DOCSLIB.ORG

Full Album (Pdf)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Full Album (Pdf) ALL YOU CAN DO Music by Vicky Nguyen ft. Jimetta Rose & Brandon Paak Anderson Lyrics by George Watsky VERSE D min7 E min7 F Maj7 G 7sus4 A 7sus4 D min7 E min7 F Maj7 G 7sus4 A 7sus4 Verse 1: 4x Verse 2: 6x Vocals 4 . & 4 . [RAP]’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ . Ad lib fill Ad lib fill 4 œ œ œ œ œ œ œ œ & 4 . œ œ ‰ œ ‰ œ ‰ œ ’ ’ ’ ’ œ œ ‰ œ ‰ œ ‰ œ ’ ’ ’ ’ . Piano 4 œ œ œ œ ? 4 . œ œ ‰ œ ‰ ‰ ’ ’ ’ ’ œ œ ‰ œ ‰ ‰ ’ ’ ’ ’ . œ œ œ œ œ œ œ œ œ œ CHORUS D min7 E min7 F Maj7 G 7sus4 A 7sus4 D min7 E min7 F Maj7 G 7sus4 A 7sus4 to Verse Vox. œ œ œ œ œ œ œ œ & . ‰ œ ‰ œ œ œ ‰ œ ‰ œ œ œ œ œ ‰ œ ‰ œ œ œ œ ‰ J Œ . All you can do is all you can do is all you can do is all you can do is Ad lib fill Ad lib fill œ œ . œ œ œ œ œ œ œ œ . & . œ ‰ œ ‰ œ ‰ œ ’ ’ ’ ’ œ ‰ œ ‰ œ ‰ œ ’ ’ ’ ’ . Pno. ? œ œ œ œ . œ œ ‰ œ ‰ ‰ ’ ’ ’ ’ œ œ ‰ œ ‰ ‰ ’ ’ ’ ’ . œ œ œ œ œ œ œ œ œ œ All You Can Do ©2014 George Watsky All Rights Administered by Kobalt Music Group (ASCAP) All Rights Reserved ALL YOU CAN DO ft. Jimetta Rose Verse 1 Verse 2 Happy’s not a faucet that’ll flow when a handle So pour that liquor out. I never chickened out is turned But if got to make a second pick I’d take a I wanna handle my shit, but it hasn’t occurred different route I need the stamina, keep on like my grandma- But a grip of my decisions pretty Mickey ma Mouse When I’m not on camera I gotta be a man of I tried to join the 27 Club, they kicked me out my word It was like I’m limpin into heaven while my dick And be a greater guy, not some thin-as-paper is out guy And there’s Amy Winehouse sittin on a cloud Like the times that Georgie Porgie kissed the and drinking stout girl and made her cry But she spits it out the moment I come gliding Saying “see ya later, bye.” Shit I say is pretty in strange She’s all like, “come on Joplin, who the fuck Coming back for Christmas and we bitch on invited him?! how the city changed Hide all of the Heinekens!” No, they don’t Fuck it, man, we’re changing too. Look at what know my name we’re going through My heart is lowkey broken so I’m takin Novo- Mama used to buy me shirts she said that I cain would grow into And Jimmy Morrison (the Doors), and Brian But it’s draping on me like an apron or a cape, Jones, you know, the Stones a great tsunami wave of cotton that I’m caught are joking, toking on a roach playing poker in that she bought at Ross—I know the cost of game it was probably awesome but my style is sorta I know that I’m a bastard. The walls are ala- sloppy baster I’ll fit it when I blossom like a California Poppy Jimi plays his Stratocaster jamming out with The tears are freezing on my cheek in Boston Kurt Cobain out in Copley They’re playing Purple Rain, or maybe Purple And I don’t really know why, no I don’t really Haze know why And Kurt says, “How the fuck they let this jerk in with his hurtful ways?” Chorus I try to jump and spread my wings like I’m a All you can do is all you can do is all you can bird of prey do is all you can do is… But I hit the earth and break a mothafucka’s vertebrate (hey) I guess I’m fucking up the blueprint for success Woke up in the hospital with Jimi’s bootprint on my chest This recklessness, no common senses I Kamikaze, there’s consequences I don’t condone it, but I did it, I’ma own it I’ve been living for the moment gotta go (go!) STAND FOR SOMETHING Music by Pat Dimitri ft. Anderson .Paak & Brandon Paak Anderson Lyrics by George Watsky G C G/B CHORUS Vocals # 4 Ó Œ ‰ j œ Œ Œ ‰ j & 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ I ne - ver been a one to play it cool I ne - ver been a fan of fan - A min E min G # j œ œ . & œ œ œ ‰ Œ ‰ œ œ œ œ œ œ œ œ œ ˙. ˙. Œ - cy shoes I on - ly wan - na stand for some - thin' C G/B # œ œ œ œ œ œ & ∑ œ œ œ œ œ Ó œ œ I don't care if they ap - prove They don't know what I've A min E min G j œ # œ œ œ œ ‰ œ œ œ œ œ œ œ œ œ œ ˙. 