic Studies 2016 Actores transnacionales: un estudio en cinema internacional Lydia Hartlaub Illinois Wesleyan University, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/hispstu_honproj Part of the Spanish Literature Commons Recommended Citation Hartlaub, Lydia, "Actores transnacionales: un estudio en cinema internacional" (2016). Honors Projects. 11. https://digitalcommons.iwu.edu/hispstu_honproj/11 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty in the Hispanic Studies department at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Hartlaub 1 Actores transnacionales: un estudio en cinema internacional Lydia Hartlaub con Prof. Carmela Ferradáns Hartlaub 2 Tabla de contenidos Introducción…………………………………………………………………………………………………………………………….. 4 Cine de España…………………………………………………………………………………………………………………………. 8 Pedro Almodóvar…………………………………………………………………………………………………………. -
JERI BAKER Hair Stylist IATSE 706
JERI BAKER Hair Stylist IATSE 706 FILM FATALE Personal Hair Stylist to Hillary Swank Director: Deon Taylor ANT-MAN AND THE WASP Department Head Director: Peyton Reed Cast: Hannah John-Karmen, Paul Rudd, Judy Greer DEN OF THEIVES Department Head; Personal Hair Stylist to Gerard Butler Director: Christian Gudegast Cast: Gerard Butler, Dawn Olivieri SUBURBICON Personal Hair Stylist to Julianne Moore Director: George Clooney SPIDER-MAN: HOMECOMING Department Head Director: Jon Watts Cast: Tom Holland, Michael Keaton, Marisa Tomei, Gwyneth Paltrow, Jon Favreau, Laura Harrier, Tyne Daley KEEP WATCHING Department Head Director: Sean Carter Cast: Bella Thorne GHOST IN THE SHELL Personal Hair Stylist to Scarlett Johansson Director: Rupert Saunders CAPTAIN AMERICA: CIVIL WAR Personal Hair Stylist to Scarlett Johansson Directors: Anthony Russo, Joe Russo CAPTAIN AMERICA: THE WINTER Personal Hair Stylist to Scarlett Johansson SOLDIER Directors: Anthony Russo, Joe Russo CHEF Personal Hair Stylist to Scarlett Johansson Director: Jon Favreau WISH I WAS HERE Department Head Director: Zach Braff Cast: Zach Braff, Kate Hudson, Ashley Greene, Josh Gad, Mandy Patinkin, Joey King DON JON Personal Hair Stylist to Scarlett Johansson Director: Joseph Gordon-Levitt THE MILTON AGENCY Jeri Baker 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 [email protected] www.miltonagency.com Page 1 of 4 WE BOUGHT A ZOO Assistant Department Head Director: Cameron Crowe Cast: Thomas Haden Church, Elle Fanning BUTTER Assistant Department Head Director: Jim Field Smith Cast: Hugh Jackman, Alicia Silverstone, Ty Burrell SUPER 8 Assistant Department Head Director: J.J. Abrams Cast: Kyle Chandler, Jessica Tuck PEEP WORLD Department Head Director: Barry W. -
The Mind-Game Film Thomas Elsaesser
9781405168625_4_001.qxd 8/10/08 11:58 AM Page 13 1 The Mind-Game Film Thomas Elsaesser Playing Games In December 2006, Lars von Trier’s The Boss of It All was released. The film is a comedy about the head of an IT company hiring a failed actor to play the “boss of it all,” in order to cover up a sell-out. Von Trier announced that there were a number of (“five to seven”) out-of-place objects scattered throughout, called Lookeys: “For the casual observer, [they are] just a glitch or a mistake. For the initiated, [they are] a riddle to be solved. All Lookeys can be decoded by a system that is unique. [. .] It’s a basic mind game, played with movies” (in Brown 2006). Von Trier went on to offer a prize to the first spectator to spot all the Lookeys and uncover the rules by which they were generated. “Mind-game, played with movies” fits quite well a group of films I found myself increasingly intrigued by, not only because of their often weird details and the fact that they are brain-teasers as well as fun to watch, but also because they seemed to cross the usual boundaries of mainstream Hollywood, independent, auteur film and international art cinema. I also realized I was not alone: while the films I have in mind generally attract minority audiences, their appeal manifests itself as a “cult” following. Spectators can get passionately involved in the worlds that the films cre- ate – they study the characters’ inner lives and back-stories and become experts in the minutiae of a scene, or adept at explaining the improbabil- ity of an event. