DOCSLIB.ORG

Elleke Boehmer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Elleke Boehmer Elleke Boehmer - 9781526125965 Downloaded from manchesterhive.com at 09/30/2021 03:23:25PM via free access BOEHMER PRELIMS 3/22/05 2:54 PM Page i John's G5:Users:john:Public:John's Mac: John's Jobs Stories of women Elleke Boehmer - 9781526125965 Downloaded from manchesterhive.com at 09/30/2021 03:23:25PM via free access BOEHMER PRELIMS 3/22/05 2:54 PM Page ii John's G5:Users:john:Public:John's Mac: John's Job Elleke Boehmer - 9781526125965 Downloaded from manchesterhive.com at 09/30/2021 03:23:25PM via free access BOEHMER PRELIMS 3/22/05 2:54 PM Page iii John's G5:Users:john:Public:John's Mac: John's Jo Stories of women Gender and narrative in the postcolonial nation ELLEKE BOEHMER Manchester University Press Manchester and New York distributed exclusively in the USA by Palgrave Elleke Boehmer - 9781526125965 Downloaded from manchesterhive.com at 09/30/2021 03:23:25PM via free access BOEHMER PRELIMS 3/22/05 2:54 PM Page iv John's G5:Users:john:Public:John's Mac: John's Job Copyright © Elleke Boehmer 2005 The right of Elleke Boehmer to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. Published by Manchester University Press Oxford Road, Manchester M13 9NR, UK and Room 400, 175 Fifth Avenue, New York, NY 10010, USA www.manchesteruniversitypress.co.uk Distributed exclusively in the USA by Palgrave, 175 Fifth Avenue, New York, NY 10010, USA Distributed exclusively in Canada by UBC Press, University of British Columbia, 2029 West Mall, Vancouver, BC, Canada V6T 1Z2 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data applied for ISBN 0 7190 6878 9 hardback EAN 978 0 7190 6878 2 First published 2005 14 13 12 11 10 09 08 07 06 05 10987654321 Typeset by Servis Filmsetting Ltd, Manchester Printed in Great Britain by Bell & Bain Ltd, Glasgow Elleke Boehmer - 9781526125965 Downloaded from manchesterhive.com at 09/30/2021 03:23:25PM via free access BOEHMER PRELIMS 3/22/05 2:54 PM Page v John's G5:Users:john:Public:John's Mac: John's Jobs For Ben Phipson Vijay Keshav Rosa Marshall Todd Thomas and Sam In memory Mia Fabienne Nuttall-Mbembe 23–30 March 2004 Elleke Boehmer - 9781526125965 Downloaded from manchesterhive.com at 09/30/2021 03:23:25PM via free access BOEHMER PRELIMS 3/22/05 2:54 PM Page vi John's G5:Users:john:Public:John's Mac: John's Job Elleke Boehmer - 9781526125965 Downloaded from manchesterhive.com at 09/30/2021 03:23:25PM via free access BOEHMER PRELIMS 3/22/05 2:54 PM Page vii John's G5:Users:john:Public:John's Mac: John's Jo Contents Acknowledgements ix Introduction 1 1 Motherlands, mothers and nationalist sons: theorising the en-gendered nation 22 2 ‘The master’s dance to the master’s voice’: revolutionary nationalism and women’s representation in Ngugi wa Thiong’o 42 3 Of goddesses and stories: gender and a new politics in Achebe 54 4 The hero’s story: the male leader’s autobiography and the syntax of postcolonial nationalism 66 5 Stories of women and mothers: gender and nationalism in the early fiction of Flora Nwapa 88 6 Daughters of the house: the adolescent girl and the nation 106 7 Transfiguring: colonial body into postcolonial narrative 127 8 The nation as metaphor: Ben Okri, Chenjerai Hove, Dambudzo Marechera 140 9 East is east: where postcolonialism is neo-orientalist – the cases of Sarojini Naidu and Arundhati Roy 158 10 Tropes of yearning and dissent: the inflection of desire in Yvonne Vera and Tsitsi Dangarembga 172 Elleke Boehmer - 9781526125965 Downloaded from manchesterhive.com at 09/30/2021 03:23:25PM via free access BOEHMER PRELIMS 3/22/05 2:54 PM Page viii John's G5:Users:john:Public:John's Mac: John's J viii Contents 11 Beside the west: postcolonial women writers in a transnational frame 187 12 Conclusion: defining the nation