FRIENDS of ENGLISH THEATRE at the STRATFORD FESTIVAL

Total Page:16

File Type:pdf, Size:1020Kb

FRIENDS of ENGLISH THEATRE at the STRATFORD FESTIVAL Enjoy a THEATRE GETAWAY THIS SUMMER with FRIENDS OF ENGLISH THEATRE at the STRATFORD FESTIVAL SEPTEMBER 13-15, 2016 Since 2003 FET's annual theatre trips to the Stratford Festival have earned a reputation for quality, superior organization and excellent value. A unique and much appreciated feature is the opportunity for participants to enjoy the Festival in a very personal way. Choose the shows YOU want to see and stay where YOU want to stay. Read on to see how FET puts it all together. WHAT’S ON DURING FET DAYS Tuesday THE HYPOCHONDRIAC by Molière (Festival Theatre) 8:00pm JOHN GABRIEL BORKMAN by Henrik Ibsen (Tom Patterson Theatre) THE AENEID by Oliver Kemeid (Studio Theatre) Wednesday A CHORUS LINE Music by Marvin Hamlisch, lyrics by Edward Kelban, book by 2:00pm James Kirkwood and Nicholas Dante (Festival Theatre) SHAKESPEARE IN L0VE based on the screenplay by Marc Norman and Tom Stoppard (Avon Theatre) REDEMPTION: HENRY lV PART ll AND HENRY V by William Shakespeare adapted by Graham Abbey (Tom Patterson Theatre) BUNNY by Hannah Moscovitch (Studio Theatre) Wednesday MACBETH by William Shakespeare (Festival Theatre) 8:00pm A LITTLE NIGHT MUSIC Music and lyrics by Stephen Sondheim, book by Hugh Wheeler (Avon Theatre) Thursday AS YOU LIKE IT by William Shakespeare (Festival Theatre) 2:00pm THE LION, THE WITCH AND THE WARDROBE by C.S. Lewis (Avon Theatre) ALL MY SONS by Arthur Miller (Tom Patterson Theatre) TICKET PRICES Seating categories are Premium (Pr), Spotlight(Sp), A and B. FET always seeks to acquire best seats but occasionally best seats are sold out by the time group priority opens up. To see seating locations in the various theatres, go to pages 74 -75 in the Stratford Festival Guide or go to the Festival website: www.stratford festival.ca. FET prices include HST and are much lower than the regular ticket prices. (Note that prices shown in Stratford Festival publicity do not include booking fees or HST). Tuesday, Hypochondriac Festival $60 A Sept 13 J.G.Borkman Tom Patterson $66 Sp 8:00pm The Aeneid Studio $66 Sp A Chorus Line (Musical) Festival $80 A Wednesday, Shakespeare in Love Avon $85 Sp Sept 14 *Redemption* Tom Patterson $78 or $65 Pr or Sp 2:00pm Bunny Studio $85 Sp Wednesday, Macbeth Festival $106 Sp Sept 14 A Little Night Music Avon $107 A 8:00pm Thursday, As You Like It Festival $82 Pr Sept 15 The Lion, the Witch and the Wardrobe Avon $82 Pr 2:00pm *All My Sons* Tom Patterson $70 or $60 A or B * Choose your seat category* CHOOSING YOUR PLAYS Please choose four of these 12 performances. If you consider four performances beyond your limit, please discuss your situation with Fran Pearl, our trip co-ordinator, as exceptions can sometimes be arranged. ADD-ON ACTIVITIES: TOURS AND FORUM EVENTS Meet The Festival. Fun and informal Q and A sessions with Wednesday 9:30-10:30 Free Festival artists and staff. $10 or ($8 Seniors) Wednesday 9:30-10:30 Festival Theatre Tour Wednesday 10:00-11:00 Costume and Props Warehouse Tour $8 Peer into the Playbill: Exploring the themes of the playbill. Wednesday 10:45-noon Calling Out the Quacks $22 Talk by Dr. Brian Goldman (CBC's White Coat, Black Art) $10 Thursday 9:30-10:30 Festival Theatre Tour ($8 Seniors) Thursday 10:00-11:00 Costume and Props Warehouse Tour $8 Thursday 11:00-noon Lobby Talk: As You Like It Free ACCOMMODATION OPTIONS We encourage you to stay at the Arden Park Hotel where FET has reserved a block of rooms. The price is $169 per night plus tax (a saving of $20 per room per night). You must contact the hotel directly before August 13 to make a reservation at the hotel. Details are on page 4. However, you are not under any obligation to stay at the hotel. You are free to contact any one of the wonderful B&B's in Stratford. As a guideline, the cost for a room in a B&B in Stratford can vary from less than $100 to over $400 but the average price is much like that charged at the hotel. If you opt to stay elsewhere, we strongly suggest you choose a place that allows you to walk to the theatres. If you are travelling as a single, please indicate on the registration form if you would be willing to share a room in order to reduce your accommodation costs. TRANSPORTATION TO AND FROM STRATFORD: Coach transportation provided by the 'FET Express': $185 per person The FET Express to Stratford takes about 6½ hours with 2 stops. Toilet facilities are provided on board. Seating on the coach is allocated according to the order of registration. Tuesday, September 13 Coach will depart Ottawa in the early morning. Details about the centrally