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Beijing – Forbidden City Maps
Beijing – Forbidden City Maps Forbidden City is the top attraction in Beijing and China plus the world’s most visited site. Imperial City was the domain of 24 Ming and Qing dynasty emperors before becoming the Palace Museum in 1925. Within 180 acres are nearly 1,000 historical palatial structures. Entrance: Meridian Gate, Dongcheng Qu, Donghuamen Rd, Beijing Shi, China, 100006 Also print the travel guide with photos and descriptions. ENCIRCLE PHOTOS © 2017 Richard F. Ebert All Rights Reserved. 1 Beijing – Forbidden City Map Also print travel guide with photos and descriptions. ENCIRCLE PHOTOS © 2017 Richard F. Ebert All Rights Reserved 2 Forbidden City – Outer Court Map Also print travel guide with photos and descriptions. ENCIRCLE PHOTOS © 2017 Richard F. Ebert All Rights Reserved 3 Forbidden City – Inner Court Map Also print travel guide with photos and descriptions. ENCIRCLE PHOTOS © 2017 Richard F. Ebert All Rights Reserved 4 1 Description of Forbidden City 14 Hall of Preserving Harmony Dragons 27 Pavilion at Jingshan Park 2 Tips for Visiting Forbidden City 15 Lions at Gate of Heavenly Purity 28 Northeast Corner Tower 3 Southeast Corner Tower 16 Palace of Heavenly Purity 4 Meridian Gate 17 Palace of Heavenly Purity Throne 5 History of Emperors 18 Grain Measure 6 Gate of Supreme Harmony 19 Bronze Turtle 7 Hall of Supreme Harmony Courtyard 20 Halls of Union and Earthly Tranquility 8 Belvedere of Embodying Benevolence 21 Hall of Imperial Peace 9 Hall of Supreme Harmony 22 400 Year Old Lianli Tree 10 Hall of Supreme Harmony Profile 23 Incense Burner 11 Two Great Halls in Outer Court 24 Springtime Pavilion 12 Houyou Men Gate 25 Autumn Pavilion 13 Gate of Heavenly Purity 26 Autumn Pavilion Ceiling Also print travel guide with photos and descriptions. -
Chinese Architecture China Has Maintained the Highest Degree of Cultural Continuity Across Its 4000 Years of Existence
Chinese Architecture China has maintained the highest degree of cultural continuity across its 4000 years of existence. Its architectural traditions were very stable until the 19th c. China’s strong central authority is reflected in the Great Wall and standard dimensions for construction. Since the Tang Dynasty (7th-10th c.), Chinese architecture has had a major influence on the architectural styles of Korea, Vietnam, and Japan. Neolithic Houses at Banpo, ca 2000 BCE These dwellings used readily available materials—wood, thatch, and earth— to provide shelter. A central hearth is also part of many houses. The rectangular houses were sunk a half story into the ground. The Great Wall of China, 221 BCE-1368 CE. 19-39’ in height and 16’ wide. Almost 4000 miles long. Begun in pieces by feudal lords, unified by the first Qin emperor and largely rebuilt and extended during the Ming Dynasty (1368-1644 CE) Originally the great wall was made with rammed earth but during the Ming Dynasty its height was raised and it was cased with bricks or stones. https://youtu.be/o9rSlYxJIIE 1;05 Deified Lao Tzu. 8th - 11th c. Taoism or Daoism is a Chinese mystical philosophy traditionally founded by Lao-tzu in the sixth century BCE. It seeks harmony of human action and the world through study of nature. It tends to emphasize effortless Garden of the Master of the action, "naturalness", simplicity Fishing Nets in Suzhou, 1140. and spontaneity. Renovated in 1785 Life is a series of natural and spontaneous changes. Don’t resist them – that only creates sorrow. -
Copyrighted Material
