The Four Italian Tenors
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Now It's Official: C Olne Valley to Take Part in Llangollen Celebrations!
Now it’s Official: Colne Valley to take part in Llangollen Celebrations! Colne Valley Male Voice Choir is to take part in this year’s Llangollen International Music Festival. 2017 will see the 70th Festival and - in advance of the competition – a spectacular Gala Concert is to be held. Back last October, the organisers contacted the Choir and asked us to be part of it – but we’ve been unable to reveal the news until now. Colne Valley was the first male voice choir to take the stage, way back in the ‘Peace Festival in 1947’ and since that time the Choir has performed many times, winning the competition more times than any other male voice choir. We’ve kept up our links with Llangollen – but, nonetheless, it came as something of a surprise to Choir officials when we were approached. The organisers wanted to gather three great male voice choirs with long associations with the Festival to Llangollen’s famous tent to launch the 2017 70th Anniversary. This grand opening concert will feature ‘Canoldir’ ‘Froncysyllte’ and ‘Rhos’ male voice choirs alongside ourselves under the baton of the great conductor, Owain Arwel Hughes. We’ll all be performing with Wales’ premier ‘Cory’ Brass Band and other special guests on Monday July 3rd Choir Chairman, Peter Denby, said, “I am delighted that Colne Valley has been invited to participate in this major show-piece engagement and with the enthusiasm the Choir has shown for the idea. We look forward to being part of a spectacular milestone celebration.” Funiculi Funicula Those, like the Editor, who can vaguely recall Latin lessons (or English lessons come to that) may see this song title and ponder about ropes, cables and hillside railways - and quite right, too! funicular ADJECTIVE 1 (of a railway, especially one on a mountainside) operating by cable with ascending and descending cars counterbalanced. -
BUS TRANSFER SERVICES to TEATRO DEL SILENZIO with ANDREA BOCELLI Saturday 24Th 2021 – Second Date – Lajatico, Tuscany
ARIANNA & FRIENDS S.r.l. Via Salaiola, 50/10&50/11, loc. La Rosa 56030 Terricciola (PI) ITALY Tel. +39 0587 635440 - Tel. & Fax +39 0587 672088 [email protected] / www.ariannandfriends.com BUS TRANSFER SERVICES TO TEATRO DEL SILENZIO with ANDREA BOCELLI Saturday 24th 2021 – Second date – Lajatico, Tuscany On July 24th 2021 Maestro Andrea Bocelli is performing at Teatro del Silenzio in Lajatico, Tuscany, on the second date of the 15th edition of his yearly show. WE ARE A TOUR OPERATOR BASED VERY CLOSE TO LAJATICO AND WE ARRANGE RETURN TRANSFER SERVICES ON COACHES /BUSES FROM MANY MAJOR TUSCAN TOWNS TO LAJATICO ON THE DAY OF THE SHOW. Bus transfers are from: Pisa, Florence, Pontedera, Volterra, Lucca, San Gimignano, Terricciola, Castelfalfi On each bus there are up to 50- 54 seats Guide will be on board only on large buses with at least 30 passengers BUSES DEPARTING Rate per Meeting time Meeting point FROM person Pisa 70 € 16:00 (4:00 pm) In front of hotel NH Cavalieri in Pisa, you will meet the guide. Then you will walk 5 minutes to the bus. Volterra 90 € 16:30 (4:30 pm) in Piazza Martiri della Libertà in Volterra. Pontedera 90 € 16:30 (4:30 pm) in Via della Misericordia in Pontedera, in front of Hotel Armonia Florence/Firenze 70 € 15:15 (3:15 pm) In front of Hotel Montebello Splendid, Via Garibaldi, Florence. San Gimignano 70 € 16:00 (4:00 pm) at Bus checkpoint , Via Baccanella in San Gimignano, in front of Coop Supermarket. Lucca 90 € 16:00 (4:00 pm) Just outside the walls at one of the gates called Porta San Pietro in Lucca -
We Are Proud to Offer to You the Largest Catalog of Vocal Music in The