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Film: the Case of Being John Malkovich Martin Barker, University of Aberystwyth, UK
The Pleasures of Watching an "Off-beat" Film: the Case of Being John Malkovich Martin Barker, University of Aberystwyth, UK It's a real thinking film. And you sort of ponder on a lot of things, you think ooh I wonder if that is possible, and what would you do -- 'cos it starts off as such a peculiar film with that 7½th floor and you think this is going to be really funny all the way through and it's not, it's extremely dark. And an awful lot of undercurrents to it, and quite sinister and … it's actually quite depressing if you stop and think about it. [Emma, Interview 15] M: Last question of all. Try to put into words the kind of pleasure the film gave you overall, both at the time you were watching and now when you sit and think about it. J: Erm. I felt free somehow and very "oof"! [sound of sharp intake of breath] and um, it felt like you know those wheels, you know in a funfair, something like that when I left, very "woah-oah" [wobbling and physical instability]. [Javita, Interview 9] Hollywood in the 1990s was a complicated place, and source of films. As well as the tent- pole summer and Christmas blockbusters, and the array of genre or mixed-genre films, through its finance houses and distribution channels also came an important sequence of "independent" films -- films often characterised by twisted narratives of various kinds. Building in different ways on the achievements of Tarantino's Reservoir Dogs (1992) and Pulp Fiction (1994), all the following (although not all might count as "independents") were significant success stories: The Usual Suspects (1995), The Sixth Sense (1999), American Beauty (1999), Magnolia (1999), The Blair Witch Project (1999), Memento (2000), Vanilla Sky (2001), Adaptation (2002), and Eternal Sunshine of the Spotless Mind (2004). -
CLAY GRIFFITH Production Designer Claygriffith.Com
CLAY GRIFFITH Production Designer claygriffith.com PROJECTS DIRECTORS STUDIOS/PRODUCERS HARVEST MOON Mark Waters MIRAMAX FILMS Mark Waters, Paul Bettany NATIONAL CHAMPIONS Ric Roman Waugh THUNDER ROAD Jeffrey Stott, Basil Iwanyk, Brendon Boyea GREENLAND Ric Roman Waugh THUNDER ROAD Carsten Lorenz CITY OF LIES Brad Furman FILMNATION ENT. / SABAN FILMS Bruce Wayne Gillies DOLEMITE IS MY NAME Craig Brewer NETFLIX Michael Beugg, John Davis John Fox TRIAL BY FIRE Ed Zwick THE BEDFORD FALLS COMPANY Kate Dean, Allyn Stewart, Kipp Nelson ROADIES Cameron Crowe BAD ROBOT / WB / SHOWTIME Pilot & Series Iain Paterson, Peter Schindler JACK REACHER: NEVER GO BACK Edward Zwick SKYDANCE / PARAMOUNT Herb Gains, Don Granger ALOHA Cameron Crowe NEW REGENCY / SONY Ilona Herzberg WE BOUGHT A ZOO Cameron Crowe FOX Ilona Herzberg, Julie Yorn LUCKY YOU Curtis Hanson WARNER BROS. Mari Jo Winkler, Carol Fenelon ELIZABETHTOWN Cameron Crowe PARAMOUNT Don Lee, Paula Wagner RADIO Mike Tollin SONY REVOLUTION Herb Gains SWEET HOME ALABAMA Andy Tennant ORIGINAL FILMS / DISNEY Michael Fottrell DOMESTIC DISTURBANCE Harold Becker PARAMOUNT Jim Dyer, Donald De Line ALMOST FAMOUS Cameron Crowe DREAMWORKS Nomination, Best Production Design – Ian Bryce ADG Winner, Best Picture – AFI AS GOOD AS IT GETS James L. Brooks TRISTAR PICTURES / GRACIE FILMS Set Decorator JERRY MAGUIRE Cameron Crowe TRISTAR PICTURES Set Decorator James L. Brooks SEVEN David Fincher NEW LINE Set Decorator Dan Kolsrud, Arnold Kopelson JUNIOR Ivan Reitman UNIVERSAL PICTURES Set Decorator Joe Medjuck SLEEPLESS IN SEATTLE Nora Ephron TRISTAR PICTURES Set Decorator Gary Foster, Linda Obst SINGLES Cameron Crowe WARNER BROS. Set Decorator Art Linson In addition to Los Angeles, Mr. -
