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EXCEL LATZKO MUZIK CATALOG for PDF.Xlsx
Walter Latzko Arrangements (Computer/Non-Computer) A B C D E F 1 Song Title Barbershop Performer(s) Link or E-mail Address Composer Lyricist(s) Ensemble Type 2 20TH CENTURY RAG, THE https://www.sheetmusicplus.com/title/the-20th-century-rag-digital-sheet-music/21705300 Male 3 "A"-YOU'RE ADORABLE www.sheetmusicplus.com/title/a-you-re-adorable-digital-sheet-music/21690032Sid Lippman Buddy Kaye & Fred Wise Male or Female 4 A SPECIAL NIGHT The Ritz;Thoroughbred Chorus [email protected] Don Besig Don Besig Male or Female 5 ABA DABA HONEYMOON Chordettes www.sheetmusicplus.com/title/aba-daba-honeymoon-digital-sheet-music/21693052Arthur Fields & Walter Donovan Arthur Fields & Walter Donovan Female 6 ABIDE WITH ME Buffalo Bills; Chordettes www.sheetmusicplus.com/title/abide-with-me-digital-sheet-music/21674728Henry Francis Lyte Henry Francis Lyte Male or Female 7 ABOUT A QUARTER TO NINE Marquis https://www.sheetmusicplus.com/title/about-a-quarter-to-nine-digital-sheet-music/21812729?narrow_by=About+a+Quarter+to+NineHarry Warren Al Dubin Male 8 ACADEMY AWARDS MEDLEY (50 songs) Montclair Chorus [email protected] Various Various Male 9 AC-CENT-TCHU-ATE THE POSITIVE (5-parts) https://www.sheetmusicplus.com/title/ac-cent-tchu-ate-the-positive-digital-sheet-music/21712278Harold Arlen Johnny Mercer Male 10 ACE IN THE HOLE, THE [email protected] Cole Porter Cole Porter Male 11 ADESTES FIDELES [email protected] John Francis Wade unknown Male 12 AFTER ALL [email protected] Ervin Drake & Jimmy Shirl Ervin Drake & Jimmy Shirl Male 13 AFTER THE BALL/BOWERY MEDLEY Song Title [email protected] Charles K. -
Manga Book Club Handbook
MANGA BOOK CLUB HANDBOOK Starting and making the most of book clubs for manga! STAFF COMIC Director’sBOOK LEGAL Note Charles Brownstein, Executive Director DEFENSE FUND Alex Cox, Deputy Director Everything is changing in 2016, yet the familiar challenges of the past continueBetsy to Gomez, Editorial Director reverberate with great force. This isn’t just true in the broader world, but in comics,Maren Williams, Contributing Editor Comic Book Legal Defense Fund is a non-profit organization Caitlin McCabe, Contributing Editor too. While the boundaries defining representation and content in free expression are protectingexpanding, wethe continue freedom to see to biasedread comics!or outmoded Our viewpoints work protects stifling those advances.Robert Corn-Revere, Legal Counsel readers, creators, librarians, retailers, publishers, and educa- STAFF As you’ll see in this issue of CBLDF Defender, we are working on both ends of the Charles Brownstein, Executive Director torsspectrum who byface providing the threat vital educationof censorship. about the We people monitor whose worklegislation expanded free exBOARD- Alex OF Cox, DIRECTORS Deputy Director pression while simultaneously fighting all attempts to censor creative work in comics.Larry Marder,Betsy Gomez, President Editorial Director and challenge laws that would limit the First Amendment. Maren Williams, Contributing Editor In this issue, we work the former end of the spectrum with a pair of articles spotlightMilton- Griepp, Vice President We create resources that promote understanding of com- Jeff Abraham,Caitlin McCabe,Treasurer Contributing Editor ing the pioneers who advanced diverse content. On page 10, “Profiles in Black Cartoon- Dale Cendali,Robert SecretaryCorn-Revere, Legal Counsel icsing” and introduces the rights you toour some community of the cartoonists is guaranteed. -
Developing Kamishibai (Japanese Card-Story) Media in Teaching Speaking
