Spring 2020 EDITORIAL

Dear Readers and Viewers,

After spring’s refurbishing, which we mentioned in our last editorial, summer and fall 2019 bring about a yearn- ing for nature. From Chinese painting to Sorolla’s Gardens, from Hopper’s Landscapes to Hundertwasser’s Future Concepts to Christiane Löhr’s fine objects.

Our booklist for spring 2020 makes it clear that nature and biology have taken on a major role in art and pho166 GRAS-, 2018, Acryl auf Baumwolle, 60 x 80 cm GRAS, 2017, Acryl auf Baumwolle, 100 x 140 cm 167 tography. A precise look at nature, whether from aesthetic, ecological, economic, or sociocultural viewpoints, offers a shared realm of experience that we all perceive through search, developed strategies for visual design, and trans- our senses, and that keeps us, as well as artists, enor- ferred images to a screen (a panel, in his case) a century mously occupied. ago. This reconstruction is the first one attempted after the destruction of the original book, which occurred when Doubtless, one of the highlights in this list is an extra- Warburg fled to London. The authors Roberto Ohrt and special, illustrated volume. One hundred years ago Aby Axel Heil produced it, and we have the privilege of being Warburg spent nearly two decades of his life drawing able to publish this magnificent book—it is a special focal fascinating connections between pictures in his Bilder point on our booklist. atlas Mnemosyne. Mnemosyne (memory) is the mother of the nine muses and helps the eye find access to themes The artist Stefan Marx has published artist books for many and their visual narrative. We work in a very similar way years and he has always been interested in the question of today—for instance, in conceptual design, with mood what the best formats are for communicating his work. In boards or Internet searches for images. With this in mind, this we see a link between his work and ours. We, too, are you could also say that Aby Warburg invented the image constantly looking for the cleverest ways to publish content, while thinking about what format would suit it best. We are very pleased that Stefan Marx has developed his wonderful notebooks with Hatje Cantz. They are our contribution to the “non book” genre because they open up space for the reader’s own thoughts, drawings, pictures, or words. We hope you will enjoy yourself with your own pen in hand, and good books in front of you!

Nicola von Velsen and Sven Fund, with the whole Hatje Cantz team

40 41 CONTENTS

Highlights Film

2 Aby Warburg 41 Ulrike Ottinger 3 Edward Hopper 4 Edward Hopper: A to Z 5 Resonating Spaces Museums and Collections 6 Francisco de Goya 42 Chinati 7 Sorolla 43 Baloise Art 8 Stefan Marx: Notes 44 Museum Langmatt 9 Heiter bis wolkig

10 Hundertwasser 56 DONALD JUDD 57 Photography Art 45 Inez & Vinoodh 46 Kate Bellm 11 Longing for Nature 47 Nelly Rau-Häring 12 Jochen Hein

76 El jardín de 48 la Casa Sorolla Kristian Schuller

1917 Óleo sobre lienzo, 13 Franco Viola 95,5 × 64 cm Valencia, Ayuntamiento de Valencia. Museo de la Ciudad [ BPS 1762 ] 49 Michael Magers 14 Sven Drühl Sorolla Jardines.indb 135 14/2/19 14:09 50 Jan Scheffler 15 Loló Soldevilla 51 Vincent Desailly 16 Teruko Yokoi 52 Doyeon Gwon 17 Stefan Marx: Word Paintings 53 The Helsinki School 18 Dominik Halmer 19 Yan Pei-Ming 20 Ashley Hans Scheirl 21 Nathalie Djurberg & Hans Berg / Asger Jorn 22 Martin Puryear 23 Elmgreen & Dragset 24 Sigalit Landau 25 Haegue Yang 54 Santeri Tuori 26 Loris Gréaud 55 Niko Luoma 27 Zac Langdon-Pole’s Art Journey 56 Alastair Philip Wiper 28 Anton Ginzburg 29 Sondra Perry 30 Cally Spooner Architecture 31 Peter Friedl 32 Christiane Löhr 57 Brunet Saunier Architecture 33 Amuse-bouche 58 Anjar 1939–2019 34 Reclaiming Artistic Research 59 Digesting Metabolism 34 Contemporary Sculpture 60 Rena Sakellaridou 35 Thomas Hirschhorn 36 Romanian Contemporary Art 37 Image Bank Design 38 Nonnen 61 Peter Arnell 39 Hidden Alliances

Dance 62 Backlist & Special Price 75 Gift Ideas

40 Deborah Hay 1 77 Contact D.Hay_Druck_1-83.indd 1 27.06.19 15:23 An Extra-Special Illustrated Volume ABY WARBURG Bilderatlas From 1925 until his death in 1929 the Hamburg-based art and cultural scholar Aby Warburg worked on his Mnemo- MNEMOSYNE syne Atlas, a volume of plates that has, in the meanwhile, – The Original taken on mythical status in the study of modern art and visual studies. With this project, Warburg created a visual reference system that was far ahead of its time. In co operation with the Warburg Institute, Roberto Ohrt and Axel Heil have now undertaken the task of finding all of the individual pictures from the atlas and displaying these reproductions of artworks from the Middle East, European antiquity, and the Renaissance in the same way that War- burg himself showed them, on panels hung with black fabric. This folio volume and the exhibition in Haus der Kulturen der Welt, Berlin succeed in restoring Warburg’s vanished legacy—something that researchers have long considered impossible.

ABY WARBURG (1866–1929), scion of a Hamburg banking family, completed his doctorate in 1892 on the Italian Renaissance painter Sandro Botticelli. As a result, he comprehensively studied the interplay of myths, images and rites from different cultural contexts. This lead him to his main subject matter: the afterlife of antiquity in the Renaissance. With his attempt to break down the rigid boundaries of art history, Warburg is regarded as one of the fathers of modern pictorial science.

HIGHLIGHTS The art historian ROBERTO OHRT (*1954) and the artist AXEL HEIL (*1965) have searched through the 400,000 individual pictures in the Photographic Collection at the Warburg Institute in London, looking for the images for the atlas. Their work is a comprehensive tribute to Aby Warburg Aby Warburg’s pictorial world. Bilderatlas Mnemosyne – The Original ● A key work of art history EDITORS ● In its original folio format Haus der Kulturen der Welt, Berlin, and The Warburg Institute, London ● Insight into a unique pictorial world TEXTS Roberto Ohrt, Axel Heil, Bernd Scherer, Bill Sherman, Claudia Wedepohl GRAPHIC DESIGN Axel Heil, Christian Ertel, fluid

English ca. 176 pp. ● 63 panels ● 63 x 43 cm ● hardcover ● €200.00, $230.00, £198.00 April 2020

EXHIBITION Haus der Kulturen der Welt, Berlin, April 5—June 29, 2020

ABY WARBURG Bilderatlas ABY WARBURG Bilderatlas MNEMOSYNE MNEMOSYNE – Aby Warburg – Aby Warburg Kommentar Kommentar Bilderatlas Mnemosyne – Kommentar Bilderatlas Mnemosyne – Commentary Volume ca. €52.00, $75.00, £50.00 ca. €52.00, $75.00, £50.00 ISBN 978-3-7757-4694-6 (German) ISBN 978-3-7757-4695-3 (English)

ISBN 978-3-7757-4693-9 English 2 HIGHLIGHTS 3

January 26–May 17, 2020 January 26–May 17, Edward Hopper. Landschaft neu gesehen Landschaft Hopper. Edward £54.00 $62.00, €54.00, ISBN 978-3-7757-4647-2 (German) EDITORS TEXTS EXHIBITION Ulf Küster on behalf of Fondation Beyeler, Riehen/Basel Beyeler, on behalf of Fondation Ulf Küster Rüppell Katharina Lubin, David Ulf Küster, Doss, Erika GRAPHIC DESIGN Pandiscio Richard English ● cm ● hardcover ● 30 x 27.4 ● ca. 110 ills. 168 pp. £54.00 $62.00, €54.00, January 2020 Riehen/Basel, Beyeler, Fondation Edward Hopper Edward on Landscape Perspective A New English - - - - - ISBN 978-3-7757-4654-0 ISBN 978-3-7757-4654-0 (1882–1967) Realism. is the master of American Depicting landscape A new look at Edward Hopper Edward A new look at American painters One of the most famous EDWARD HOPPER EDWARD ● ● ● ernism. A source of inspiration for countless painters, photographers, photographers, painters, countless for inspiration of source A ernism. to this to be influential continues his body of work and filmmakers, day. very His paintings captured life during his era. His method of painting painting of method His era. his during life captured paintings His mod of a type of American became the stylistic foundation rapidly watercolors, and drawings from the 1910s to the 1960s on the 1910s to the from and drawings watercolors, es them with and supplements in the exhibition, display on the subject of depicting landscape. focused says Beyeler is devoting its large exhibition in the spring of exhibition its large is devoting Beyeler American land images of the vast iconic 2020 to Hopper’s paintings, the of all together gathers catalogue The scape. became famous around the globe for his oil paintings. his oil paintings. the globe for around became famous color and of the effects in interest testifyThey to his great The Fondation his mastery and shadow. in depicting light of colors, Hopper continues to influence to this day the to this day to influence Hopper continues of colors, in the first half of the twen States image of the United and an illustrator as He began his career tieth century. Edward Hopper’s world-famous paintings articulate an paintings world-famous Hopper’s Edward sub his impressive With life. view of modern idiosyncratic and virtuoso play pictorial vocabulary, jects, independent American Landscapes American Everything You’ve Always Wanted to Know About Hopper That incomparable melancholy in Edward Hopper’s pictures occasionally leads us to look at the details of his life. Where exactly did this master of loneliness live and work? HOPPER What were his most important influences while he was A TO Z working on his great paintings of America? In this wonderful, simply structured, A-to-Z book, Ulf Küster pursues these themes, which say a great deal about the painter and his interests, and yet he never loses sight of the artist and the necessary distance to his inimitable pictures. Thus, Küster strolls through the ABCs of Hopper’s life and work, from the “American landscape,” “Buick” “Goethe,” and “shadow and sunlight” to the key word, “time.” On the way he opens up many new doors or insights, enriching the views of Hopper’s paintings and making it possible to interpret them in new ways. An entertaining and informative book.

EDWARD HOPPER (1882–1967) is the master of American Realism. His paintings captured life during his era. His method of painting rapidly became the stylistic foundation of a type of American modernism. A source of inspiration for countless painters, photographers, and filmmakers, his body of work continues to be influential to this very day. The art theoretician and curator ULF KÜSTER (*1966, Stuttgart) has HIGHLIGHTS worked at the Fondation Beyeler in Riehen since 2004. He produces many internationally respected exhibitions and publications. Hatje Cantz has published a number of these, including his essay on Louise Bourgeois in the series Reading Art. Edward Hopper A to Z

● Details of the great artist’s life TEXT Ulf Küster ● Good substitute for a short guide GRAPHIC DESIGN ● Entertaining information on superb Torsten Köchlin paintings English ca. 56 pp. ● ca. 40 ills. ● 19.5 x 13 cm ● hardcover ● ca. €18.00, $20.00, £18.00 A bis Z: March 2020 American Landscape

Buick EXHIBITION Cape Cod Fondation Beyeler, Riehen/Basel, January 26–May 17, 2020 Dos Passos El[evated] Train Frost Goethe Haus HOPPER Edward Hopper: A bis Z Illustration A BIS Z ca. €18.00, $20.00, £18.00 Josie ISBN 978-3-7757-4648-9 ... (German)

ISBN 978-3-7757-4656-4 English 4 Unobtrusively, Strongly Reverberant

The Fondation Beyeler begins its fall exhibition season in 2019 with five women artists. Instead of a comprehensive group show with numerous works, the art of Leonor Antunes, Silvia Bächli, Toba Khedoori, Susan Philipsz, and Rachel Whiteread provide insight into various approaches to the space. The works of these artists create a specific sense of space—acoustically, as sculpture, or in drawings. In their appearance and presence, the works seem restrained and unobtrusive, but their effect is nevertheless strong and powerful. These works of art evoke spaces that lie somewhere in between the recognizable and the ephemeral. They create places and respites in which the faculty of memory is triggered, and images come to life.

LEONOR ANTUNES (*1972, Lisbon) refers to the history of art, design, and architecture, which she reinterprets in her sculptural installations. SILVIA BÄCHLI (*1956, Baden) deals with the medium of drawing. TOBA KHEDOORI (*1964, Sydney) is also devoted to drawing, especially large-format pieces. For SUSAN PHILIPSZ (*1965, Glasgow) sound is the artistic material she uses to create installations. The sculptor

RACHEL WHITEREAD (*1963, London) explores space in her plastics. HIGHLIGHTS

● Works in dialogue with the room ● Five artists, five approaches ● Fall exhibition at the Fondation Beyeler Resonating Spaces Leonor Antunes, Silvia Bächli, Toba Khedoori, Susan Philipsz, Rachel Whiteread 5 Approaches

EDITOR Theodora Vischer on behalf of Fondation Beyeler, Riehen/Basel CONVERSATIONS with the artists

English 136 pp. ● ca. 140 ills. ● 24.5 x 30.5 cm ● softcover ● €44.00, $50.00, £44.00 October 2019

EXHIBITION Fondation Beyeler, Riehen/Basel, October 6, 2019—January 26, 2020

Resonating Spaces €44.00, $50.00, £44.00 ISBN 978-3-7757-4646-5 (German)

ISBN 978-3-7757-4652-6 English 5 On the Way to the Modern Age

He was one of the last great court artists and at the same time a significant trailblazer for modern art: Francisco de Goya. The Fondation Beyeler is preparing one of the most extensive exhibitions of his work outside of Spain. In his more than sixty-year-long career, Goya was an as- tute observer of the drama of reason and irrationality, of dreams and nightmares. His pictures show things that go beyond social conventions: he depicts saints and crim- inals, witches and demons, breaking open the gates to realms where the boundaries between reality and fanta- sy blur. The show gathers more than seventy paintings, around sixty masterful drawings, and a selection of prints that invite the viewer to an encounter with the beautiful, as well as the incomprehensible. The extensive catalogue examines Goya’s unique artistic impact in texts by renowned interpreters, and splendid photo galleries.

