Neglp�,T a It

Total Page:16

File Type:pdf, Size:1020Kb

Neglp�,T a It . ...; '-. E8TABLISH�D. PAGES WEEItLY. VOL. No. 1884. xxrr, ar,1863.} TOPEKA, KANSAS, MAY'1a1, ••1.110 A {SIXTEENP�U()E .YEAR. , THE GROWING OF OORN. ter appreciate the importance of this part of tendency' of it in such a condition is to wai� to see what the enemies will do. and the work. A root is of a A prize essay prepared by D. S. Fulton, and composed main, bard�n., This is nature's time for root pro- then replant. Deep, thorough, .intelligent . covered publlsbed in the NationaL Stocktmant. its whole length with fibres which duction, and tbe sooner it is accomplished culture is also t,lle best means to prevent are the or feedersto the nour- the tlme she will The essential thing to success in com mouths gatlrer longer have for maturing washing of .the soli. 'What we haye saJ.�has ishment from-the soil.' These do . not the culture, as well as anything else, is to know pene- crop. And-last,-but far from least, if:we been more especiaHy intended to teach tbe trate the of the soil.tn search of should check (1) what you want to do, and (2) how to do particles the the upward grpwthof stalk for cultiv�t�l' to think, as well as act, and,��s food It. To this end we cannot have too much. (to do which they have not the power) the time being by �reaking roots; or partial to act intelllgently:. Wide-awake I is the knowledge of the nature of the cereal, in all but pass between them; Of course the upheaval of the plants, we are only acting in watchwordof the com-grower: forwhatever It,s several parts. and the requlsltes to the power of the root must be proportioned to union with the.law Qf the growth of plants may be the price 'of it to the consumer, the a production qf these different parts, to the number and vigor of these feeders, and in temperate clime, thereby gaining stabil- "e�rnal vlgllance" it surely costs' the PJO- that fact wlll depend largely upon the con- !ty, strength lind firmness forthestalkatter- ducer. .greatest possible perfection; for perfection � _ of their inn shoot- wards, and also. the in the several parts in detail means success geniailtY surroundings. counteracting tendency . forth strike lin sub- to from Answered. in the results. Indian com Is a native of a ine; they impenetrable extreme height; taking·a hint tlie Inquiries the usefulness of these who does not salt can be obtained at temperate cIlme, by which we mean one stance, delicate gardener, scruple to interfere R,?ck Kansn.City. • I) It-ls for stock. If where heat and cold alternate. Carry it agents is crippled or perhaps destroyed. A with the roots of his plants by frequent re- kept purposely vour gro­ soil of must a cer does not know how to it toward the fi'lgid zone, and the seasons be- composed large particles nat- settings, thus developing mass of .roots get fQ.r you, have air the that wlll insure him a faithful de- write to Prof. E. M. Shelton, Manhattan, for come too short and cold; advance it toward. urally large spaces between par- . reward, weak in in the latter sea- an address. He uses It on the the torrid, and you lose the essential root- tlcles, lacking contact, ability to spite adversities part of the Coilege farm. conduct and retain heat and and son. .A. producing power of alternation, and you moisture, reader of the F-:ABMER wants'to iiIow' thus in to TIie now . have magnificent stalks with little grain. ;being poor condition yield its prope� form.of 'cultivatlng is by where to obtain white rye. Who can an- ' Art has shortened the period of ripening in strength. Disturbance of soil while wet, .long, narrow blades, running deep, especl- swer? We do not know. eitber with of or the ally near 'the plants, using shields to tbemultipIlcity of varieties. !fhe first thing, implement!' husbandry, prevent Nits are never destroyed Jjy what is "com­ of bas a the next the then, is the selection of a yariety best trampling heavy stock, tendency to eoverlng, decreasing depth. monly used to kill the grown Insect' But or Increase this evll. as thev Iaerease In and adapted to the average length of the sea- produce plants size, finally the nits soon hatch and then they may be The novIce we were merely to break the and sons, in a given localIty; bearing in mind. might thiltk spending scarifying surface destroyed' by an application of whati-w�s. on weed The old also, that strength of soil has much to do too-much time and labor thIs preparatory destroy germs. plan of eultl- used -to kill thou ancestors. If coal 011 kills, of the work. But 'be' .not deceived.' sba:Ilow"whjln the. are with early maturity. part y�tlng plants small, the lice, use it, and then in a ShQf·t nme tire Ever so small a blunder or neglect here WIll and deep when large, is having In genpral terms, com, Ilke all cereals, is suiCidal, no. nits will be ready for a dose. By watching of three tell heavi'ly at the in-gatherlng.