INDEX Aodayixike Qingzhensi Baisha, 683–684 Abacus Museum (Linhai), (Ordaisnki Mosque; Baishui Tai (White Water 507 Kashgar), 334 Terraces), 692–693 Abakh Hoja Mosque (Xiang- Aolinpike Gongyuan (Olym- Baita (Chowan), 775 fei Mu; Kashgar), 333 pic Park; Beijing), 133–134 Bai Ta (White Dagoba) Abercrombie & Kent, 70 Apricot Altar (Xing Tan; Beijing, 134 Academic Travel Abroad, 67 Qufu), 380 Yangzhou, 414 Access America, 51 Aqua Spirit (Hong Kong), 601 Baiyang Gou (White Poplar Accommodations, 75–77 Arch Angel Antiques (Hong Gully), 325 best, 10–11 Kong), 596 Baiyun Guan (White Cloud Acrobatics Architecture, 27–29 Temple; Beijing), 132 Beijing, 144–145 Area and country codes, 806 Bama, 10, 632–638 Guilin, 622 The arts, 25–27 Bama Chang Shou Bo Wu Shanghai, 478 ATMs (automated teller Guan (Longevity Museum), Adventure and Wellness machines), 60, 74 634 Trips, 68 Bamboo Museum and Adventure Center, 70 Gardens (Anji), 491 AIDS, 63 ack Lakes, The (Shicha Hai; Bamboo Temple (Qiongzhu Air pollution, 31 B Beijing), 91 Si; Kunming), 658 Air travel, 51–54 accommodations, 106–108 Bangchui Dao (Dalian), 190 Aitiga’er Qingzhen Si (Idkah bars, 147 Banpo Bowuguan (Banpo Mosque; Kashgar), 333 restaurants, 117–120 Neolithic Village; Xi’an), Ali (Shiquan He), 331 walking tour, 137–140 279 Alien Travel Permit (ATP), 780 Ba Da Guan (Eight Passes; Baoding Shan (Dazu), 727, Altitude sickness, 63, 761 Qingdao), 389 728 Amchog (A’muquhu), 297 Bagua Ting (Pavilion of the Baofeng Hu (Baofeng Lake), American Express, emergency Eight Trigrams; Chengdu), 754 check -
Legend of Nine Dragons and Two Tigers: an Example of City Temples and Blocks in Beijing
Volume 11, No. 1 48 Legend of Nine Dragons and Two Tigers: An Example of City Temples and Blocks in Beijing Xi JU Beijing Normal University, CHINA Abstract: Peking Temple Survey Schedule in Capital Library of China recorded the saying of “nine dragons, two tigers and one stele”, this legend still spread in the old residents in Xizhimen Street 西直门大街. Through the history research and fieldwork, this essay finds out the exact meaning of nine dragons and two tigers and the relationship with the temples, wells in Xizhimen Street. We find three characteristics of the temples in Beijing inner city through the legend: First, the temples have complicated responsibilities, clear objects and class attributes, which is the important reason for the great number of temples in Beijing. Second, the people have their own view and imagination towards the city landscape, this kind of special sense has some difference with the upper class. Finally, temples are not only served for the diverse religious and social needs of the residents, but also the basement of constructing their urban spatial aesthetics, the temples communicates the secular and gods, they are also the junction of city and universe. Based on the understanding and arrangement of the real temples, citizens construct their unique cosmic order. Key Words: Inner City of Beijing, Temple, Dragon and Tiger The paper is belonged to the project of BNU, The Daily Life Research of Urban Status Groups (SKZZB2015032) supported by the Fundamental Research Funds for the Central Universities, PRC. Cambridge Journal of China Studies 49 1.WHAT IS “NINE DRAGONS, TWO TIGERS AND ONE STELE”?1 Peking Temple Survey Schedule in Capital Library is the police investigation records of Beijing temples made in the 34 year of the republic of China (1945). -
7Th Notes: Chapter 5.4 the Ming Dynasty –
7th Notes: Chapter 5.4 The Ming Dynasty – • The Yuan dynasty grew weak after the death of Kublai Khan. The “Military Emperor” Hong Wu reunited China and founded the Ming dynasty. • The Ming brought back the civil service examinations to ensure reliable government officials and carried out a census to track population and taxes. • During the Ming dynasty, the Chinese economy grew. Canals and farms were rebuilt, roads were paved, and the silk and cotton industries were supported. • Arts and literature prospered during the Ming dynasty. The Ming Dynasty - • After Kublai Khan died in 1294, a series of weak emperors came to the throne. Mongol power in China began to decline, and problems increased for the Yuan dynasty. The government spent too many resources on foreign conquests. At the same time, many officials stole from the treasury and grew wealthy. Yuan rulers lost the respect of the people. As a result, many Chinese resented Mongol controls. The Rise of the Ming – • Unrest swept through China and finally ended Mongol rule. In 1368, a military officer named Zhu Yuanzhang became emperor. Zhu reunited the country and then set up his capital at Nanjing in southern China. There, he founded the Ming, or “Brilliant,” dynasty. The Ming dynasty would rule China for the next 300 years, through a number of reforms and the technological advances of their military. • As emperor, Zhu took the name Hong Wu, or the “Military Emperor.” He brought peace and order, but he was also a harsh leader. Hong Wu trusted few people and punished officials that he suspected of treason, or disloyalty to the government. -