located pick-up point will be posted at a later date. Thursday, September 15 Coach will depart Stratford after the matinee performances returning to Ottawa at approximately 11:30pm WITHIN STRATFORD The FET Express will frequently be available as a shuttle service to take you to and from the theatres and downtown. A schedule will be posted. At other times, taxis can be easily called and the fares are reasonable. SPECIAL NEEDS Wheel chairs can be rented in Stratford. Call 1-800-567-1600 for details. Special seating for wheelchairs in the theatres must be booked in advance. Let us know if this is a requirement. Assisted hearing devices: The devices must be ordered at the same time as the tickets. This service is free. A donation is appreciated when you pick up the unit. Please indicate on the registration form if you need this service so it can be ordered under your name in advance. MEMBERSHIP This excursion is exclusive to members of Friends of English Theatre. If you are not a member of FET at the time of your registration ($10 annual fee), please contact our membership secretary, Manjit Chhura. (Contact details are on page 4.) REGISTRATION AND PAYMENT Minimum participation 20 persons. Maximum 40 persons Payment to FET covers only theatre tickets, transportation and optional activities. Accommodation and meals are not included. Two cheques are required with your registration: 1. A non-refundable deposit of $200 per person. This cheque is due upon registration. 2. A post-dated cheque dated no later than August 1, 2016 covering the balance of transportation and tickets. Please see registration form for details of where to send cheques. Receipt of your registration will be acknowledged. Letters containing final details will be forwarded to you a month before departure. Possible additional charges: a. A participant who chooses to make the journey to Stratford independently will not have to pay the bus fare. However a surcharge of $30 will be added to the amount owed to FET for theatre tickets. b. Registrations made after August 1 require a single cheque covering deposit, balance plus the late fee of $25. The amount is entirely non-refundable. For your convenience it is a good idea to make a copy of the completed registration you are sending in the mail. CANCELLATIONS The deposit is not refundable unless FET cancels the trip due to insufficient registration. Minimum participation 20. If you have reason to cancel and FET is notified prior to August 1, 2016 the post-dated cheque will be returned. Accommodation cancellation: Hotel cancellation is possible up to 24 hours before your stay. Cancellation of a B&B reservation depends on the individual B&B owner. Cancellation of accommodation is your responsibility. WAIVER/TRAVEL INSURANCE You will be asked to sign a waiver before departure. Travel insurance is your own responsibility. However, please note that if you already have travel insurance, we strongly suggest that you check very carefully that your policy covers this particular trip. Some insurance companies do not cover travel within Ontario, nor the cost of theatre tickets. CONTACT DETAILS To order a Stratford Festival booklet, 1 800 567 1600 or www.stratfordfestival.ca To get information on-line about the season’s plays visit www.stratfordfestival.ca To book accommodation at the Arden Park Hotel call Guest Services at 1 877 788 8818 IT IS ESSENTIAL YOU IDENTIFY YOURSELF AS A MEMBER OF FRIENDS OF ENGLISH THEATRE TO MAKE SURE ONE OF THE ROOMS RESERVED FOR FET IS MADE AVAILABLE TO YOU. FET's reservation at the Arden Park Hotel is held until August 13. Group rate for double room is $169 + tax. Optional breakfast $9.35 (including tax) . For general information about the Arden Park Hotel, visit www.ardenpark.on.ca To book any other accommodation, try through the web: www.bbcanada.com/associations/stratford/ or through the Stratford Festival, 1 800 567 1600, ext. 1 Questions of a general nature about the weekend arrangements can be addressed to Fran Pearl 613 726 9330 or [email protected] FET Membership enquires to Manjit Chhura 613 746 3327 or [email protected]. (Membership fees is $10 per person per year, valid January to December.) For general enquiries about Stratford, call Tourism Stratford at 1 800 561 7926. For special needs, contact the Stratford Festival office by phone at 1 800 567 1600. IMPORTANT DATES TO REMEMBER February 20 Registration opens August 1 Last day for registration. If places still available, late fee is added to registration August 13 Last day cancellation of room reservation at the hotel Friends of English Theatre is an independent membership-driven group that supports the English Theatre at Canada's National Arts Centre. .