2 ˙ 4 & J J œ œ œ 4 ˙ 4 been through I on - ly wan - na stand for some - thin' VERSE # 4 & 4 [RAP]’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ Gtr. # & 4 œ œ ≈ œ ≈ œ œ œ Ó œ œ ≈ œ ≈ œ œ œ Ó œ œ ≈ œ ≈ œ œ œ Ó œ œ ≈ œ ≈ œ œ œ Ó Gtr. 3 5 3 3 3 3 3 5 2 2 2 2 2 3 3 3 3 5 5 5 5 5 7 3 # & ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ œ œ Gtr. # œ œ & œ œ ≈ œ ≈ œ œ œ Ó œ œ ≈ œ ≈ œ œ œ Ó œ œ ≈ œ ≈ œ œ œ Ó œ œ ≈ œ ≈ œ œ œ Ó ≈ œ œ œ Ó œ œ ≈ œ ≈ œ œ œ Ó Gtr. 7 5 7 9 3 5 3 3 3 3 3 5 2 2 2 2 2 3 3 5 3 3 3 3 3 5 2 3 3 3 5 5 5 5 5 7 3 All You Can Do ©2014 George Watsky All Rights Administered by Kobalt Music Group (ASCAP) All Rights Reserved STAND FOR SOMETHINNG ft. Anderson .Paak Chorus Verse 2 Never been the one to play it cool We struttin I never been a fan of fancy shoes Ain’t nobody gotta tell us nothing I only want to stand for something Because a rose is a rose and I am what I am I don’t care if they approve And I wear it like campaign button They don’t know what I’ve been through I don’t want a side eye I only want to stand for something I say bye bye Roll up another one and hand me a Mai tai Verse 1 Because the people who be running the show What was I thinking when I headed to SoCal? Are kinda like the season how they come and Everybody gotta order the low-cal or no-cal they go meal And we’ll be living while they looking for park- I don’t even enjoy guilt ing I think the city turned my semen to soymilk And we’ll be digging while they woofing and But I’m a motherfuckin hypocrite barking Acting like I never give a shit They kicking in the door and hoping to barge But now I think about it maybe a tad bit in Cause pretty baby I be ready to admit But this is what you get there’s nothing to bar- I’m thinking maybe I will never be Brad Pitt gain Want the celebrity? You gotta be bat shit If it’s a hundred to one and we’re under the To want to be a piece of meat, we treat em as gun cold cuts I’m not gonna be groveling for the governor’s But go nuts when we see em wiping their own pardon butts Don’t gotta suck in your gut if you want to And the crowd goes wild guzzle a Bud But we don’t smile if you got no style I’m about it baby, you can party with us Gotta be kidding me, giving the pretty people the key to the city I don’t even know BET AGAINST ME Music by Jose Rios Lyrics by George Watsky INTRO 2 bars of drum groove Vocals # # # 4 ∑ ∑ & 4 ’[RAP] ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ VERSE Vox # # & # ’ ’ ’ ’ . ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ Gtr. # # # Ó ‰ j . Œ ≈ Œ ‰ j & œ œ œ œ œ œ œ œ œ œ w ˙. œ ˙. œ œ œ Gtr. 7 9 7 9 9 9 7 . 5 2 5 7 9 9 9 7 1. 2. Vox # # & # ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ . ’ ’ ’ ’ Gtr. # # # Œ . & j œ œ ≈ ≈ Œ ‰ j œ œ . j œ ‰ w ˙ œ œ ˙. œ œ œ œ œ œ ˙ œ œ Gtr. 7 9 7 9 7 9 9 2 5 7 9 9 9 7 . 9 9 B min D C#min D E C#min BRIDGE 4fr. 4fr. Vox # # & # . ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ . œ œ œ œ œ œ # # œ œ œ œ œ œ œ œ œ œ œ œ & # . œ œ œ œ œ œ . ˙ ˙ œ ˙ ˙ œ Pno. ˙ ˙ œ ˙ ˙ œ ? # # # . ˙ ˙ w ˙ ˙ w . ˙ ˙ w ˙ ˙ w All You Can Do ©2014 George Watsky All Rights Administered by Kobalt Music Group (ASCAP) All Rights Reserved BET AGAINST ME Verse Paul Watsky interview You will if you didn’t feel it before …I’m playing with the house’s money now, Ever since I was a kid never really been bored cause I thought we were on our way out Swinging from building to building with my during the Cuban Missile Crisis.