4rd English Language and Literature International Conference (ELLiC) Electronic ISSN: 2579-7263 Proceedings – (ELLiC Proceedings Vol. 4, 2021) CD-ROM ISSN: 2579-7549 DEVELOPING KAMISHIBAI (JAPANESE CARD-STORY) MEDIA IN TEACHING SPEAKING Yuli Puji Astutik1, Riski Mulyana2 STIT Muhammadiyah Tanjung Redeb Indonesia [email protected], [email protected] Abstract This study aims at developing and testing the feasibility of Kamishibai media as a learning medium by modifying a story adapted from Berau Folklore East Kalimantan. The research method used in this research was Research and Development (R&D) by adapting ADDIE Model of development which covered several steps namely: Analysis, Design, Development, Implementation, and Evaluation. The result of this research was a learning media namely Kamishibai by modifying it with the story of Berau folklore East Kalimantan. Based on the result of media experts’ validation, it showed that the response was 100%, while the result of material and language quality was 93%. It can be summarized that the developed media can be categorized as “Decent” or suitable to be used as a learning media. Meanwhile, the result of students’ responses towards the media developed was 81.13%. it can be considered positive of the media of Kamishibai (Japanese-Card Story) was feasible and suitable to be applicated as the learning media in speaking. Keywords: Research & Development (R&D), Kamishibai Media, ADDIE Model Introduction Language is considered vital for human learning English as a foreign language, communication. It is a crucial element of people can engage in international education which can be used as a tool in commerce, advance in their studies, and expressing ideas, thoughts, feelings and participate in scientific activities. -
Kamishibai, What Is It? Some Preliminary Findings
1 KAMISHIBAI, WHAT IS IT? SOME PRELIMINARY FINDINGS Jeffrey A. Dym From January to May 2007, I spent time researching the history of kamishibai in Japan. Prior to leaving, when my colleagues asked me what I was researching, I would reply kamishibai. Of course, they had no idea what I was talking about. When you tell someone in Japan you are studying kamishibai, they might look at you with a puzzled look, wondering why you are studying that and not something more practical and business oriented but at least they know what you are talking about. For most Americans, the subject is completely arcane. The usual translation of kamishibai is “paper plays.” But I found that telling my colleagues that I was studying paper plays really didn’t clarify things. It often conjured up for them an image of Indonesian puppet theater. Instead, I usually resorted to telling them that I was studying a type of street performance that was popular in Japan during the 1930s and 1950s. Indeed, it is possible to offer a fairly straightforward description of kamishibai. Kamishibai, in a format similar to the ones presented on Kamishibai for Kids, first appeared in 1930 in Tokyo and quickly became one of the most popular forms of mass entertainment in the major cities of Japan. Kamishibai is designed so that virtually anyone can perform it. Though the first kamishibai didn’t have words on the back, within a few years of its debut words were added to the back of the pictures so that anyone could perform it. -
Kamishibai: an Intangible Cultural Heritage of Japanese Culture and Its Application in Infant Education
KÉPZÉS ÉS GYAKORLAT • 2017. 15. ÉVFOLYAM 1−2. SZÁM. DOI: 10.17165/TP.2017.1-2.2 ANA MARQUÉS IBÁÑEZ1 Kamishibai: An intangible cultural heritage of Japanese culture and its application in Infant Education In the field of art education, it is imperative to use new and innovative methods to study visual culture, and to adopt multicultural and intercultural approaches to interpret art in different cultures. It is interesting to study the way in which the intertextual method (the interrelationship between texts, whether written, oral, past or present; the implicit or explicit connection between a set of texts forming a context which conditions the understanding and development of the discourse) can be employed to interpret art from a western or eastern perspective. The kamishibai art form should be integrated into pre-school and elementary school curricula to promote reading. This proposal goes beyond simply understanding a text with images. The focus is on how a text can be performed theatrically and involve the participation and interaction of children as protagonists in the process. We start by introducing the concept of kamishibai, including its origins and different stages of evolution throughout history until the present day. Then, we discuss the potential new roles that contemporary kamishibai could assume in the educational context. Finally, we present an educational proposal to promote its use in early childhood education. We consider that the development of artistic interpretation, the potential value of a text when performed theatrically facilitates the introduction of multiculturalism to children. 1. Introduction Kamishibai is a type of theatrical performance that offers an alternative way to tell stories to children. -
