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February 1920
ii^^ir^?!'**i r*sjv^c ^5^! J^^M?^J' 'ir ^M/*^j?r' ?'ij?^'''*vv'' *'"'**'''' '!'<' v!' '*' *w> r ''iw*i'' g;:g5:&s^ ' >i XA. -*" **' r7 i* " ^ , n it A*.., XE ETT XX " " tr ft ff. j 3ty -yj ri; ^JMilMMIIIIilllilllllMliii^llllll'rimECIIIimilffl^ ra THE lot ARC HIT EC FLE is iiiiiBiicraiiiEyiiKii! Vol. XLVII. No. 2 FEBRUARY, 1920 Serial No. 257 Editor: MICHAEL A. MIKKELSEN Contributing Editor: HERBERT CROLY Business Manager: ]. A. OAKLEY COVER Design for Stained Glass Window FAGS By Burton Keeler ' NOTABLE DECORATIVE SCULPTURES OF NEW YOKK BUILDINGS _/*' 99 .fiy Frank Owen Payne WAK MEMORIALS. Part III. Monumental Memorials . 119 By Charles Over Cornelius SOME PRINCIPLES OF SMALL HOUSE DESIGN. Part IV. Planning (Continued) .... .133 By John Taylor Boyd, Jr. ENGLISH ARCHITECTURAL DECORATION. Part XIII. 155 By Albert E. Bullock PORTFOLIO OF CURRENT ARCHITECTURE . .169 ST. PHILIP'S CHURCH, Brunswick County, N. C. Text and Meas^ ured Drawings . .181 By N. C. Curtis NOTES AND COMMENTS . .188 Yearly Subscription United States $3.00 Foreign $4.00 Single copies 35 cents. Entered May 22, 1902, as Second Class Matter, at New York, N. Y. Member Audit Bureau of Circulation. PUBLISHED MONTHLY BY THE ARCHITECTURAL RECORD COMPANY 115-119 FOFvIlt I i I IStt I, NEWINCW YORKTUKN WEST FORTIETHM STREET, H v>^ E. S. M tlli . T. MILLER, Pres. W. D. HADSELL, Vice-Pres. J. W. FRANK, Sec'y-Treas. DODGE. Vice-Pre* ' "ri ti i~f n : ..YY '...:.. ri ..rr.. m. JT i:c..."fl ; TY tn _.puc_. ,;? ,v^ Trrr.^yjL...^ff. S**^ f rf < ; ?SIV5?'Mr ^7"jC^ te :';T:ii!5ft^'^"*TiS t ; J%WlSjl^*o'*<JWii*^'J"-i!*^-^^**-*''*''^^ *,iiMi.^i;*'*iA4> i.*-Mt^*i; \**2*?STO I ASTOR DOORS OF TRINITY CHURCH. -
1960 National Gold Medal Exhibition of the Building Arts
EtSm „ NA 2340 A7 Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/nationalgoldOOarch The Architectural League of Yew York 1960 National Gold Medal Exhibition of the Building Arts ichievement in the Building Arts : sponsored by: The Architectural League of New York in collaboration with: The American Craftsmen's Council held at: The Museum of Contemporary Crafts 29 West 53rd Street, New York 19, N.Y. February 25 through May 15, i960 circulated by The American Federation of Arts September i960 through September 1962 © iy6o by The Architectural League of New York. Printed by Clarke & Way, Inc., in New York. The Architectural League of New York, a national organization, was founded in 1881 "to quicken and encourage the development of the art of architecture, the arts and crafts, and to unite in fellowship the practitioners of these arts and crafts, to the end that ever-improving leadership may be developed for the nation's service." Since then it has held sixtv notable National Gold Medal Exhibitions that have symbolized achievement in the building arts. The creative work of designers throughout the country has been shown and the high qual- ity of their work, together with the unique character of The League's membership, composed of architects, engineers, muralists, sculptors, landscape architects, interior designers, craftsmen and other practi- tioners of the building arts, have made these exhibitions events of outstanding importance. The League is privileged to collaborate on The i960 National Gold Medal Exhibition of The Building Arts with The American Crafts- men's Council, the only non-profit national organization working for the benefit of the handcrafts through exhibitions, conferences, pro- duction and marketing, education and research, publications and information services. -
Building Stones of the National Mall