differently 207 Select bibliography 223 Index 235 Elleke Boehmer - 9781526125965 Downloaded from manchesterhive.com at 09/30/2021 03:23:25PM via free access BOEHMER PRELIMS 3/22/05 2:54 PM Page ix John's G5:Users:john:Public:John's Mac: John's Job Acknowledgements I first wish to acknowledge with much gratitude the support of the A.H.R.B. Research Leave Scheme which gave me the time to complete the final part of the research towards, and a substantial part of the writing of, this book. I am grateful to the Department of English and Media at the Nottingham Trent University for research leave support. I should like to thank my col- leagues in the department, especially Alison Donnell, Patrick Williams, Tim Youngs and Nahem Yousaf of the Centre for Colonial and Postcolonial Studies, as well as Roberta Davari-Zanjani for her kind encouragement. Many thanks to Susan Andrade, John Barnard, Shirley Chew, Lyn Innes, Hermione Lee, Susheila Nasta, Judie Newman, Benita Parry, Angela Smith, Rajeswari Sunder Rajan and Robert Young for support and inspiration, given in different contexts and capacities. I owe gratitude to Pal Ahluwalia, Rehana Ahmed, Derek Attridge, Bridget Bennett, Tim Brennan, Amit Chaudhuri, Rinka Chaudhuri, Laura Chrisman, Leela Gandhi, Philip Gehrens, Lucy Graham, Gareth Griffiths, Claudia Gualtieri, Liz Gunner, Lisa Hill, Graham Huggan, Neil Lazarus, Satish Keshav, Nazreena Markar, Gail Marshall, Achille Mbembe, Anne McClintock, John McLeod, Jo McDonagh, Jon Mee, David Mehnert, Bart Moore-Gilbert, Catherine Morley, Stuart Murray, Steph Newell, Sarah Nuttall, Rob Nixon, Ken Parker, Ranka Primorac, Terence Ranger, Helen Richman, Michael Roberts, Meg Samuelson, Kay Schaffer, Jon Stallworthy, Keya Tanguly, Alex Tickell, Helen Tiffin, Paula Teo, Wes Williams, Clair Wills, Naomi Wolf, and the other fellow writers, friends and scholars with whom I’ve been privileged to share ideas on gender and the nation – and other topics besides! – over the past several years. Inexpressible thanks are owed to my family, Thomas, Sam and, above all, Steven, long-suffering endurer of late-night ‘table-tapping’ on the upper floor. The journal articles and essays in books on which a group of the chapters here are based have been substantially revised, elaborated and, in certain cases, Elleke Boehmer - 9781526125965 Downloaded from manchesterhive.com at 09/30/2021 03:23:25PM via free access BOEHMER PRELIMS 3/22/05 2:54 PM Page x John's G5:Users:john:Public:John's Mac: John's Jobs x Acknowledgements updated; however, I wish to express my thanks to the editors and publishers of the following: ‘Motherlands, mothers and nationalist sons: representations of nationalism and women’, From Commonwealth to Postcolonial, edited by Anna Rutherford. London: Dangaroo, 1992, pp. 229–47. ‘Revolutionary nationalism and the representation of women in Ngugi wa Thiong’o’, Journal of Commonwealth Literature, 26:1 (1991), 188–97. ‘Ofgoddesses and stories: gender and a new politics in Achebe’, Chinua Achebe: A Celebration, edited by Kirsten Holst Petersen and Anna Rutherford. Oxford: Heinemann, 1991, pp. 104–12. ‘Stories of women and mothers’, in Motherlands: Black Women’s Writing, edited by Susheila Nasta. London: The Women’s Press, 1991, pp. 3–23. ‘Daughters of the house: the adolescent girl and the postcolonial nation’, Small Worlds: Transcultural Visions of Childhood, edited by Rocio G. Davis and Rosalia Baena. Pamplona: University of Navarre Press, 2001, pp. 59–70. ‘Transfiguring: colonial body into narrative’, Novel, 26:3 (Spring 1993), 268–77. ‘The nation as metaphor in post-colonial literature: Ben Okri and Chenjerai Hove’, English Studies in Transition, edited by Robert Clark and Piero Boitani. London. Routledge, 1993, pp. 320–31. ‘East is east and south is south: feminism and