FRANCISCO DE GOYA’S (1746–1828) oeuvre covers the spectrum from the Rococo to Romanticism. The show is being developed in collaboration with the Museo Nacional del Prado in Madrid. For the first time, rarely seen paintings from private collectors in Spain are united with key works from the most famous European and American museums and private collections. HIGHLIGHTS ● One of the most comprehensive exhibitions of Goya’s work outside of Spain ● Trailblazer for modern art Francisco de Goya ● Key works from private collections on display EDITORS for the first time Martin Schwander on behalf of Fondation Beyeler, Riehen/Basel TEXTS Andreas Beyer, Helmut C. Jacobs, Ioana Jimborean, José Manuel Matilla, Gudrun Maurer, Mark McDonald, Manuela B. Mena Marqués, Martin Schwander, Colm Tóibín, Bodo Vischer GRAPHIC DESIGN Uwe Koch

English ca. 288 pp. ● ca. 300 ills. ● 27.4 x 31 cm ● hardcover ● €58.00, $68.00, £58.00 May 2020

Also available in the following languages: ISBN 978-3-7757-4658-8 (Spanish) ISBN 978-3-7757-4649-6 (German) Francisco de Goya The companion volume EXHIBITION ca. 56 pp. ● ca. 40 ills. ● Fondation Beyeler, Riehen/Basel, May 16—August 16, 2020 15.5 x 20 cm ● hardcover ca. €12.00, $14.00, £12.00 ISBN 978-3-7757-4659-5 (French) ISBN 978-3-7757-4650-2 (German)

ISBN 978-3-7757-4657-1 English 6 HIGHLIGHTS 7

TEXTS Blanca Pons-Sorolla, Mónica Rodríguez Subirana Mónica Rodríguez Blanca Pons-Sorolla, German ● x 28 cm ● hardcover ● 24 ● 120 ills. pp. 152 £35.00 $59.95, ca. €38.00, 2019 November Sorolla Sorolla Gärten German - - - - - - ISBN 978-3-7757-4645-8 ISBN 978-3-7757-4645-8 is the great-granddaughter of Joaquín Sorolla of Joaquín Sorolla is the great-granddaughter (1863–1923) of Spanish Im is the chief figure the author of the artist’s biography. She has curated exhibitions exhibitions She has curated biography. the author of the artist’s Spain’s famous painter famous Spain’s Masterpieces of Impressionism of Impressionism Masterpieces paintings garden Magnificent JOAQUÍN SOROLLA ● ● ● of his work at the Prado in Madrid and the Meadows Museum in Dal in Madrid and the Meadows the Prado of his work at las. pressionism. Influenced by his French colleagues, whom he met in colleagues, French his by Influenced pressionism. in his works. the main role in 1885, played light Paris PONS-SOROLLA BLANCA and great-granddaughter, this is this first publication to fea to this is this first publication great-granddaughter, series. the complete ture of which a colorful floral splendor is revealed. The feather The revealed. splendor is of which a colorful floral as an Sorolla, allows continually of paint application light by Sorolla’s the abstract. with Edited to play Impressionist, Granja and the Alcázar in Seville, the Alhambra and the and Alhambra the Seville, in Alcázar the and Granja home.own his Nuanced at and Granada, in Generalife in front the background form elements and façade greens his French admirer also devoted an entire cycle of works of works cycle an entire also devoted admirer his French Monet in Giverny, fascinated What as such. to the garden of La palaces of the in the grounds discovered Sorolla ish painter a “master of light.” And, in fact, Sorolla’s genre, genre, in fact, And, Sorolla’s of light.” a “master ish painter flooded by an unpar portrait, are and history paintings and He schemes. playfuland clarity color bright alleled, Joaquín Sorolla received many accolades over his lifetime. his lifetime. over accolades many received Joaquín Sorolla of turn the perhaps was important,most The though, Monet, used by Claude he called the Span when phrase Spanish Impressionism Spanish Notes as Artist’s Book

Stefan Marx draws a great deal on a variety of grounds: large- and small-sized, colored or white paper; on cardboard, porcelain, skateboards, or textiles. He also always likes to draw in small notebooks. He takes them every- where, because they are convenient, lightweight, and are the right size for any idea. Marx has developed an edition out of these notebooks, with four different covers and surprising drawings here and there on the inside pages. The luck of the draw, or coincidence, determines which cover goes to whom, or even better, you can acquire the whole set, if you like. This is a unique notebook for all big and small ideas, thoughts, or texts.

STEFAN MARX (*1979, Schwalmstadt) is an artist, a skateboarder, and a cultural philosopher. He published artist’s books through his own publishing company, designs record covers for various labels, and ex- hibits his works at art book fairs and galleries. His work has been seen in many international exhibitions, as well as in his graphic designs for programs and labels. In August 2019 his drawing column appeared daily in the New York Times.

● Practical notebook ● For home and travel

HIGHLIGHTS ● Artist’s book

Notes

GRAPHIC DESIGN Stefan Marx

Set of 4 books, 144 pp. each ● 4 ills. ● 10.5 x 16.5 cm ● softcover ● set price €32.00, $45.00, £26.99 ● no return rights available

Available as a single volume with the following ISBN: ISBN 978-3-7757-4661-8 €8.00, $14.95, £6.99 ● no return rights It is not possible to choose the individual edition.

ISBN 978-3-7757-4662-5 (set of 4 books) 8 A Journey through Germany

“Fair to cloudy” is a prognostication regularly made on the evening weather report, promising everything and nothing. Homeland—what is this, and how do you recognize or identify it? Three young photographers travel across the country searching for what is “typically German,” something that is both fascinating and disconcerting to them. On their journey from Husum to Donaueschingen they take a serene and self-ironic look at life in the provinces, with all of its peculiarities and unquestioned traditions, which puts a smile on everyone’s face. This raises the question of whether there might be something of all this in us, too. These amusing photos are accompanied by a foreword by Frank Goosen, who, with no less wit, traces German lives and superficialities in an historical survey from the 1960s to the present day.

DAVID CARREÑO HANSEN (*1978, Madrid), SVEN STOLZENWALD (*1986, Neuss), and CHRISTIAN A. WERNER (*1980, Weimar) met at the Hochschule Hannover, where they were all studying documentary photography. heiter bis wolkig is their collaborative final exam project.

Besides working as freelance photographers, all of them are busy HIGHLIGHTS with documentary photography projects. The author FRANK GOOSEN (*1966, Bochum) travels on the lecture circuit all over Germany, gen- erally by train.

● A humorous ramble through Germany ● On the trail of “typically German” Heiter bis wolkig ● With a foreword by Frank Goosen Eine Deutschlandreise

PHOTOS David Carreno Hansen, Sven Stolzenwald, Christian Werner FOREWORD Frank Goosen

German 240 pp. ● 144 ills. ● 14.8 x 21 cm ● softcover ● ca. €18.00, $29.95, £16.99 February 2020

142 143

162 163

ISBN 978-3-7757-4668-7 German 9 Today’s Concepts for the Future

The paintings and architecture by the artist Friedensreich Hundertwasser are nothing less than revolutionary with Hundertwasser respect to nature and individual creativity. His work is not Future about silent conformity, but about life itself: each individ- for ual, in society and in the environment. With their strong, colorful formal vocabulary, Hundertwasser’s works allow nature its space. Even beyond his artwork, though, the Austrian environmentalist fought for new ideas and ide- als. In many conversations, lectures, letters, and manifestos, he formulated his notions—from recycling, the green- ing of roofs and façades, and the democratization of living space—in order to lend them weight. What seemed like a utopia to his contemporaries is now urgently virulent and surprisingly current. Commemorating the twentieth anniversary of Hundertwasser’s death, this attractive book compiles his statements, excerpts from his manifestos, his paintings, examples of his utopian architecture, and his ideas for the future.

FRIEDENSREICH HUNDERTWASSER (1928–2000) is known around the world for his visionary paintings and architecture. His works and essays make up a lively body of contemporary criticism, promoting clear-sighted concepts for changing social and economic circum- stances. HIGHLIGHTS

● The currency of utopian concepts in harmony Hundertwasser with nature ● Commemorating the 20th anniversary of for Future Hundertwasser’s death EDITOR ● The economy of art and architecture Die Hundertwasser Stiftung TEXTS BY Friedensreich Hundertwasser, Pierre Restany, Carolin Würfel

English ca. 136 pp. ● 50 ills. ● 11.5 x 17 cm ● softcover ● ca. €18.00, $29.95, £16.99 February 2020

Hundertwasser Für die Zukunft ca. €18.00, $29.95, £16.99 ISBN 978-3-7757-4697-7 (German)

ISBN 978-3-7757-4698-4 English 10 Man and Nature in China’s Cultural History Art allows us fascinating insights into foreign cultures and ideas. This is particularly true of Chinese landscape painting. With its tradition of more than 1,000 years, it reflects all of China’s cultural and intellectual history. Its view of nature follows its own rules. What at first glance seems to be idyllic ink wash pictures are actually far more than romantic images of landscapes. Through subtle allusions and references the painters were able to convey a whole range of messages, from social positions to political opposition, all the way to philosophical observations and very personal feelings. This splendid illustrated volume unlocks these codes and juxtaposes important historical works with landscape paintings by internationally renowned modern and contemporary artists. The dialogue between past and present reveals surprising links, but also ruptures and conflicts.

The MUSEUM RIETBERG in Zurich is one of Europe’s leading museums for World Art and well known for its splendid collection of Asian art. In large temporary exhibitions it presents historical and contemporary masterpieces in the light of new perspectives.

● Decoding Chinese landscape painting ● A millennium of cultural and intellectual history ART ● Juxtaposition of classical and contemporary Longing for Nature art Hidden Meanings in Chinese Painting

EDITORS Kim Karlsson, Alexandra von Przychowski, Museum Rietberg TEXTS Alfreda Murck, Ching-Ling Wang, et al.

English 256 pp. ● 140 ills. ● 24 x 30 cm ● hardcover ● ca. €42.00, $62.00, £37.00 April 2020

EXHIBITION Museum Rietberg, Zurich, May 2–September 6, 2020

Sehnsucht Natur ca. €42.00, $62.00, £37.00 ISBN 978-3-7757-4669-4 (German)

ISBN 978-3-7757-4670-0 English 11 Reality and Perception

A school of painterly vision—the artist Jochen Hein offers nothing less. From a distance Hein’s paintings seem to depict the surface of the sea, green meadows, or vast skies. But upon closer inspection, the reality of the paintings and our perception split. Nothing is the way it seems. Instead of being realistic landscape paintings, the pictures vaporize into pure color the closer one gets to them. And not only that: what the eye has recognized as reality up to then turns out to be a laboratory of processes, in which the colors merge, wet on wet, and the paint is dripped, sprayed, wiped with a painting cloth, removed, and thick- ly daubed. A look at his complicated painting technique is revealed, just as it would be during a visit to the artist’s studio. Hein’s works are distinguished by the fact that they not only show painted nature, but the nature of painting as well. Fascinated, the viewer realizes that the figurative and the abstract are the same here—even the illusion is an illusion.

JOCHEN HEIN (*1960, Husum) lives in Hamburg. Hein attended the Hochschule für Angewandte Wissenschaften (University of Applied Sciences), Hamburg. His first monograph,Die Natur des Menschen (The Nature of Man) appeared in 2013.

● Light and reflection in painting ART ● Masterful painting technique Jochen Hein ● Fascinating illusionism Reflexion

TEXTS Anne Simone Krüger, Nicole Büsing & Heiko Klaas, Holger Liebs GRAPHIC DESIGN Fargo, Hamburg

German, English ca. 192 pp. ● ca. 140 ills. ● 32 x 27 cm ● hardcover ● ca. €48.00, $75.00, £45.00 December 2019

94 KOCHENDE SEE, 2017, Acryl auf Baumwolle, 100 x 140 cm GISCHT, 2015, Acryl auf Baumwolle, 130 x 180 cm– Detail auf vorheriger Doppelseite 95

ISBN 978-3-7757-4678-6 German, English 12 Italian Seascapes

Franco Viola paints landscapes based on sketches he produces during tours in the mountains and along the coast near his hometown. During the painting process in the studio, the sketches are enriched and supplemented by his memories of things he has personally perceived or of paintings from the treasure trove of art history. This book deals less with the resulting works as such and more with the everyday life of a contemporary painter in today’s Italy, taking Viola as an example. What exactly does it mean to go to the studio every day and stand in front of a canvas? What is the relationship between contemporary life and what becomes visible as color and form on the canvas? On a journey through the artist’s world, readers are invited to pursue these and other questions while immersing themselves in Viola’s intensely colorful paintings.

FRANCO VIOLA (*1953, Gaeta) graduated from the University of Rome in 1977 with a degree in electrical engineering and worked for a long time in research on spatial theory before devoting himself entirely to art in the mid-1990s.

● Overview of his work ● Color-intensive painting ● Italian Contemporary Art ART Franco Viola Towards the Indefinite / Verso l’indefinito

TEXTS Roger M. Buergel, Viktor Misiano, Francesco Poli, Elena Pontiggia GRAPHIC DESIGN Pier Paolo Pitacco

English, Italian 288 pp. ● 120 ills. ● 24 x 28 cm ● hardcover ● €45.00, $65.00, £40.00 October 2019

ISBN 978-3-7757-4644-1 English, Italian 13 Mysterious References

For around two decades the works of Sven Drühl have always referred to works of art by other artists. They are pictures about pictures—abstractions of a second order. Drühl uses a special technique involving oils, lacquer, and silicon to produce mainly landscape or architectural mo- tifs that represent a kind of repositioning, in the sense of a remix. In the past eight years his work method has inverted itself. In his lacquer paintings Drühl turns the gaze around, no longer referring to works by Ferdinand Hodler or Caspar David Friedrich. Now, he starts with photographs by his fellow artists, such as Sebastião Salgado, and even more recently, with virtual sources from the contexts of virtual reality and gaming. These vectors are translated into realistic-looking paintings, but the landscapes thus created no longer have anything to do with real landscape.

SVEN DRÜHL (*1968, Nassau) studied art and mathematics. He became internationally known through his compilations of famous landscape paintings. With a PhD in art theory, he is also an author and editor of publications on contemporary art.

● Pictures about pictures ● New work series of the artist ● Thematization of digital art ART Sven Drühl Apokryphe Landschaften / Apocryphal Landscapes

EDITORS Lisa Felicitas Mattheis, Carola Schneider TEXTS BY Regina Henkel, Lisa Felicitas Mattheis, Carola Schneider GRAPHIC DESIGN Claudia Bachmann

German, English ca. 176 pp. ● 80 ills. ● 21 x 28 cm ● hardcover ● €35.00, $55.00, £32.50 April 2020

EXHIBITIONS Marburger Kunstverein, May 8—June 25, 2020 Kunsthalle Emden, May 8—October 3, 2021

ISBN 978-3-7757-4634-2 German, English 14 Agent of Cuban Modernism

Dolores Soldevilla Nieto was a passionate Cuban artist whose career blossomed in the 1950s. Following early pro- fessional turns, she emerged later in life as a prolific artist and fervent advocate for culture. She became Cuba’s cultural attaché to Europe, embarking on a path that would dramatically alter the course of her life and the discourse surrounding Cuban abstraction at mid-century. Residing in Paris, she studied in the ateliers of prominent Europe- an artists, and, after returning to Cuba, she played an active role as a vital link between the European avant-garde and the new voices of abstraction emerging throughout Latin America and Cuba. Loló Soldevilla: Constructing Her Universe is the first monograph devoted to her remarkable achievements, providing compelling insight into the life and work of this exceptional artist.

LOLÓ SOLDEVILLA (1901–1971) started her artistic career rather late. First working as a teacher, Soldevilla did not begin studying art until 1949, when she started at the Paris Académie de la Grande Chaumière with the sculptors Leopold Kretz and Ossip Zadkine, where she also learned about Concrete Art.