Load more

Recommended publications
  • 1920'S Trunk 2 Box 1
    1920’s Trunk 2 Box 1 Popular Science Magazine - May 1927 Popular Science Magazine - August 1927 Lindbergh/Wright photo Spirit of St. Louis photo and sm. fragment of plane 10 cent Airmail stamp -Spirit of St. Louis Lindbergh magazine photos Glenn Curtiss article, 3 pages Babe Ruth photo Say-Hey and the Babe Aviator Cap Aviator Goggles Baseball glove 1920’s Trunk 2 Box 2 Granny Boots Candlestick Telephone Suede Heels Mason Jar Purse Eyeglasses Liniment Box 1920’s Trunk 2 Box 3 2 Crate labels 1 Can label Jackdaw Primary Source Documents: Prohibition Harlem Renaissance 1920’s: America in Modern Age Votes for Women Ku Klux Klan Old Sheet Music – Book Iron Jawed Angels DVD Marcus Garvey DVD Eugenics CD 1920’s Trunk 2 Box 4 Iron Toaster Black Photo Album Box 5 Telephone, replica 1920s Music CD set of 3 Utensil Cleaner Shuttle Cod Liver Oil Box Satina Starch Box Clear Plastic Box Contents: Button Hook Baking Soda Book Objections Answered Book Harding Coin Card Hoover/Smith Buttons Coolidge Button Wilson Button Bryan Button Harding Buttons 2 earrings 1930s Trunk Collection Box 1 Hoover portrait Jackdaw primary source documents: FDR portrait Stock Market Crash of 1929 Home Arts Needlecraft – October The New Deal 1937 The Depression Life Bicentennial Issue Everyday Fashions of the Thirties Ken Magazines- Happy Birthday to You! –Book October 1938 Eleanor Roosevelt- Book May 1938 Jesse Owens-Book April 1938 Yearbooks 1932, 1934 1936 Record 1930s Trunk Collection Box 2 Shirley Temple
    [Show full text]
  • Sunday.Sept.06.Overnight 261 Songs, 14.2 Hours, 1.62 GB
    Page 1 of 8 ...sunday.Sept.06.Overnight 261 songs, 14.2 hours, 1.62 GB Name Time Album Artist 1 Go Now! 3:15 The Magnificent Moodies The Moody Blues 2 Waiting To Derail 3:55 Strangers Almanac Whiskeytown 3 Copperhead Road 4:34 Shut Up And Die Like An Aviator Steve Earle And The Dukes 4 Crazy To Love You 3:06 Old Ideas Leonard Cohen 5 Willow Bend-Julie 0:23 6 Donations 3 w/id Julie 0:24 KSZN Broadcast Clips Julie 7 Wheels Of Love 2:44 Anthology Emmylou Harris 8 California Sunset 2:57 Old Ways Neil Young 9 Soul of Man 4:30 Ready for Confetti Robert Earl Keen 10 Speaking In Tongues 4:34 Slant 6 Mind Greg Brown 11 Soap Making-Julie 0:23 12 Volunteer 1 w/ID- Tony 1:20 KSZN Broadcast Clips 13 Quittin' Time 3:55 State Of The Heart Mary Chapin Carpenter 14 Thank You 2:51 Bonnie Raitt Bonnie Raitt 15 Bootleg 3:02 Bayou Country (Limited Edition) Creedence Clearwater Revival 16 Man In Need 3:36 Shoot Out the Lights Richard & Linda Thompson 17 Semicolon Project-Frenaudo 0:44 18 Let Him Fly 3:08 Fly Dixie Chicks 19 A River for Him 5:07 Bluebird Emmylou Harris 20 Desperadoes Waiting For A Train 4:19 Other Voices, Too (A Trip Back To… Nanci Griffith 21 uw niles radio long w legal id 0:32 KSZN Broadcast Clips 22 Cold, Cold Heart 5:09 Timeless: Hank Williams Tribute Lucinda Williams 23 Why Do You Have to Torture Me? 2:37 Swingin' West Big Sandy & His Fly-Rite Boys 24 Madmax 3:32 Acoustic Swing David Grisman 25 Grand Canyon Trust-Terry 0:38 26 Volunteer 2 Julie 0:48 KSZN Broadcast Clips Julie 27 Happiness 3:55 So Long So Wrong Alison Krauss & Union Station