The Geological Society of America Field Guide 40 2015 Building stones of the National Mall Richard A. Livingston Materials Science and Engineering Department, University of Maryland, College Park, Maryland 20742, USA Carol A. Grissom Smithsonian Museum Conservation Institute, 4210 Silver Hill Road, Suitland, Maryland 20746, USA Emily M. Aloiz John Milner Associates Preservation, 3200 Lee Highway, Arlington, Virginia 22207, USA ABSTRACT This guide accompanies a walking tour of sites where masonry was employed on or near the National Mall in Washington, D.C. It begins with an overview of the geological setting of the city and development of the Mall. Each federal monument or building on the tour is briefly described, followed by information about its exterior stonework. The focus is on masonry buildings of the Smithsonian Institution, which date from 1847 with the inception of construction for the Smithsonian Castle and continue up to completion of the National Museum of the American Indian in 2004. The building stones on the tour are representative of the development of the Ameri can dimension stone industry with respect to geology, quarrying techniques, and style over more than two centuries. Details are provided for locally quarried stones used for the earliest buildings in the capital, including A quia Creek sandstone (U.S. Capitol and Patent Office Building), Seneca Red sandstone (Smithsonian Castle), Cockeysville Marble (Washington Monument), and Piedmont bedrock (lockkeeper's house). Fol lowing improvement in the transportation system, buildings and monuments were constructed with stones from other regions, including Shelburne Marble from Ver mont, Salem Limestone from Indiana, Holston Limestone from Tennessee, Kasota stone from Minnesota, and a variety of granites from several states. -
Conncensus Vol. 46 No. 11
Connecticut College Digital Commons @ Connecticut College 1960-1961 Student Newspapers 1-12-1961 ConnCensus Vol. 46 No. 11 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_1960_1961 Recommended Citation Connecticut College, "ConnCensus Vol. 46 No. 11" (1961). 1960-1961. 1. https://digitalcommons.conncoll.edu/ccnews_1960_1961/1 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1960-1961 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Appearance of Opera Soprano Tuesday Night Roberta Peters, coloratura so- prano star of the Metropolitan (onn Census Opera, will appear in Palmer Auditorium on Tuesday, January 17, at 8:00 p.m. American-born and completely trained in Amer- Vol. 46--No. II New London, Connecticut, Thursday, January 12, 1961 Price 10 Cents ica, Miss Peters has been widely hailed both here and abroad, as the foremost coloratura soprano Foote, Pomeroy of our time. Robert Fulton Logan Etchings Born in New York City, the so- And McGilvra prano was privately educated Featured in Show at Library from her thirteenth year in order On Quiz Show that her voice be properly train- A display of etchings by Mr. tions of the British Museum, ed and her background in music, languages, and allied fields might Connecticut College has been Robert Fulton Logan will be Cambridge University, and sev- invited to participate in the pro- eral European museums. -
Congressional Record-House House Of
9852 CONGRESSIONAL RECORD-HOUSE JUNE. 21 WASHINGTON The SPEAKER. Is there objection to the request of the Kenneth K. King, Addy, gentleman from South Carolina? Hannah L. Parker, Alderwood Manor. There was no objection .. Ernest H. McComb, Everson. REPORTS FROM COMMITTEE ON RULES John H. McAfee, Ilwaco. Mr. O'CONNOR. Mr. Speaker, I ask unanimous consent Mary Mallory, Mansfield. that the Rules Committee may have until midnight tonight Arthur A. Barnes, Pasco. to file several reports from that committee. Bertha H. Welsh, Prescott. The SPEAKER. Is there objection to the request of the Jessie A. Knight, Shelton. gentleman.from New York?. · Richard H. Lee, Wilsoncreek. There was no objection. SCHUYLER MERRITT HOUSE OF REPRESENTATIVES Mr. TREADWAY. Mr. Speaker, I ask unanimous consent to extend my remarks in the RECORD at this point and FRIDAY, JUNE 21, 1935 include therein a citation given to our colleague from Con The House met at 12 o'c)ock noon. necticut, SCHUYLER MERRITT, on receiving the degree o!.. The Chaplain, Rev. James Shera Montgomery, D. D., LL. D. from Yale University at its two hundred and thirty offered the following prayer: fourth commencement at New Haven on June 19. [Ap- Father in Heaven, we thank Thee that there is no cry so plauie.1 · faint, no cause so weak, and no man so humble as to be The SPEAKER. Is there objection to the request of the beyond divine sympathy. We rejoice that all distinctions gentleman from Massachusetts? are swept away. O welcome those who wish for Thee and. There was no objection. live with those who long for Thee. -