Breathing New Life Into Comic Collections
BREATHING NEW LIFE INTO COMIC COLLECTIONS: DRAWN & QUARTERLY’S CHOICE TO REFORMAT & REPUBLISH FOR A YOUNG READERSHIP by Gillian Cott B.A. (Honours) English Language & Literature, University of Windsor, 2012 B.Ed., University of Windsor, 2013 Project submitted in partial fulfillment of the requirements for the degree of Master of Publishing Faculty of Communication, Art, and Technology © Gillian Cott, 2016 Simon Fraser University Fall 2016 • This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. APPROVAL Name Gillian Cott Degree Master of Publishing Title of Project Breathing New Life into Comic Collections: Drawn & Quarterly’s Choice to Reformat & Republish for a Young Readership Supervisory Committee ________________________________ Hannah McGregor Senior Supervisor Assistant Professor, Publishing Program Simon Fraser University ________________________________ John Maxwell Supervisor Associate Professor, Publishing Program Simon Fraser University ________________________________ Marcela Huerta Industry Supervisor Assistant Editor Drawn & Quarterly Montreal, Quebec Date Approved ________________________________ ii BREATHING NEW LIFE INTO COMIC COLLECTIONS ABSTRACT Graphic novels and comic reprints have recently surged in popularity due to Hollywood adaptations and bestselling titles such as Art Spiegelman’s Maus and Marjane Satrapi’s Persepolis. Despite these successes, publishers still struggle to find the right audience for many comic collections. This report focuses on Drawn & Quarterly’s decision to reprint two comic collections in smaller, kid-friendly editions. It analyzes why D+Q decided to reformat the Janssons’ Moomin comics and Mizuki’s Kitaro manga for specific readerships, with a focus on the emerging genre of crossover literature. -
Selected Books on East Asia for Pre-K to 5 Grade
Selected Books on East Asia for Pre-K to 5th Grade The following list of books contains recommendations complied by professional children’s librarians, library journals, and Asia educators for books that cover Asian folktales, culture, art, language, music, crafts, and various other themes. Books are listed according to title, with full information provided on content, level, region of interest, etc. These books provide an excellent introduction to students at the PreK to 5th grade level to a number of topics of interest, and include both fiction and nonfiction and a wide variety of styles and reading levels. Many books are also marked for their quality in being used for reading aloud. Complied by the Carnegie Library of Pittsburgh Children’s Department and the Asian Studies Center at the University of Pittsburgh. * Please note that any title beginning with an article such as “a”, “an”, or “the” will be alphabatized by the first letter of the next word. ISBN numbers given are generally ISBN-13 codes for standard hardcover or paperback editions. Books which are out of print may often be obtained at public libraries or via used bookstore networks such as http://www.abebooks.com. Ancient China (DK Eyewitness Books) Arthur Cotterell (Author) ISBN: 978-0756613822 Audience: Grade 4 and up Keywords: photography, history, art, culture Region: China From School Library Journal: Done in typical "Eyewitness" format, this volume touches upon such topics as Chinese history, the first emperor, inventions, health and medicine, waterways, food and drink, clothing, the Silk Road, and arts and crafts. Material from as recent as the last dynasty, which ended in 1911, is included; because all of the information is presented in double-page spreads, some cover extremely wide time frames. -
Billboard 1974-08-24
