Sam Smith, Esce Oggi Con Il Suo Nuovo Album Live, Love Goes: Live at Abbey Road Studios, Fuori Per POLYDOR / Universal Music

Total Page：16

File Type：pdf, Size：1020Kb

Sam Smith, Esce Oggi Con Il Suo Nuovo Album Live, Love Goes: Live at Abbey Road Studios, Fuori Per POLYDOR / Universal Music

VENERDì 19 MARZO 2021 Il vincitore del Grammy, del BRIT, del Golden Globe e dell'Oscar, Sam Smith, esce oggi con il suo nuovo album live, Love Goes: Live At Abbey Road Studios, fuori per POLYDOR / Universal Music. Sam Smith, esce oggi con il suo nuovo album live, Love Goes: Live Acquista l'album digitale: https://amzn.to/3s4BaB0 At Abbey Road Studios Acquista il vinile: https://amzn.to/3lAAUaj Il set, dal sapore intimo, è composto da 13 tracce eseguite per la prima ed unica volta all'interno degli Abbey Road Studios londinesi lo scorso novembre 2020, in occasione dell'uscita del terzo album in studio dell'artista dal titolo Love Goes. All'interno il singolo lead del progetto ANTONIO GALLUZZO "Diamonds" e brani che nel corso degli ultimi anni hanno accompagnato la carriera di Sam: "Promises (con Calvin Harris)", "Dancing With A Stranger (con Normani)" e "Too Good At Goodbyes". Oltre al ri-arrangiamento in chiave acustica di brani inseriti nella tracklist dell'ultimo lavoro, come "Kids Again" e "Love Goes" insieme a Labrinth. Ma non solo, perché il regalo più grande è rappresentato da una nuova [email protected] interpretazione del celeberrimo singolo "Time After Time", portato al SPETTACOLINEWS.IT successo da Cindy Lauper con cui, proprio durante la session negli Abbey Road Studios, l'artista ha avuto modo di chiacchierare. LOVE GOES: LIVE AT ABBEY ROAD TRACKLISTING 1. Young* 2. Diamonds 3. Dancing With a Stranger 4. Promises 5. Too Good at Goodbyes 6. Lay Me Down 7. My Oasis (ft. Jade Anouka) 8. Time After Time 9. How Do You Sleep? 10. For The Lover That I Lost 11. Kids Again 12. Love Goes (ft. Labrinth) 13. Stay With Me *Il brano "Young" è presente solo nel formato vinile dell'album live. Pag. 1 / 1.

Copy Link

Recommended publications

MEIEA 2012 Color.Indd
Journal of the Music & Entertainment Industry Educators Association Volume 12, Number 1 (2012) Bruce Ronkin, Editor Northeastern University Published with Support from Reviews Will Hermes. Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever. New York: Faber and Faber, Inc., 2011. www.fsgbooks.com. Music scenes have played a major part in the development of popu- lar music and the music industry for decades. Rolling Stone critic Will Hermesʼ book Love Goes to Buildings on Fire, whose title refers to an early Talking Heads song, documents the rich tapestry of music scenes happening in New York City from 1973 to 1978. The author was in high school in Queens during the time, and uses meticulously researched an- ecdotes and interviews along with personal experiences to give the reader an insider’s view of both the music and its relationship to the city. The description is presented in a precisely chronological sequence, constantly switching between multiple narratives in a way that is very contempo- rary yet still cohesive. This technique emphasizes the simultaneity of the different musical movements growing up at the time, and also helps to describe the interaction between them. Creative hybrids and mixing of musical scenes and styles, which were common, are prominent themes throughout the book. In addition to the artists, Hermes documents in de- tail the contributions of labels, studios, radio stations, venues, managers, promoters, and music journalists who helped fuel and fund the musical creativity of the time. New York was teetering on the edge of bankruptcy and riddled with crime and drugs during these years, and there is a strong focus on how music related to broader social and economic factors.