·�We'wish to foundatIon in reason or pature. The prae-. composed distinct parts-root, stalk closely Y911 )"Hi see ,wIlen to a,PPI)I. .,It JPllty and grain; In time of formr.;tlon,'inthe order impress upon the mind of the cultivator that tlce of throwing away from the plants by.",' require' tlIi�!'l 'applications to get'rtd 6'f. aU. and in value at in the in- each step properly and firmly taken makes barshear, and again, is better. The But named, biLck .nli(l . wi1l maturity, prom'ptness perseveranoe. , 'get verse order, thus placing the greatest reward each subsequent one more easily and sue- destruction of 'W�eds shoul4 always be a' away' with them. and the farther froui secondary never It to at the end of the race. Abundance'of strong, cessfully performed; consideration, allowing SWEENY.-Very light exercise, no. strain­ the the the its drive us from cultivation of tbe roots goal step greater tve proper . vigorous produce large, healthy stalks. importance, ing work of any ltindt;-feed grass and oats:­ as the racer and a These combined yield abundance of mature, just might misstep sprain plants. no com for it time; rub the affected .p!lit . when near the end of the 'and a full force of nutritiou!" grain. The wise cultivator will limb, race, B;aving procured strong, with the hand, a corn-cob or crooked stick: in while a like we will not not fall'to see the importance of each in its still succeed winning, mishap vigorous roots, have much rub frequently; apply melted grease=bacon at the would have beendlsastrous. trouble with the of the stalks. place, aI;ld the,necessity of giving due ntten- beglnnlng production frylngs is good as any, and dry iJt1by'beat­ The individual who to prepare hIS For a grain we want a stalk tlon to the full development of each in its neglects profit single lng, as by holding a warm flat·ir�near. Be season. soil early in ,the when nature is from a germ. The means we have season, pro- single careful not to bum or sear. Rest Is Impera- Let us turn attention for a while to the wlll find to OUl; to pltious carryon work, the been very properly using develop root tive; , each of these several parts, commencing difficulties increase later. By a fertile soil power, and the slight checklng a stalk devel­ with the root, as first to be produced. And we mean one containing a full supply of all opment by occasional cool spells, will cause Farmer's Oreed. here it is right essential to start right. So, the elements that enter .into the formation nature to seek an outlet for her root re-. More than forty years ago Henry 'Ward • first of all, we want goed seed, not merely of the differel).t parts of the plants. If any rources by starting laterals, ("suckers" we Beecher was the editor of the Ind:tama seed that will grow, but fully developed, of tbese 'are lacking they should be supplied. call thern) she having also in view the speedy Farmv;, at Indianapolis. He was pretty well matured, properly preserved seed. Such The proper mode of applying all fine fertiI- covering of the soil. These should be reo thoroughly orthodox In those days and be­ seed will shoot forth n root and germ with izers is to thoroughly mix with the soil, but moved, and nature encouraged � push for­ lieved a good deal more in creeds than he is double the power of seed that Is so deficient coarse vegetable matter can often be plowed ward the �\ilgle stalk, with thelassurance said tc.do now. He originated an agricul­ in vitality,as to barely bave ability to germ- under with good resnlts, especially on heavy that we kelli!Jlle surface aU'right untll tural creed and put it at the mast-head. It inate under the most favorable circum- soils, the mechanical effects in keeping the sufficientl. shaded>-lY.:e want ;a well-pro­ is to be found in a collection of his editorials stances, besides having the ability, to resist soil loose. and warm, and withdrawing the portioned stalk. Naturil'-5� given one com­ published by Saxton many years ago: the evil effects of a season adverse to germ water from the surface.