Dear Reader: We are proud to offer to you the largest catalog of vocal music in the world. It includes several thousand publications: classical,musical theatre, popular music, jazz,instructional publications, books,videos and DVDs. We feel sure that anyone who sings,no matter what the style of music, will find plenty of interesting and intriguing choices. Hal Leonard is distributor of several important publishers. The following have publications in the vocal catalog: Applause Books Associated Music Publishers Berklee Press Publications Leonard Bernstein Music Publishing Company Cherry Lane Music Company Creative Concepts DSCH Editions Durand E.B. Marks Music Editions Max Eschig Ricordi Editions Salabert G. Schirmer Sikorski Please take note on the contents page of some special features of the catalog: • Recent Vocal Publications – complete list of all titles released in 2001 and 2002, conveniently categorized for easy access • Index of Publications with Companion CDs – our ever expanding list of titles with recorded accompaniments • Copyright Guidelines for Music Teachers – get the facts about the laws in place that impact your life as a teacher and musician. We encourage you to visit our website: www.halleonard.com. From the main page,you can navigate to several other areas,including the Vocal page, which has updates about vocal publications. Searches for publications by title or composer are possible at the website. Complete table of contents can be found for many publications on the website. You may order any of the publications in this catalog from any music retailer. Our aim is always to serve the singers and teachers of the world in the very best way possible. -
1) 3Tjcj COUNCIL DISTRICT NO. 13
COUNCIL FILE NO. /{) -1) 3tJCJ COUNCIL DISTRICT NO. 13 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1 075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _ } B. Quitclaim of Easement(s). _ } C. Dedication of Easement(s). _} D. Release of Restriction(s). _x} E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _ } G. Resolution to Vacate or Ordinance submitted in response to Council action. _ } H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date ____ notice and report copy mailed to interested parties advising of Council date for this item. Date ____ scheduled in Council. AFTER COUNCIL ACTION: Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ____J Other: PLEASE DO NOT DETACH THIS APPROVAL SHEETFROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS- E Office of the City Engineer Los Angeles California To the Honorable Council Of the City of Los Angeles fEB 1:8 2010 Honorable Members: C. -
La Traviata Synopsis 5 Guiding Questions 7
1 Table of Contents An Introduction to Pathways for Understanding Study Materials 3 Production Information/Meet the Characters 4 The Story of La Traviata Synopsis 5 Guiding Questions 7 The History of Verdi’s La Traviata 9 Guided Listening Prelude 12 Brindisi: Libiamo, ne’ lieti calici 14 “È strano! è strano!... Ah! fors’ è lui...” and “Follie!... Sempre libera” 16 “Lunge da lei...” and “De’ miei bollenti spiriti” 18 Pura siccome un angelo 20 Alfredo! Voi!...Or tutti a me...Ogni suo aver 22 Teneste la promessa...” E tardi... Addio del passato... 24 La Traviata Resources About the Composer 26 Online Resources 29 Additional Resources Reflections after the Opera 30 The Emergence of Opera 31 A Guide to Voice Parts and Families of the Orchestra 35 Glossary 36 References Works Consulted 40 2 An Introduction to Pathways for Understanding Study Materials The goal of Pathways for Understanding materials is to provide multiple “pathways” for learning about a specific opera as well as the operatic art form, and to allow teachers to create lessons that work best for their particular teaching style, subject area, and class of students. Meet the Characters / The Story/ Resources Fostering familiarity with specific operas as well as the operatic art form, these sections describe characters and story, and provide historical context. Guiding questions are included to suggest connections to other subject areas, encourage higher-order thinking, and promote a broader understanding of the opera and its potential significance to other areas of learning. Guided Listening The Guided Listening section highlights key musical moments from the opera and provides areas of focus for listening to each musical excerpt. -