postcolonialism in Sarojini Naidu and Arundhati Roy’, Women: A Cultural Review, 11:1/2 (2000), 61–70. ‘Without the west: Indian and African women writers in the 1990s’, African Studies, 58:2 (1999), 157–70. Reprinted in English Studies in Africa, 43:2 (2000). ‘Tropes of yearning: the troping of desire in contemporary Zimbabwean women’s writing’, Journal of Commonwealth Literature, 38:2 (2003), 135–48. Elleke Boehmer - 9781526125965 Downloaded from manchesterhive.com at 09/30/2021 03:23:25PM via free access BOEHMER Makeup 3/22/05 2:55 PM Page 1 John's G5:Users:john:Public:John's Mac: John's Jobs: Introduction Nationalism can only ever be a crucial political agenda against oppression. All longings to the contrary, it cannot provide the absolute guarantee of identity. (Gayatri Spivak, A Critique of Postcolonial Reason)1 Say No, Black Woman Say No, When they give you a back seat In the liberation wagon Yes Black Woman A Big No. (Gcina Mhlope, ‘Say no’)2 Girl at war The beginning of this study of gender, nation and postcolonial narrative lies, appropriately, in story – a story about a ‘girl’, a girl at war. The ‘girl’, Gladys, is the at first nameless young woman whom the narrator of Chinua Achebe’s 1960s short story ‘Girls at war’ encounters at three repre- sentative moments during the years of the Biafra War.3 Achebe has long been intrigued by the power granted women in myth (take Ani, Idemili), but what is at issue in the present story is not so much mythical presence as the ‘girl’ Gladys’s nationally signifying condition. She is in effect on three different occa- sions and under three different guises a sign of the at-first-emergent and then declining nationalist times. With ‘Girls at war’ Achebe expresses something of the exhaustion and disil- lusionment that was the aftermath of the 1967–70 Biafra conflict in Nigeria.
Load more

Recommended publications
  • Contemporary Indian English Fiction Sanju Thoma
    Ambedkar University Delhi Course Outline Monsoon Semester (August-December 2018) School: School of Letters Programme with title: MA English Semester to which offered: (II/ IV) Semester I and III Course Title: Contemporary Indian English Fiction Credits: 4 Credits Course Code: SOL2EN304 Type of Course: Compulsory No Cohort MA English Elective Yes Cohort MA other than English For SUS only (Mark an X for as many as appropriate): 1. Foundation (Compulsory) 2. Foundation (Elective) 3. Discipline (Compulsory) 4. Discipline (Elective) 5. Elective Course Coordinator and Team: Sanju Thomas Email of course coordinator: [email protected] Pre-requisites: None Aim: Indian English fiction has undeniably attained a grand stature among the literatures of the world. The post-Salman Rushdie era has brought in so much of commercial and critical success to Indian English fiction that it has spurred great ambition and prolific literary activities, with many Indians aspiring to write English fiction! Outside India, Indian English fiction is taken as representative writings from India, though at home the ‘Indianness’ of Indian English fiction is almost always questioned. A course in contemporary Indian English fiction will briefly review the history of Indian English fiction tracing it from its colonial origins to the postcolonial times to look at the latest trends, and how they paint the larger picture of India. Themes of nation, culture, politics, identity and gender will be taken up for in-depth analysis and discussions through representative texts. The aim will also be to understand and assess the cross-cultural impact of these writings. Brief description of modules/ Main modules: Module 1: What is Indian English Fiction? This module takes the students through a brief history of Indian English fiction, and also attempts to problematize the concept of Indian English fiction.
