Program 27.Festivala Evropskog Filma Palić 2020
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Jewish Communities in the Political and Legal Systems of Post-Yugoslav Countries
TRAMES, 2017, 21(71/66), 3, 251–271 JEWISH COMMUNITIES IN THE POLITICAL AND LEGAL SYSTEMS OF POST-YUGOSLAV COUNTRIES Boris Vukićević University of Montenegro Abstract. After the dissolution of Yugoslavia, the Jewish community within Yugoslavia was also split up, and now various Jewish communities exist in the seven post-Yugoslav countries. Although all of these communities are relatively small, their size, influence, and activity vary. The political and legal status of Jewish communities, normatively speaking, differs across the former Yugoslav republics. Sometimes Jews or Jewish communities are mentioned in constitutions, signed agreements with governments, or are recognized in laws that regulate religious communities. Despite normative differences, they share most of the same problems – a slow process of return of property, diminishing numbers due to emigra- tion and assimilation, and, although on a much lower scale than in many other countries, creeping anti-Semitism. They also share the same opportunities – a push for more minority rights as part of ‘Europeanization’ and the perception of Jewish communities as a link to influential investors and politicians from the Jewish diaspora and Israel. Keywords: Jewish communities, minority rights, post-communism, former Yugoslavia DOI: https://doi.org/10.3176/tr.2017.3.04 1. Introduction In 1948, the first postwar census in Yugoslavia counted 6,538 people of Jewish nationality, although many Jews identified as other nationalities (e.g. Croat, Serb) in the census while identifying religiously as Jewish, as seen by the fact that Jewish municipalities (or communities) across Yugoslavia had 11,934 members (Boeckh 2006:427). The number of Jews in Yugoslavia decreased in the following years after the foundation of the State of Israel. -
Program 28.Festivala Evropskog Filma Palić 2021
PROGRAM 28.FESTIVALA EVROPSKOG FILMA PALIĆ 2021. PROGRAMME OF THE 28th EUROPEAN FILM FESTIVAL PALIĆ 2021 Direktor Festivala / Festival director: Radoslav Zelenović Programski direktor / Program director: Miroslav Mogorović 1. TAKMIČARSKI PROGRAM OFFICIAL SELECTION Selektori / Programmers: Nenad Dukić 2. PARALELE I SUDARI PARALLELS & ENCOUNTERS Selektor / Programmer: Neil Young 3. MLADI DUH EVROPE YOUNG SPIRIT OF EUROPE Selektor / Programmer: Neil Young 4. NOVI MAĐARSKI FILM NEW HUNGARIAN FILM 5. SLOVENIJA U FOKUSU SLOVENIA IN FOCUS Selektor/ Programmer: Dragomir Zupanc 6. EKOLOŠKI DOKUMENTARCI – EKO DOX ECO DOCUMENTARIES – ECO DOX Selektor / Programmer: Igor Toholj 7. NOVI EVROPSKI DOKUMENTARNI FILM NEW EUROPEAN DOCUMENTARIES Selektor / Programmer: Igor Toholj 8. OMAŽ UNDERGROUND SPIRIT HOMAGE UNDERGROUND SPIRIT Selektor / Programmer: Neil Young 9. EFA SHORTS NOMINACIJE KRATKIH FILMOVA ZA EVROPSKU FILMSKU NAGRADU 2020 SHORT FILM NOMINEES FOR THE EUROPEAN FILM AWARDS 2020 10. SELEKCIJA FILMOVA SA ZSIGMOND VILMOS MEĐUNARODNOG FILMSKOG FESTIVALA SELECTION FROM IFF ZSIGMOND VILMOS 11. PROMOCIJA MEĐUNARODNOG FESTIVALA DEČJEG I OMLADINSKOG ANIMIRANOG FILMA – MULTIMOST PROMOTION OF THE INTERNATIONAL FESTIVAL OF CHILDREN AND YOUTH ANIMATED FILM – MULTIBRIDGE 12. PROMOCIJA FILMSKOG FESTIVALA UNDERDOX PROMOTION OF THE UNDERDOX FILM FESTIVAL 13. SPECIJALNE PROJEKCIJE SPECIAL SCREENINGS 17 / 07 SUBOTA / SATURDAY 21:00h SVEČANO OTVARANJE 28. FESTIVALA EVROPSKOG FILMA PALIĆ LETNJA POZORNICA PALIĆ OFFICIAL OPENING OF THE 28th EUROPEAN FILM FESTIVAL PALIĆ SUMMER STAGE PALIĆ 21:30h DNEVNIK IZ GVANTANAMA / THE MAURITANIAN 129’ TAKMIČARSKI PROGRAM UK, 2021 Letnja pozornica Palić Režija / Director: Kevin MekDonald OFFICIAL SELECTION Dvostruka oskarovka Džudi Foster nalazi se u ulozi Nensi Holander, advokatice koja preuzima slučaj Mohameda Oulda Slahija (Tahar Summer Stage Palić Rahim), Mauritanca koji je optužen da je angažavao teroriste koji su zabili avione u tornjeve Svetskog trgovačkog centra 11. -