AP® Art History Practice Exam
Sample Responses from the AP® Art History Practice Exam Sample Questions Scoring Guidelines Student Responses Commentaries on the Responses Effective Fall 2015 AP Art History Practice Exam Sample Responses About the College Board The College Board is a mission-driven not-for-profit organization that connects students to college success and opportunity. Founded in 1900, the College Board was created to expand access to higher education. Today, the membership association is made up of over 6,000 of the world’s leading educational institutions and is dedicated to promoting excellence and equity in education. Each year, the College Board helps more than seven million students prepare for a successful transition to college through programs and services in college readiness and college success — including the SAT® and the Advanced Placement Program®. The organization also serves the education community through research and advocacy on behalf of students, educators, and schools. For further information, visit www.collegeboard.org. AP® Equity and Access Policy The College Board strongly encourages educators to make equitable access a guiding principle for their AP® programs by giving all willing and academically prepared students the opportunity to participate in AP. We encourage the elimination of barriers that restrict access to AP for students from ethnic, racial, and socioeconomic groups that have been traditionally underserved. Schools should make every effort to ensure their AP classes reflect the diversity of their student population. The College Board also believes that all students should have access to academically challenging course work before they enroll in AP classes, which can prepare them for AP success. -
The Kwanyin Clan
e-ISSN 2385-3042 ISSN 1125-3789 Annali di Ca’ Foscari. Serie orientale Vol. 55 – Giugno 2019 The Kwanyin Clan: Modern Literati Graffiti Writers An Aesthetic and Text Analysis of their Main Artworks Adriana Iezzi Alma Mater Studiorum, Università di Bologna, Italia Abstract After illustrating the varied artistic production of the Kwanyin Clan, one of the most important Chinese graffiti crews, this paper analyses six of their main artworks in detail (styles, techniques, aesthetic conceptions and artworks texts). In these artworks, the Kwanyin Clan tried for the first time to merge Euro-American graffiti practice with the ancient traditional arts practiced and appreciated by the Chinese literati (calligraphy, poetry, painting, seals and ceramics). Comparing the Kwanyin Clan members to ‘modern literati writers’, the present article shows how this crew succeeded in reinventing ancient Chinese art forms using Euro-American graffiti vocabulary, paving the way for a new development of graffiti art in China. Keywords Kwanyin Clan. Graffiti. Contemporary Chinese art. Chinese literati. ‘Three perfections’. Summary 1 Introduction: the Kwanyin Clan in Beijing. – 2 ‘Modern Literati Graffiti Paintings’ by the Kwanyin Clan: Shanshui PIC (2007) and New Style (2008). – 3 ‘Modern Literati Calligraphy Graffiti’ by the Kwanyin Clan: Shirupozhu (2008) and Shengongyiji- ang (2010). – 4 ‘Modern Literati Graffiti Ceramics’ by the Kwanyin Clan:Blue and White Porcelain (2009-2010) and the Artwork Made for the Exhibition ‘Street Art, a Global View’ (2016). – 5 Conclusion: the Kwanyin Clan as ‘Modern Literati Graffiti Writers’. Peer review Submitted 2019-03-18 Edizioni Accepted 2019-06-24 Ca’Foscari Published 2019-06-27 Open access © 2019 | cb Creative Commons Attribution 4.0 International Public License Citation Iezzi, Adriana (2019). -
Photographer Captures City's Hutonghistory