    [Show full text]
  • Vol. II. Issue. II June 2011 C O N T E N
    www.the-criterion.com The Criterion: An International Journal in English ISSN 0976-8165 Vol. II. Issue. II June 2011 C O N T E N T S Articles From Ignorance to knowledge: A Study of J. M. Synge’s The Well of the Saints [PDF] Arvind M. Nawale An Exploration of Narrative Technique in Gita Mehta’s A River Sutra [PDF] Mrs. Madhuri Bite De’s fiction: A Protest Against Malist Culture [PDF] Nishi Bala Chauhan Role of the English Language/Literature in Quality Education and Teacher Development [PDF] Baby Pushpa Sinha Feminist Concerns in Verginia Woolf’s A Room of One’s Own [PDF] Sachin Vaman Londhe Orwell’s Down and Out in Paris and London (1933) : A Documentary on Hunger, Starvation and Poverty [PDF] N. R. Sawant Chetan Bhagat: A Libertarian [PDF] R. A. Vats, Rakhi Sharma Postmodern Trends in the Novels of Amitav Ghosh [PDF] Prof. R. Chenniappan, R. Saravana Suresh Translating Amrit Lal Nagar’s Nachyo Bahut Gopal: Some Considerations—Casteist and Linguistic. [PDF] Sheeba Rakesh Vol.II Issue II 1 June 2011 www.the-criterion.com The Criterion: An International Journal in English ISSN 0976-8165 Salman Rushdie as a Children’s Writer: Reading Haroun And The Sea Of Stories (1990) and Luka And The Fire Of Life (2010) [PDF] Ved Mitra Shukla When Mr.Pirzada Creates Anuranan: A Study of Home Through the Bong Connection [PDF] Dhritiman Chakraborty Using Internet in Improving One’s English Language Skills: 50 Informative, Educative & Entertaining Websites [PDF] Vangeepuram Sreenathachary Critical Review on the MLA Handbook (7th Edition) [PDF] Shahila Zafar,
    [Show full text]
  • Cosmos Impact Factor 5.210
    ISSN-L 0537-1988 UGC Approved Journal (Journal Number 46467, Sl. No. 228) (Valid till May 2018. All papers published in it were accepted before that date) Cosmos Impact Factor 5.210 56 THE INDIAN JOURNAL OF ENGLISH STUDIES An Annual Refereed Journal Vol. LVI 2019 Editor-in-Chief Dr. Chhote Lal Khatri Professor of English, T.P.S. College, Patna (Bihar) DSW, Patlipurta University, Patna (Bihar) The responsibility for facts stated, opinions expressed or conclusions reached and plagiarism, if any in this journal, is entirely that of the author(s). The editor/publisher bears no responsibility for them whatsoever. THE OFFICIAL PUBLICATION OF ASSOCIATION FOR ENGLISH STUDIES OF INDIA 56 2019 THE INDIAN JOURNAL OF ENGLISH STUDIES Editor-in-Chief: Dr. Chhote Lal Khatri Professor of English, T.P.S. College, Patna (Bihar) DSW, Patlipurta University, Patna (Bihar) The Indian Journal of English Studies (IJES) published since 1940 accepts scholarly papers presented by the AESI members at the annual conferences of Association for English Studies of India (AESI). Orders for the copies of journal for home, college, university/departmental library may be sent to the Editor-in-Chief, Dr. Chhote Lal Khatri by sending an e-mail on [email protected]. Teachers and research scholars are requested to place orders on behalf of their institutions for one or more copies. Orders by post can be sent to the Editor- in-Chief, Indian Journal of English Studies, Anand Math, Near St. Paul School, Harnichak, Anisabad, Patna-800002 (Bihar) India. ASSOCIATION FOR ENGLISH STUDIES OF INDIA Price: ``` 350 (for individuals) ``` 600 (for institutions) £ 10 (for overseas) Submission Guidelines Papers presented at AESI (Association for English Studies of India) annual conference are given due consideration, the journal also welcomes outstanding articles/research papers from faculty members, scholars and writers.
    [Show full text]
  • A Room of Their Own: Women Novelists 109
    A Room of their Own: Women Novelists 109 4 A Room of their Own: Women Novelists There is a clear distinction between the fiction of the old masters and the new novel, with Rushdie's Midnight's Children providing a convenient watershed. When it comes to women novelists, the distinction is not so clear cut. The older generation of women writers (they are a generation younger than the "Big Three") have produced significant work in the nineteen-eighties: Anita Desai's and Nayantara Sahgal's best work appeared in this period. We also have the phenomenon of the "late bloomers": Shashi Deshpande (b. 1937) and Nisha da Cunha (b. 1940) have published their first novel and first collection of short stories in the eighties and nineties respectively. But the men and women writers also have much in common. Women too have written novels of Magic Realism, social realism and regional fiction, and benefited from the increasing attention (and money) that this fiction has received, there being an Arundhati Roy to compare with Vikram Seth in terms of royalties and media attention. In terms of numbers, less women writers have been published abroad; some of the best work has come from stay-at- home novelists like Shashi Deshpande. Older Novelists Kamala Markandaya has published just one novel after 1980. Pleasure City (1982) marks a new direction in her work. The cultural confrontation here is not the usual East verses West, it is tradition and modernity. An efficient multinational corporation comes to a sleepy fishing village on the Coromandal coast to built a holiday resort, Shalimar, the pleasure city; and the villagers, struggling at subsistence level, cannot resist the regular income offered by jobs in it.