Romana Cilea 1..1
CESARE ORSELLI Francesco Cilea Un artista dall’anima solitaria Indice sommario Ritorno a Cilea ........................................................................... 1 La vita La formazione. Gli studi al Conservatorio di Napoli....................... 8 Le prime composizioni e il debutto teatrale.................................. 12 Nuove creazioni: La Tilda........................................................ 15 Difficolta`deL’Arlesiana.......................................................... 18 Firenze: verso Adriana Lecouvreur ............................................. 22 Gli anni della gloria ............................................................... 26 Pause di silenzio.................................................................... 32 Breve rinascita e tramonto ....................................................... 36 Le opere teatrali Gina: esordio fra Napoli e la Francia.......................................... 42 Il debutto nazionale: La Tilda aFirenze....................................... 55 L’Arlesiana, momento di maturazione.......................................... 66 Il trionfo:AdrianaLecouvreur.................................................. 79 Crepuscolo di Gloria ............................................................... 97 Vocalita` fuori dal palcoscenico La lirica da camera ................................................................ 108 La musica sacra .................................................................... 122 La musica strumentale .................................................................. -
Adriana Lecouvreur
FRANCESCO CILEA adriana lecouvreur conductor Opera in four acts Gianandrea Noseda Libretto by Arturo Colautti, based production Sir David McVicar on the play Adrienne Lecouvreur by Eugène Scribe and Ernest Legouvé set designer Charles Edwards Friday, January 4, 2019 costume designer 7:30–11:05 PM Brigitte Reiffenstuel lighting designer New Production Adam Silverman choreographer Andrew George The production of Adriana Lecouvreur associate director Justin Way was made possible by a generous gift from The Sybil B. Harrington Endowment Fund Co-Production of the Royal Opera House, Covent Garden, London; Gran Teatre del Liceu, Barcelona; Wiener Staatsoper; San Francisco Opera; and general manager L’Opéra National de Paris Peter Gelb jeanette lerman-neubauer This production was first seen at the Royal Opera music director Yannick Nézet-Séguin House, London, on November 18, 2010. 2018–19 SEASON The 75th Metropolitan Opera performance of FRANCESCO CILEA’S adriana lecouvreur conductor Gianandrea Noseda in order of vocal appearance mlle. jouvenot Sarah Joy Miller michonnet Ambrogio Maestri poisson Tony Stevenson* mlle. dangeville Samantha Hankey quinault Patrick Carfizzi the abbé of cha zeuil Carlo Bosi the prince of bouillon Maurizio Muraro adriana lecouvreur Anna Netrebko Friday, January 4, 2019, 7:30–11:05PM maurizio Piotr Beczała the princess of bouillon Anita Rachvelishvili major- domo Christian Rozakis chambermaid Anne Dyas mlle. duclos Snezhana Chernova pantalone Bill Corry judgment of paris ballet paris Kfir Danieli shepherdesses Jennifer -
The Worlds of Rigoletto: Verdi╎s Development of the Title Role in Rigoletto