[Show full text]
Brunner Gründer 2011-11-01
Online-Publikationen des Arbeitskreis Studium Populärer Musik e.V. (ASPM) Hg. v. Ralf von Appen, André Doehring, Dietrich Helms u. Thomas Phleps www.aspm- samples.de/Samples10/ brunnergruender.pdf Jahrgang 10 (2011) – Version vom 1.11.2011 »SO EINEN SCHEIß LADE ICH NICHT AUF MEIN LAPTOP.« AUSWERTUNG EINER STUDIE ZUM UMGANG VON SCHÜLERN MIT RECHTSRADIKALER MUSIK Georg Brunner und René Gründer Erkenntnisinteresse und Fragestellung In der gesellschaftspolitischen Diskussion um die Gefährdung Jugendlicher durch rechtsextremes Gedankengut wird auf das Problem rechtsextremer Jugendmusik bzw. des so genannten »Rechtsrock« hingewiesen (zusammen- fassend Brunner 2011a). Unter »Rechtsrock« werden dabei allgemein solche Spielarten der populären Musik verstanden, deren Songtexte rechtsextreme Inhalte transportieren. Das Grundproblem bei der Eingrenzung des Gegen- standsbereiches »rechtsextremer Inhalte« besteht darin, dass (Rechts-)- Extremismus ein sozialwissenschaftlich unscharfer, da ursprünglich ver- waltungstechnisch bestimmter Begriff ist: Rechtsextremismus bezeichnet verfassungsfeindliche Einstellungen und Bestrebungen, die gegen die frei- heitlich demokratische Grundordnung sowie gegen den Bestand und die Sicherheit der Bundesrepublik Deutschland gerichtet sind. Als inhaltliche Merkmale von Rechtsextremismus gelten dabei Nationalismus, Rassismus, ein autoritäres Staatsverständnis sowie die Ideologie der Volksgemeinschaft (Stöß 2007: 17). Das verwaltungstechnische Extremismus-Modell kennt dabei neben der rechtsextremistischen Zone, die klar
[Show full text]
Neglp�,T a It
. ...; '-. E8TABLISH�D. PAGES WEEItLY. VOL. No. 1884. xxrr, ar,1863.} TOPEKA, KANSAS, MAY'1a1, ••1.110 A {SIXTEENP�U()E .YEAR. , THE GROWING OF OORN. ter appreciate the importance of this part of tendency' of it in such a condition is to wai� to see what the enemies will do. and the work. A root is of a A prize essay prepared by D. S. Fulton, and composed main, bard�n., This is nature's time for root pro- then replant. Deep, thorough, .intelligent . covered publlsbed in the NationaL Stocktmant. its whole length with fibres which duction, and tbe sooner it is accomplished culture is also t,lle best means to prevent are the or feedersto the nour- the tlme she will The essential thing to success in com mouths gatlrer longer have for maturing washing of .the soli. 'What we haye saJ.�has ishment from-the soil.' These do . not the culture, as well as anything else, is to know pene- crop. And-last,-but far from least, if:we been more especiaHy intended to teach tbe trate the of the soil.tn search of should check (1) what you want to do, and (2) how to do particles the the upward grpwthof stalk for cultiv�t�l' to think, as well as act, and,��s food It. To this end we cannot have too much. (to do which they have not the power) the time being by �reaking roots; or partial to act intelllgently:. Wide-awake I is the knowledge of the nature of the cereal, in all but pass between them; Of course the upheaval of the plants, we are only acting in watchwordof the com-grower: forwhatever It,s several parts.
[Show full text]
EARTH, WIND & FIRE -‐ Bio XRIJF JUNE 20-‐28, 2014 During the 1970S
EARTH, WIND & FIRE - Bio During the 1970s, a new brand of pop music was born - one that was steeped in African and African- American styles - particularly jazz and R&B but appealed to a broader cross-section of the listening public. As founder and leader of the band Earth, Wind & Fire, Maurice White not only embraced but also helped bring about this evolution of pop, which bridged the gap that has often separated the musical tastes of black and white America. It certainly was successful, as EWF combined high-caliber musicianship, wide-ranging musical genre eclecticism, and '70s multicultural spiritualism. "I wanted to do something that hadn't been done before," Maurice explains. "Although we were basically jazz musicians, we played soul, funk, gospel, blues, jazz, rock and dance music...which somehow ended up becoming pop. We were coming out of a decade of experimentation, mind expansion and cosmic awareness. I wanted our music to convey messages of universal love and harmony without force- feeding listeners' spiritual content." Maurice was born December 19, 1941, in Memphis, TN. He was immersed in a rich musical culture that spanned the boundaries between jazz, gospel, R&B, blues and early rock. All of these styles played a role in the development of Maurice's musical identity. At age six, he began singing in his church's gospel choir but soon his interest turned to percussion. He began working gigs as a drummer while still in high school. His first professional performance was with Booker T. Jones, who eventually achieved stardom as Booker T and the MGs.