CHINA DAILY | HONG KONG EDITION Tuesday, May 4, 2021 | 7 READ Above: Jia Yong in Beijing in 1998. PROVIDED TO CHINA DAILY Right: Qianmen Street in 2006. PHOTOS BY JIA YONG / FOR CHINA DAILY Photographer captures city’s hutong history Longtime lensman in the restaurant, and his work attracted the attention of diners. incorporates In 2006, a Korean senior who ate in the restaurant told him that he beauty of nostalgia admired Jia’s alley photos and and humanity in invited him to take part in the 2006 Daegu Photo Biennale in South his pictures Korea. “Although I suspected it might be By LI HONGYANG a scam, I sent dozens of photos to [email protected] him,” Jia said. “Surprisingly, he later sent me back an award certificate, a Over the past 37 years, Jia Yong, a collection of the biennale’s works Beijing resident dedicated to taking and a prize of $2,000.” photos in hutong — the capital’s tra- His award-winning work Peizhi ditional alleys — has been capturing Hutong depicts a shirtless elderly and composing everyday life into man with a cattail leaf fan in his pieces of art. hand. The man is sitting on a thresh- “People are more expressive than old of a house in the hutong. stationary objects in my photos,” Jia “It was a hot summer day, but said. most households in alleys had not “People can represent times been equipped with air condition- because in different eras, even only ers,” Jia said. “Seniors loved to enjoy 10 years apart, people who live in the the cool winds that blew through same alley would have a totally dif- doors. -
The Commercialization of Beijing Hutongs
Journal of Geography and Geology; Vol. 10, No. 4; 2018 ISSN 1916-9779 E-ISSN 1916-9787 Published by Canadian Center of Science and Education The Commercialization of Beijing Hutongs Ruoxuan Mao1 1 Beijing National Day School, Beijing, China Correspondence: Ruoxuan Mao, Beijing National Day School, Beijing, No. 66, Yuquan Road, China. Tel: 86-182- 1035-1519. E-mail: [email protected] Received: August 3, 2018 Accepted: September 10, 2018 Online Published: November 27, 2018 doi:10.5539/jgg.v10n4p39 URL: http://dx.doi.org/10.5539/jgg.v10n4p39 Abstract This paper addresses the transition of Hutongs from alleys connecting the main streets to fully commercialized districts. Hutongs are narrow streets formed by rows of Siheyuans (quadrangle dwellings), a traditional type of Chinese architecture consists of four houses surrounding a courtyard. The architectural layout of Siheyuan is four houses surrounding a courtyard. There are several types of Siheyuans, including the Beijing Siheyuan. Along with the development of Beijing since 1949, numerous Siheyuans were demolished. However, since the 1980s, many Hutongs were brought under national and local protection. Some of the best preserved Hutongs, especially those in the center areas of Beijing, are now more commercialized than they were prior to the ‘80s. This paper discusses the causes as well as consequences of such commercialization. Literature concerning the Hutongs frequently discusses the Hutongs' history and the shift in their architectural design, as well as other aspects that have changed over time. By contrast, this paper discusses a special phenomenon of Hutongs in Beijing — commercialization — and focuses on the causes and results of it. -
3 WU HUNG.Pdf
>=0::: 0 ~ z UJ --J 0 UJ I ~ U.I C 0:: C < « (.!) z 0:: ~ < « ~ Z til C til Vl :::J z ... .... < <l.'" Z z 0 C 0 «'" UJ Vl ~ Z J: Z -J u 0 U.I ... 0 ~ « Z 0 z 0 ::J > --' UJ V) ':: 0 til Z Z I- C > ...'" « ., 0:: 0 U.I ~ 0 0 z « « ....... CO ::::J '" 0 ... ~ 0 J: J: ~ ~ ... ~ ..... u 1111111 ...:------.y-_. s-<></" ~ ~~ ~\;J ~ 3'15 ]V) -:t'I? The Un iversity of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London Re membering the victims of 9/11 and its aftermath © 2003 by The Unive rsity of Chicago All rights reserved . Published 2003 Printed in the United States of America 1211 100908 07 06050403 12345 ISBN: 0-226-57157-2 (cloth) ISBN: 0-226-571 58-0 (paper) Library of Congress Cataloging-in-Publication Data Monuments and memory, made and unm ade / edited by Robert S. Nelson and Margaret Olin. p. em. Includes bibliographical references and index. ISBN 0-226-5 7 15 7-2 (cloth: alk . paper)-ISBN 0-226-57158-0 (pbk. : alk. paper) 1. Monuments. 2. Monuments-Conservari on and restoration. 3. Historic sires. 4. Hisroric sites-Conservarion and restoration. 5. Memory-Social aspeers. I. Nelson, Robert S. , 1947- II. Olin, Margaret Rose, 1948 CC135 .M647 2003 306,4'7-dc21 2003010129 Part of chapter 6 was published in a different version as Margaret Olin, "Touching Photographs: Roland Barthes's 'Mistaken' Identification," Representations 80 (2002 ): 99-ll8. "The Wodd Trade Center," by David Lehman, is raken f.rom Valentine Place (New York: Scribner, 1996). -