● First monograph about Soldevilla ● Concrete Art in Cuba ● Rediscovery of a forgotten artist ART Loló Soldevilla Constructing Her Universe

Rafael DiazCasas Loló Soldevilla: Constructing Her Universe1 EDITORS

In recent years, the rise of abstraction in the second half of the twentieth Sean Kelly Gallery, New York century has become a subject of increasing scholarly attention, as has the work of women artists, particularly those of Latin American descent. As art historians, curators, and critics revisit these artists and their sometimes ambigu- ous, often “anonymous” traces, their once hidden careers are proving to be rich avenues to explore and legacies to restore. In the case of Cuban abstract TEXTS artists, Dolores Soldevilla Nieto (1901–1971), better known as Loló, is only now beginning to receive critical attention for the important roles she played within the island’s mid-century abstractionist landscape, and for acting as a crucial link between the artistic worlds of the old Europe and new Americas. Rafael DiazCasas, Olga Viso A passionate, largely self-taught artist who blossomed late in life, Soldevilla resided in Paris during the years after World War II, and embraced geometric abstraction as a vehicle of expression, though she never completely lost interest in exploring figuration. This duality was consistent with her manner of approaching life; her figurative works can be associated with GRAPHIC DESIGN her social persona. She chose to paint herself and those within her inner circles. Her non-figurative work, for which she is better known, connects to a more dynamic artistic sensibility, reflecting her intellectual desire to speak the sophisticated artistic language of her time. The spirit of this essay lies in exploring Loló’s artistic dialogues, with herself and the movements of Saskia Helena Kruse the era. Offering an analysis of her work and legacy in an attempt to amplify a set of vital dialogues—both in terms of examining the past and charting a path forward toward a better understanding of how Loló Soldevilla constructed her universe—it gives voice to an extraordinary artist who was, without doubt, taking the pulse of her time.

A Globalist from Havana to Paris, Art to Politics, and Politics to Art English Loló Soldevilla, Untitled (white) Born in Pinar del Río, the western province of Cuba, as a child Loló Soldevilla (detail), 1954, see p. 97. moved with her family to Havana. Here, in 1912, they settled into Guanaba- (LSol-03) 208 pp. ● 196 ills. ● 21 x 26 cm ● hardcover ● 9 €54.00, $62.00, £54.00 available

23 24 Untitled, undated Untitled (white), 1954 Collage, 39.3 x 30.5 cm Mixed media, wood, masonite, and jute, 50 x 60 cm 97

ISBN 978-3-7757-4626-7 English 15 Making-of an Art Icon

What does it mean, not only to be an artist, but to become one? What does the quest for the personal artistic language consist of? The life and art of Japanese artist Teruko Yokoi provides some insight into this process. Teruko Yokoi: Tokyo—New York—Paris—Bern features the artist’s work from the years 1954 to 1964 when stretched between Tokyo, San Francisco, New York, Paris, and Bern. She is ex- perimenting, trying out the new and forging her own language of artistic expression. The various stages and her experiences in these different cities are colorful influences on her body of work. The illustrated catalogue traces the dynamic story of an extremely prolific and vibrant artist whose art has not only testified to her unrelenting creative energy, but – torn between East and West – it mir- rored the debates on the modern post-war painting. The book is an important contribution to the literature on great female artists.

TERUKO YOKOI (*1924, Tsushima) can, at the age of 95, look back on an innovative and highly experimental body of work. She studied at the California School of Fine Arts in San Francisco and later at Art Student League in New York with Julian Levi and celebrated abstract expressionist painter, Hans Hoffman. Her works were included in several exhibitions in Switzerland, the US and Japan. Yokoi lives in Bern, Switzerland.

ART ● Images from a life Teruko Yokoi ● Documents artistic development Tokyo—New York—Paris—Bern ● Between the figural and the abstract TEXTS Jean-Francois Chevrier, Marta Dziewanska, Anke Kempkes, Osamu Okuda, Anuschka Roshani, Kuniko Satonobu Spring, Nina Zimmer

English, German ca. 196 pp. ● ca. 100 ills. ● 22 x 27 cm ● softcover ● ca. €42.00, $62.00, £37.00 January 2020

EXHIBITION Kunstmuseum Bern, January 30—May 10, 2020

ISBN 978-3-7757-4682-3 English, German 16 The Medium and the Message

Words become images—writing, drawings, designs. For around twenty years Stefan Marx has been studying script. Lines of songs, sayings, sentences, and quotations, which he then translates in his own script, his graphic writing, into paintings or drawings—two-dimensional surfaces. The poetry of the statements and the painterly quality of the execution combine to form strong works of art. Marx develops each of his pieces with great pre- cision for the specific situation, for the individual work of art, regardless of whether it is an edition, a unique work, a house, or a small invitation card. This is the first book about his Word Paintings in their many varieties and in all media. Essays explain Marx’s drawing, printmaking, and painting, as well as his unique interplay of art and pop culture, sign and life.

● First book on this group of works ART ● Artist’s book ● Word and image Stefan Marx Schriftbilder / Word Paintings

German, English ca. 160 pp. ● ca. 100 ills. ● ca. 21 x 28 cm ● softcover ● ca. €38.00, $44.00, £38.00 March 2020

ISBN 978-3-7757-4690-8 German, English 17 Is this Painting?

Dominik Halmer’s paintings and pictorial objects are based on the idea of connecting painting to real space. Three-dimensional objects like wooden rings and balls in- teract with painted elements and gestures. Different lev- els of reality, which are connected through visual analogies, collide in a poetic and associative unity. Halmer plays with an internal system of references that suggests a rule- based relationship between canvas painting, object, and spatial sign. In the installation Territory, Dominik Halmer places graphic symbols on the wall that let the individual works play off one another by engaging in a dialogue ad- dressing fundamental ideas about the nature of processes and meaning. The catalogue contains numerous installation views and a conversation with the artist.

DOMINIK HALMER (*1978, Munich) studied philosophy and art history at Humboldt University Berlin, then Fine Arts at Kunstakademie Düsseldorf with Albert Oehlen and at the Academy of Fine Arts in Vi- enna with Heimo Zobernig. Halmer lives and works in Berlin.

● Detailed work documentation ● With an artist talk ● First comprehensive overview of works

ART Dominik Halmer Territory

EDITORS Museum Wiesbaden, Oldenburger Kunstverein TEXTS Dominik Halmer, Alexander Klar, Axel Pichler GRAPHIC DESIGN Büro Adalbert

German, English 144 pp. ● 62 ills. ● 24 x 32 cm ● clothbound ● €32.00, $45.00, £26.99 available

ISBN 978-3-7757-4625-0 German, English 18 Reproduction of the Original

The first place the twenty-year-old Yan Pei-Ming visited in France in 1980 was Ornans, the birthplace of the French Realist Gustave Courbet. Thirty-nine years later, he takes the 200th anniversary of the birthday of his hero as an opportunity to show monumental reverence toward him and his masterpiece, An Interment in Ornans (1849/50) at the Musée d’Orsay. Yan Pei-Ming transforms and translates this scene into a contemporary Interment in Shang- hai, the city where he grew up, and where his mother is buried. The artist’s book documents this undertaking in 290 divisible fragments. When assembled, they form the painting in its original size, which is more than six meters wide and three meters high.

YAN PEI-MING (*1960, Shanghai) grew up during the Cultural Rev- olution in China. In 1980 he went to France to study at the École des Beaux-Arts in Dijon. He has had solo shows at the Ullens Center for Contemporary Art, Beijing; the Musée du Louvre; and at the David Zwirner Gallery in New York. He also participated in the Biennials in Venice (1995, 2003), Seville (2006), and Istanbul (2007).

● A masterpiece in detail ● Conceived as an artist’s book ● Celebrating the 200th birthday of Gustave Courbet ART Yan Pei-Ming Un enterrement à Shanghai

TEXT Laurence des Cars GRAPHIC DESIGN Christoph Radl

French, English 592 pp. ● 282 ills. ● 24.1 x 31.5 cm ● Swiss binding with inlay ● €60.00, $85.00, £55.00 available

EXHIBITION Musée d’Orsay, Paris, January 10, 2019—January 12, 2020

ISBN 978-3-7757-4685-4 French, English 19 Queer Thought Art

Ashley Hans Scheirl overcomes the limitations of media as easily as she deals with gender and cultural norms. Born Angela Scheirl, the artist achieved international fame in the late 1980s for her experimental films and videos. She is now considered a trailblazer and a cult figure of the international queer and transgender artists scene. Scheirl’s work examines questions about her own identity by surmounting predefined genres and classifications. Her three-dimensional installations unite paintings, spatial designs, videos, photographs, drawings, sculptures, and performance props. The artist is interested in questioning the economy and power of social conditions and the libid- inal structures active in them.

ASHLEY HANS SCHEIRL (*1956, Salzburg, lives in Vienna) studied res- toration at the Akademie der Bildenden Künste (Academy of Fine Arts) in Vienna. She spent 1981–82 in New York, and then sixteen years in London. In 2003 she finished her post-graduate studies in fine arts at the Central Saint Martin’s College of Art & Design in London. Since the fall of 2006 she has been a professor for contextual painting at the Akademie der Bildenden Künste, Vienna.

● First comprehensive monograph ● Pioneer of the queer and transgender scene ● 2019 Austrian Art Prize ART Ashley Hans Scheirl

EDITORS Jean-Francois Bélisle, Sandro Droschl, Seamus Kealy TEXTS Pierre Bal-Blanc, Daria de Beauvais, Silvia Eiblmayr, Johnny Golding, Amelia Jones, Guilherme Pires Mata, Paul Preciado, Monica Titton, Thomas Trummer GRAPHIC DESIGN Alexander Nussbaumer

German, English, French ca. 192 pp. ● ca. 100 ills. ● 20.3 x 28 cm ● softcover ● ca. €40.00, $60.00, £35.00 January 2020

ISBN 978-3-7757-4688-5 German, English, French 20 Mythical Figures

Hybrid human-animal figures are twisted into bizarre contortions, their expressively distorted bodies approaching each other or intertwining. Even though they are separated by generations and media, the famous Dan- ish avant-garde painter Asger Jorn and the Swedish an- imation studio Djurberg & Berg have much in common. Whether it’s Jorn brushing paint onto a canvas, or the two media artists breathing life into clay figures with stop- motion technology, the animalistic is one of their means of expression, and postulated truths become blurred. Developed through process, these creatures signify permanent, transformational adaptability. They point out phenomenon in our world that cannot be rationalized: desire, freedom, wildness, urges—the infinite wealth of do- mesticated emotions take on imaginative form here. This catalogue unites the visual worlds of Jorn and Djurberg & Berg to show the differences and the commonalities of their work as a constant of human existence.

ASGER JORN (1914–1973) is one of the avant-garde’s most famous artists. His work deals with philosophical questions that he also examined in his theoretical writings. The art filmmaker NATHALIE DJURBERG (*1978, Lysekil) and the musician HANS BERG (*1978, Rättvik) make animated films together, which are populated by fantastical, animalistic creatures. Their virtuoso style quickly brought them international renown. ART Nathalie Djurberg & Hans Berg / ● Nordic myths Asger Jorn ● The animalistic in art ● Japanese binding Mondjäger EDITOR Kunstmuseum Ravensburg TEXTS Katharina Dohm, Axel Heil, Selima Niggl, Ute Stuffer

English, German ca. 280 pp. ● 150 ills. ● 18 x 27 cm ● softcover with Japanese binding ● €48.00, $75.00, £45.00 October 2019

EXHIBITION Kunstmuseum Ravensburg, October 19, 2019—February 16, 2020

Nathalie Djurberg and Hans Berg A Journey Through Mud and Confusion with Small Glimpses of Air €45.00, $65.00, £40.00 ISBN 978-3-7757-4434-8 (English)

ISBN 978-3-7757-4692-2 English, German 21 Sweet Land of Liberty

Martin Puryear’s enduring approach has galvanized his art for more than five decades: issues of democracy, identity, and liberty have long propelled him. Readers of this volume will learn how an artist’s handling of a symbolic but vital human subject—liberty—can be best expressed in sculptural form through a visual language of great originality and certitude. Liberty / Libertà, published on the occasion of the artist’s exhibition in the United States Pavilion at the 58th International Art Exhibition, La Biennale di Venezia, focuses on significant new work called Swallowed Sun. In addition to extensive illustrations of recent work and new sculptures made for the Biennale, including monumental outdoor sculpture, the book features major texts by Darby English, Tobi Haslett, US Commissioner Brooke Kamin Ra- paport, and Anne M. Wagner.

MARTIN PURYEAR (*1941, Washington) is one of the most important American sculptors. He has had numerous important exhibitions, including a retrospective at MoMA, New York, in 2007, and participation in Documenta IX, Kassel, in 1992.

● Current work survey ● Biennale work 2019 ● Important position in American sculpture

ART Martin Puryear Liberty | Libertà

TEXTS Anne M. Wagner, Tobi Haslett, Darby English, Brooke Kamin Rapaport

English 160 pp. ● 110 ills. ● 22 x 28.7 cm ● hardcover ● €40.00, $60.00, £35.00 available

EXHIBITION United States Pavilion, Venice Biennale, May 11—November 24, 2019

ISBN 978-3-7757-4621-2 English 22 The first-ever dedicated study of the duo’s sculptures Artist duo Elmgreen & Dragset consistently devise new possibilities in the way art is presented and perceived through their subversive and multivalent practice, as seen in works like their well-known installation Prada Marfa from 2005, a permanently closed Prada boutique in the middle of the desert in Texas, and Powerless Structures (fig. 101), their boy on his rocking horse for London’s 2012 Fourth Plinth Com- mission at Trafalgar Square. The book Elmgreen & Dragset: Sculptures—the first-ever dedicated study of the duo’s sculptures—covers the artists’ production in this field from the mid-1990s through the present day. Visually organized according to the aesthetics and conceptual working methods that the artists have employed throughout their career, it includes extensive photographic documentation of 112 of their works and five essays approaching their practice from various art-historical and thematic perspectives.

ELMGREEN (Denmark) & DRAGSET (Norway) have been working together since 1995. In their works, they deal with sociocultural and political topics, such as upbringing and aging, gay rights, the con- struction of identity, consumer culture, and the privatization of public space. The artist duo has been awarded several prizes, including the 2002 Preis der Nationalgalerie in Berlin and a Special Mention at the 2009 Venice Biennale. ART

● First survey of the complete sculptural oeuvre Elmgreen & Dragset ● Designed by the artists Sculptures ● The sculptures in the context of performance, humor, and queer theory EDITORS Leigh Arnold, Anita Iannacchione TEXTS Leigh Arnold, David J. Getsy, Anita Iannacchione, Joan Kee, Alex Potts GRAPHIC DESIGN Anja Schiller, Graphic & Editorial Design, Berlin

English 336 pp. ● 310 ills. ● 23 x 29.5 cm ● clothbound with dust jacket ● €48.00, $75.00, £45.00 available

EXHIBITION Nasher Sculpture Center, Dallas, September 14, 2019—January 5, 2020

Elmgreen & Dragset Biography €48.00, $75.00, £45.00 ISBN 978-3-7757-3865-1 (English)

ISBN 978-3-7757-4622-9 English 23 The Queen of the Dead Sea

The Dead Sea tells its own stories. Its salt crystals are like prisms. Through them you can see the world anew. Is- raeli artist Sigalit Landau creates this vision by using the world’s saltiest sea as her laboratory. Everyday objects are “baptized” by immersing them in the Dead Sea for months. Completely covered in salt, they have a hypnotiz- ing effect. The transience of objects is transposed into the poetic aura of crystalline permanence. In this form, issues of female identity and bodily experience, the shadows of the Holocaust, the tense political situation in Israel, as well as questions of justice, structural violence, and economic exploitation of nature are negotiated. Salt Years is both a catalogue of these works created at the Dead Sea and a visually stunning documentation of the artist’s process.