    [Show full text]
  • The Indian English Novel of the New Millennium Also by Prabhat K
    The Indian English Novel of the New Millennium Also by Prabhat K. Singh Literary Criticism Z Realism in the Romances of Shakespeare Z Dynamics of Poetry in Fiction Z The Creative Contours of Ruskin Bond (ed.) Z A Passage to Shiv K. Kumar Z The Indian English Novel Today (ed.) Poetry Z So Many Crosses Z The Vermilion Moon Z In the Olive Green Z Lamhe (Hindi) Translation into Hindi Z Raat Ke Ajnabi: Do Laghu Upanyasa (Two novellas of Ruskin Bond – A Handful of Nuts and The Sensualist) Z Mahabharat: Ek Naveen Rupantar (Shiv K. Kumar’s The Mahabharata) The Indian English Novel of the New Millennium Edited by Prabhat K. Singh The Indian English Novel of the New Millennium, Edited by Prabhat K. Singh This book first published 2013 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Prabhat K. Singh All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4951-0, ISBN (13): 978-1-4438-4951-7 For the lovers of the Indian English novel CONTENTS Preface ........................................................................................................ ix Chapter One ................................................................................................. 1 The Narrative Strands in the Indian English Novel: Needs, Desires and Directions Prabhat K. Singh Chapter Two .............................................................................................. 28 Performance and Promise in the Indian Novel in English Gour Kishore Das Chapter Three ...........................................................................................
    [Show full text]
  • Indian Writing in English
    INDIAN WRITING IN ENGLISH Contents 1) English in India 3 2) Indian Fiction in English: An Introduction 6 3) Raja Rao 32 4) Mulk Raj Anand 34 5) R K Narayan 36 6) Sri Aurobindo 38 7) Kamala Markandaya’s Indian Women Protagonists 40 8) Shashi Deshpande 47 9) Arun Joshi 50 10) The Shadow Lines 54 11) Early Indian English Poetry 57 a. Toru Dutt 59 b. Michael Madusudan Dutta 60 c. Sarojini Naidu 62 12) Contemporary Indian English Poetry 63 13) The Use of Irony in Indian English Poetry 68 14) A K Ramanujan 73 15) Nissim Ezekiel 79 16) Kamala Das 81 17) Girish Karnad as a Playwright 83 Vallaths TES 2 English in India I’ll have them fly to India for gold, Ransack the ocean for oriental pearl! These are the words of Dr. Faustus in Christopher Marlowe’s play Dr Faustus. The play was written almost in the same year as the East India Company launched upon its trading adventures in India. Marlowe’s words here symbolize the Elizabethan spirit of adventure. Dr. Faustus sells his soul to the devil, converts his knowledge into power, and power into an earthly paradise. British East India Company had a similar ambition, the ambition of power. The English came to India primarily as traders. The East India Company, chartered on 31 December, 1600, was a body of the most enterprising merchants of the City of London. Slowly, the trading organization grew into a ruling power. As a ruler, the Company thought of its obligation to civilize the natives; they offered their language by way of education in exchange for the loyalty and commitment of their subjects.
    [Show full text]
  • Indian English Novel After 1980: Encompassing the New Generation
    JOURNAL OF CRITICAL REVIEWS ISSN- 2394-5125 Vol 8, Issue 1, 2021 INDIAN ENGLISH NOVEL AFTER 1980: ENCOMPASSING THE NEW GENERATION Arnab Roy Research Scholar National Institute of Technology, Durgapur Email: [email protected] Abstract: Indian English Literature refers to authors' body of work in India whose native or mother tongues might be one of India's several languages. It is also related to the work of Indian Diaspora members. It is also named Indo-Anglian literature. As a genre, this development is part of the larger spectrum of postcolonial literature. This paper discusses about Indian English novels after 1980. 1. Introduction This article attempts to consolidate Indian English Literature after 1980. There are a variety of books by literary artists such as SrinivasaIyengar, C.D. Narasimmaiya, M. K. Naik etc. that describe the beginning and development up to 1980. But the timely collection is not enough to date and this report is useful for a briefing on contemporary literary pedalling in around three-and-a-half decades. Apart from the deficiency of the correctly written root of the works consulted by Wikipedia, this kind of history is regularly obligatory. In India, post-colonial pressures played a critical and special position rather than post-war circumstances. It is true that an Indian genre called English writing has flourished unlimitedly and immensely and continues to thrive only during that time, i.e. after 1980. This paper is a study of Post- modern Indian English Novel, highlighting its history, themes adopted, andother aspects. 2. Historical past English isn't a foreign tongue to us.