    [Show full text]
  • The AGA Song Book up to Date
    3rd Edition Songs, Poems, Stories and More! Edited by Bob Felice Published by The American Go Association P.O. Box 397, Old Chelsea Station New York, N.Y., 10113-0397 Copyright 1998, 2002, 2006 in the U.S.A. by the American Go Association, except where noted. Cover illustration by Jim Rodgers. No part of this book may be used or reproduced in any form or by any means, or stored in a database or retrieval system, without prior written permission of the copyright holder, except for brief quotations used as part of a critical review. Introductions Introduction to the 1st Edition When I attended my first Go Congress three years ago I was astounded by the sheer number of silly Go songs everyone knew. At the next Congress, I wondered if all these musical treasures had ever been printed. Some research revealed that the late Bob High had put together three collections of Go songs, but the last of these appeared in 1990. Very few people had these song books, and some, like me, weren’t even aware that they existed. While new songs had been printed in the American Go Journal, there was clearly a need for a new collection of Go songs. Last year I decided to do whatever I could to bring the AGA Song Book up to date. I wanted to collect as many of the old songs as I could find, as well as the new songs that had been written since Bob High’s last song book. You are holding in your hands the book I was looking for two years ago.
    [Show full text]
  • Political Campaign Buttons Donated by Mr
    Donation of the Month Political Campaign Buttons Donated by Mr. and Mrs. Cass Hough, Betty Fischer, Amy Cawley, and Nancy Robbins In an election year, political campaign propaganda comes in many forms. Today, much of the campaign advertising is seen on television; however, staunch supporters still wear their candidate’s face or slogan on campaign pins and buttons. What they may not realize is that political buttons have been around almost as long the Presidency! In 1789, George Washington, America’s first president, wore the first political button at his inauguration. His supporters also wore buttons; they were clothing buttons made of brass and reading, “G.W.-Long Live the President.” Political memorabilia like buttons, ribbons, even china, were made to commemorate the early presidents but campaign buttons as we know them were not used until much later. In 1860, the development of photographic daguerreotypes and tintypes allowed actual images of the presidential candidates to be placed on campaign memorabilia. Buttons featured Abraham Lincoln’s face for the 1860 and 1864 elections. Most were not actual buttons but were small tintype photographs with metal rings and holes punched into the top where a ribbon was used to wear the photo. The first campaign button like we think of today was popularized by the 1896 presidential elections. The buttons were made with a metal backing; a printed photograph or slogan was placed on the backing and a thin piece of transparent celluloid plastic was placed on top. All of these parts were put together by a machine and a metal pin was attached to the back.