SIGALIT LANDAU (*1969, Jerusalem), one of the most important contemporary artists in Israel, lives and works in Tel Aviv. Her works have been shown in many venues in Israel, the US, and Europe, including Documenta, Kassel, and at the Venice Biennale.

● Important artist from Israel ● “Making-of” of iconic Dead Sea salt objects ● Catalogue for the big retrospective in Salzburg

ART Sigalit Landau Salt Years

TEXTS Rona Cohen, Luna Goldberg, David Goss, Sigalit Landau, Dalia Manor, Amitai Mendelsohn, Eli Raz, Thorsten Sadowsky, Tal Sterngast

English 400 pp. ● 198 ills. ● 19.3 x 26.7 cm ● hardcover ● €50.00, $75.00, £45.00 available

EXHIBITION Museum der Moderne Salzburg, July 6–November 17, 2019

Discover the edition on p. 75.

ISBN 978-3-7757-4623-6 English 24 Permanently in Flux

Haegue Yang’s artworks are known not only for their diversity of media and methods, but also for their eloquent and seductive sculptural language of conceptual abstraction, often derived from her research on figures and events throughout history, as well as inquiries into folk and tradi- tional craft techniques. Bringing together new and exist- ing works spanning the last decade, Haegue Yang’s solo exhibition In the Cone of Uncertainty at The Bass foregrounds the artist’s consistent curiosity about the world and tire- less experimentation with materializing the complexity of identity politics and its ever-changing parameters. Its companion publication highlights a substantial selection of Yang’s oeuvre, including blind installations, anthropo- morphic works, and light sculptures, with an expanded focus on her growing series of mural-like graphic wall pieces.

HAEGUE YANG (*1971, Seoul) lives and works in Berlin and Seoul. Her work has been included in numerous exhibitions internationally, such as the Venice Biennale (2009); Documenta, Kassel (2012); at Centre Pompidou, Paris (2016); and at Museum Ludwig, Cologne (2018). Her solo presentation at the MoMA New York will open in October 2019.

● Exhibition catalogue including the oeuvre of the past 10 years ● Includes an overview of her wall pieces ART ● Winner of the Wolfgang Hahn Prize Haegue Yang In the Cone of Uncertainty

TEXTS Silvia Karman Cubiñá, Leilani Lynch, Philippe Vergne

English 112 pp. ● 50 ills. ● 21.5 x 28 cm ● softcover ● ca. €28.00, $45.00, £25.99 December 2019

EXHIBITION The Bass Museum of Art, Miami Beach, November 2, 2019—April 5, 2020

BOOK LAUNCH The Bass Museum of Art, Miami Beach, USA, December 3, 2019

ISBN 978-3-7757-4629-8 English 25 Tracking the Invisible

The works by the conceptual artist Loris Gréaud include installations, films, and architecture, as does his long- term project taking place around the world, The Unplayed Notes. Viewers encounter an experimental field of diverse media, all of which attempt to give form to temperature, light waves, or time. Gréaud is interested in the stages of artistic production. The process of searching per se becomes visible in his installations. This book reveals the development of his art, in accordance with the ideas of Karlheinz Stockhausen, which gave the book its name: the actual meaning of a work lies in its unplayed, unheard notes. It includes as well an introduction to his upcoming project The Underground Sculpture Park that will be inau- gurated in the Oaxaca desert and two complementary essays by the artist’s long-time collaborator, outstanding theorist, and curator Nicolas Bourriaud.

LORIS GRÉAUD (*1979, Eaubonne) studied at the École nationale supérieure d’arts de Paris Cergy. His works are in prominent collections, and have been seen in museum and gallery exhibitions around the globe.

● Intellectual, provocative art ● A shooting star in the art world ● Installations around the world ART Loris Gréaud The Unplayed Notes (2012–2017) Introduction to the Underground Sculpture Park

EDITOR Gréaudstudio TEXT Nicolas Bourriaud GRAPHIC DESIGN Gréaudstudio

English, French ca. 512 pp. ● 400 ills. ● 17 x 24 cm ● hardcover ● ca. €58.00, $85.00, £55.00 February 2020

ISBN 978-3-7757-4620-5 English, French 26 Along the Flight Routes of Migrating Birds

Zac Langdon-Pole’s Art Journey Constellations has taken him across a world that humans and birds have been nav- igating through millennia. He followed the flight paths of birds like the white stork or the arctic tern, traveling along the Earth’s axis where the Northern and Southern Hem- ispheres’ summers intersect. Migrating birds cover some of the longest distances traveled by any living being. Their routes have guided the Polynesian pathfinders across the seas. Inspired by this ancient celestial tracing, the artist questions the position of humans as the center of the world. Weaving through Central Europe, Southern Africa, and the Pacific Islands of Samoa and Hawaii, he seeks to understand how culture intersects with the science of celestial mapping—and from there flows into larger ex- istential inquiries about who we are and how we are situ- ated in the world.

ZAC LANGDON-POLE (*1988, New Zealand) graduated from the Uni- versity of Auckland, Elam School of Fine Arts and studied with Willem the Rooij at the Städelschule in Frankfurt am Main, Germany. He is the recipient of the Charlotte-Prinz Scholarship, and has exhibited in Cana- da, Singapore, and Germany. He lives in Darmstadt and Berlin, Germany.

● New volume of the BMW Art Journey series

● Historical star cartography and bird routes ART ● Art and nature

Zac Langdon-Pole’s Art Journey Constellations

EDITOR BMW Group Munich GRAPHIC DESIGN Double Standards

English 256 pp. ● 200 ills. ● 17.5 x 24 cm ● softcover ● ca. €29.80, $45.00, £26.99 November 2019

The BMW Art Journey is a joint initiative of Art Basel and BMW that offers artists an opportunity to undertake a journey of creative dis- covery to a destination of their own choosing. Like a mobile studio, the BMW Art Journey can take an artist to almost anywhere in the world—to establish contacts, to forge perspectives, to envision and create new work. The BMW Art Journey is open to artists exhibited in the Discoveries sector of Art Basel in Hong Kong.

ISBN 978-3-7757-4624-3 English 27 Between the Past and the Present

It began with research into the myth of Hyperborea, followed by an exploration of the Aral Sea. Now Anton Ginzburg’s eye has been drawn to the epoch of Construc- tivism, concluding a fascinating trilogy of books. As an artist and a researcher, Ginzburg takes a critical look at the works of famous constructivists such as Rodchenko, Tatlin, and the VkhUTEMAS. In their work he discovers the driving force behind their utopian ideas, along with the dangers and limitations of their ambitions. Ginzburg’s works emerge from his findings. They are inspired by, and revive, the aesthetics he found. Nevertheless, they maintain the sense of distance characteristic of commentary. As he did in the two previous installations, Ginzburg also poses questions about the process of “becoming”: What is the meaning of historical phenomena to the present time, and what form do they take today? Ginzburg’s sculptures, paintings, and videos are the impressive response.

ANTON GINZBURG (*1974, St. Petersburg) studied at the Parsons School of Design, New School for Social Research, and Bard College in New York. In his works historical issues and poetic processing inter- twine. The first two volumes of this trilogy—At the Back of The North Wind and Walking the Sea—were published by Hatje Cantz.

● Last of a trilogy of works ● ART Contemporary art Anton Ginzburg ● Theme: Russian Constructivism Blue Flame: Constructions and Initiatives 12:56 12:15 TEXTS 11:29 12:36 Anton Ginzburg, Anastasia Osipova, Ksenia Nouril CONVERSATIONS Anton Ginzburg with R.H. Quaytman, Charles Renfro, Meghan Forbes GRAPHIC DESIGN Landau.nyc

English ca. 148 pp. ● 372 ills. ● 21.8 x 29.7 cm ● hardcover ● ca. €45.00, $65.00, £40.00

ORRA_2C_03, 2017 Pigment and acrylic on wood. March 2020 24 × 24 inches

Installation view at Barbara Davis Gallery, Houston

ORRA_2C_02, 2017 Pigment and acrylic on wood.

ORRA_2C_05, 2017 Pigment and acrylic on wood.

ORRA_2C_01, 2017 ORRA_4C_02, 2017 Pigment and acrylic on wood. Pigment and acrylic on wood.

ORRA_2A_08, 2017 ORRA_2A_06, 2017 ORRA_2A_07, 2017 ORRA_2C_04, 2017) ORRA_4C_01, 2017 Pigment and acrylic on wood. Pigment and acrylic on wood. Pigment and acrylic on wood. Pigment and acrylic on wood Pigment and acrylic on wood. 24 × 24 inches 24 × 24 inches 24 × 24 inches 24 × 24 inches Size: 48 × 48 inches

ISBN 978-3-7757-4676-2 English 28 Archaeology of a Street

What turns a random space into a place? What inscribes history into it, or lends it significance? These questions occupy the installation artist Sondra Perry in her current piece, A Terrible Thing, for the Museum of Contemporary Art in Cleveland. On Euclid Street in the heart of Cleve- land, Perry carries out a kind of archaeological study of the street’s history using video, pictures found online, and digital methods of representation. In doing so, she relates the changing infrastructure of race representation on the street and its gender-political effect in everyday use to each other in order to negotiate issues of identity—of a city, a society, and of individuals. This work became a prism of times and perspectives that can now be imagined with the help of this publication.

SONDRA PERRY (*1986, Perth Amboy, New Jersey) is known for her computer-generated videos, installations, and performances. Her works examine questions of identity and family history, as well as of technology.

● Current social situation in the United States ● New works by the Toby’s prizewinner ● Catalogue accompanying the shows in

Cleveland and Aarhus ART Sondra Perry A Terrible Thing

EDITOR Museum of Contemporary Art Cleveland TEXTS Will Brown, Jacob Fabricius, Mario Gooden, Alison Hirst, Christina Schwabenland, Jill Snyder GRAPHIC DESIGN Michael Aberman

English ca. 136 pp. ● 60 ills. ● 23.4 x 29.5 cm ● softcover ● ca. €30.00, $45.00, £26.99 October 2019

EXHIBITIONS Museum of Contemporary Art Cleveland, April 28—August 11, 2019 Kunsthal Aarhus, October 4, 2019—January 5, 2020

ISBN 978-3-7757-4636-6 English 29 Ingenious Self-Reflections

A tear, engineered in 1856 by Rodolphe—the adulterous lover of Flaubert’s Madame Bovary—is dripped onto a breakup letter and sent to the heroine via messenger. “There ought to have been some tears on this; but I can’t cry; it isn’t my fault,” he says, but not to her. Then, having filled a drinking glass with water, Rodolphe dips his finger and lets a big drop fall onto the paper, leaving a pale stain on the ink. Cally Spooner’s monograph documents a large eco-system of over 40 works which takes the incident of this false tear as a lynch pin, to reflect on the outsourcing, hijacking, erosion, decay, or destruction of personal, sub- jective utterance, in a 21st century hyper-connected and fi- nancialized climate. For the monograph, Spooner describes each work in an active, present-tense voice, intercut with diagrams, drawings, culled and censored correspondence. New essays bring into focus central themes that play out in Spooner’s transdisciplinary performance work.

CALLY SPOONER (*1983, Ascot, UK) is a British artist, based in Athens. Her work is generated through writing and unfolds as installation, sculpture, drawing, sound and performance, which often incorporate duration and rehearsal as a mode of resistance. She has had major solo shows across the US and Europe.

● Compilation of a multimedia long-term ART project Cally Spooner ● Art and artificiality of emotionality ● Intelligent artistic self-reflection On False Tears

EDITOR Roos Gortzak on behalf of Vleeshal, Middelburg CO-PUBLISHED WITH Edizioni Madre, Naples MANAGING EDITOR Vanessa Boni TEXTS Roos Gortzak, Laura McLean Ferris, Sabrina Tarasoff GRAPHIC DESIGN Roland Brauchli

English 236 pp. ● ca. 100 ills. ● 18 x 24.3 cm ● softcover ● ca. €40.00, $60.00, £35.00 January 2020

ISBN 978-3-7757-4681-6 English 30 Aesthetics of the Mysterious

Teatro: it is about the eternal game between illusion and reality. Actors show a great deal—but are they also showing themselves? Peter Friedl’s current work surveys inquiries into the many facets of identity. What do we learn about the refugees in the video Report when they recite Kafka in their native languages? What do the marionettes tell us about historical figures in the Teatro Popular, ready to come back to life? What do architectural models of Hei- degger’s or Ho Chi Minh’s homes, slave quarters in Louisi- ana, or current refugee accommodations teach us about their special spheres of thought and life? Friedl’s works refuse to provide mundane answers; we are fascinated by the eloquent silence they use to point out the secrets that are essential to all of them.

The works of PETER FRIEDL (*1960 Oberneukirchen, Austria) have been seen in many solo shows, including exhibitions at MACBA, Barcelona, and the Centre Georges Pompidou, Paris. He has exhibited at Documenta, Kassel, and in 1999 he designed the Austrian Pavilion at the Venice Biennale.

● Current survey of the artist’s work ● Conceptual Art ● Accompanies the show in Nîmes ART Peter Friedl Teatro

EDITOR Carré d’Art – Musée d’art contemporain de Nîmes TEXTS Philippe-Alain Michaud, Mischa Twitchin INTERVIEW WITH Claire Tancon GRAPHIC DESIGN Philippe Magnon

French, English 96 pp. ● ca. 60 ills. ● 16 x 24 cm ● softcover ● ca. €20.00, $30.00, £17.99 January 2020

EXHIBITION Musée d’art contemporain de Nîmes, October 25, 2019–March 1, 2020

ISBN 978-3-7757-4627-4 French, English 31 Artistic Fragility

Delicate, nearly ephemeral structures, organic shapes, and restrained colors—the works of Christiane Löhr do not force themselves upon viewers. Nevertheless, they immediately capture the eye. For her sculptures and installations Löhr uses only natural materials. Blades of grass, plant stems, blossoms, seeds, and even horsehair are arranged into multilayered, fragile objects. For viewers, perception becomes a careful sort of exploration that tries to maintain the frangibility and magic of the objects. Their intense presence and their precise, innovative for- mations of organic materials position them in between sensuality and austerity. This magnificently illustrated volume offers a survey of the last two decades of the artist’s career and her unusual creations. It is accompanied by essays by renowned authors such as Germano Celant and Marion Poschmann. An essay by Jannis Kounellis, who taught Löhr in a master’s program, rounds off the book.

CHRISTIANE LÖHR (*1965, Wiesbaden) lives in Cologne and Prato. Her unique work can be seen around the world; among other shows, she was a participant in the 49th Venice Biennale, curated by Harald Szeemann. Her work has also been seen in solo exhibitions at such places as the Panza Collection, Varese; the Kunsthaus Baselland; Vangi Museum, Shizuoka; and the Skulpturenpark Waldfrieden in Wuppertal.