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 The Worlds of Rigoletto Verdi's Development of the Title Role in Rigoletto Mark D. Walters Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE WORLDS OF RIGOLETTO VERDI’S DEVELOPMENT OF THE TITLE ROLE IN RIGOLETTO By MARK D. WALTERS A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2008 The members of the Committee approve the Treatise of Mark D. Walters defended on September 25, 2007. Douglas Fisher Professor Directing Treatise Svetla Slaveva-Griffin Outside Committee Member Stanford Olsen Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii I would like to dedicate this treatise to my parents, Dennis and Ruth Ann Walters, who have continually supported me throughout my academic and performing careers. iii ACKNOWLEDGEMENTS I would like to express my gratitude to Professor Douglas Fisher, who guided me through the development of this treatise. As I was working on this project, I found that I needed to raise my levels of score analysis and analytical thinking. Without Professor Fisher’s patience and guidance this would have been very difficult. I would like to convey my appreciation to Professor Stanford Olsen, whose intuitive understanding of musical style at the highest levels and ability to communicate that understanding has been a major factor in elevating my own abilities as a teacher and as a performer. -
Table of Contents More Information
Cambridge University Press 978-0-521-63535-6 - The Cambridge Companion to Verdi Edited by Scott L. Balthazar Table of Contents More information Contents List of figures and table [page vii] List of examples [viii] Notes oncontributors [x] Preface [xiii] Chronology [xvii] r Part I Personal, cultural, and political context 1Verdi’s life: a thematic biography Mary Jane Phillips-Matz [3] 2The Italian theatre of Verdi’s day Alessandro Roccatagliati [15] 3Verdi, Italian Romanticism, and the Risorgimento Mary Ann Smart [29] r Part II The style of Verdi’s operas and non-operatic works 4Theforms of set pieces Scott L. Balthazar [49] 5Newcurrents in the libretto Fabrizio Della Seta [69] 6Words and music Emanuele Senici [88] 7French influences Andreas Giger [111] 8Structuralcoherence Steven Huebner [139] 9Instrumental music in Verdi’s operas David Kimbell [154] 10 Verdi’s non-operatic works Roberta Montemorra Marvin [169] r Part III Representative operas 11 Ernani: the tenor in crisis Rosa Solinas [185] 12 “Ch’hai di nuovo, buffon?” or What’s new with Rigoletto Cormac Newark [197] 13 Verdi’s Don Carlos:anoverviewoftheoperas Harold Powers [209] 14 Desdemona’s alienation and Otello’s fall Scott L. Balthazar [237] r Part IV Creation and critical reception 15 An introduction to Verdi’s working methods Luke Jensen [257] 16 Verdi criticism Gregory W.Harwood [269] [v] © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-63535-6 - The Cambridge Companion to Verdi Edited by Scott L. Balthazar Table of Contents More information vi Contents Notes [282] List of Verdi’s works [309] Select bibliography and works cited [312] Index [329] © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-63535-6 - The Cambridge Companion to Verdi Edited by Scott L. -
Rigoletto, Composes by Verdi: with an English Version, and the Music of the Principal Airs
No. 34. The only Edition that contains the Music and correct Words. RIGOLETTO, COMPOSES BY VERDI: WITH AN ENGLISH VERSION, AND THE MUSIC OF THE PRINCIPAL AIRS IjIBfipf l^g UNIFORM WITH THIS, IN FOREICN AND ENCLISH, With the Number of Pieces of Music printed in each. No. No. 1 Le Peophete with 9 Pieces 22 Fidklio with 5 Pieces 43 Crispino e la Comare 7 2 Noema 1- Pieces 23 L' Elisiee d'Amore 9 Pieces 44 Luisa Miller 14 3 IlBaebierediSivigliaH Pieces 24 Les Huguenots 10 Pieces 45 Marta 10 4 Otello 8 Pieces 25 I Puritani io Pieces 46 Zampa 8 5 Lucrezia Borgia 15 Pieces 20 Romeo e Giulietta 7 Pines 47 Macbeth 12 La Cekebbntola 10 Pieces 27 La Gazza Ladra 11 Pieces 48 II Giuramento 15 7 Linda di Chamouni ...10 Pieces 2S PiPEi.io (German) 5 Pieces 40 Matrimonio Segreto 10 8 Lek Fbeischtjtz (Hal.) 10 Pieces 2» Der FREiscnuiz (Ger.) lo Pieces 50 Orfeo e Eurydice 8 9 LUCIA DI LamMEEMOOR 10 Pieces so II Seraglio (German)... 7 Pieces > 51 Ballo in Maschera ...12 10 Don Pasquale 6 Pieces 31 Die Zaubeeflote (Ger) 10 Pieces ! 52 I Lombardi 14 11 La Favorita 8 Pieces 32 II Flauto Magico (Ita) 10 Pieces 63 La Forza del Destino 9 12 Medea (Mayer) 10 Pieces 33 II Trovatore 16 Pieces 64 Don Bucefalo 4 18 ]>cm Giovanni 11 Pieces 34, KlGOLETTO 10 Pieces 55 L'Italiana in Algeri... 8 | 50 Precauzioni 8 1 1 Semiramide 10 Pieces 35 Guglielmo Teli. 6 Pieces Le là Kunani 10 Pieces 30 La Traviata 12 Pieces 57 La Donna del Lago ...li Pieces I 8 Pieces 58 Orphee aux Enfees, Fr 9 l'ieres 16 Koiikkto II Diavolo .. -