Recommended publications
  • MEIEA 2012 Color.Indd
    Journal of the Music & Entertainment Industry Educators Association Volume 12, Number 1 (2012) Bruce Ronkin, Editor Northeastern University Published with Support from Reviews Will Hermes. Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever. New York: Faber and Faber, Inc., 2011. www.fsgbooks.com. Music scenes have played a major part in the development of popu- lar music and the music industry for decades. Rolling Stone critic Will Hermesʼ book Love Goes to Buildings on Fire, whose title refers to an early Talking Heads song, documents the rich tapestry of music scenes happening in New York City from 1973 to 1978. The author was in high school in Queens during the time, and uses meticulously researched an- ecdotes and interviews along with personal experiences to give the reader an insider’s view of both the music and its relationship to the city. The description is presented in a precisely chronological sequence, constantly switching between multiple narratives in a way that is very contempo- rary yet still cohesive. This technique emphasizes the simultaneity of the different musical movements growing up at the time, and also helps to describe the interaction between them. Creative hybrids and mixing of musical scenes and styles, which were common, are prominent themes throughout the book. In addition to the artists, Hermes documents in de- tail the contributions of labels, studios, radio stations, venues, managers, promoters, and music journalists who helped fuel and fund the musical creativity of the time. New York was teetering on the edge of bankruptcy and riddled with crime and drugs during these years, and there is a strong focus on how music related to broader social and economic factors.
    [Show full text]
  • Brunner Gründer 2011-11-01
    Online-Publikationen des Arbeitskreis Studium Populärer Musik e.V. (ASPM) Hg. v. Ralf von Appen, André Doehring, Dietrich Helms u. Thomas Phleps www.aspm- samples.de/Samples10/ brunnergruender.pdf Jahrgang 10 (2011) – Version vom 1.11.2011 »SO EINEN SCHEIß LADE ICH NICHT AUF MEIN LAPTOP.« AUSWERTUNG EINER STUDIE ZUM UMGANG VON SCHÜLERN MIT RECHTSRADIKALER MUSIK Georg Brunner und René Gründer Erkenntnisinteresse und Fragestellung In der gesellschaftspolitischen Diskussion um die Gefährdung Jugendlicher durch rechtsextremes Gedankengut wird auf das Problem rechtsextremer Jugendmusik bzw. des so genannten »Rechtsrock« hingewiesen (zusammen- fassend Brunner 2011a). Unter »Rechtsrock« werden dabei allgemein solche Spielarten der populären Musik verstanden, deren Songtexte rechtsextreme Inhalte transportieren. Das Grundproblem bei der Eingrenzung des Gegen- standsbereiches »rechtsextremer Inhalte« besteht darin, dass (Rechts-)- Extremismus ein sozialwissenschaftlich unscharfer, da ursprünglich ver- waltungstechnisch bestimmter Begriff ist: Rechtsextremismus bezeichnet verfassungsfeindliche Einstellungen und Bestrebungen, die gegen die frei- heitlich demokratische Grundordnung sowie gegen den Bestand und die Sicherheit der Bundesrepublik Deutschland gerichtet sind. Als inhaltliche Merkmale von Rechtsextremismus gelten dabei Nationalismus, Rassismus, ein autoritäres Staatsverständnis sowie die Ideologie der Volksgemeinschaft (Stöß 2007: 17). Das verwaltungstechnische Extremismus-Modell kennt dabei neben der rechtsextremistischen Zone, die klar
    [Show full text]
  • EARTH, WIND & FIRE -‐ Bio XRIJF JUNE 20-‐28, 2014 During the 1970S