    [Show full text]
  • The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash
    Washington and Lee Law Review Volume 64 | Issue 2 Article 4 Spring 3-1-2007 [Insert Song Lyrics Here]: The sesU and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Legal Writing and Research Commons Recommended Citation Alex B. Long, [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash. & Lee L. Rev. 531 (2007), https://scholarlycommons.law.wlu.edu/wlulr/vol64/iss2/4 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long* Table of Contents I. For Those About To Rock (I Salute You) .................................... 532 II. I'm Looking Through You ........................................................... 537 A. I Count the Songs That Make the Legal Profession Sing, I Count the Songs in Most Everything, I Count the Songs That Make the Young Lawyers Cry, I Count the Songs, I Count the Songs ................................................. 537 B . A dd It U p ............................................................................... 539 C. I'm Looking Through You .................................................... 541 1. It Takes a Profession of Thousands To Hold Us Back .... 541 2. Baby Boomers Selling You Rumors of Their History ..... 544 3.
    [Show full text]
  • Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
    PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
    [Show full text]
  • That Ain't Bad (The Main Single Off Tingles), the Band Are Drowned out by the Crowd Singing Along
    THAT AIN’T BAD A ZINE DEDICATED TO SYDNEY INDIE POP FROM THE EARLY 90’S BY ANDY PAINE INTROduction In the late 1980's and early 1990's, a group of bands emerged from Sydney who all played fuzzy distorted guitars juxtaposed with poppy melodies and harmonies. They released some wonderful music, had a brief period of remarkable mainstream success, and then faded from the memory of Australia's 'alternative' music world. I was too young to catch any of this music the first time around – by the time I heard any of these bands the 90’s were well and truly over. It's hard to say how I first heard or heard about the bands in this zine. As a teenage music nerd I devoured the history of music like a mechanical harvester ploughing through a field of vegetables - rarely pausing to stop and think, somethings were discarded, some kept with you. I discovered music in a haphazard way, not helped by living in a country town where there were few others who shared my passion for obscure bands and scenes. The internet was an incredible resource, but it was different back then too. There was no wikipedia, no youtube, no streaming, and slow dial-up speeds. Besides the net, the main ways my teenage self had access to alternative music was triple j and Saturday nights spent staying up watching guest programmers on rage. It was probably a mixture of all these that led to me discovering what I am, for the purposes of this zine, lumping together as "early 90's Sydney indie pop".
    [Show full text]
  • Exquisite Corpse (PDF)
    EXQUISITE CORPSE Music by Kush Mody Lyrics by George Watsky, Rafael Casal, Daveed Diggs, Chinaka Hodge, Michael Jones, Benjamin Laub, Jonathan Park, & Adam Traore G min Eb7 #11 G min Eb7 #11 3fr. ( 5fr.) 3fr. ( 5fr.) Vocals b 4 . & b 4 . ’[RAP] ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ . b œ œ œ œ & b 4 . œ œ œ œ œ œ œ œ . Piano œ #œ œ #œ w w ? 4 w #ww w #ww bb 4 . w w . X Infinity ©2016 George Watsky All Rights Administered by Kobalt Music Group (ASCAP) All Rights Reserved EXQUISITE CORPSE Intro Grieves Verse Have you ever seen a corpse? Ooowee, ain’t that a bitch? How about an exquisite one? Nobody believed it til the first wave hit Think about Frankenstein’s monster The ground started shaking and the sky went red Now think about fun (Mayday! Atlanta’s been lost, Justin Bieber is dead) You’re getting it, good! No! God damn, another one down Johnny starts with a leg. I sew on an arm. Then you lend colonies of people living under the ground a hand Rallied against the clowns, a resistance was born We each add our piece They fight for mankind and the existence of porn (let’s Now, what kind of beast have we made? go!) Let’s find out! Back on the surface life teeters Watsky Verse Avoiding wild packs of North American beavers I woke up Sunday to a bloodshot sky Creepers and face feeders robot overlords goosestep by fearing the great reaper shoulda listened when we had the juice to try You’re either gonna get eaten or beat with a pay meter And Bill the Science Guy told us that “the end is Nye!” This is real shit homie, dog eat dog Lately it’s been getting