O L'imprevedibile VIRTÙ DELL'ignoranza
La FOX SEARCHLIGHT PICTURES e la REGENCY ENTERPRISES presentano Una produzione NEW REGENCY / M PRODUCTIONS / LE GRISBI o L’IMPREVEDIBILE VIRTÙ DELL’IGNORANZA MICHAEL KEATON ZACH GALIFIANAKIS EDWARD NORTON ANDREA RISEBOROUGH AMY RYAN EMMA STONE NAOMI WATTS LINDSAY DUNCAN MERRITT WEVER JEREMY SHAMOS BILL CAMP DAMIAN YOUNG REGIA .....................................................................ALEJANDRO G. IÑÁRRITU SCENEGGIATURA .....................................................ALEJANDRO G. IÑÁRRITU ...............................................................................NICOLÁS GIACOBONE ...............................................................................ALEXANDER DINELARIS, JR. ...............................................................................ARMANDO BO PRODUTTORI ..........................................................ALEJANDRO G. IÑÁRRITU ...............................................................................JOHN LESHER ...............................................................................ARNON MILCHAN ...............................................................................JAMES W. SKOTCHDOPOLE DIRETTORE DELLA FOTOGRAFIA ..............................EMMANUEL LUBEZKI, ASC/AMC SCENOGRAFIE .........................................................KEVIN THOMPSON MONTAGGIO ...........................................................DOUGLAS CRISE ...............................................................................STEPHEN MIRRIONE, A.C.E. CASTING .................................................................FRANCINE -
UNDER EMBARGO UNTIL March 14 at 3Pm ET/12Pm PT Images/Video
UNDER EMBARGO UNTIL March 14 at 3pm ET/12pm PT Images/Video: https://www.dropbox.com/sh/3uol0ajltadpdyq/AAC2Gw5jxUcPbpjXZYyP7sTCa?dl=0 TRIBECA FILM FESTIVAL® TO CLOSE WITH WORLD PREMIERE OF DANNY BOYLE’S YESTERDAY; GALAS TO INCLUDE SPECIAL SCREENINGS HONORING THE 40th ANNIVERSARY OF APOCALYPSE NOW AND THE 30 YEARS SINCE SAY ANYTHING… BECAME A CULT CLASSIC Galas Include World Premiere of ‘Between Me and My Mind’ featuring Phish’s Trey Anastasio with special music performance; Tribeca/ESPN Sports Film Festival World Premiere of ‘The Good, The Bad, The Hungry’ NEW YORK, NY – March 14, 2019 – The Tribeca Film Festival, presented by AT&T, announced today that Oscar-winning director Danny Boyle’s Yesterday, from Universal Pictures and Working Title, will world premiere as the closing night selection of the Festival’s 18th edition. Tribeca also announced this year’s Gala Anniversaries, including a never-before- seen restored version of Francis Ford Coppola’s cinematic masterpiece, Apocalypse Now, and the 30th anniversary and cast reunion of the iconic ‘80s coming-of-age film Say Anything… There will be additional Galas with the world premiere of Between Me and My Mind about Phish lead singer Trey Anastasio, followed by a special musical performance by the Trey Anastasio Band at the Beacon Theatre, as well as Tribeca/ESPN Sports Film Festival opener The Good, The Bad, The Hungry. Tickets for events at the Beacon Theatre go on sale March 19 at 11:00AM ET; Single tickets for all other Festival events go on sale March 26 at 11:00AM ET. The Tribeca Film Festival takes place from April 24 - May 5, 2019. -