    EARTH, WIND & FIRE - Bio During the 1970s, a new brand of pop music was born - one that was steeped in African and African- American styles - particularly jazz and R&B but appealed to a broader cross-section of the listening public. As founder and leader of the band Earth, Wind & Fire, Maurice White not only embraced but also helped bring about this evolution of pop, which bridged the gap that has often separated the musical tastes of black and white America. It certainly was successful, as EWF combined high-caliber musicianship, wide-ranging musical genre eclecticism, and '70s multicultural spiritualism. "I wanted to do something that hadn't been done before," Maurice explains. "Although we were basically jazz musicians, we played soul, funk, gospel, blues, jazz, rock and dance music...which somehow ended up becoming pop. We were coming out of a decade of experimentation, mind expansion and cosmic awareness. I wanted our music to convey messages of universal love and harmony without force- feeding listeners' spiritual content." Maurice was born December 19, 1941, in Memphis, TN. He was immersed in a rich musical culture that spanned the boundaries between jazz, gospel, R&B, blues and early rock. All of these styles played a role in the development of Maurice's musical identity. At age six, he began singing in his church's gospel choir but soon his interest turned to percussion. He began working gigs as a drummer while still in high school. His first professional performance was with Booker T. Jones, who eventually achieved stardom as Booker T and the MGs.
    [Show full text]
  • Celebrity, Gender, Desire and the World of Morrissey
    " ... ONLY IF YOU'RE REALLY INTERESTED": CELEBRITY, GENDER, DESIRE AND THE WORLD OF MORRISSEY Nicholas P. Greco, B.A., M.A. Department of Art History & Communication Studies McGill University, Montreal March 2007 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Philosophy Copyright © Nicholas P. Greco 2007 Library and Bibliothèque et 1+1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada Your file Votre référence ISBN: 978-0-494-32186-7 Our file Notre référence ISBN: 978-0-494-32186-7 NOTICE: AVIS: The author has granted a non­ L'auteur a accordé une licence non exclusive exclusive license allowing Library permettant à la Bibliothèque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans loan, distribute and sell th es es le monde, à des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, électronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in et des droits moraux qui protège cette thèse. this thesis. Neither the thesis Ni la thèse ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent être imprimés ou autrement may be printed or otherwise reproduits sans son autorisation.
    [Show full text]
  • Songs by Artist
    Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.
    [Show full text]
  • Contemporary
    C O N T E M P O R A R Y R E P E R T O I R E f o r S T R I N G Q U A R T E T O N L Y A Hard Day’s Night (The Beatles) Diamonds Are Forever (Shirley Bassey) A Thousand Years (Christina Perri) Disarm (Smashing Pumpkins) Ain't No Mountain High Enough (Marvin Gaye) Don't Stop Believing (Journey) All About That Bass (Meghan Trainor) Don't You Forget About Me (Simple Minds) All Day and All Of The Night (The Kinks) Drive By (Train) All Fall Down (OneRepublic) Edelweiss All of Me (John Legend) Elastic heart (Sia) All My Love (Led Zeppelin) Eleanor Rigby (The Beatles) All You Need is Love (The Beatles) Electric Feel (MGMT) Angel (Sarah McLachlan) Endless Love (Lionel Ritchie) Arrival of the Birds (Cinematic Orchestra) Et Si Tu N'Existais Pas (Joe Dassin) At Last (as performed by Etta James) Every Breath You Take (The Police) Bad Blood (Bastille) Every Little Thing She Does Is Magic (The Police) Bad Romance (Lady Gaga) Every Teardrop is a Waterfall (Coldplay) Beat It (Michael Jackson) Everybody Talks (Neon Trees) Beautiful Day (U2) Fields of Gold (Sting) Begin Again (Taylor Swift) Five Years (David Bowie) Besame Mucho For Your Eyes Only (Sheena Easton) Billie Jean (Michael Jackson) Forget You (CeeLo Green) Billy Joel medley of songs From This Moment On (Shania Twain) (Pressure, Vienna, Uptown Girl, Just The Way You Are, Piano Man) Get Lucky (Daft Punk) Bittersweet Symphony (The Verve) Girls Just Wanna Have Fun (Cyndi Lauper) Black Hole Sun (Soundgarden) Glad You Came (The Wanted) Bleeding Love (Leona Lewis) God Only Knows (Beach Boys) Bohemian Rhapsody