Andrea Bocelli's Summer Concert in Tuscany
Andrea Bocelli‘s Summer Concert in Tuscany Florence · Volterra · Lucca · Cinque Terre · Siena Guaranteed departure only Andrea Bocelli € 1.790,- SERVICES INCLUDED · 6 x overnights in good 4*hotel in the heart of Tuscany with daily international breakfast · 1 x overnight in FCO airport area including international buffet breakfast · Professional tour leader for the whole tour · Headsets for all visits · Private transfer from Rome FCO airport to your hotel in Tuscany · Welcome typical dinner at a local restaurant upon arrival in Tuscany · 2.5-hours walking tour in Florence with local guide · FD private motorcoach for excursion to Florence · 2-hours walking tour in Volterra with local guide · FD private motorcoach for Volterra and the concert · Ticket for Bocelli‘s concert - unreserved seats 6th category · HD private motorcoach for Lucca and cooking class · 2-hours walking tour in Lucca with local guide · Hands-on cooking class in Lucca including typical lunch · FD private motorcoach for Cinque Terre excursion · FD local guide for Cinque Terre excursion · Boat ride Monterosso - Manarola · Train rides: La Spezia - Monterosso Siena and Manarola - La Spezia · Private transfer to Rome with stop EXCLUSIVE INCLUSIONS DATE & PRICES 2017 in Siena for guided tour · 2.5-hours walking tour in Siena 01 August - 08 August with local guide · Tickets for the Bocelli’s Concert · Local wine tasting with snack p.p. in a double room € 1.790,- in the Chianti Valley · Hands-on cooking class in Lucca p.p. in a single room € 1.990,- · Shuttle bus service from your hotel · Tour of the Cinque Terre Prices are NET, per person! to FCO Rome airport Michelangelo International Travel S.r.l. -
Cilea Francesco
CILEA FRANCESCO Compositore italiano (Palmi, RC 23 VI 1866 – Varazze, Savona 20 XI 1950) RRIITTRRAATTTTOO DDEELL CCOOMMPPOOSSIITTOORREE 310 Figlio dell'avvocato Giuseppe e di F. Grillo, venne avviato agli studi classici in un convitto di Napoli; ma le precoci doti musicali, rivelate nello studio del pianoforte, indussero i familiari - per il determinante intervento di F. Florimo - ad iscriverlo al conservatorio di San Pietro a Maiella: vi entrò nel 1878, e vi ebbe ad insegnanti P. Serrao per la composizione, B. Cesi e G. Martucci per il pianoforte. Ancora durante gli studi, si segnalò con una Suite (1887) premiata dal ministero della pubblica istruzione; nell'ultimo anno di corso (1889), scrisse, su incarico della direzione del conservatorio, la sua prima opera, Gina, da lui stesso diretta nel teatrino dell'istituto. Conseguito il diploma, fu nominato supplente di armonia e di pianoforte complementare a San Pietro a Maiella fino al 1892. La seconda opera Tilda, venne rappresentata con buon successo al Paglino di Firenze (1892), e, successivamente, a Vienna in una tournée dedicata alla "giovane scuola italiana". Per l'opera, ebbe parole di caldo elogio il critico E. Hanslick. Nel 1896 Cilea vinse il concorso per la cattedra di armonia all'istituto musicale in Firenze, e nella città toscana compose l'Arlesiana, andata in scena nel 1897 al Lirico di Milano con il concorso del giovane tenore Enrico Caruso. Sempre il pubblico milanese applaudì al Lirico nel 1902, Adriana Lecouvreur, e il vibrante successo si ripetè immediato in numerosi altri teatri italiani e stranieri. Ripetuti colloqui con Gabriele D'Annunzio, nella prospettiva di trasferire sulla scena lirica Francesca da Rimini, non giunsero a conclusione, sembra per le eccessive richieste economiche del poeta.