Recommended publications
  • The Front Page First Opened at the Times Square Theatre on August 14, 1928, It Was Instantly Heralded As a Classic
    SUPPORT FOR THE 2019 SEASON OF THE FESTIVAL THEATRE IS GENEROUSLY PROVIDED BY DANIEL BERNSTEIN AND CLAIRE FOERSTER PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP 2 DIRECTOR’S NOTES SCAVENGING FOR THE TRUTH BY GRAHAM ABBEY “Were it left to me to decide between a government without newspapers or newspapers without a government, I should not hesitate a moment to prefer the latter.” – Thomas Jefferson, 1787 When The Front Page first opened at the Times Square Theatre on August 14, 1928, it was instantly heralded as a classic. Nearly a century later, this iconic play has retained its place as one of the great American stage comedies of all time. Its lasting legacy stands as a testament to its unique DNA: part farce, part melodrama, with a healthy dose of romance thrown into the mix, The Front Page is at once a veneration and a reproof of the gritty, seductive world of Chicago journalism, firmly embedded in the freewheeling euphoria of the Roaring Twenties. According to playwrights (and former Chicago reporters) Charles MacArthur and Ben Hecht, the play allegedly found its genesis in two real-life events: a practical joke carried out on MacArthur as he was heading west on a train with his fiancée, and the escape and disappearance of the notorious gangster “Terrible” Tommy consuming the conflicted heart of a city O’Conner four days before his scheduled caught in the momentum of progress while execution at the Cook County Jail. celebrating the underdogs who were lost in its wake. O’Conner’s escape proved to be a seminal moment in the history of a city struggling Chicago’s metamorphosis through the to find its identity amidst the social, cultural “twisted twenties” is a paradox in and of and industrial renaissance of the 1920s.
    [Show full text]
  • Noteworthy Spring 2016
    noteworthy news from the university of toronto libraries Spring 2016 Lana Peters is the name adopted by Svetlana Alliluyeva, daughter of Josef Stalin IN THIS ISSUE Spring 2016 12 “35 years of Degrassi” event exhorts audience to “just do it” [ 3 ] Taking Note [ 11 ] Other Events [ 4 ] Going for Gold: 50 Years of the University of Toronto Archives [ 12 ] Friends of the Libraries Lecture Series [ 5 ] Understanding Canada’s Oldest Profession [ 12 ] Richard Charles Lee Canada-Hong Kong Library Events [ 6 ] Eureka! U of T Music Librarian Chances on Long-lost Treasure [ 14 ] Supporting Scientific Research [ 6 ] Ursula Franklin Collection at UTARMS [ 15 ] Exhibitions and Events [ 7 ] Renowned Philosopher Donates Books and Archives to UTL Special Collections [ 8 ] Rare Times at the Thomas Fisher Rare Book Library Cover image: Letters written by Josef Stalin’s daughter Svetlana Alliluyeva. Above: Degrassi’s Linda Schuyler hams it up with fans at a Friends of the Libraries Lecture. [ 2 ] TAKING NOTE noteworthy news from the university of toronto libraries WELCOME TO THE SPRING ISSUE In 2009, the founder of the worldwide Chief Librarian of Noteworthy. Our cover presents a fascinat- web, Tim Berners-Lee, gave a TED talk Larry P. Alford ing recent acquisition of the letters of about Linked Data, essentially calling for Editor Stalin’s daughter, Svetlana Alliluyeva, to a action on the transition from documents to Megan Campbell friend over a couple of decades before her data on the web. In practical terms, this death, through which the devastating means publishing information online in a Designer Maureen Morin effects of her father’s legacy may be under- way that can connect to other web resources.