Recollections of a Student Protester
RECOLLECTIONS OF 2004 .2, A STUDENT PROTESTER NO FORUM RIGHTS BY WANG DEBANG CHINA Wang Debang was a fourth-year student at quite a few people already in the hutong, each of them peering 25 Beijing Normal University who became caught out from where they half crouched along the wall near the entrance.A citizen motioned for me to hide my banner and up in the student protests in 1989. On the stay low. Just as I’d managed to conceal the banner, the troops night of June 3, having learned that soldiers appeared.The roar of a tank drowned out all other sounds. One had started killing protesters at Tiananmen, by one, squadrons of armed soldiers headed toward Tianan- STRAIGHT men Square, patrolling the streets as they advanced.At some Wang led a group of Beijing Normal students point a resident managed to climb up onto the tiled roof beside the hutong and was crouching at the south side of the toward the Square in hopes of preventing fur- RECORD house. He compulsively mumbled out the scene he was wit- ther bloodshed. Following is an edited nessing: “So many tanks, and cannons, too, it’s bad, several THE excerpt of Wang’s recollections, beginning at people over there have been hit, and the ones running away are the point where he climbed on top of a bus being chased. More gunshots, it’s over, two more have fallen . those bandits, warlords, fascists. Even the Japanese invasion of SETTING parked at the junction of Xidan Avenue and Beijing wasn’t like this! Too cruel!”As he spoke his voice broke Y: Chang’an Avenue in order to get a better view into a sob of emotion.Then the muttering stopped, and I heard the sound of a tile being pried from the roof.As I turned my of what was happening, and to signal his HISTOR head toward the noise I saw the man raise his hand and throw classmates with a banner he was carrying.1 a piece of tile. -
Symbolism in the Forbidden City the Magnificent Design, Distinct Colors, and Lucky Numbers of China’S Imperial Palace by Jie Gao
Traditional and Contemporary Asia: Numbers, Symbols, and Colors Symbolism in the Forbidden City The Magnificent Design, Distinct Colors, and Lucky Numbers of China’s Imperial Palace By Jie Gao The Forbidden City, the sprawling and imposing seat of Chinese Imperial power for almost 500 years, stands out in stark contrast against the ultramodern heart of contempo- rary Beijing. This United Nations Educational, Scientific, and Cultural Organization (UNESCO)-designated World Heritage site is the largest intact wooden palace structure found anywhere on earth and has served as an open mu- seum of China’s history for almost a century. Along with the Great Wall, it is undeniably one of China’s most breath- taking tourist destinations and a must-see for any visitor to the Chinese capital. Here we explore the Forbidden City’s history and the thought process behind its design, outlin- ing the cultural significance of certain color and numerical elements found within the complex. The Forbidden City of Beijing, China. Source: © Songquan Deng/Shutterstock photo. 8 Education About ASIA Volume 21, Number 3 Winter 2016 9 Traditional and Contemporary Asia: Numbers, Symbols, and Colors Beijing had been the capital for various groups that held pow- HIStorY er in north China for centuries before the Forbidden City was constructed, but it did not become a truly national capital until the Mongols swept through China in the thirteenth century. The Yuan Dynasty (1271– 1368) chose Beijing, which translates as “Northern Capital,” as China’s seat of power in large part due to its proximity to the Mongol homelands to the north.