[Show full text]
Celebrity, Gender, Desire and the World of Morrissey
" ... ONLY IF YOU'RE REALLY INTERESTED": CELEBRITY, GENDER, DESIRE AND THE WORLD OF MORRISSEY Nicholas P. Greco, B.A., M.A. Department of Art History & Communication Studies McGill University, Montreal March 2007 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Philosophy Copyright © Nicholas P. Greco 2007 Library and Bibliothèque et 1+1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada Your file Votre référence ISBN: 978-0-494-32186-7 Our file Notre référence ISBN: 978-0-494-32186-7 NOTICE: AVIS: The author has granted a non L'auteur a accordé une licence non exclusive exclusive license allowing Library permettant à la Bibliothèque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans loan, distribute and sell th es es le monde, à des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, électronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in et des droits moraux qui protège cette thèse. this thesis. Neither the thesis Ni la thèse ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent être imprimés ou autrement may be printed or otherwise reproduits sans son autorisation.
[Show full text]
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.
[Show full text]
Contemporary
C O N T E M P O R A R Y R E P E R T O I R E f o r S T R I N G Q U A R T E T O N L Y A Hard Day’s Night (The Beatles) Diamonds Are Forever (Shirley Bassey) A Thousand Years (Christina Perri) Disarm (Smashing Pumpkins) Ain't No Mountain High Enough (Marvin Gaye) Don't Stop Believing (Journey) All About That Bass (Meghan Trainor) Don't You Forget About Me (Simple Minds) All Day and All Of The Night (The Kinks) Drive By (Train) All Fall Down (OneRepublic) Edelweiss All of Me (John Legend) Elastic heart (Sia) All My Love (Led Zeppelin) Eleanor Rigby (The Beatles) All You Need is Love (The Beatles) Electric Feel (MGMT) Angel (Sarah McLachlan) Endless Love (Lionel Ritchie) Arrival of the Birds (Cinematic Orchestra) Et Si Tu N'Existais Pas (Joe Dassin) At Last (as performed by Etta James) Every Breath You Take (The Police) Bad Blood (Bastille) Every Little Thing She Does Is Magic (The Police) Bad Romance (Lady Gaga) Every Teardrop is a Waterfall (Coldplay) Beat It (Michael Jackson) Everybody Talks (Neon Trees) Beautiful Day (U2) Fields of Gold (Sting) Begin Again (Taylor Swift) Five Years (David Bowie) Besame Mucho For Your Eyes Only (Sheena Easton) Billie Jean (Michael Jackson) Forget You (CeeLo Green) Billy Joel medley of songs From This Moment On (Shania Twain) (Pressure, Vienna, Uptown Girl, Just The Way You Are, Piano Man) Get Lucky (Daft Punk) Bittersweet Symphony (The Verve) Girls Just Wanna Have Fun (Cyndi Lauper) Black Hole Sun (Soundgarden) Glad You Came (The Wanted) Bleeding Love (Leona Lewis) God Only Knows (Beach Boys) Bohemian Rhapsody
[Show full text]
Analysis of Grammatical Errors in Pop Song Lyrics
University of South Bohemia in České Budějovice Faculty of Education Department of English Studies Bachelor thesis Analysis of grammatical errors in pop song lyrics Magdalena Smolková Supervisor: Mgr. Ludmila Zemková Ph.D. České Budějovice 2018 Prohlášení Prohlašuji, že jsem svoji bakalářskou práci na téma „Analýza gramatických chyb v textech popových písní“ vypracovala samostatně pouze s použitím pramenů a literatury uvedených v seznamu citované literatury. Prohlašuji, že v souladu s § 47b zákona č. 111/1998 Sb. v platném znění souhlasím se zveřejněním své bakalářské práce, a to v nezkrácené podobě fakultou elektronickou cestou ve veřejně přístupné části databáze STAG provozované Jihočeskou univerzitou v Českých Budějovicích na jejích internetových stránkách, a to se zachováním mého autorského práva k odevzdanému textu této kvalifikační práce. Souhlasím dále s tím, aby toutéž elektronickou cestou byly v souladu s uvedeným ustanovením zákona č. 111/1998 Sb. zveřejněny posudky školitele a oponentů práce i záznam o průběhu a výsledku obhajoby kvalifikační práce. Rovněž souhlasím s porovnáním textu mé kvalifikační práce s databází kvalifikačních prací Theses.cz provozovanou Národním registrem vysokoškolských kvalifikačních prací a systémem na odhalování plagiátů. V Českých Budějovicích dne 23.4.2018 …..………………………… Magdalena Smolková Poděkování Ráda bych poděkovala Mgr. Ludmile Zemkové, Ph.D. za vedení, podporu a rady při psaní mé bakalářské práce. Rovněž bych ráda poděkovala Mgr. Jiřímu Kloudovi za korekturu této práce. Acknowledgements I would like to thank my supervisor Mgr. Ludmila Zemková, Ph.D. for her guidance, great support and kind advice throughout writing my bachelor thesis. Also, I would like to thank Mgr. Jiří Klouda for correction of this thesis. Anotace Práce bude zkoumat výskyt gramatických chyb v textech písní, řadících se do hudebního žánru pop-music.