NEWSPAPER Bill The International Music -Record -Tape Newsweekly August 24, 1974 $1.25 A Billboard Publication Nixon Furore Slows Davis Calls Texaco Sued In Copyright Movement Promo Slot Tape Piracy Test By MILDRED HALL A Hot Seat By STEPHEN Panasonic Sets By IS HOROWITZ TRAIMAN WASHINGTON -The aftermath NEW YORK -In what may develop as a precedent- setting piracy test case, NEW YORK -Promotion is of the Nixon resignation has set in now Custom Publishing Co. and Camad Music Co. have filed suit against Texaco, Expansion Move second only to aecr as the "hot seal" motion a new series of delays in alleging copyright infringement on songs appearing on tapes alleged to be of the rc nrd industry. Clive Davis Congress for all pending copyright Hy RADCLIFFE JOE bootleg reproductions and sold at an Illinois Texaco station. The oil firm has told an audience of mire than at bills -including the general revision NEW YORK -Panasonic Au- 600 denied the allegations. the opening session of Billboard's bill 5.1361, the House antipiracy bill tomotive Products Dept. will utilize A ruling for the plaintiffs could seventh Annual International Radio H.R. 13364. and the hoped -for ex- network television, as well as trade UA Restructures establish the important precedent in Programming Forum here Wednes- tension legislation to save expiring and consumer print media- in a mas- piracy litigation of a parent com- copyrights. sive promotion campaign that Cal day (14). Into 5 Divisions pany being held liable for actions of Released from the harrowing job Shore, vice president and general The acting Bell Records chief, in By NAT ERI'EDI.AND its agents -in this' case, an ail com- of impeaching a president, both manager of Panasonic's special his first major address to an industry LOS ANGELES- United Artists pany held accountable for activities a the Senate and House began lengthy products division, tails a major in- audience since leaving presi- bas reorganized its non -film oper- of its franchised stations. -
TÍTERES EN PUERTO RICO, UNA PERPETUA Y ACOMPASADA EVOLUCIÓN Indice SEPTIEMBRE - DICIEMBRE / 2018
la hoja del titiritero / SEPTIEMBRE - DICIEMBRE / 2018 1 BOLETÍN ELECTRÓNICO DE LA COMISIÓN UNIMA 3 AMÉRICAS TERCERA ÉPOCA SEPTIEMBRE - DICIEMBRE03 / 2018 TÍTERES EN PUERTO RICO, UNA PERPETUA Y ACOMPASADA EVOLUCIÓN indIce SEPTIEMBRE - DICIEMBRE / 2018 ENCABEZADO DE BUENA FUENTE: 03 · Pinceladas puertorriqueñas Influencias de otros lares en la isla Dr. Manuel Antonio Morán 25 · Kamishibai-Puerto Rico Tere Marichal l boletín electrónico La Hoja LETRA CAPITAL del Titiritero, de la Comisión 04 · Las voces titiriteras de Suramérica Personalidades y agrupaciones del Unima 3 Américas, sale teatro de figuras en Puerto Rico con frecuencia cuatrienal, EN GRAN FORMATO · El Mundo de los Muñecos: con cierre los días 15 de · Breve panorama del teatro de títeres 28 40 años de alegría Eabril, agosto y diciembre. Las 07 en Puerto Rico 30 · Un titiritero llamado Mario Donate normas editoriales, teniendo en Dr. Manuel Antonio Morán cuenta el formato de boletín, son De festivales y publicaciones titiriteras de una hoja para las noticias e CUADRO DE TEXTOS en Puerto Rico informaciones, dos hojas para las entrevistas y tres hojas para los · Las huellas de la tempestad en el · Sobre la mesa. Una asignación (Acerca 11 31 artículos de fondo, investigaciones Corazón de Papel de Agua, Sol y Sereno del fenómeno de títeres para adultos en o reseñas críticas. De ser posible Cristina Vives Rodríguez Puerto Rico). Deborah Hunt acompañar los materiales con · Y No Había Luz antes 33 · La Titeretada: un festival independiente 14 imágenes. y después de María 34 · Otros festivales titiriteros · Papel Machete: el teatro de títeres y la · Algunas publicaciones de títeres en 16 Director lucha popular en Puerto Rico Puerto Rico Dr. -
Sweet Adelines International Arranged Music List
Sweet Adelines International Arranged Music List ID# Song Title Arranger I03803 'TIL I HEAR YOU SING (From LOVE NEVER DIES) June Berg I04656 (YOUR LOVE HAS LIFTED ME) HIGHER AND HIGHER Becky Wilkins and Suzanne Wittebort I00008 004 MEDLEY - HOW COULD YOU BELIEVE ME Sylvia Alsbury I00011 005 MEDLEY - LOOK FOR THE SILVER LINING Mary Ann Wydra I00020 011 MEDLEY - SISTERS Dede Nibler I00024 013 MEDLEY - BABY WON'T YOU PLEASE COME HOME* Charlotte Pernert I00027 014 MEDLEY - CANADIAN MEDLEY/CANADA, MY HOME* Joey Minshall I00038 017 MEDLEY - BABY FACE Barbara Bianchi I00045 019 MEDLEY - DIAMONDS - CONTEST VERSION Carolyn Schmidt I00046 019 MEDLEY - DIAMONDS - SHOW VERSION Carolyn Schmidt I02517 