ART ● Comprehensive survey Christiane Löhr ● Unusual installations made of fragile natural TEXTS materials Germano Celant, Claudia Dichter, Nicole Fritz, Alison de Lima Greene, ● Essay by Jannis Kounellis Jannis Kounellis, Yuri Mitsuda, Marion Poschmann GRAPHIC DESIGN probsteibooks, Cologne

German, English ca. 304 pp. ● 320 ills. ● 22.4 x 28.7 cm ● clothbound with dust jacket ● ca. €48.00, $75.00, £45.00 March 2020

ISBN 978-3-7757-4666-3 German, English 32 Not a Question of Taste

One literally can’t argue about taste, but there is certainly a lot to say about it. How is it articulated within the spectrum of our senses? And how are perceptions of taste created in the first place? Can taste be manipulated? How can taste be verbalized? What role does the experience of taste play in social interaction and as artistic material? After the Museum Tinguely addressed visitors’ senses with Belle Haleine: The Scent of Art and Please Touch: Art’s Sense of Touch, an interdisciplinary symposium on taste and food culture followed in early 2019, which put the many fields of human activity affected by taste to the test. This book contains the resulting essays written from the points of view of art and cultural history, as well as psychology, linguistics, and biochemistry.

● Taste from both a scientific as well as a cultural theoretical view ● A different look at art ● Compilation of essays from the symposium at the Museum Tinguely ART Amuse-bouche The Taste of Art

EDITOR Museum Tinguely, Basel TEXTS Antje Baecker, Ralf Beil, Marisa Benjamim, Felix Bröcker, Elisabeth Bronfen, Karin Leonhard, Thomas Macho, Wolfgang Meyerhof, Annja Müller-Alsbach, Jeannette Nuessli Guth, Maren Runte, Charles Spence, Daniel Spoerri, Paul Stoller, Roland Wetzel, Stefan Wiesner GRAPHIC DESIGN Neil Holt

English 144 pp. ● 30 ills. ● 16 x 23.5 cm ● softcover ● ca. €24.00, $32.00, £22.99 February 2020

EXHIBITION Museum Tinguely, Basel, February 19—May 17, 2020

Amuse Bouche. Der Geschmack der Kunst ca. €24.00, $32.00, £22.99 ISBN 978-3-7757-4638-0 (German)

ISBN 978-3-7757-4639-7 English 33 ART Reclaiming Artistic Research Contemporary Sculpture

EDITOR Artist’s Writings and Interviews Lucy Cotter EDITORS CONVERSATIONS Jonathan Wood, Julia Kelly, together with the Cragg Foundation Lucy Cotter with Lawrence Abu Hamdan, Katayon Arian, Carolyn TEXTS Christov-Bakargiev, Sher Doruff, Em’kal Eyongakpa, Ryan Gander, Liam Edward Allington, Jan De Cock, Krysten Cunningham, Sarah Lucas, Gillick, Natasha Ginwala, Sky Hopinka, Manuela Infante, Euridice Richard Serra, Cathy Wilkes Zaituna Kala, Grada Kilomba, Sarat Maharaj, Emma Moore, Rabih GRAPHIC DESIGN Mroué, Christian Nyampeta, Yuri Pattison, Falke Pisano, Sarah Rifky, Weis—heiten, Berlin Samson Young, Katarina Zdjelar GRAPHIC DESIGN English Tomáš Celizna 496 pp. ● 50 ills. ● 16.8 x 24 cm ● hardcover ● €48.00, $75.00, £45.00 English December 2019 440 pp. ● 11 x 18 cm ● softcover ● €25.00, $39.95, £22.99 available ● Anthology about sculpture ● A look inside the artist’s process ● Collection of artists’ texts ● Current discussions on the topic of research in artistic practice Zeitgenössische Skulptur ● In-depth observations from many successful Künstlertexte und Interviews contemporary artists €48.00, $75.00, £45.00 ISBN 978-3-7757-3346-5 (German)

ISBN 978-3-7757-4631-1 ISBN 978-3-7757-3347-2 English English 34 Intervention Art 4.0

For three months Biel, Switzerland, hosted a special kind of sculpture. It was special not simply because it was by one of Switzerland’s most famous contemporary artists—Thomas Hirschhorn—and dedicated to one of the most prominent authors in the history of Swiss literature, Robert Walser. Beyond that, this sculpture was a redefinition of sculpture itself, because what takes on a plastic form here is not made of stone, steel, or bronze. It is society itself that helped to develop this work of art. In 2016 Thomas Hirschhorn and the curator Kathleen Bühler began doing field research in Biel, the city of Robert Walser’s birth, connecting with residents, clubs, artists, literati, and experts. This resulted in a multifaceted agenda. Every day the two offered events such as readings, walking tours, lectures, and children’s activities. All of this ultimately comprised the Robert Walser-Sculpture. Never before has an entire city been integrated into a temporary work of art in this way.

THOMAS HIRSCHHORN (*1957, Bern) lives in Paris. His monuments, altars, and kiosks are admired around the world and have been awarded numerous accolades. Among other honors, Hirschhorn is the winner of the Prix Marcel Duchamp, the Basel Joseph Beuys Prize, and the Grand Prix Art/Prix Meret Oppenheim from the Swiss Federal Office of Culture. ART

● Redefinition of the term sculpture Thomas Hirschhorn ● Robert Walser today Robert Walser-Sculpture ● Thomas Hirschhorn’s most recent work of art EDITORS Kathleen Bühler, Suisse Sculpture Exhibition, Biel TEXTS Kathleen Bühler, Ann Cotten, Julia Gelshorn, José Gsell, Wiebke Hahn, Thomas Hirschhorn, Marcus Steinweg, Gabriela Pereira, Jean-Pierre Rochat, Armin Senser, Jules Sturm et al. PHOTOS Enrique Munoz Garcia GRAPHIC DESIGN Barbara Ehrbar Biel

German, English, French ca. 800 pp. ● ca. 1,000 ills. ● 21.5 x 28 cm ● hardcover ● ca. €68.00, $75.00, £68.00 December 2019

ISBN 978-3-7757-4680-9 German, English, French 35 Romania’s Wild Youth

Contemporary art is more than just simple contempora- neity. It is a new way of seeing and making things seen. The radical change that helped to reinvent Romanian art in the past decade is committed to this idea. This is not only thanks to established artists who have opened up new means of expression. It is mainly driven by a genera- tion of young Romanian artists who no longer have the direct experience of living and working under communism. Their works articulate a sense of life today, along with its own perception and discourse. One major theme for these artists is the power of technologically communicated images to control and construct reality and the experience of society. This magnificent illustrated volume picks up on this idea in order to present twenty-nine of the most innovative artists and their haunting, fascinating works of art.

ADRIAN BOJENOIU (*1976, Craiova) is a curator and teaches at the University of Bucharest. He is a co-founder of the Center for Contem- porary Culture Club ElectroPutere. CRISTIAN NAE (*1979, Craiova) teaches at the National University of Arts in Iași. His research is focused on the history of exhibitions, contemporary art, and post-critical theory.

● Survey of the Romanian art scene ● Fascinating contemporary art ART ● Artistic positions on burning issues of the day Romanian Contemporary Art 2010–2020 Rethinking the Image of the World: Projects and Sketches

EDITORS Adrian Bojenoiu, Cristian Nae TEXTS Adrian Bojenoiu, Sabin Bors, Bogdan Ghiu, Anca Verona Mihulet, Cristian Nae, Magda Radu, Raluca Voinea GRAPHIC DESIGN Timo Grimberg

English ca. 224 pp. ● ca. 180 ills. ● 23.9 x 30.4 cm ● softcover ● ca. €40.00, $60.00, £35.00 November 2019

EXHIBITION Europalia, Galerie Ravenstein Brussels, October 2, 2019–January 2, 2020

ISBN 978-3-7757-4651-9 English 36 Digital Handicraft

Digital: even before this word signified research-based processing, its original meaning referred to “the fingers.” The same goes for the artists Michael Morris and Vincent Tras- ov, whose Image Bank, founded in 1969, did not consist of ones and zeros but entirely of postal handwork. With the intent of a decentralized and network-based circulation and exchange of images, they anticipated the structures of today’s image databases on the Internet. Moreover, from sending, receiving, and collecting, a multifaceted and ex- pansive oeuvre formed, whose creator is no longer a single person, but a collective movement. Away from established institutions such as museums or galleries, a utopia of non-hierarchical and free exchange of images first took shape here, which has lost nothing of its topicality even from today’s perspective.

The artist VINCENT TRASOV (*1947, Edmonton, CA) is known for his photographic, video, and painting works as well as for his performances. Between 1969 and 1974 he appeared as Planters Mr. Peanut’s brand mascot and worked with his friend MICHEAL MORRIS (*1946, Salt- dean, UK) on projects other than the Image Bank.

● International retrospective of Image Bank ● Making-of the utopian-alternative distribution system ART ● Overview of the most important projects Image Bank 1969–1977

EDITORS Krist Gruijthuijsen, Maxine Kopsa, Scott Watson ESSAYS BY AA Bronson, Krist Gruijthuijsen, Angie Kiefer, Maxine Kopsa, Hadrien Laroche, Michael Morris, Felicity Tayler, Vincent Trasov, Scott Watson, Gilbert Zanna GRAPHIC DESIGN Marc Hollenstein

English 320 pp. ● 317 ills. ● 17 x 24 cm ● softcover ● €38.00, $59.95, £35.00 October 2019

EXHIBITION Morris and Helen Belkin Art Gallery, Vancouver, June 19—August 9, 2020

ISBN 978-3-7757-4632-8 English 37 Religious Life Forms of Women in the Middle Ages This publication sheds light on the various kinds of religious lives open to medieval women. Entering a cloister was more than simply deciding to lead a contemplative life devoted to prayer. Cloister life allowed women access to extensive education, and the writings of many a religious woman influenced the theology and knowledge of the Middle Ages. Others acceded to power and respect within the hierarchy of the cloister. They headed up wide- ly connected orders or, as magnates, hosted royalty and were confident rulers of empires. Through essays and brief texts this richly illustrated volume relates information about the many different facets of women’s lives in medieval cloisters. It takes a look at the everyday lives of nuns; provides room for these educated, influential, and poised women to speak for themselves; and introduces their spheres of belief and existence from the ninth to the early sixteenth century in Europe, especially in Switzerland.

● Spheres of belief and existence from the ninth to the early sixteenth century ● Richly illustrated volume ● Accompanying catalogue of the exhibition in ART Zurich Nonnen Frauenklöster im Mittelalter

EDITOR Schweizerisches Nationalmuseum TEXTS Christine Keller-Lüthi, Annalena Müller, Martina Wehrli-Johns GRAPHIC DESIGN hackenschuh com. design

German 160 pp. ● ca. 100 ills. ● 24 x 24 cm ● softcover ● ca. €38.00, $59.95, £35.00 March 2020

EXHIBITION Schweizerisches Nationalmuseum, Landesmuseum Zürich, March 20—July 19, 2020

ISBN 978-3-7757-4619-9 German 38 Female Pioneers of Electronic Music

Where are all of the women in the avant-garde electronic music scene? Anyone who thinks they do not exist is total- ly wrong. It is, however, a fact that hardly anyone has done any research on them or written about them. Wondering about a world allegedly lacking in female electronic musicians, Elisabeth Schimana began a search in the late 1990s and the initial results of her research went into her performance Portrait 01 – Die Futuristin (Portrait 01 – The Female Futurists). Her research brought her into the sphere of electronic music, which culminated in the founding of the IMA – Institute for Media Archaeology. Now, this publication presents twenty female artists and their work. The artists create a somewhat different picture of the creation and development of electronic music. This illustrated volume is as intriguing as it is fascinating, and, above all, a significant portrait of this new history.

The musician and composer ELISABETH SCHIMANA (*1958, Inns- bruck) is herself one of the pioneers of electronic music. She is the founder of the IMA, or Institut für Medienarchäologie (Institute for Me- dia Archaeology), which has been devoted since 2005 to acoustic media involved in both analogue and digital, as well as the themes of women, art, and technology.

● Works by 20 female electronic musicians ART ● Theme: women ● Co-produced by the IMA Institut für Hidden Alliances / Medienarchäologie and Ars Electronica Versteckt verbunden

EDITOR Elisabeth Schimana TEXTS Elisabeth Schimana et al. GRAPHIC DESIGN Andreas Rathmanner

English, German 198 pp. ● 109 ills. ● 16.6 x 24.1 cm ● softcover ● €28.00, $45.00, £25.99 available

FESTIVAL Lentos Kunstmuseum, Linz, September 6–30, 2018

ISBN 978-3-7757-4664-9 English, German 39 Explicitly Moving

What Pina Bausch was to the German dance scene, Deborah Hay is for the American one. Both are counted among the most influential representatives of postmodern dance. As a founding member of the New York-based Judson Dance Theater, a collective of dancers, composers, and visual artists, her approach was to use amateur dancers to create a formal vocabulary of everyday movements, generating new patterns of perception for audience and performer alike. Her choreographic praxis, along with the constant stream of publications about her methods form one of the pillars of the understanding of contemporary dance. The choreographer and renowned dance historian Susan Leigh Foster selected previously unpublished materials from the Deborah Hay Archive, such as dance instruc- tions, drawings, photographs, and correspondence; com- plemented by Hay’s own commentary as well as scientific classifications, this book is a multifaceted overview of her dance oeuvre from the 1960s to the present day.

DEBORAH HAY (*1941) toured the world with the Cunningham Dance Company in 1964. She has written four books describing her own experimental method for her practice of dance and choreogra- phy. In 2015, she was awarded the Chevalier des Arts et des Lettres.

● Comprehensive retrospective of the choreographer’s work RE-Perspective Deborah Hay DANCE ● Unpublished archival materials ● Book accompanies the Berlin festival Dance Works from 1968 to the Present in August EDITOR HAU Hebbel am Ufer, University of the Arts Stockholm / University of the Arts Helsinki

134 TEXTS Susan Leigh Foster, Deborah Hay, Kirsi Monni, Laurenrt Pichaud, Myrto Katsiki, Virve Sutinen

1989 GRAPHIC DESIGN Score

TheAviator Torsten Köchlin and Joana Katte

1992

Wisdom is Common Grew Who Man The English 184 pp. ● 70 ills. ● 20 x 26 cm ● softcover ● €35.00, $55.00, £32.50 135 available 110 1 111

D.Hay_Druck_1-83.indd 1 27.06.19 15:23 D.Hay_Druck_84-184.indd 110 27.06.19 15:25

ISBN 978-3-7757-4630-4 English 40 Ottinger’s Paris

In Paris Calligrammes the filmmaker, photographer, and collector of worlds Ulrike Ottinger links historical archival material with her own art and film works to create a soci- ogram of the era in which she came of age as an artist. In the grip of political upheavals, Paris of the 1960s attracted artists from all over the world and was a pulsating stream of energy hovering between trauma management and the utopia of Europe. From the Librairie Calligrammes, a meeting place of exiled German intellectuals, to the Cinémathèque française, which sparked her love of film, Ulrike Ottinger charts a city and its utopias. They live on in her collaged landscape of memories in a workshop exhibition complimenting her filmParis Calligrammes (2019).