    [Show full text]
  • National Identity and Cultural Representation in the Novels of Arundhati Roy and Kiran Desai
    National Identity and Cultural Representation in the Novels of Arundhati Roy and Kiran Desai National Identity and Cultural Representation in the Novels of Arundhati Roy and Kiran Desai By Sonali Das National Identity and Cultural Representation in the Novels of Arundhati Roy and Kiran Desai By Sonali Das This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Sonali Das All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0404-2 ISBN (13): 978-1-5275-0404-2 Dedicated to my Parents for their immense love & support The loss of national identity is the greatest defeat a nation can know, and it is inevitable under the contemporary form of colonization. —Slobodan Milosevic CONTENTS Preface ........................................................................................................ ix Acknowledgements .................................................................................... xi Chapter I ...................................................................................................... 1 Narrating a Nation and Defining National Identity Chapter II ..................................................................................................
    [Show full text]
  • Professor R. Raj Rao OBJECTIVES
    COURSE: Modern Indian Fiction in English & English Translation FACULTY: Professor R. Raj Rao OBJECTIVES: The objective of the course is to introduce students to fictional representations of key social and political issues, such as colonialism, the partition of India, caste, gender, religion and spirituality, sexuality, the urban-rural divide, the Indian diaspora abroad, and so on, that have majorly characterized twentieth century India. While mosyt of the fiction that the students will read has been written originally in English, some of it has been written in regional languages such as Marathi, and will be read in English translation. UNITS: Each primary text to be read in class will comprise a unit. The units are: 1. A Passage to India (E M Forster) 2. Untouchable (Mulk Raj Anand) 3. The Guide (R K Narayan) 4. Train to Pakistan (Khushwant Singh) 5. Shame (Salman Rushdie) 6. English August, An Indian Story (Upamanyu Chatterjee) 7. That Long Silence (Shashi Deshpande) 8. The Branded (Laxman Gaikwad) 9. "Year's End" (Jhumpa Lahiri) 10. The Boyfriend (R Raj Rao) SECONDARY READING LIST: M K Naik, A History of Indian English Literature. New Delhi: Sahitya Akademi, 1980. M K Naik and Shyamala Narayan, Indian English Literature 1980-2000: A Critical Survey. New Delhi: Pencraft International, 2001. M K Naik, Perspectives on Indian Fiction in English. New Delhi: Abhinav Publications, 1982. Tabish Khair, Babu Fictions: Alienation in Contemporary Indian English Novels. New Delhi: Oxford University Press, 2001. Viney Kirpal ed., The New Indian Novel in English: A Study of the 1980s. New Delhi: Allied Publishers, 1990. Dominique Lapierre and Larry Collins, Freedom At Midnight.
    [Show full text]
  • Labus As Well. the Trick Really Is to Ensure That Students Are Told Quite
    BOOK REVIEWS 263 labus as well. The trick really is to ensure that students are told quite clearly that for the BA major in literature they must do at least one genre course, the compulsory theory course (which, in India, would have a strong dose of Sanskrit literary theory), a period course, and perhaps a context/theme course (such as postcolonial writing, repre• sentation and gender). It is a pity that what Trivedi does so well in his own book gets transformed into a syllabus that does not really do the obvious: that is, move the teaching of literature from periods and liter• ary histories to theory and interdisciplinarity. The last section is presented here by way of a debate with the author. It should not supersede what I consider is one of the best books to have come out of India by an Eng. Lit. critic. Trivedi is a great reader of texts; he writes with enthusiasm and a rare fluency. A reviewer like me who also reads most of the texts mentioned in this book in the original, finds reading the book a particularly rewarding experience. It is a pity that while the Indian diaspora continues to produce highly inventive literary critics in English, there are few and far between in In• dia itself. If Trivedi's book can inspire other Indians to write as well — and to discuss writing in India's many languages with the same skill— then this book will go down as that "moment" when Indian Eng. Lit. criticism reached maturity. VIJAY MISHRA C3\9 Salman Rushdie and Elizabeth West, eds.