    [Show full text]
  • Analysis of Grammatical Errors in Pop Song Lyrics
    University of South Bohemia in České Budějovice Faculty of Education Department of English Studies Bachelor thesis Analysis of grammatical errors in pop song lyrics Magdalena Smolková Supervisor: Mgr. Ludmila Zemková Ph.D. České Budějovice 2018 Prohlášení Prohlašuji, že jsem svoji bakalářskou práci na téma „Analýza gramatických chyb v textech popových písní“ vypracovala samostatně pouze s použitím pramenů a literatury uvedených v seznamu citované literatury. Prohlašuji, že v souladu s § 47b zákona č. 111/1998 Sb. v platném znění souhlasím se zveřejněním své bakalářské práce, a to v nezkrácené podobě fakultou elektronickou cestou ve veřejně přístupné části databáze STAG provozované Jihočeskou univerzitou v Českých Budějovicích na jejích internetových stránkách, a to se zachováním mého autorského práva k odevzdanému textu této kvalifikační práce. Souhlasím dále s tím, aby toutéž elektronickou cestou byly v souladu s uvedeným ustanovením zákona č. 111/1998 Sb. zveřejněny posudky školitele a oponentů práce i záznam o průběhu a výsledku obhajoby kvalifikační práce. Rovněž souhlasím s porovnáním textu mé kvalifikační práce s databází kvalifikačních prací Theses.cz provozovanou Národním registrem vysokoškolských kvalifikačních prací a systémem na odhalování plagiátů. V Českých Budějovicích dne 23.4.2018 …..………………………… Magdalena Smolková Poděkování Ráda bych poděkovala Mgr. Ludmile Zemkové, Ph.D. za vedení, podporu a rady při psaní mé bakalářské práce. Rovněž bych ráda poděkovala Mgr. Jiřímu Kloudovi za korekturu této práce. Acknowledgements I would like to thank my supervisor Mgr. Ludmila Zemková, Ph.D. for her guidance, great support and kind advice throughout writing my bachelor thesis. Also, I would like to thank Mgr. Jiří Klouda for correction of this thesis. Anotace Práce bude zkoumat výskyt gramatických chyb v textech písní, řadících se do hudebního žánru pop-music.
    [Show full text]
  • Love Goes" in Uscita Il 30 Ottobre Su Etichetta Capitol Records/Universal Music
    VENERDì 18 SETTEMBRE 2020 "Diamonds" è il nuovo singolo di Sam Smith, dal 18 settembre disponibile su tutte le piattaforme digitali. Il brano anticipa l'album "Love Goes" in uscita il 30 ottobre su etichetta Capitol Records/Universal Music. Sam Smith: fuori oggi 'Diamonds', il singolo che anticipa il nuovo In "Diamonds" Sam racconta, con la sua voce inconfondibile, una storia album 'Love Goes' dal 30 ottobre d'amore vissuta senza rimpianti. Sam Smith ha totalizzato ben trenta miliardi di stream durante la sua carriera con il primo e il secondo album, entrambi certificati dischi multiplatino nel Regno Unito e negli Stati Uniti. Grande attesa c'è per "Love Goes", suo terzo album in studio atteso per il prossimo 30 ottobre. ANTONIO GALLUZZO Per la creazione della copertina Sam ha lavorato con il fotografo di moda e regista britannico di fama mondiale Alasdair McLellan (Vogue, Kim Jones, Louis Vuitton). "Love Goes" è una raccolta di canzoni scritte negli ultimi due anni, ognuna caratterizzata da una storia diversa da raccontare. Sam l'ha [email protected] realizzata coinvolgendo diversi collaboratori: da Steve Mac (Ed Sheeran, SPETTACOLINEWS.IT Celine Dion), Shellback/MXM (Robyn, Pink, Britney Spears), Labrinth (Love Goes title track), a Stargate, nonché il buon amico Guy Lawrence (Disclosure) e il collaboratore di sempre Jimmy Napes. Sam ha dichiarato: Gli ultimi due anni sono stati i più sperimentali della mia vita, personalmente, ma anche musicalmente. Ogni volta che sono entrato in studio, mi sono ripromesso che avrei dato il meglio e anche di più, senza limiti. Il risultato è stato così magico, così terapeutico e divertente.