The films by ULRIKE OTTINGER (*1942 Konstanz, Germany) were shown at the most important international festivals and honored at various major museums, including the Centre Pompidou, Paris, the Museo Reina Sofia, Madrid, and the Museum of Modern Art, New York. With her photographs she was represented at Documenta and the Venice Biennale.

● One of the most important German filmmakers ● Autobiographical image of the city of Paris ● The accompanying book on the exhibition FILM and on the film Ulrike Ottinger Paris Calligrammes Landscape of Memory

EDITOR Bernd M. Scherer, Haus der Kulturen der Welt TEXTS Aleida Assmann, Laurence A. Rickels, Marguerite Vappereau GRAPHIC DESIGN Tobias Honert, Jan Wirth

English, German, French 192 pp. ● 167 ills. ● 16 x 23 cm ● hardcover ● €24.00, $32.00, £22.99 available

EXHIBITION HKW, Haus der Kulturen der Welt, Berlin, August 23—October 13, 2019

ISBN 978-3-7757-4637-3 English, German, French 41 Art Treasures in the Desert

The Chinati Foundation is one of the world’s most prominent institutions of contemporary art. The foundation was founded by the American artist Donald Judd (1928– 1994), whose unique ambition was to exhibit and maintain selected permanent installations that were meant to be inextricably bound to the surrounding landscape. Chi- nati is in Marfa, Texas, in the midst of a desert and the 345- acre property where the old Fort D. A. Russell once was. This volume offers the first comprehensive survey of the collection. The installations are shown in impressive photographs presented in chronological order.

● Unique artist’s museum ● CHINATI Complete catalogue of the collection MARFA, TEXAS ● New edition of the 2010 book on the large DAS MUSEUM VON DONALD JUDD Judd retrospective at the MoMA appears in March 2020

Chinati Das Museum von Donald Judd

EDITOR Marianne Stockebrand TEXTS Rudi Fuchs, Donald Judd, Jenny Moore, Nicholas Serota, Richard Shiff, Rob Weiner GRAPHIC DESIGN Rutger Fuchs MUSEUMS AND COLLECTIONS MUSEUMS

4 5 German 352 pp. ● 270 ills. ● 24.5 x 29.3 cm ● linen with dustcover ● ca. €64.00, $75.00, £64.00 March 2020

174 CLAES OLDENBURG & COOSJE VAN BRUGGEN 175

ISBN 978-3-7757-4702-8 German 42 Masterful Works on Paper and Photographs The Swiss company Baloise has a reputation among art experts, but not just as an insurance and financial services company. With its programs that support art, its col- laborations with museums, and the renowned Baloise Art Prize for young artists, which is awarded at Art Basel, the company has had a lasting effect on the development of contemporary art. Less well-known up to now is the fact that, parallel to the company’s activities, it has also built a first-class art collection, which dates back to the mid-twentieth century. Since turning to contemporary art in the 1990s, the company has collected the works of no- table artists. With a focus on photography and works on paper from the 1960s onward, some of the artists represented in the collection are Miriam Cahn, Simon Denny, Katharina Fritsch, Bruce Nauman, and Jeff Wall.Baloise Art is the first publication to provide a broader audience with an overview of the collection. Informative texts by prestig- ious authors accompany the artworks.

Headquartered in Basel, the BALOISE insurance and financial services company began collecting art in the mid-twentieth century. In the 1990s the focus on art from Basel expanded as the company built a far-reaching program to support the arts, opening up to international contemporary art on paper and photography. MUSEUMS COLLECTIONS AND

● Insight into a little-known collection of Baloise Art

masterpieces EDITOR ● Leading collector of contemporary art from Martin Schwander the 1960s onward TEXTS Manuela Ammer, Julika Bosch, Kathleen Bühler, Andreas Burckhardt, ● Works on paper and photography are the David Campany, Marianne Dobner, Julie Enckell Julliard, Marie-Noelle focal points Farcy, Philippe Fürstenberger, Roberto Gargiani, Sharon Hecker, Dora Imhof, Philipp Kaiser, Brigitte Kölle, Ulrich Loock, Letizia Ragaglia, Anna Rosellini, Martin Schwander, Dieter Schwarz, Beat Wismer GRAPHIC DESIGN Teo Schifferli

English 240 pp. ● 320 ills. ● 23 x 30 cm ● clothbound with dust jacket ● €48.00, $75.00, £45.00 March 2020

Baloise Art €48.00, $75.00, £45.00 ISBN 978-3-7757-4641-0 (German)

ISBN 978-3-7757-4672-4 English 43 A Home for Art

The Museum Langmatt in Baden is a gem in every respect. The house and garden take visitors back to the turn of the previous century, when Jenny and Sidney W. Brown set up house here. As collectors, the couple was well-informed and well-connected, and they assembled noteworthy, mainly Impressionist works of art, chiefly on their trips to Paris. The Browns acquired paintings by Renoir, Monet, Gauguin, Cézanne, and Degas—numerous small works that were displayed in the rooms. The Museum Langmatt, which opened in 1990, is founded upon this unique core collection. The Browns living area became an influential exhibition space for contemporary art. This carefully designed, illustrated volume has been compiled to celebrate the museum’s thirtieth anniversary. It provides a look at the magical art collection, its special history, and a glimpse behind the scenes, as well. Accompanied by essays by the museum’s director, Markus Stegmann, as well as by eye witnesses, experts, and artists, the publication affords an atmospheric view of this unusual institution.

The MUSEUM LANGMATT collection was founded by Sidney and Jenny Brown between 1900 and 1933. The heart of the collection consists of around 50 outstanding paintings by French impressionists. This unique ensemble also includes valuable French furniture from the 18th and 19th century, sculptures, drawings, textiles, silver, and porcelain, and also Chinese ceramics. Chamber of the Heart ● Atmospheric private collection in a historical 30 Years of Museum Langmatt / location Herzkammer ● Highlights of the unique collection of French Impressionists 30 Jahre Museum Langmatt ● The museum’s thirtieth anniversary EDITOR Markus Stegmann TEXTS Markus Stegmann et al. MUSEUMS AND COLLECTIONS MUSEUMS GRAPHIC DESIGN Markus Bucher

English, German ca. 240 pp. ● 90 ills. ● 16 x 22 cm ● hardcover ● ca. €35.00, $55.00, £32.50 February 2020

EXHIBITION Museum Langmatt, Baden, March 1—August 2, 2020

ISBN 978-3-7757-4653-3 English, German 44 Fashion Meets Art: Quirky Images of Beauty The photographers Inez van Lamsweerde and Vinoodh Matadin have been inseparable from the fashion and art scene since the 1990s. Very early on they made use of digital processing and distortion. Sometimes a delicate retouch was enough, and sometimes they took it to the apex of gross contortion. Through their strongly expressive manipu- lations, the couple developed a pictorial vocabulary of their own, and they continued to develop it in their themes. Their work is extravagant and gaudy. At the same time, however, they deal with cryptic questions about superficiality, gender, and identity. This book of photos presents a kind of retrospective “director’s cut,” as it were. On the occasion of their exhibition at The Ravestijn Gallery, the artists have selected their favorites from a rich collection. Despite the variety of themes, each photograph bears the inimitable signature of its creators. Presented in a magazine-like style, this publication celebrates the authentic diversity of this outstanding artist couple.

INEZ VAN LAMSWEERDE (*1963, Amsterdam) studied art, and VINOODH MATADIN (*1961, Amsterdam) was a student of fashion design when they met in Amsterdam. The two are a couple, both pro- fessionally and in private, and are in demand around the globe. They work for the most prominent magazines and their work can be seen in museum exhibitions worldwide.

Inez & Vinoodh PHOTOGRAPHY ● The visual world of this extravagant I See You in Everything artist couple ● Elegant print in large format EDITOR Nadine Barth ● Early masters of digital photography GRAPHIC DESIGN Julia Wagner, grafikanstalt

English 32 pp. ● 16 ills. ● 27.3 x 37.5 cm ● brochure ● €25.00, $39.95, £22.99 available

EXHIBITIONS The Ravestijn Gallery, Amsterdam, September 7—October 19, 2019 Helmut Newton Foundation, Berlin, November 30, 2019—May 5, 2020

ISBN 978-3-7757-4679-3 English 45 Let the Love Shine In

Amor is a culmination of moments of Kate Bellm’s trips and travels over the last 10 years. Friends and lovers dreaming, escaping, kissing, and skateboarding. Kate’s pure and atmospheric photography seduces you into an otherworldly psychedelic paradise—with offbeat colorful landscapes, crazy cacti, hot hazy vistas, flickering palms, and colossal rock forms. Her wildly beautiful nudes build intoxicating narratives that radiate a romantic and bohe- mian alchemy. Like a young female Helmut Newton, Kate portrays femininity with fascination, aligning elegance, sexuality, and female empowerment. In friends and lovers, Kate finds her models and muses—this allows her to work with a sense of spontaneity and ease which takes on the charm of youthful freedom. Each image takes you on a new sun drenched road trip or adventure.

KATE BELLM (*1987, London) is a photographer who splits her time between Berlin and the remote village of Deia in the Tramuntana mountains where she works from a self-built studio between the ocean and forest. Her work is published in magazines such as Playboy, Interview, 032c, and exhibited worldwide.

● First book by the celebrated photographer of nudes ● Specially designed coffee table book ● Intoxicating Mediterranean colors and Kate Bellm beautiful women Amor

EDITOR Nadine Barth GRAPHIC DESIGN

PHOTOGRAPHY Steve & George Gorrow

English ca. 192 pp. ● 126 ills. ● 25 x 33 cm ● clothbound ● €54.00, $62.00, £54.00 October 2019

ISBN 978-3-7757-4660-1 English 46 When There Was Still an East and a West Berlin For more than forty years Nelly Rau-Häring wandered the streets of the city with her camera. She pursued her two great passions: her enthusiasm for photography and her curiosity about Berlin’s residents. Along with her virtuoso eye for strongly expressive details, these things make her a special type of chronicler. She always narrates history through the small moments of everyday life, the atmosphere on the streets, and the energetic activities of the people. She traveled through both West and East Berlin, capturing contemporary life on film through faces, shop windows, and building panoramas. To celebrate the thirtieth anniversary of the fall of the Berlin Wall, Hatje Cantz is releasing this splendid photography book. It provides a comprehensive look at this photographic universe, whose pictures are the expression of personal devotion, as well as of historical significance.

NELLY RAU-HÄRING (*1947, Basel) moved to Berlin in 1965 to study photography at the Lette Verein. Besides her street photography, her press and advertising photos for magazines such as Du and die horen, among others, gained a great deal of attention. From 1992 to 1995 she taught at the Hochschule der Künste (Academy of the Arts) Berlin.

● Celebrating the 30th anniversary of the fall of the Berlin Wall

Nelly Rau-Häring PHOTOGRAPHY ● Unfamiliar photographs from East and West Berlin Ost/West Berlin ● The photographer’s first retrospective EDITORS Nadine Barth, Katharina Mouratidi TEXT Katharina Mouratidi INTERVIEW Nelly Rau-Häring GRAPHIC DESIGN Julia Wagner, grafikanstalt

English, German ca. 192 pp. ● ca. 150 ills. ● 21 x 28 cm ● hardcover ● ca. €38.00, $59.95, £35.00 November 2019

EXHIBITION f3 Freiraum für Fotografie, Berlin, November 7, 2019—January 19, 2020

ISBN 978-3-7757-4686-1 English, German 47 Tracking Tales of City Life

A city lives through the people who reside in it, work there, and party there. The well-known photographer Kristian Schuller and his wife Peggy have lived in Paris and New York for the past decade. In Berlin he went off on an expe- dition to capture life in this city. Schuller is on the lookout for the characters who inhabit Berlin’s nightlife—a nightlife that stands for Berlin worldwide, one influenced by artists, actors, musicians, and all of the city’s wonderful eccentrics. The result is an album of portraits that draws its own map of the pulsating capital. Whether in modest black-and-white or exploding color, each portrait has its own individual expression, personal touch, and peculiarities. Schuller’s very own picture of Berlin is created from one photo to the next. It is multifaceted and glittering—a Berlin that reinvents itself every night. As always, the artistic concept and photographs were created through Kristian and Peggy Schuller’s close collaboration.

The photographer KRISTIAN SCHULLER (Halchiu, Romania) lives and works in Berlin and New York. He and his wife, Peggy, studied fashion under Vivienne Westwood and photography under F.C. Gundlach. He is known for his imposing fashion photography in international magazines, and his photographs have been seen in many exhibitions.

● Portraits of Berlin’s nightlife ● New works by the famous fashion Kristian Schuller photographer ● Impressive coffee table book Anton’s Berlin

EDITOR Nadine Barth GRAPHIC DESIGN

PHOTOGRAPHY Studio Tor78

English ca. 208 pp. ● 150 ills. ● 25 x 32.5 cm ● hardcover ● ca. €48.00, $75.00, £45.00 April 2020

ISBN 978-3-7757-4671-7 English 48 Black-and-White Magic

Photographs in which the documentary becomes poetry—that is one of Michael Magers’s trademarks. With his special eye for the unusual moment, the documentary photographer and journalist quickly gained international recognition. His pictures appear in prominent magazines and newspapers such as TIME, Vogue Italia, and Huck Magazine. Even outside of his commissioned work, which takes him all over the world, this exceptional photographer does not put down his camera. He explores everyday life around him, capturing a movement or constellation at crucial moments. These pictures not only celebrate the es- sence of everyday life, but also the magic of what is unique about it. Each of his grainy, black-and-white photographs that he has elicited (mainly from urban life in Japan) in the past decade carries a secret within it, which can be discovered and admired in the first volume of pictures by this artist.

MICHAEL MAGERS (*1976, Dallas, Texas) lives in New York and works as a photographer and journalist all around the world. His works are published in prominent international magazines and newspapers. In cooperation with Roads & Kingdoms, he contributed to the photographs for a prize-winning series of travel books.

● First volume by the documentary photographer

Michael Magers PHOTOGRAPHY ● Quiet, poetic moments from around the world ● Beautifully designed photo book Independent Mysteries

TEXTS Daymé Arocena, Larry Fink, Matt Goulding, Michael Magers, Mitch Moxley, Matthew Shultz GRAPHIC DESIGN Bonnie Briant

English 88 pp. ● 68 ills. ● 21.6 x 27.9 cm ● hardcover ● ca. €24.00, $32.00, £22.99 November 2019

ISBN 978-3-7757-4640-3 English 49 The Light of the North

It is the longing for silence—inviolate, loudly articulate silence. Jan Scheffler puts himself in the midst of this -si lence and his gaze brushes the sky, the earth, the water, the light. Then all becomes quiet within him. And his pictures are created in the knowledge of endangered beauty. In 89 Licht he tells of the lands in the North that he and his camera have been traveling through for the past twenty years. He tells of the days and nights there, of his hunger for this northern light, the poetry of the landscape of which he has become a part. His photographs always unite elements fraught with tension, although they are at rest inside the square. Sometimes the earth takes up most of the room, and sometimes the sky does, displacing its counterpart, knowing that in the end there is an order to everything. Scheffler is devoted to the North; the kind of light he captured in his first photo when he was twelve still fascinates him. Scheffler’s pictures of Iceland, Finland, and Norway are accompanied by the poetic echoes of the author Jacqueline Majumder.