Joe Hutshing , A.C.E
(4/29/15) JOE HUTSHING , A.C.E. Editor FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “ALOHA” Cameron Crowe Sony Pictures Scott Rudin New Regency Pictures Cameron Crowe “ROADIES” Cameron Crowe Showtime Cameron Crowe (Series) Bad Robot J.J. Abrams “METALLICA THROUGH THE Nimród Antal Picturehouse Charlotte Huggins NEVER” Entertainment “SAVAGES”* Oliver Stone Relativity Media Moritz Borman Universal Pictures Eric Kopeloff "WE BOUGHT A ZOO" Cameron Crowe 20 th Century Fox Cameron Crowe (Additional Editor) Dune Entertainment Julie Yorn Rick Yorn "THE TOURIST"* Florian Henckel von GK Films Graham King Donnersmarck Spyglass Entertainment Tim Headington Columbia Pictures Gary Barber "IT’S COMPLICATED”* Nancy Meyers Universal Pictures Nancy Meyers Nomination: American Cinema Editors (ACE) Eddie Award Scott Rudin Productions Scott Rudin "W."* Oliver Stone Lionsgate Moritz Borman QED International Eric Kopeloff "LIONS FOR LAMBS" Robert Redford MGM Robert Redford United Artists Tracy Falco "THE HOLIDAY" Nancy Meyers Columbia Pictures Nancy Meyers Universal Pictures Bruce A. Block “THE SKELETON KEY” Iain Softley Universal Pictures Daniel Bobker Michael Shamberg Stacey Sher "SOMETHING’S GOTTA GIVE" Nancy Meyers Columbia Pictures Nancy Meyers Warner Bros. Pictures Bruce A. Block "VANILLA SKY"* Cameron Crowe Paramount Pictures Cameron Crowe Summit Entertainment Tom Cruise Paula Wagner “LIVE FROM BAGHDAD” Mick Jackson HBO Films George W. Perkins (TV movie) Industry Entertainment Winner: Emmy Award for Outstanding Editing Nomination: American Cinema Editors (ACE) Eddie Award "ALMOST FAMOUS”* Cameron Crowe Columbia Pictures Cameron Crowe Nomination: Academy Award for Best Film Editing DreamWorks SKG Ian Bryce Winner: American Cinema Editors (ACE) Eddie Award (cont.) SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (4/29/15) JOE HUTSHING , A.C.E. -
TILDA SWINTON, JURY PRESIDENT of the 18Th EDITION of the MARRAKECH INTERNATIONAL FILM FESTIVAL
The 18th edition of the Marrakech International Film Festival will take place from November 29 to December 7, 2019. TILDA SWINTON, JURY PRESIDENT OF THE 18th EDITION OF THE MARRAKECH INTERNATIONAL FILM FESTIVAL ©Michael Lavine Rabat – October 17, 2019. The Scottish performer and producer will preside over the Jury of the 18th edition of the Marrakech International Film Festival (FIFM) which will be held from November 29 to December 7, 2019. "It is my honour to serve the exceptional festival of Marrakesh as president of the Jury this year. The State of Cinema knows no boundary and the prospect of joining with my comrades from around our planet to discover and celebrate work from all her continents is a privilege and joy for which I am sincerely grateful and to which I look forward immensely", said Tilda Swinton. Iconoclastic, passionate, multi-award winning Scottish performer and producer Tilda Swinton will be the President of the Jury of the 18th Marrakech International Film Festival, succeeding American director James Gray. Tilda Swinton started making films with the director Derek Jarman in 1985 with Caravaggio. They made seven more films together, including The Last of England, The Garden, War Requiem, Edward II (for which she won the Best Actress award at the 1991 Venice International Film Festival) and Wittgenstein, before Jarman’s death in 1994. Tilda Swinton gained wider international recognition in 1992 with her portrayal of Orlando, based on the novel by Virginia Woolf under the direction of Sally Potter. In her films, the performer undergoes a complete metamorphosis; surprising and enchanting international audiences and film critics alike.