    [Show full text]
  • The Chart Book – the Decade Series Volume 3 the 1970’S Singles
    The Chart Book – The Decade Series Volume 3 The 1970’s Singles Compiled by Lonnie Readioff Introduction Contents It’s been almost a year between producing the 1960’s and the 1970’s volume in this series, and The Artist Section ......................................................................................................................... 8 no that is not because I lost interest (I’m a chart fan - I don’t think you do loose interest, merely put that interest aside for a time or choose a favourite era). That delay has been as I try and Analysis Section ........................................................................................................................ 307 bring the database up to a good standard in this era as it had numerous errors in both titles, Most Weeks On Chart .......................................................................................................... 307 artists and catalogue numbers. Many of these errors are present in other sources as well, so I Most Weeks On Chart – By Year .......................................................................................... 318 had to go back to look at the covers of the actual 7 inch vinyl records via Discogs and 45cat.com, as well as checking the original chart scans for the correct positions. There should be no errors Most Weeks On Chart By Disc In Total ................................................................................. 322 here. Famous last words…. Total Weeks On Chart By Composers .................................................................................
    [Show full text]
  • American Square Dance Vol. 48, No. 8 (Aug. 1993)
    AMERICAN ID SQUARE DANCE 'THE INTERNATIONAL MAGAZINE WITH THE SWINGING LINES' INGLE $2.00 ANNUAL $20.00 SUPREME AUDIO, INC... The Professional Source for Callers & Cuers TRAK SHUN' DANCE FLOOR TOO SLIPPERY? This marvelous newly-reformulated product helps prevent slipping . It will satisfy your requirements in making asphalt, linoleum, vinyl and wood floors safe for walking, dancing, and other physical activities. Sprinkle sparingly to the slippery area until the floor is safe or pour in an area where dancers can step in it and then enjoy sure footing. This is not rosin! No rosin build-up on your floor. Easily swept away. Long shelf life. Not recommended for polished stone surfaces. Excellent for Square and Round Dance Clubs to have at their dance halls and at weekends and festivals! Trak Shun - 1 lb can $7.00 each plus $3.00 shipping (10% discount for orders of 12 or more) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Dealer Inquiries Invited! • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • We guarantee your satisfaction! 1-800-445-7398 FREE (USA & Canada) HMO ML:r.4:21.1011 (Foreign: 603-876-3636) CATALOG SUPREME AUDIO, INC. P.O. Box 50 • Marlborough, NH 03455 (Mors I C eery • CCCCC seed $4.11111) AMERICAN VOLUME 48, No 8 SQUARE DANCE AUGUST 1993 THE INTERNATIONAL MAGAZINE WITH THE SWINGING LINES OUR READERS SPEAK 26 Grand Zip THE ASD LINE-UP 50 Feedback 60 Line of Fire 2 Editor's Notebook 3 By Line 4 S/D Thank Reagan SQUARE DANCE SCENE 5 Tempo 53 Date Line 7 Dancing Tips 59 A/C Lines Advanced
    [Show full text]
  • Songs by Artist