028 MEDLEY - I WANT A GIRL Barbara Bianchi I02521 031 MEDLEY - LOW DOWN RYTHYM Barbara NcNeill I00079 037 MEDLEY - PIGALLE Carolyn Schmidt I00083 038 MEDLEY - GOD BLESS THE U.S.A. Mary K. Coffman I00139 064 CHANGES MEDLEY - AFTER YOU'VE GONE* Bev Sellers I00149 068 BABY MEDLEY - BYE BYE BABY Carolyn Schmidt I00151 070 DR. JAZZ/JAZZ HOLIDAY MEDLEY - JAZZ HOLIDAY, Bev Sellers I00156 072 GOODBYE MEDLEY - LIES Jean Shook I00161 074 MEDLEY - MY BOYFRIEND'S BACK/MY GUY Becky Wilkins I00198 086 MEDLEY - BABY LOVE David Wright I00205 089 MEDLEY - LET YOURSELF GO David Briner I00213 098 MEDLEY - YES SIR, THAT'S MY BABY Bev Sellers I00219 101 MEDLEY - SOMEBODY ELSE IS TAKING MY PLACE Dave Briner I00220 102 MEDLEY - TAKE ANOTHER GUESS David Briner I02526 107 MEDLEY - I LOVE A PIANO* Marge Bailey I00228 108 MEDLEY - ANGRY Marge Bailey I00244 112 MEDLEY - IT MIGHT -
The Prairie Wind Fall, 2007 Fall’S Bountiful Harvest 18 Table of Contents Revise Yourself 19 Greeting 2 to Be Or Not to Be
Season's Crop 18 The Prairie Wind Fall, 2007 Fall’s Bountiful Harvest 18 Table of contents Revise Yourself 19 Greeting 2 To Be or Not to Be . Whoever I Am (That is the Autumnatically Yours 2 Answer) 19 from the editor 2 Promote That Book! 21 Falling Into Place 2 Simple, Inexpensive Ways to Promote Your Book Illustrator in the Spotlight 3 Everyday 21 SCBWI-Illinois’ Artists Put on a Show 3 Opportunities 21 Tales from the Front 4 IWPA’s Call For Authors 21 The Girl from W.R.I.T.E.R. 4 Kidslitosphere 22 Someone You Should Know 6 Why Do Bloggers Blog? 22 Illinois Reading Council’s Roxanne Owens 6 Booksellers' Perspective 25 Writing Tips 8 Let’s Have a Party: An Introduction to a Study on Parental Revelry 25 To Outline or Not To Outline? That is the Question 8 Fitness + Writing 26 Critique Group Tips 9 Writing! It’s Just like Exercise 26 Five Elements That Make a Solid Group 9 op/ed 27 Illustrator Tips 10 Publishing the Digital Way 27 From Cornfields to Cyberspace 10 Horoscopes 32 Writer's Bookshelf 13 Nuggets from Nunki: Horoscopes for Children’s Recommended Reads to Hone Your Craft 13 Book Writers and Illustrators 32 News Roundup 14 October Is National Book Month! 14 Food for Thought 15 Sept. 15th Eat and Greet for Published SCBWI Members With Trade Books 15 A Fly on the Wall 16 Carolyn Yoder Workshop June 23-24 16 Don't Miss 16 Prairie Writer’s Day Is Coming 16 The Prairie Wind, Fall 2007 Copyright SCBWI-Illinois p. -
Spring/Summer 2011
The SCBWI Tokyo Newsletter Spring/Summer 2011 Carp Tales is the bi-annual newsletter of the Tokyo chapter of the Society of Children’s Book Writers and Illustrators (SCBWI). The newsletter includes SCBWI Tokyo chapter and member news, upcoming events, a bulletin board of announcements related to writing and illustrating for children in Japan, reports of past events, information on industry trends, interviews with authors and illustrators, and other articles related to children’s literature. To submit inquiries or learn how to contribute to Carp Tales, contact [email protected]. The submission deadline is May 1 for the spring issue and November 1 for the fall issue. All articles and illustrations in Carp Tales are © SCBWI Tokyo and the contributing writers and illustrators. For more information about SCBWI Tokyo, see www.scbwi.jp. The Carp Tales logo is © Naomi Kojima. From the Editors Contents SCBWI Tokyo wishes to express condolences to all those who have suffered From the Editors ......................................1 losses from the March 11, 2011 Great East Japan Earthquake. These have been trying times in Japan, but we are so encouraged by energetic efforts to help SCBWI Tokyo Event Wrap-Ups ................2 those in the affected regions. SCBWI is donating over $3,500 to the Books for 2011 Sakura Medal Tomorrow Project (Ashita no Hon), and SCBWI Tokyo has raised $500 for Ehon Winners AnnounCed ................................3 Project Iwate. Both projects are providing book-related relief and activities plus mobile libraries to the quake-affected areas. Kidlit for Japan, an auction J-Boys: The Story oF one MG Novel organized by Greg Fishbone who lived in Japan during the Great Hanshin in Translation ............................................4 earthquake, raised over $10,000 for Red Cross Japan.