The Berlin-based photographer and lithographer JAN SCHEFFLER (*1964) presents his first monograph, 89 Licht. JACQUELINE MAJUMDER (*1965) writes poems and stories and works with instant pictures.

● Unique images of the North Jan Scheffler ● First monograph on Jan Scheffler ● With poems by Jacqueline Majumder 89 Licht

TEXTS Christiane Stahl, Jacqueline Majumder

PHOTOGRAPHY English, German 192 pp. ● 89 ills. ● 27.8 x 29.6w cm ● hardcover ● €46.00, $65.00, £40.00 November 2019

EXHIBITION Robert Stolz Platz 3, Vienna, Austria, November 15–30, 2019

ISBN 978-3-7757-4643-4 English, German 50 The Sound of Music

“Trap” is the language of hip-hop from the southern states, especially from the city of Atlanta. But “trap” is also slang for the place where drug deals are made. And last, but not least, a “trap” is also a snare. All of this collides when the documentary photographer Vincent Desailly sets out to capture the world behind the lyrics in Atlanta. His pictures are witnesses to the feeling of life and the atmosphere that comes from this music. Haunting portraits show dealers, musicians, or simply residents of the city. On display are guns, crime scenes, and tableaux of everyday life. The photographs are enchantingly beautiful and narratively elegant. Each one is full of meaning and history. Thus, the visual evidence becomes poetry. The portrayal of everyday life begins to speak in the photos. And this language is none other but rap, to whose driving beats and direct lyrics the pictures again open up.

VINCENT DESAILLY (*1989, near Paris) is a documentary, portrait, and fashion photographer. His photographs are produced for well- known magazines like M Le Monde, Vanity Fair, i-D, Fotoroom or It’s Nice That.

● Atlanta’s hip-hop scene up close ● First book of the hip French photographer ● Atmospheric scene portraits

Vincent Desailly PHOTOGRAPHY The Trap

EDITOR Nadine Barth TEXT Gucci Mane GRAPHIC DESIGN Jade Lombard

English ca. 128 pp. ● ca. 50 ills. ● 24 x 29 cm ● hardcover ● ca. €38.00, $59.95, £35.00 November 2019

ISBN 978-3-7757-4696-0 English 51 Photography and Memory

Initially, it is the quiet elegance of these photos that fascinates. With his camera the Korean photographer Doyeon Gwon creates concentrated visual worlds of refined clarity. Upon second glance, it is the narrative density of his style that keeps viewers lingering in front of his pictures. The photographs are either planned and arranged in the studio, or are snapshots of the moment. Sometimes Gwon uses the accentuated contrast of black-and-white, and at other times he plays with the delicacy of discreet colors. But what always distinguishes the pictures is the fact that they draw their narratives directly from the photographer’s life and memory. This exquisite book of photographs contains five complete series by this exceptional artist. From Travel- ler Novice, the series that drew attention to Gwon, to the current study, Bukhansan, this volume provides a comprehensive look at Gwon’s clever and sensual work.

DOYEON GWON (*1980, Seoul) studied literature at Hanyang Uni- versity and then photography at Sangmyung University. His unique style quickly brought him international renown. His works have been seen in many solo and group exhibitions, and he is the recipient of multiple awards.

● The artist’s first comprehensive publication ● Winner of the 2019 Ilwoo Photography Award ● Elegant clothbound volume Doyeon Gwon Flashbulb Memory

EDITOR ILWOO Foundation GRAPHIC DESIGN

PHOTOGRAPHY Julia Wagner, grafikanstalt

English ca. 176 pp. ● ca. 69 ills. ● 25.5 x 31.7 cm ● hardcover ● ca. €45.00, $65.00, £40.00 March 2020

EXHIBITION Ilwoo Foundation, Seoul, March 4–April 14, 2020

JeongMee Yoon €40.00, $60.00, £35.00 ISBN 978-3-7757-4521-5 (English)

Oksun Kim €45.00, $65.00, £40.00 ISBN 978-3-7757-4457-7 (English)

ISBN 978-3-7757-4687-8 English 52 Emotional Landscapes

The Nature of Being is the sixth volume from the series of books about the Helsinki School. It concentrates on bringing together the various approaches used by the School’s representatives to conceptualize nature visibly. The stated goal is not to limit oneself to purely physical depictions of animals, plants, and landscapes. Nature ought to be expressed through a different type of unit and with a new way of gauging time. Days, months, and seasons become the points of crystallization for time. Thus, the photographs reflect a Nordic sense about feelings of loneliness, jealousy, or desire. The works provide photographic insight into the complex horizon of emotions that characterize our individual views of nature. They do not portray landscape as such, but the world in which we live.

Since the 1990s the name HELSINKI SCHOOL has been used to describe a group of fine art photographers who studied, taught, or graduated from the Aalto University’s School of Art, Design and Archi- tecture. The term unites a consistent conceptual approach.

● Landscape as concept ● Intriguing themes from the Helsinki School ● A continuation of the successful series of books

The Helsinki School PHOTOGRAPHY The Nature of Being, Vol. 6

EDITORS Asia Zak Persons, Timothy Persons TEXTS Timothy Persons, Antje-Britt Mählmann, Marja Sakari GRAPHIC DESIGN Full Metal Jacket

English ca. 256 pp. ● ca. 200 ills. ● 24.5 x 29.5 cm ● hardcover ● ca. €42.00, $62.00, £37.00 November 2019

EXHIBITION St. Annen Museum, Lübeck, January 26–April 26, 2020

THE PHOTOGRAPHERS Elina Brotherus, Joakim Eskildsen, Tiina Itkonen, Ulla Jokisalo, Petri Juntunen, Sanna Kannisto, Sandra Kantanen, Ville Kumpulainen, Janne Lehtinen, Ville Lekkeri, Riita Päiväläinen, Santeri Tuori et al.

ISBN 978-3-7757-4699-1 English 53 Fascinating Nature: Of Clouds and Trees

At first glance the photographer Santeri Tuori’s pictorial world appears to be timeless. On second glance, however, it becomes clear what is going on. Tuori’s compositions of trees, tangled branches, and clouds are sophisticated montages made up of countless photos arranged side- by-side or on top of each other. This results in nearly abstract, fascinatingly complex images of nature; because it harmonizes with the sublime depiction of nature, the process of seeing transcends itself. The eye is no longer guided toward a vanishing point around which the image is organized. Instead, viewers luxuriate in an inexhaust- ible wealth of perspectives that allow them to continue to discover new phenomena. This goes along with the dramaturgy that stages the publication from one page to the next. At the beginning, you look up into the treetops. These are followed by pictures of clouds set at eye level. The final chord consists of a series of photographs that looks back to the abstract entanglement of the treetops. In every respect this is an uplifting illustrated volume.

With his precise eye for peerless photography montages, SANTERI TUORI (*1970, Espoo, Finland) is one of the best-known figures from the Helsinki School. He studied at the University of the Arts in Berlin, as well as at Aalto University in Helsinki. His works are found in prominent exhibitions and collections around the world.

● Sublime depictions of nature Santeri Tuori ● Fascinating multiple perspectives Time Is No Longer Round ● Unusual design featuring multiple papers TEXT Santeri Tuori GRAPHIC DESIGN

PHOTOGRAPHY Hans Gremmen

English ca. 198 pp. ● ca. 100 ills. ● 24 x 31.5 cm ● hardcover ● €54.00, $62.00, £54.00 January 2020

ISBN 978-3-7757-4701-1 English 54 Photo Painting

No one uses the camera like the photographer Niko Luoma. He is not interested in capturing the world in front of his lens. He uses light to create his own visual spheres. Using up to a thousand multiple exposures he applies individual elements of color and form to the negative, layer by layer. Meticulous calculations and geometrical skills are the necessary foundation for this. The results are abstract photographs of impressive, colorful intensity and lumi- nosity. This book of photos is based on the series Adap- tions, which reproduces famous works by other artists. Luoma presents a fascinating visual game in which the independent charisma of the photographs acts in con- cert with its reverence toward Bacon, Hockney, Van Gogh, or Picasso. With tongue in cheek, Luoma thus realizes the avant-garde’s desire to liberate photography from repro- ducing reality, allowing it to become an art.

NIKO LUOMA (*1970, Helsinki) is one of the most independent representatives of the Helsinki School. He studied photography in Boston and Helsinki. His works have been seen in renowned museums worldwide and can be found in prominent collections. In 2012 Hatje Cantz released And Time is No Longer an Obstacle.

● New book by the Finnish fine art photographer ● Abstract photography ● Bibliophile’s Swiss softcover

Niko Luoma PHOTOGRAPHY For Each Minute, Sixty-Five Seconds

TEXTS Timothy Persons, Lyle Rexer GRAPHIC DESIGN Juha Nenonen

English 192 pp. ● ca. 150 ills. ● 25 x 30.5 cm ● Swiss softcover ● ca. €42.00, $62.00, £37.00

15. Reclining Nude (1917) March 2020

Niko Luoma And Time is No Longer an Obstacle €35.00, $55.00, £32.50 ISBN 978-3-7757-3339-7 (English)

ISBN 978-3-7757-4689-2 English 55 The Beauty of Machines

With the technological and digital revolution, an entire universe of machines and computers has developed alongside the human world. These machines tell the story of what it is to be human: our needs and desires, our hopes and follies, our visions for the future. Alastair Philip Wiper’s photographic eye sweeps across Adidas shoe fac- tories, colossal shipyards, or laboratories such as the Swiss research center CERN, showing us spaces of incomprehensible complexity. Observers can experience through this a kind of visuality that no longer has a consistent point of view, but a diversity that overwhelms the process of seeing. These photos not only possess a unique beauty of their own, as well as a fascinating aesthetic, but also stimulate thought and the search for one’s own position in the world.

The British photographer ALASTAIR PHILIP WIPER (*1980, Hamburg) became known for his work for the magazines Wired, The Guardian, Scientific American, Wallpaper, and Vice. His series about Silicon Val- ley (Silicon Nights) and his book The Art of Impossible about Bang & Olufsen have been greatly admired. Wiper lives in Copenhagen.

● The beauty of machines ● Best industry photography ● Modern imagery Alastair Philip Wiper Unintended Beauty

TEXT Marcelo Gleiser CONVERSATION

PHOTOGRAPHY Ian Chillag with Alastair Philip Wiper GRAPHIC DESIGN Ironflag

English ca. 200 pp. ● ca. 130 ills. ● 24 x 30 cm ● hardcover ● ca. €44.00, $50.00, £44.00 February 2020

ISBN 978-3-7757-4677-9 English 56 Aesthetics and Function

Phylum H describes a very special architectural task: constructing a hospital. Brunet Saunier Architecture is dedicated to this type of research and further development. Their process is based on intensive research on the functional pro- cedures required in medicine, social demands, and aesthetic possibilities. With these complex ideas, their plans become fascinating time capsules. On one hand, the analytical gaze looks to the past, searching for the medical, historical, and typological elements of the function of hospitals. On the other, potential new technologies, and practices for life and treatment are also examined. In the present, this results in unique buildings distinguished by a sophisticated mastery of flexible spatial structure and integrative design. They create a place for technology, knowledge, work, and social life—for both today and tomorrow. This illustrated volume discusses this unique creative process, using sketches, interviews, 3-D models, blueprints, and photographs.

BRUNET SAUNIER ARCHITECTURE was founded in 1981 by the architects Jérôme Brunet and Eric Saunier. The firm is primarily devoted to erecting public buildings. The successful interaction of formal and functional aspects of their hospital buildings made the architectural office famous across Europe.

● Future-oriented perspective of architecture ● Buildings for the public and health services Phylum H ● Architecture featuring both function and design Brunet Saunier Architecture on Healthcare

EDITOR Brunet Saunier Architecture

GRAPHIC DESIGN ARCHITECTURE Heimann und Schwantes, Brunet Saunier Architecture

English, French 232 pp. ● 120 ills. ● 20 x 29 cm ● softcover ● ca. €38.00, $59.95, £35.00 November 2019

ISBN 978-3-7757-4655-7 English, French 57 A City’s Checkered History

The small city of Anjar lies about sixty kilometers east of Beirut, in Lebanon. Its history borders on the miraculous. In 1939 a group of Armenians from the area Musa Dagh, who had survived the massacre and persecution perpe- trated by the Young Turks, found each other. With support from the French colonial government, they managed to buy the land. Not only did the city planning that ensued foresee giving each family some land and a house, they also built three confessional schools in Anjar—apostolic, catholic, protestant. In celebration of the city’s eightieth anniversary, the architects Vartivar Jaklian and Hossep Bahovan discuss this utopia, which is devoted to social and individual life, in this illustrated volume containing historical sketches and current photographs, as well as companion texts. The film accompanying the book also features interviews with today’s residents of Anjar.

VARTIVAR JAKLIAN (*1976, Aleppo) and HOSSEP BABOYAN (*1976, Beirut) both have Armenian roots and come from Lebanon. They studied art and architecture in Beirut (Institut des Beaux-Arts) and in Venice (IUAV Università). They commute back and forth between these two metropolises. Jaklian is an architect and a photographer, and Bahovan is an architect and a filmmaker.

● Unique history of a city ● With enclosed film Anjar 1939–2019 ● Urban planning as role model Rebuilding Musa Dagh in Lebanon

EDITOR Vartivar Jaklian TEXTS Hossep Baboyan, Vartivar Jaklian, Susan Pattie GRAPHIC DESIGN Julia Wagner, grafikanstalt

English ca. 144 pp. ● 100 ills. ● 30 x 26 cm ● hardcover with DVD ● ca. €40.00, $60.00, £35.00

ARCHITECTURE December 2019

ISBN 978-3-7757-4665-6 English 58 Toward a Flexible Dwelling

A group of Japanese architects calling themselves “Metab- olists” first appeared together in 1960 at the World Design Conference in Tokyo. This impressive illustrated volume is the first to focus on the Metabolists’s built designs for housing, which they regarded as living organisms, not static monuments. Inspired by Le Corbusier’s concept of artificial land, their housing encouraged individual and collective forces to collaborate in the creation of the living environment. They produced buildings made of modular, flexible, and dynamic units that can be randomly expanded, redesigned, and adjusted to meet every expectation. This gives all of the buildings a special charm: not only are they fascinating in themselves, but they also provoke us to completely rediscover and rethink how housing is created.

CASEY MACK (*1973) studied architecture at Columbia University and worked for the Office for Metropolitan Architecture in New York and Hong Kong. He taught at the New York Institute of Technology and the Parsons School of Constructed Environments. He is director of the architecture and design office Popular Architecture in New York.