Stanic Goran
The Roma Between the Self and the Other: Representations of the Roma in Yugoslavian and Serbian Narrative Film Goran Stanic Faculty of Arts and Sciences Edge Hill University This thesis is submitted in partial fulfilment of the requirement for the degree of DOCTOR OF PHILOSOPHY March 2019 Goran Stanic Submitted for the degree of Doctor of Philosophy The Roma Between the Self and the Other: Representations of the Roma in Yugoslavian and Serbian Narrative Film ABSTRACT The present thesis focuses on the representations of the Roma minority in Yugoslavian and Serbian narrative film. As a corpus-based study (with the total of 35 films divided into seven periods running from 1945 to 2010), it examines in detail the representational strategies employed in depicting the filmic Roma, and aims to specify a developmental trajectory that these strategies take. To this end, a two-step analytical procedure is used: (1) Information Structure Analysis, the analytical framework developed by the present author for the purposes of studying narrative representations, makes use of the diegetic domain categories (Topic/Focus; Active/Passive/Perceiver) as well as the meta-diegetic domain categories (Frame Setter) in order to identify the narrative signals deployed in the construction of minority representations. (2) Narrative-Semiotic Analysis is concerned with the specifics of the representational content. It takes as input the findings of the Information Structure Analysis and investigates more closely the narrative roles and plot units that the Roma are assigned in the film narratives. The representational strategies identified in the project fall into three types: Roma as interactants, indices of socio‐psychological patterns, and meta‐textual devices. -
Go Dišnjak 2007/2008. Po Zo Ri Šta Sr Bi Je
GODIŠNJAK 2007/2008. PO ZORI ŠTA SR BI JE YEAR BO OK OF SERBIA THE A TRES 2007/2008 VOLU ME 30 Pu blished and distri bu ted by Ste ri jino pozor je 21000 No vi Sad, Zmaj–Jovi na, 22 ISSN 1820-8215 ГОДИШЊАК ПОЗОРИШТА СРБИЈЕ GODIŠNJAK POZORIŠTA SRBIJE A SZERBIA SZÍNHÁZAK ÉVKÖNYVE ALMANAHUL TEATRELOR DIN SXERBIA DIVADELNÁ ROČENKA SRBSKA РОЧНÏК ТЕАТРОХ СЕРБИÏ 2007/2008. NO VI SAD 2009 Urednik – redaktor mr MIRJANA MARKOVINOVIĆ Ured ni štvo BILJA NA LE VA KOV VESNA KERENAC Štampanje finansira Grad Novi Sad – Gradska uprava za kulturu Pokrajinski sekretarijat za kulturu Ministarstvo kulture Republike Srbije SA RAD NI CI POZORIŠTA – JORIK, Novi Sad; Iboja HAJDU – Novosadsko pozorište-Újvídéki színház, Novi Sad; Đorđe ĆI- Marija BATINICA – Beogradsko dramsko pozo- RIĆ – Pozorište mladih, Novi Sad; Klara VUKOV rište, Beograd; Jelena KNEŽEVIĆ – Bitef teatar, – Savez dramskih umetnika Vojvodine, Novi Sad; Beograd; Anđelija TODOROVIĆ – Ister teatar, Dušanka RADMANOVIĆ – Srpsko narodno po- Beograd; Jelena KOVAČEVIĆ – Jugoslovensko zorište, Novi Sad; Dejan GLIŠIĆ – Narodno po- dramsko pozorište, Beograd; Olga PETROVIĆ – zorište, Pirot; Branka DIMIĆ – Narodno pozori- Malo pozorište „Duško Radović”, Beograd; Jeli- šte, Sombor; Snežana VARNIČIĆ – Pozorište ca STEVANOVIĆ – Narodno pozorište, Beograd; „Dobrica Milutinović”, Sremska Mitrovica; Andrea Ingeborg BUTER – Opera & Theatre Maldenia- HUŠNJAK – Dečje pozorište-Dječje kazalište- num, Beograd; Biljana ŠEGO – Pozorište Atelje Gyermekszínház, Subotica; Marija STEFANO- 212, Beograd; Ljiljana PIPERIN –