    [Show full text]
  • STUDY GUIDE TOOLS for TEACHERS Sponsored By
    2014 STUDY GUIDE TOOLS FOR TEACHERS sponsored by Tom McCamus, Seana McKenna Support for the 2014 season of the Tom Patterson Theatre is generously provided by Richard Rooney & Laura Dinner Production support is generously provided by Karon Bales & Charles Beall Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Cast of Characters ...................................................................................................... 6 Plot Synopsis ............................................................................................................... 7 Sources and Origins .................................................................................................... 8 Stratford Festival Production History ......................................................................... 9 The Production Artistic Team and Cast ............................................................................................... 10 Lesson Plans and Activities Creating Atmosphere .......................................................................................... 11 Mad World, Mad Kings, Mad Composition! ........................................................ 14 Discussion Topics ..............................................................................................
    [Show full text]
  • Uvisno "Acting Is Handed on from Actor to Actor
    Inaide the Stratford Festival uviSNO "Acting is handed on from actor to actor. It's the only way to do it... from observing the people who came before you. That is really the way theatre goes" In OFFSTAGE ONSTAGE: Inside the Stratford Festival, Stratford cameras go backstage during an entire season to capture the creative spirit at the heart of a treasured Canadian theatre company. For five decades, the Festival's stage has been home to the world's great plays and performers. Award-winning director John N. Smith (The Boys of St. Vincent), given unprecedented access backstage, offers a fascinating look at the personalities and the production process behind live theatre performance. Peek into William Hutt's dressing room as he does his vocal warm-ups before Twelfth Night. Watch Martha Henry command the stage in Who's Afraid of Virginia Woolf? Observe an up-and-coming generation of young performers who learn from the masters. Meet dozens of artists, craftspeople and technicians who reveal their secrets, from shoemaking, sword fighting and sound effects to makeup and mechanical monkeys. Join us behind the scenes of Canada's premier classical theatre institution ... and discover the love for the stage that drives this artistic company. Resource guide on reverse side, DIRECTOR: John N. Smith PRODUCER: Gerry Flahive 83 minutes Order number: C9102 042 Closed captioned. A decoder is required. TO ORDER NFB VIDEOS, CALL TODAY! -800-267-7710 (Canada) 1-800-542-2164 (USA) © 2002 National Film Board of Canada. A licence is required for any reproduction, television broadcast, sale, rental or public screening.
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • Visual Media Use and Intermediality in Shakespeare Productions
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository STRANGE BEDFELLOWS? VISUAL MEDIA USE AND INTERMEDIALITY IN SHAKESPEARE PRODUCTIONS By SHARI LYNN FOSTER A thesis submitted to the University of Birmingham for the degree of Masters of Literature College of Arts and Law School of Humanities Shakespeare Institute University of Birmingham October 2013 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Drawing on archive material, reviews and personal observation, this thesis examines the use of visual media in stage productions of Shakespeare’s plays. Utilizing examples from the period between 1905 and 2007, the thesis focuses on intermedial productions, explores the media use in Shakespeare productions, and asks why certain Shakespeare plays seem to be more adaptable to the inclusion of visual media. Chapter one considers the technology and societal shifts affecting the theatre art and the audience and Klaus Bruhn Jensen’s three level definition of intermediality which provides a framework for the categorizing the media usage within Shakespeare productions.
    [Show full text]
  • 2016 Study Guide
    2016 STUDY ProductionGUIDE Sponsor 2016 STUDY GUIDE EDUCATION PROGRAM PARTNER BREATH OF KINGS: REBELLION | REDEMPTION BY WILLIAM SHAKESPEARE CONCEIVED AND ADAPTED BY GRAHAM ABBEY WORLD PREMIÈRE COMMISSIONED BY THE STRATFORD FESTIVAL DIRECTORS MITCHELL CUSHMAN AND WEYNI MENGESHA TOOLS FOR TEACHERS sponsored by PRODUCTION SUPPORT is generously provided by The Brian Linehan Charitable Foundation and by Martie & Bob Sachs INDIVIDUAL THEATRE SPONSORS Support for the 2016 Support for the 2016 Support for the 2016 Support for the 2016 season of the Festival season of the Avon season of the Tom season of the Studio Theatre is generously Theatre is generously Patterson Theatre is Theatre is generously provided by provided by the generously provided by provided by Claire & Daniel Birmingham family Richard Rooney & Sandra & Jim Pitblado Bernstein Laura Dinner CORPORATE THEATRE PARTNER Sponsor for the 2016 season of the Tom Patterson Theatre Cover: From left: Graham Abbey, Tom Rooney, Araya Mengesha, Geraint Wyn Davies.. Photography by Don Dixon. Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Plot Synopsis ..............................................................................................................