    [Show full text]
  • Synopsis for Proposed Research
    Synopsis for proposed research DEPICTION OF INDIAN SOCIETY, CULTURE AND POLITICS IN THE NOVELS OF UPAMANYU CHATTERJEE : A CRITICAL STUDY Submitted for The registration of Ph.D. Degree in English Under the faculty of Humanities SWAMI RAMANAND TEERTH MARATHWADA UNIVERSITY, NANDED Researcher DHOKADE RAVIKUMAR SHIVAJIRAO Research Supervisor Dr.SANJAY TRIMBAKRAO HAIBATPURE (M.A., M.Phil, Ph.D.) Head Dept. of English Pandit Deendayal Upadhaya Mahavidyalaya, Deoni Tq.Deoni Dist Latur. Research Centre MAHATMA GANDHI COLLEGE, AHMEDPUR DIST LATUR MAY 2019 1 DEPICTION OF INDIAN SOCIETY, CULTURE AND POLITICS IN THE NOVELS OF UPAMANYU CHATTERJEE : A CRITICAL STUDY Introduction Upamanyu Chatterjee is a Bengali writer and born in 1959 in Patna. He is an Indian civil servant who currently serves as Joint Secretary to Government of India. On the Petroleum and Natural Gas Regulatory Board. He is 1983 batch Indian Administration Service Office from Maharashtra cadre. In 2004 he was awarded Sahitya Academi Award. The English literature in India that spaned over the last thirty years has undergone a dramatic change which witnessed new thoughts and voices in alternation in Indian writing in English novelists like Salman Rashide, Vikram Seth, Amitav Ghosh, Geeta Mehta, Kiran Desai, Vikram Chandra, Chetan Bhagat and a number of other novelists explored the new possibilities of life and literature. Similarly Upamanyu Chatterjee, one of the convincing new voices in the realm of the Indian novel in English literature who has captured a wide range of reputation for his profound comic vision in his writing. Indian fiction in English a new group of writers who provided new idea of writing through the observation of the vices and follies rampant in the society.
    [Show full text]
  • English Heart, Hindi Heartland: the Political Life of Literature in India, by Rashmi Sadana English Heart, Hindi Heartland
    English Heart, Hindi Heartland The Political Life of Literature in India Rashmi Sadana university of california press Berkeley • Los Angeles • London English Heart, Hindi Heartland flashpoints The series solicits books that consider literature beyond strictly national and disciplin- ary frameworks, distinguished both by their historical grounding and their theoretical and conceptual strength. We seek studies that engage theory without losing touch with history and work historically without falling into uncritical positivism. FlashPoints aims for a broad audience within the humanities and the social sciences concerned with moments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how literature contributes to forming new constellations of culture and history and in how such formations function critically and politically in the present. Available online at http://repositories.cdlib.org/ucpress. Series Editors: Ali Behdad (Comparative Literature and English, UCLA), Judith Butler (Rhetoric and Comparative Literature, UC Berkeley), Founding Editor; Edward Dimendberg (Film & Media Studies, UC Irvine), Coordinator; Catherine Gallagher (English, UC Berkeley), Founding Editor; Jody Greene (Literature, UC Santa Cruz); Susan Gillman (Literature, UC Santa Cruz); Richard Terdiman (Literature, UC Santa Cruz) 1. On Pain of Speech: Fantasies of the First Order and the Literary Rant, by Dina Al-Kassim 2. Moses and Multiculturalism, by Barbara Johnson, with a foreword by Barbara Rietveld 3. The Cosmic Time of Empire: Modern Britain and World Literature, by Adam Barrows 4. Poetry in Pieces: César Vallejo and Lyric Modernity, by Michelle Clayton 5. Disarming Words: Empire and the Seductions of Translation in Egypt, by Shaden M. Tageldin 6. Wings for Our Courage: Gender, Erudition, and Republican Thought, by Stephanie H.
    [Show full text]