    Songs by Artist Title Title Title +44 3 Doors Down 5 Stairsteps, The When Your Heart Stops Live For Today Ooh Child Beating Loser 50 Cent 10 Years Road I'm On, The Candy Shop Beautiful When I'm Gone Disco Inferno Through The Iris When You're Young In Da Club Wasteland 3 Doors Down & Bob Seger Just A Lil' Bit 10,000 Maniacs Landing In London P.I.M.P. (Remix) Because The Night 3 Of Hearts Piggy Bank Candy Everybody Wants Arizona Rain Window Shopper Like The Weather Love Is Enough 50 Cent & Eminem & Adam Levine These Are Days 30 Seconds To Mars My Life 10CC Closer To The Edge My Life (Clean Version) Dreadlock Holiday Kill, The 50 Cent & Mobb Deep I'm Not In Love 311 Outta Control 112 Amber 50 Cent & Nate Dogg Peaches & Cream Beyond The Gray Sky 21 Questions U Already Know Creatures (For A While) 50 Cent & Ne-Yo 1910 Fruitgum Co. Don't Tread On Me Baby By Me Simon Says Hey You 50 Cent & Olivia 1975, The I'll Be Here Awhile Best Friend Chocolate Lovesong 50 Cent & Snoop Dogg & Young 2 Pac You Wouldn't Believe Jeezy California Love 38 Special Major Distribution (Clean Changes Hold On Loosely Version) Dear Mama Second Chance 5th Dimension, The How Do You Want It 3LW Aquarius (Let The Sun Shine In) 2 Pistols & Ray J No More Aquariuslet The Sunshine You Know Me 3OH!3 In 2 Pistols & T Pain & Tay Dizm Don't Trust Me Last Night I Didn't Get To She Got It StarStrukk Sleep At All 21 Demands 3OH!3 & Ke$ha One Less Bell To Answer Give Me A Minute My First Kiss Stoned Soul Picnic 3 Doors Down 3OH!3 & Neon Hitch Up Up & Away Away From The Sun Follow Me Down Wedding Bell Blues Be Like That 3T 6 Tre G Behind Those Eyes Anything Fresh Citizen Soldier 4 Non Blondes 702 Duck & Run What's Up I Still Love You Here By Me 4 P.M.
    [Show full text]
  • Form in Popular Song, 1990-2009
    FORM IN POPULAR SONG, 1990-2009 Jeffrey S. Ensign Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS December 2015 APPROVED: Thomas Sovik, Major Professor Donna Emmanuel, Committee Member John Covach, Committee Member Frank Heidlberger, Chair of Music History, Theory, and Ethnomusicology Benjamin Brand, Director of Graduate Studies for the College of Music James Scott, Dean of the College of Music Costas Tsatsoulis, Dean of the Toulouse Graduate School Ensign, Jeffrey S. Form in Popular Song, 1990-2009. Doctor of Philosophy (Music Theory), December 2015, 285 pp., 31 figures, 127 examples, bibliography, 92 titles. Through an examination of 402 songs that charted in the top 20 of the Billboard year-end charts between the years 1990 and 2009, this dissertation builds upon previous research in form of popular song by addressing the following questions: 1) How might formal sections be identified through melody, harmony, rhythm, instrumentation, and text? 2) How do these sections function and relate to one another and to the song as a whole? 3) How do these sections, and the resulting formal structures, relate to what has been described by previous theorists as normative? 4) What new norms and trends can be observed in popular song forms since 1990? Although many popular songs since 1990 do follow well-established forms, some songwriters and producers change and vary these forms. AAA strophic form, AABA form, Verse-Chorus form, Verse-Chorus with Prechorus and/or Postchorus sections, Verse-Chorus- Bridge form, “Other, with a Chorus” and “Other, without a Chorus” forms are addressed. An increasing number of the songs in each of the above listed forms are based on a repeating harmonic progression or no harmonic progression at all.
    [Show full text]