2425 Hermon Atkins Macneil, 1866
#2425 Hermon Atkins MacNeil, 1866-1947. Papers, [1896-l947J-1966. These additional papers include a letter from William Henry Fox, Secretary General of the U.S. Commission to the International Exposition of Art and History at Rome, Italy, in 1911, informing MacNeil that the King of Italy, Victor Emmanuel III, is interested in buying his statuette "Ai 'Primitive Chant", letters notifying MacNeil that he has been made an honorary member of the American Institute of Architects (1928) and a fellow of the AmRrican Numismatic Society (1935) and the National Sculpture Society (1946); letters of congratulation upon his marriage to Mrs. Cecelia W. Muench in 1946; an autobiographical sketch (20 pp. typescript carbon, 1943), certificates and citations from the National Academy of Design, the National Institute of Arts and letters, the Architectural League of New York, and the Disabled American Veterans of the World War, forty-eight photographs (1896+) mainly of the artist and his sculpture, newspaper clippings on his career, and miscellaneous printed items. Also, messages of condolence and formal tri butes sent to his widow (1947-1948), obituaries, and press reports (1957, 1966) concerning a memorial established for the artist. Correspondents include A. J. Barnouw, Emile Brunet, Jo Davidson, Carl Paul Jennewein, Leon Kroll, and many associates, relatives, and friends. £. 290 items. Maim! entry: Cross references to main entry: MacNeil, Hermon Atkins, 1866-1947. Barnouw, Adrian Jacob, 1877- Papers, [1896-l947J-1966. Brunet, Emile, 1899- Davidson, Jo, 1883-1951 Fox, William Henry Jennewein, Carl Paul, 1890- Kroll, Leon, 1884- Muench, Cecelia W Victor Emmanuel III, 1869-1947 See also detailed checklists on file in this folder. -
Art Handbook
OFFICIAL HANDBOOK of ARCHITECTURE and SCULPTURE and ART CATALOGUE TO THE Pan-American Exposition With Maps and Illustrations by permission of C. D. ARNOLD, Official Photographer BUFFALO, NEW YORK, U. S. A., MAY FIRST TO NOVEMBER FIRST, M. CM. & I. Published by DAVID GRAY, BUFFALO, N. Y. Entered according to Act of Congress In the year 1901, by DAVID GRAY, in the Office of the Librarian of Congress, at Washington, D. C. THE PURPOSES OF THE EXPOSITION By JOHN G. MILBURN, President THE act of Congress providing for a was the spirit of the corn-mission to the federal building and exhibit at the Pan- men intrusted with its creation in all of American Exposition states that it is its departments. They were left free to desirable to encourage the holding of the produce the best results, and it is under Exposition “ to fittingly illustrate the such conditions that they have produced marvelous development of the western them. They have received from the hemisphere during the nineteenth century management the fullest sympathy and by a display of the arts, industries, support at every turn. As a consequence manufactures, and products of the soil, there has been thorough cooperation and mines, and sea.” The joint resolution of harmony in the elaboration and execution Congress previously adopted declared of the scheme of the Exposition - a that this development was to be scheme of impressive originality, beauty, illustrated by a “demonstration of the and completeness, probably unexcelled reciprocal relations existing between the in the history of expositions. American Republics and Colonies.” In So much could not have been ac- these declarations the real object of the complished but for the association of the Exposition was comprehensively ex- Exposition with a grand idea - the pressed at the outset, and it has been kept bringing closer together of the peoples of steadily in view. -