● Participatory design ● Building life cycles ● Post-occupancy survey

Digesting Metabolism Artificial Land in Japan 1954–2202

EDITOR AND TEXT Casey Mack GRAPHIC DESIGN Alice Chung, Omnivore ARCHITECTURE English 336 pp. ● 257 ills. ● 17.7 x 24.1 cm ● softcover ● ca. €55.00, $75.00, £50.00 February 2020

ISBN 978-3-7757-4642-7 English 59 Agemar: Athens’s Sea Palace

Opened in 2018, Agemar has already come to represent the epitome of maritime architecture. The Angelicoussis Maritime Group had its new headquarters built in Ath- ens near the coast; Agemar’s every facet pays clever and playful homage to the sea horizon. Even from afar, curv- ing strips of white marble flow uninterruptedly like waves around the building. They set it in graceful motion, whose meaning is reinforced by the reflections of surrounding water surfaces. In the interior, the theme is transposed into a gripping piece of architecture that plays with light. Visitors are immersed in the atmosphere of an ethereal world shaped by natural light and shadows generated by a generous atrium and the flowing curves of the walls sculpted in white marble. No wonder that the architect Rena Sakellaridou and her building have been nominated for the European Union’s renowned Mies van der Rohe Prize. Through essays, sketches, drawings, commentary, and photographs, this monograph provides an intimate view of the creation of this unique building.

RENA SAKELLARIDOU (Samos) studied architecture in Thessaloniki, Vancouver, and London. Sakellaridou is a professor of architectural design at the Aristotle University of Thessaloniki. She cofounded the architectural office SPARCH and later on founded her own office RS SPARCH, whose exhibitions and publications have drawn international fame and won a number of architecture prizes. ERIETA ATTALI (*1966, Tel Aviv) studied photography in London and Rena Sakellaridou: New York. Although she started with landscape and archaeological photography, she quickly made a name for herself with her architec- Sea Voyage tural photography. She is the author of Periphery: Archaeology of Light Photography by Erieta Attali and Glass/Wood: Erieta Attali on Kengo Kuma. EDITOR Rena Sakellaridou ● Pioneering light-based architecture PHOTOS Erieta Attali ● Nominated for the 2019 Mies van der Rohe TEXTS Prize Erieta Attali, Kaye Geipel, Rena Sakellaridou ● A look at architectural history GRAPHIC DESIGN KOMA AMOK

English

ARCHITECTURE 128 pp. ● 90 ills. ● 30 x 29 cm ● hardcover ● ca. €35.00, $55.00, £32.50 November 2019

ISBN 978-3-7757-4635-9 English 60 Peter Arnell 1980–2020 Design and Innovation in Branding and Marketing Throughout his 45+ year career Peter Arnell has played a significant role in creating and collaborating on platforms, products and strategies for many of the world’s leading brands. Arnell has built his reputation working in architecture, design, photography, communications, technology and publishing. From his earliest days he has been known for creating unique, ground-breaking work bringing design, innovation, brand creation, brand strategy and customer experience to the forefront of his work. This beautifully conceptualized two-volume monograph provides an insight into the great creator’s oeuvre, highlight- ing his contributions to a vast number of industries rang- ing from technology to automotive design, hospitality to fashion and beyond. The monograph celebrates many of Arnell’s works created and developed alongside the highly talented collaborators. It includes projects with contributions by such luminaries as Denis Piel, Neal Slavin, Helmut Newton, Lance Wyman, Michael Graves and Muhammad Ali, to name a few, and spans over four decades. Includ- ed are signature projects for Donna Karan, Chanel, Fendi, Chrysler, Nespresso, Goop Pepsi, Reebok, Gucci and Special Olympics and in addition features texts written by Arnell’s friends and collaborators architect Frank Gehry and photographer Peter Lindbergh. Peter Arnell

PETER ARNELL (*1958, Brooklyn, New York) worked on freelance art, Projects 1980–2020 architecture, and book projects before he began specializing in design, branding, and product development with the Arnell Group in 1979. EDITOR His best-selling book of advice, Shift—How to Reinvent Your Business, Studio Peter Arnell Your Career, and Your Personal Brand appeared in 2010. TEXTS Frank Gehry, Peter Lindbergh GRAPHIC DESIGN Studio Peter Arnell ● A must-have for every design + brand fan ● Complete work in high-quality slipcase English ca. 1024 pp. ● 500 ills. ● 30.5 x 21.2 cm ● hardcover in slipcase ● ● With texts by Frank Gehry and Peter Lindbergh ca. €98.00, $150.00, £90.00 March 2020 DESIGN

ISBN 978-3-7757-4667-0 English 61 BACKLIST & SPECIAL PRICE

Price offer valid from October 1st, 2019

BACKLIST

ISBN 978-3-7757-4599-4 English

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BACKLIST Jochen Raiß Polar Bears

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ISBN 978-3-7757-2593-4 English 64 64 ART

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Robin Rhode BACKLIST Renée Levi Memory is the Weapon

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ISBN 978-3-7757-4077-7 German, English 71 ISBN 978-3-7757-3848-4 English

A complete overview of the works of the Chinese artist Liu Ye from 1991 until 2015

Liu Ye Buñuel as a source of inspiration for a group Catalogue Raisonné 1991–2015 exhibition of international contemporary artists, such as John Bock, Chicks on Speed, 400 pp. ● 438 ills. ● 27.4 x 30.5 cm ● clothbound with dust jacket Keren Cytter, M + M, Julian Rosefeldt, Tobias €58.00 [D] €25.00 [D] Zielony

The Scorpion’s Sting A Cadavre Exquis based on Luis Buñuel’s “L’Âge d’or”

248 pp. ● 192 ills. ● 20.6 x 30.7 cm ● hardcover

SPECIAL PRICE €38.00 [D] €20.00 [D]

ISBN 978-3-7757-3922-1 English, Chinese 72 ISBN 978-3-7757-3431-8 German, English

Paintings, drawings, and a sculptural installation by the American artist Amy Cuttler

Amy Cutler Turtle Fur

176 pp. ● 80 ills. ● 23 x 28 cm ● halfcloth

€39.80 [D] €20.00 [D] A photographic examination of the Ostkreuz photographers with the phenomenon border in all its diversity SPECIAL PRICE On Borders

296 pp. ● 160 ills. ● 23.3 x 28 cm ● softcover

€38.00 [D] €20.00 [D]

ISBN 978-3-7757-2809-6 English 73

ISBN 978-3-7757-3383-0 German, English

German identity in everyday life—a photographic documentation by Oliver Kern

Oliver Kern A German View

144 pp. ● 80 ills. ● 23.3 x 29.8 cm ● hardcover

€29.80 [D] €16.00 [D] Zvi Heckers architectural sketches from 1946 until today, accompanied by his own texts

Zvi Hecker Sketches

264 pp. ● 176 ills. ● 16.7 x 20.3 cm ● hardcover

SPECIAL PRICE €35.00 [D] €18.00 [D]

ISBN 978-3-7757-3477-6 German, English 74 Special Gift

Sigalit Landau Nanne Meyer Salt Crystal Bridal Gute Gründe Gown I, 2014—2017 Edition, 2019

Unique piece with acrylic paint, colored pencil, chalk, and fineliner Screen print on Coventry Rag 350 g/m2 ● on spoiled sheet ● ca. 31.4 x 23.6 cm ● signed and inscribed in 98 x 68 cm ● signed and numbered ● Ed.: 17, 1 AP the book ● 15 original unique pieces

€1,000.00 €850.00

Stuart Franklin Jorinde Voigt Analogies Immersion Unfolded II, 2019

Limited edition of 99 copies, each with a limited print of 24.5 x 29.5 cm Lithography ● Five colors with four stones and one metal plate on 128 pp. ● 90 ills. ● 24.5 x 29.5 cm ● hardcover ● laid paper 250 g/m2 ● 59.5 x 41.8 cm ● Printer: Taborpresse, Berlin ● ISBN 978-3-7757-4565-9 (English) signed, dated, and numbered ● Ed.: 10, 2 AP

€99.00 €2,600.00

Taryn Simon Julius von Bismarck Special Edition Feuer mit Feuer (T-Shirt), 2019 GIFT IDEAS GIFT

Set of two volumes: Birds of the West Indies and Field Guide to Birds of the West Indies ● in leather-like case ● signed and numbered ● 1048 pp. ● 577 ills. ● 20.5 x 29.7 cm ● hardcover ● T-Shirt with book in printed cardboard box ● Digital print on cotton ISBN 978-3-7757-4140-8 (English) jersey ● Size M/L ● signed and numbered ● Ed.: 50

€360.00 €280.00

75 CREDITS

5 18 26 Hortus conclusus, tapestry, Images copyrights for works Leonor Antunes, The Pliable Exhibtion view Lotus, 2019; Loris Gréaud, The Unplayed Notes ca. 1480, Benedictine monastery reproduced: artists and their Plane, 2015 (detail), exhibition Kontrolle, 2017; Baum, 2014; Museum, 2015, Dallas Photo: St. Agnes, Schaffhausen, legal heirs. view CAPC musée d’art Übergriff, 2019 Minsk Studio Wollwirkerei. Schweizerisches contemporain de Bordeaux, 2015, © Dominik Halmer / © Loris Gréaud; The Unplayed Nationalmuseum courtesy the artist; Air de Paris, VG Bild-Kunst, Bonn 2019 Notes Factory, 2017, COVER ILLUSTRATIONS: Paris; kurimanzutto, Mexico Photo: Roman März Venice Biennale Aby Warburg, City, New York and Luisa Strina Photo: Gréaudstudio 44 Bilderatlas Mnemosyne Gallery, Sāo Paulo © Loris Gréaud, Galerie Max Paul Cézanne, Bathers, Reconstruction of panel 48 Photo: Arthur Pequin and 19 Hetzler Paris I Berlin I London ca. 1895/96, Museum Langmatt, (summer / autumn 1929) with F. Deval, 2015 © Yan Pei-Ming / Baden, Inv.-no. 12 original art works from the VG Bild-Kunst, Bonn 2019 Photographic Collection of Susan Philipsz, Seven Tears, 2016, 27 The Warburg Institute, London 7-channel sound installation, Zac Langdon-Pole, Assimilation 45 Photo: fluid archives exhibition view Kunstverein 22 Study, 2017, installationview of 1 Pink Peony, 1 Two Tone Carnation, Hannover, 2016 Big Phrygian, 2010–14, Glenstone Ars Viva 2018, S.M.A.K., Ghent, 1 Sandersonia, 2013 Stefan Marx, Illegal Party, 2019 Photo: Tamas Kende Museum, Potomac, Maryland; Belgium © Inez & Vinoodh / Aso Oke, 2019; Photo: Dirk Pauwels courtesy The Ravestijn Gallery New Voortrekker, 2018 EDITORIAL ILLUSTRATIONS: 7 © Martin Puryear Gras, 2017 Joaquín Sorolla painting in 29 46 © Jochen Hein the gardens of La Granja, 1907, Installation view of Sondra Perry, © Kate Bellm Madrid, Museo Sorolla, 23 A Terrible Thing, moCa Cleveland, Hamburg inv. 80079 Dirty Socks, 2019, courtesy Koenig 2019 © David Carreño Hansen, Sven Gallery, photo: Elmar Vestner; Photo: Field Studio 47 Stolzenwald, Christian A. Werner Han, 2012, courtesy the artists © moCa Cleveland 2019 Nelly, 1966 10 Photo: Anders Sune Berg; Portrait of Friedensreich Performer with The Influence, CONTENT ILLUSTRATIONS: Hundertwasser, 1985 Fig. 1 (2019) and The Influence, 32 49 Edward Hopper, Photo: Gerhard Krömer Fig. 2 (2019), Kukje Gallery, Seoul, Christiane Löhr, Tower, 2015 © Michael Magers Lombard’s House, 1931 March 21, 2019, © VG Bild-Kunst, 2019 Bonn Private Collection, courtesy Photo: Chunho Photo: Kenji Takahashi Fraenkel Gallery, San Francisco / 11 © An Elmgreen & Dragset / 50 © VG Bild-Kunst, Bonn 2019 Courtesy Museum Rietberg VG Bild-Kunst, Bonn 2019 Jan Scheffler,B ° 67.786 / 33 L ° 28.003‚ Savukoski / Finland; Joaquín Sorolla, Garden of the Marisa Benjamim, Sketch for B ° 63.962 / L ° -19.014 Sorolla House, 1917, Valencia, 12 24 installation (still untitled) at the Landmannalaugar / Iceland; Ayuntamiento de Valencia, Himmel (Heaven), 2018; First barbed-wire structures Museum Tinguely, Basel, 2019; B ° 63.984 / L ° -19.036 Museo de la Ciudad Kochende See (Agitated Sea), 2017; coated in salt crystals, courtesy of the artist; Landmannalaugar / Iceland; Gischt (Spray), 2015 Dead Sea, 2001, © 2019, Marisa Benjamim B ° 71.171 / L ° 25.783 North Cape / My Choreographed Body . . . © Jochen Hein © Sigalit Landau Photo: Andrés Galeano Norwegia Revisited, 2019. Photo: Bechor BarTur Studio Nottingham, Stefan Wiesner, Skizze zu United Kingdom, 2018. 13 Bicycle coated in salt crystals and Dessert Feuerstein, 2018; 51 Performer: Deborah Hay Franco Viola, Metafora, 2011 weighing more than 150 kg is © 2019, Stefan Wiesner © Vincent Desailly © Photo: Camilla Greenwell Photo: Antonio Romi lifted from the Dead Sea, 2010, © Sigalit Landau © Douglas Tuck Photo: Yotam From 35 52 14 Thomas Hirschhorn, From: Art of Shovel 3, 2015; Elina Brotherus, Portrait Series Sven Drühl, S.D.G.M., 2017, Robert Walser-Sculpture, 2019 Bukhansan Mountain, 2019 (Gelbe Musik with Sunflowers), private collection Basel / 25 © VG Bild-Kunst, Bonn 2019 © Doyeon Gwon 2016 © VG Bild-Kunst, Bonn 2019 Haegue Yang, Boxing Ballet, Photos: Enrique Munosz Garcia The Baldessari Assignments 2013–15, Leeum, Samsung © the artist, courtesy of Persons Museum of Art, installation view 56 Projects / Helsinki School / 16 of Shooting the Elephant– 37 © Alastair Philip Wiper VG Bild-Kunst, Bonn 2019 November, 1957; Untitled, 1960 Thinking the Elephant, Leeum, Vincent Trasov and Michael © Teruko Yokoi Samsung Museum of Art, Morris at the Image Bank Post © Peter Arnell Seoul, South Korea, 2015. Card Show, And/Or Gallery, 58 Photo: Studio Haegue Yang; Seattle, 1974 Photos: Vartivar Jaklian 17 Strange Fruit, 2012–13, 6 light Prices, specifications, and terms Stefan Marx, I Dream In Colors; sculptures, The Museum of subject to change without notice. This Is So not What I Wanted; Contemporary Art, Los Angeles, 38 60 I Dream In Colors, KPM-Vase 2019; purchased with funds provided Antependium with Salomonis Photos: Erieta Attali Copy deadline: An Empty Fruitbowl & A Friend, by the Acquisition and Collection throne and John the Baptiste September 10, 2019 fruitbowl Case Studyo 2014, Committee together with John the Edition Evangelist, Lake Constance, 61 ca. 1300, embroidery, in gold and © Peter Arnell silver, Historisches Museum, Bern, Inv. no. 26. 63 © Collection Jochen Raiß

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