[Show full text]
Love Goes" in Uscita Il 30 Ottobre Su Etichetta Capitol Records/Universal Music
VENERDì 18 SETTEMBRE 2020 "Diamonds" è il nuovo singolo di Sam Smith, dal 18 settembre disponibile su tutte le piattaforme digitali. Il brano anticipa l'album "Love Goes" in uscita il 30 ottobre su etichetta Capitol Records/Universal Music. Sam Smith: fuori oggi 'Diamonds', il singolo che anticipa il nuovo In "Diamonds" Sam racconta, con la sua voce inconfondibile, una storia album 'Love Goes' dal 30 ottobre d'amore vissuta senza rimpianti. Sam Smith ha totalizzato ben trenta miliardi di stream durante la sua carriera con il primo e il secondo album, entrambi certificati dischi multiplatino nel Regno Unito e negli Stati Uniti. Grande attesa c'è per "Love Goes", suo terzo album in studio atteso per il prossimo 30 ottobre. ANTONIO GALLUZZO Per la creazione della copertina Sam ha lavorato con il fotografo di moda e regista britannico di fama mondiale Alasdair McLellan (Vogue, Kim Jones, Louis Vuitton). "Love Goes" è una raccolta di canzoni scritte negli ultimi due anni, ognuna caratterizzata da una storia diversa da raccontare. Sam l'ha [email protected] realizzata coinvolgendo diversi collaboratori: da Steve Mac (Ed Sheeran, SPETTACOLINEWS.IT Celine Dion), Shellback/MXM (Robyn, Pink, Britney Spears), Labrinth (Love Goes title track), a Stargate, nonché il buon amico Guy Lawrence (Disclosure) e il collaboratore di sempre Jimmy Napes. Sam ha dichiarato: Gli ultimi due anni sono stati i più sperimentali della mia vita, personalmente, ma anche musicalmente. Ogni volta che sono entrato in studio, mi sono ripromesso che avrei dato il meglio e anche di più, senza limiti. Il risultato è stato così magico, così terapeutico e divertente.
[Show full text]
The Chart Book – the Decade Series Volume 3 the 1970’S Singles
The Chart Book – The Decade Series Volume 3 The 1970’s Singles Compiled by Lonnie Readioff Introduction Contents It’s been almost a year between producing the 1960’s and the 1970’s volume in this series, and The Artist Section ......................................................................................................................... 8 no that is not because I lost interest (I’m a chart fan - I don’t think you do loose interest, merely put that interest aside for a time or choose a favourite era). That delay has been as I try and Analysis Section ........................................................................................................................ 307 bring the database up to a good standard in this era as it had numerous errors in both titles, Most Weeks On Chart .......................................................................................................... 307 artists and catalogue numbers. Many of these errors are present in other sources as well, so I Most Weeks On Chart – By Year .......................................................................................... 318 had to go back to look at the covers of the actual 7 inch vinyl records via Discogs and 45cat.com, as well as checking the original chart scans for the correct positions. There should be no errors Most Weeks On Chart By Disc In Total ................................................................................. 322 here. Famous last words…. Total Weeks On Chart By Composers .................................................................................