Export / Import: the Promotion of Contemporary Italian Art in the United States, 1935–1969
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 Export / Import: The Promotion of Contemporary Italian Art in the United States, 1935–1969 Raffaele Bedarida Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/736 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by RAFFAELE BEDARIDA A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 RAFFAELE BEDARIDA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy ___________________________________________________________ Date Professor Emily Braun Chair of Examining Committee ___________________________________________________________ Date Professor Rachel Kousser Executive Officer ________________________________ Professor Romy Golan ________________________________ Professor Antonella Pelizzari ________________________________ Professor Lucia Re THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by Raffaele Bedarida Advisor: Professor Emily Braun Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process. -
Rare Books, Autographs & Maps
RARE BOOKS, AUTOGRAPHS & MAPS Wednesday, April 17, 2019 NEW YORK RARE BOOKS, AUTOGRAPHS & MAPS AUCTION Wednesday, April 17, 2019 at 10am EXHIBITION Saturday, April 13, 10am – 5pm Sunday, April 14, Noon – 5pm Monday, April 15, 10am – 7pm Tuesday, April 16, 10am – 4pm LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF Printed & Manuscript Americana 1 - 50 Marian Clark Adolphson, CT Maps 51 - 57 Frances “Peggy” Brooks Autographs 58 - 70 Elizabeth and Donald Ebel Manuscripts 71 - 74 Elizabeth H. Fuller Early Printed Books 75 - 97 Robin Gottlieb Fine Bindings 98 - 107 Arnold ‘Jake’ Johnson Automobilia 108 - 112 George Labalme, Jr. Color Plate & Plate Books Including 113 - 142 Peter Mayer Science & Natural History Suzanne Schrag Travel & Sport 143 - 177 Barbara Wainscott Children’s Literature 178 - 192 Illustration Art 193 - 201 20th Century Illustrated Books 202 - 225 19th Century Illustrated Books 226 - 267 INCLUDING PROPERTY FROM Modern Literature 268 - 351 A Gentleman A Palm Beach Collector Glossary I A Maine Collector Conditions of Sale II The Collection of Rudolf Serkin Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory XI Absentee Bid Form XII Lot 167 Printed & Manuscript Americana 1 4 AMERICAN FLAG A large 35 star American Flag. Cotton or linen flag, the canton [CALIFORNIA - BANKING] with 35 stars, likely Civil War era, approximately 68 x 136 inches or Early and rare ledger of the Exchange Bank of Elsinore. 5 1/2 x 11 feet (172 x 345 cm); the canton 36 x 51 inches (91 x 129 cm), August 1889-November 1890. -
George Washington's Farewell
THE SAR COLORGUARDSMAN The National Society Sons of the American Revolution Volume 8 Number 4 January 2020 George Washington’s Farewell Xxxxx -1- In this Issue 10 4 Reports from the field National Color Guard Events - 2020 Dates and times are subject to change and interested parties should refer to the State society color guard activities from the last three months respective state society web sites closer to the actual event. 7 6 241st Anniversary of the Battle of George Washington Farewell Kettle Creek Table of Contents 10 Cannon Training Announcement Dr. Rudy Byrd, Artillery Commander Commander Report 3 Fifer’s Corner The Message from our Color Guard Commander 36 Color Guard Event Calendar 4 49 Grave Marking Ceremony Find the dates and locations of the many National Color Guard James Nalle events 5 Color Guard Commander Listing 50 250th Anniversary Flag Contact Information for all known State society color guard com- manders with reported changes 51 Adjutant’s Call 6 George Washinton’s Farewell If not us, who? If not now, when? 52 Safety Aricle Are you ready? 7 Kettle Creek Flyers page 9 Thomas Creek Fkyer -2- Commander’s Color Guard Adjutant Report Compatriots, Search It is time to begin the search for a new NSSAR Color Guard Adju- Un Hui and I hope all our SAR Colorguardsmen and their fami- tant lies enjoyed a wonderful Christmas AND that you have a healthy and prosperous 2020. On July 14, 2020 there will be a Change of Command for the Na- tional Society SAR Color Guard. The current Color Guard Command- I have been busy approving color guard awards: 22 Silver Color Guard Medals, 4 National Von Steuben Medals for Sustained Achieve- er will step down at the 130th Annual SAR Congress in Richmond, ment in the NSSAR Color Guard and 7 Molly Pitcher Medals. -