    [Show full text]
  • Malibu's Most Wanted
    Rev. 08/20/02 (2nd Blue) Rev. 08/22/02 (2nd Pink) Rev. 01/29/03 (2nd Yellow) MALIBU'S MOST WANTED Written by Fax Bahr & Adam Small & Jamie Kennedy and Nick Swardson Story by Nick Swardson & Jamie Kennedy and Fax Bahr & Adam Small & Jamie Kennedy FULL YELLOW DRAFT July 25, 2002 MALIBU'S MOST WANTED MUSIC: GRAND MASTER FLASH'S "The Message" KICKS IN and as MAIN TITLES ROLL we... FADE IN: 1 EXT. PACIFIC COAST HIGHWAY - DAY 1 A tricked-out Cadillac Escalade with the windows tinted deep black rolls INTO FRAME. FLASH (V.O.) 'It's like a jungle sometimes, It makes me wonder how I keep from going under...' A1 ESCALADE A1 passes three people doing tai chi on a bluff overlooking the ocean... FLASH (V.O.) 'Broken glass everywhere, people pissing on the stairs you know they just don't care...' B1 ESCALADE B1 passes a gorgeous Labrador retriever snatching a Frisbee midair... FLASH (V.O.) 'Can't take the smell, Can't take the noise, Got no money to move out I guess I got no choice...' C1 ESCALADE C1 passes two horse back riders galloping along the beach... FLASH (V.O.) 'Rats in the front room, Roaches in the back...' D1 ESCALADE D1 passes a gleaming mansion with a massive putting green- like lawn... (CONTINUED) 2. D1 CONTINUED: D1 FLASH (V.O.) 'Junkie's in the alley With a baseball bat...' E1 ESCALADE E1 passes blonde Little Leaguers playing baseball in crisp new uniforms. FLASH (V.O.) 'A crazy lady, livin' in a bag, Eatin' outta garbage pails, Used to be a fag hag...' F1 ESCALADE F1 passes two rich housewives clutching shopping bags from the most expensive stores on the planet..
    [Show full text]
  • « Am I Black Enough for You? » Basket-Ball, Médias Et Culture Afro-Américaine Aux États-Unis (1950-2015)
    UNIVERSITÉ SORBONNE NOUVELLE – PARIS 3 ED 514 – EDEAGE ÉTUDES ANGLOPHONES, GERMANOPHONES ET EUROPÉENNES EA 4399 – CREW CENTER FOR RESEARCH ON THE ENGLISH-SPEAKING WORLD Thèse de doctorat Anglais (civilisation américaine) Yann DESCAMPS « Am I Black Enough for You? » Basket-ball, médias et culture afro-américaine aux États-Unis (1950-2015) VOLUME 2 : Annexes Thèse dirigée par Mme la Professeure Divina FRAU-MEIGS Soutenue publiquement le 4 décembre 2015 Jury : - M. Daniel DURBIN, Professeur, University of Southern California - Mme Divina FRAU-MEIGS, Professeur, Université Sorbonne Nouvelle – Paris 3 - M. Jean-Paul GABILLIET, Université Bordeaux Montaigne - M. Olivier PÉGARD, Maître de Conférence, Université Paris-Est Créteil Val-de-Marne - M. Georges VIGARELLO, Professeur émérite, École des Hautes Études en Sciences Sociales 2 Annexe n°1 : Entretiens Entretien avec Tariq Abdul-Wahad Ancien joueur universitaire (Michigan State) et NBA (Sacramento, Orlando, Denver, Dallas). Entraîneur d’une équipe de lycée à San José. Propos recueillis le 24 février 2014 en marge d’une conférence à USC. « It was like you had black kids from New York in the 1960s being coached by white men from Mississippi. The cultural disconnect was that drastic. France, because of its colonies, half the team is black. There was a serious disconnect between the players and the staff. When I was a rookie, we had 3 meetings: one to manage your money, one for security matters, one to handle lovers. All this was meant to protect the NBA brand, the corporate brand. We’re athletes, but we’re more than athletes. I would love to see these corporations consider athletes as individuals, just as they consider themselves.