[Show full text]
American Square Dance Vol. 48, No. 8 (Aug. 1993)
AMERICAN ID SQUARE DANCE 'THE INTERNATIONAL MAGAZINE WITH THE SWINGING LINES' INGLE $2.00 ANNUAL $20.00 SUPREME AUDIO, INC... The Professional Source for Callers & Cuers TRAK SHUN' DANCE FLOOR TOO SLIPPERY? This marvelous newly-reformulated product helps prevent slipping . It will satisfy your requirements in making asphalt, linoleum, vinyl and wood floors safe for walking, dancing, and other physical activities. Sprinkle sparingly to the slippery area until the floor is safe or pour in an area where dancers can step in it and then enjoy sure footing. This is not rosin! No rosin build-up on your floor. Easily swept away. Long shelf life. Not recommended for polished stone surfaces. Excellent for Square and Round Dance Clubs to have at their dance halls and at weekends and festivals! Trak Shun - 1 lb can $7.00 each plus $3.00 shipping (10% discount for orders of 12 or more) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Dealer Inquiries Invited! • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • We guarantee your satisfaction! 1-800-445-7398 FREE (USA & Canada) HMO ML:r.4:21.1011 (Foreign: 603-876-3636) CATALOG SUPREME AUDIO, INC. P.O. Box 50 • Marlborough, NH 03455 (Mors I C eery • CCCCC seed $4.11111) AMERICAN VOLUME 48, No 8 SQUARE DANCE AUGUST 1993 THE INTERNATIONAL MAGAZINE WITH THE SWINGING LINES OUR READERS SPEAK 26 Grand Zip THE ASD LINE-UP 50 Feedback 60 Line of Fire 2 Editor's Notebook 3 By Line 4 S/D Thank Reagan SQUARE DANCE SCENE 5 Tempo 53 Date Line 7 Dancing Tips 59 A/C Lines Advanced
[Show full text]
Songs by Artist
Songs by Artist Title Title Title +44 3 Doors Down 5 Stairsteps, The When Your Heart Stops Live For Today Ooh Child Beating Loser 50 Cent 10 Years Road I'm On, The Candy Shop Beautiful When I'm Gone Disco Inferno Through The Iris When You're Young In Da Club Wasteland 3 Doors Down & Bob Seger Just A Lil' Bit 10,000 Maniacs Landing In London P.I.M.P. (Remix) Because The Night 3 Of Hearts Piggy Bank Candy Everybody Wants Arizona Rain Window Shopper Like The Weather Love Is Enough 50 Cent & Eminem & Adam Levine These Are Days 30 Seconds To Mars My Life 10CC Closer To The Edge My Life (Clean Version) Dreadlock Holiday Kill, The 50 Cent & Mobb Deep I'm Not In Love 311 Outta Control 112 Amber 50 Cent & Nate Dogg Peaches & Cream Beyond The Gray Sky 21 Questions U Already Know Creatures (For A While) 50 Cent & Ne-Yo 1910 Fruitgum Co. Don't Tread On Me Baby By Me Simon Says Hey You 50 Cent & Olivia 1975, The I'll Be Here Awhile Best Friend Chocolate Lovesong 50 Cent & Snoop Dogg & Young 2 Pac You Wouldn't Believe Jeezy California Love 38 Special Major Distribution (Clean Changes Hold On Loosely Version) Dear Mama Second Chance 5th Dimension, The How Do You Want It 3LW Aquarius (Let The Sun Shine In) 2 Pistols & Ray J No More Aquariuslet The Sunshine You Know Me 3OH!3 In 2 Pistols & T Pain & Tay Dizm Don't Trust Me Last Night I Didn't Get To She Got It StarStrukk Sleep At All 21 Demands 3OH!3 & Ke$ha One Less Bell To Answer Give Me A Minute My First Kiss Stoned Soul Picnic 3 Doors Down 3OH!3 & Neon Hitch Up Up & Away Away From The Sun Follow Me Down Wedding Bell Blues Be Like That 3T 6 Tre G Behind Those Eyes Anything Fresh Citizen Soldier 4 Non Blondes 702 Duck & Run What's Up I Still Love You Here By Me 4 P.M.
[Show full text]