Hahnemann Monument Restoration Project on Friday, September 16, 2011, Representatives of the US National Park Service, Members O
Hahnemann Monument Restoration Project A Public/Private Partnership of the American Institute of Homeopathy and the National Park Service A Ceremony Acknowledging the Completion Friday, September 16, 2011 12:45-1:15 PM Scott Circle, Washington, DC By Sandra M. Chase, MD, DHt On Friday, September 16, 2011, representatives of the US National Park Service, members of the Board of the American Institute of Homeopathy and of the AIH, as well as the interested public, gathered at the site of the Hahnemann Monument to participate in a ceremony hosted by the NPS and the AIH to acknowledge the completion of the Hahnemann Monument Restoration Project. The speakers on the program included Robert Vogel, Superintendent, National Mall and Memorial Parks; Todd A. Hoover, MD, CCH, DHt, President American Institute of Homeopathy; and Sandra M. Chase, MD, DHt, Trustee, American Institute of Homeopathy, Chair, Hahnemann Monument Preservation Committee, Facilitator, Hahnemann Monument Restoration Project. Our restoration project was conceived in June of 2000 on the occasion of the centennial of the dedication of this memorial. All in attendance could see that the monument needed repair. We initiated a fund drive and by May 2003, much to the amazement of then NPS Superintendent Arnold Goldstein, we had raised, from AIH members, the public, and international donors, over thirty thousand dollars for the purpose of restoring and maintaining this edifice. Superintendent Goldstein had promised that the NPS would produce a public acknowledgement ceremony, once the restoration was complete. I want to thank current Superintendent Vogel, Jennifer Talken-Spaulding with whom I have worked in recent years, and the NPS Administration for honoring that long ago made promise. -
Julius Caesar
Julius Caesar C u r r i C u l u m G u i d e for teachers and students a companion to the folger shakespeare Library edition i nside this G u i d e Shakespeare is for everyone! Overview from folger education Julius Caesar synopsis Characters in Julius Caesar From one classroom teacher to another Tips for teaching shakespeare Teaching shakespeare FAQs 2 Lesson Plans Famous Lines and Phrases from Julius Caesar Julius Caesar fact sheet Suggested additional resources About the folger O n t h e co v e r : Julius Caesar, folger shakespeare Library. see more images of Julius Caesar from the folger collection at www.folger.edu/digitalcollection. Image 1) hugo Kaeseberg and J.c.G. feldweg after Julius Kleinmichel. Shakespeare, Julius Cäsar, act III scene 2. Print, 1879. folger shakespeare Library. Image 2) 2003 children’s shakespeare festival. folger shakespeare Library. Image 3) John Gregory. Julius Caesar bas relief. Marble, 1932. folger shake- speare Library. Image 4) Julius Caesar. MGM Promotional Program, 1953. folger shakespeare Library. At the Folger, we love to see students take Shakespeare and make it their own. We believe that Shakespeare is for everyone and that students of all ability levels can successfully engage with his works. s hakespeare is f O r e v e r y O n e ! hakespeare isn’t an antiquated art form. his plays are full of explosive family ssituations, complex relationships, and deep emotions that today’s students can— and do—relate to. at the folger shakespeare Library, we love to see students take shakespeare and make it their own.