    [Show full text]
  • The President's Desk: Campaign Button Module
    The President’s Desk: Campaign Button Module The Road to the White House Topic: Presidential campaigns and elections Grades: 4-6 Time Required: 1-2 class periods Goals/Rationale: By exploring the primary sources in the Campaign Button module, students will gather information about the key people in the 1960 election and identify the steps one takes in running for presidential office. Essential Question: How does a presidential candidate campaign for the presidency? Objectives Students will: analyze multiple primary sources identify the key steps in the presidential campaign process identify the candidates in 1960 and describe impressions of their performance in the campaign Connections to Curricula (Standards) National History Standards K-4 Historical Analysis and Interpretation; Standards 3, 4 National Standards for Civics And Government K-4, Standard 5: What are the roles of the citizen in American democracy? Historical Background and Context The “Kennedy for President” button is one of the iconic symbols of John F. Kennedy’s 1960 presidential campaign. It is one of several primary sources featured in the Campaign Button module. All are presented within the context of a virtual campaign office. Highlights include television “programs” featuring speeches by JFK, a campaign spot and interview with Mrs. Kennedy, excerpts of televised presidential debates, and the Kennedy jingle. Campaign placards, bumper stickers, posters, buttons and pins, memos, a letter from a sixth-grader to the candidate, and Frank Sinatra’s “High Hopes” 45 rpm record are featured as well. All provide students with a sense of the spirit and energy of the 1960 campaign. For more historical background, refer to the “Campaign of 1960”essay in the “JFK/JFK in History” section of the Library’s website.
    [Show full text]
  • Ethics Manual for Boards & Commissions
    City of Philadelphia Ethics Manual for Boards & Commissions Current as of November 23, 2020 City of Philadelphia Board of Ethics One Parkway Building, 18th Floor 1515 Arch Street Philadelphia, PA 19103 Contact us! The Board’s staff is here to answer your questions! The best way to reach us is by email or our website forms. Just click “Ask for Advice” to submit your question. If you believe someone has violated the ethics rules, click “Report a Concern” to contact the Board’s enforcement staff. www.phila.gov/ethicsboard Advice Requests: [email protected] or Ask for Advice Training Requests: [email protected] Enforcement: Report a Concern v1.3 published 2.26.21 Quick Reference & Resource Guide Boards & Commissions that Exercise page ii Significant Powers of Government Confidential Information page 4 City Code §20-609 page 29 Conflicts of Interest pages 1-2 City Code §20-607 pages 27-28 City Code §20-608 page 28 City Code §20-602(5) page 21 Disclosure Form Letter bit.ly/DnDFormLetter Ex Parte Communications page 11 City Code §20-605 page 23 Statement of Financial Interests page 5 City Code §20-610 page 29 Financial Disclosure Website bit.ly/BOEFDS Gifts & Gratuities pages 3-4 City Charter §10-105 page 15 City Code §20-604 pages 21-23 Gift Return Form Letters bit.ly/GiftLetterExec bit.ly/GiftLetterNonExec Interests in City Contracts page 13 City Charter §10-102 page 14 Post-City Service pages 12 City Code §20-603 page 21 City Code §20-607(c) page 27-28 State Ethics Act §1103(g) bit.ly/2lQZN76 Penalties page 13 City Code §20-1302 bit.ly/3sjUDxi Board Regulation 8, Subpart E page 43 Political Activity pages 6-9 City Charter §10-107 pages 15-17 Board Regulation 8 pages 31-43 Representing Others page 10-11 City Code §20-602 page 20 Additional Resources Advisory Opinions bit.ly/BOEOps Chief Integrity Officer bit.ly/2Rh5NR7 (215) 686-2178 [email protected] State Ethics Commission www.ethics.pa.gov (800) 932-0936 City Law Department bit.ly/2lNKYC2 (215) 683-5001 City Ethics Manual Welcome! Welcome and thank you for your service to the City of Philadelphia.
    [Show full text]