    [Show full text]
  • Bronwyn Steinberg MFA in Theatre (Directing), University of Ottawa, 2010 BA in Theatre, Linguistics and Jewish Studies, Univ
    Bronwyn Steinberg MFA in Theatre (Directing), University of Ottawa, 2010 BA in Theatre, Linguistics and Jewish Studies, Univ. of Pittsburgh, 2004 Metcalf Foundation Artistic Direction Intern, Great Canadian Theatre Co. TACTICS Executive Artistic Director and Series Curator [email protected], [email protected] 613-680-6283 www.tacticsottawa.com Languages: English (native speaker), French (high proficiency in speaking, listening and reading; moderate proficiency in writing), Hebrew (basic proficiency) THEATRE DIRECTING (Selected) 2018* Twelfth Night by William Shakespeare A Company of Fools, Ottawa 2018* Miss Shakespeare by Tracey Power Three Sisters Theatre Company, The Gladstone, Ottawa 2018* Raising Stanley created by Karen Bailey, Kim Kilpatrick and Bronwyn Steinberg Interdisciplinary new work; workshop and production at GCTC Studio, Ottawa Recipient of an Ontario Arts Council Multi and Inter-Arts Project grant 2017* Robin Hood by the Hampstead Stage Company The Hampstead Stage Company (touring TYA), New Hampshire 2017* For the Love of Gracie by Crystal Verge Script development workshop; Counterpoint Players, GCTC Studio, Ottawa Recipient of an Ontario Arts Council Theatre Project grant 2017 1979 by Michael Healey (Assistant Director to Eric Coates) Shaw Festival, Niagara-on-the-Lake & Great Canadian Theatre Company, Ottawa 2016 Richard III - Act I, scene ii by William Shakespeare Directors’ Workshop Project, Michael Langham Workshop for Classical Direction Stratford Festival, Stratford 2016 Desdemona: a play about a handkerchief
    [Show full text]
  • The Tempest, in Which I’M Delighted to Direct Martha Henry, Is a Play About the Yearning to Be Released From
    SUPPORT FOR THE 2018 SEASON OF THE FESTIVAL THEATRE IS GENEROUSLY PROVIDED BY DANIEL BERNSTEIN & CLAIRE FOERSTER PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY JANE PETERSEN BURFIELD & FAMILY, BY DR. DESTA LEAVINE IN MEMORY OF PAULINE LEAVINE, BY DR. M.L. MYERS, BY THE WESTAWAY CHARITABLE FOUNDATION, AND BY JACK WHITESIDE 2 CLASSICLASSIC FILMS OscarWildeCinema.com TM CINEPLEX EVENTS OPERA | DANCE | STAGE | GALLERY | CLASSIC FILMS For more information, visit Cineplex.com/Events @CineplexEvents EVENTS ™/® Cineplex Entertainment LP or used under license. CE_0226_EVCN_CPX_Events_Print_AD_5.375x8.375_v4.indd 1 2018-03-08 7:41 AM THE WILL TO BE FREE We all want to be free. But finding true freedom within our communities, within our families and within ourselves is no easy task. Nor is it easy to reconcile our own freedom with the political, religious and cultural freedoms of others. Happily, the conflict created by our search for freedom makes for great theatre... Shakespeare’s The Tempest, in which I’m delighted to direct Martha Henry, is a play about the yearning to be released from CLASSICCLASSI FILMS imprisonment, as revenge and forgiveness vie OscarWildeCinema.com TM for the upper hand in Prospero’s heart. Erin Shields’s exciting new interpretation of Milton’s Paradise Lost takes an ultra- contemporary look at humanity’s age-old desire for free will – and the consequences of acting on it. I’m very proud that we have the internationally renowned Robert Lepage with us directing Shakespeare’s Coriolanus, a play about early Roman democracy. It is as important to understanding the current state of our democratic institutions as is Shakespeare’s play about the end of the Roman Republic, Julius Caesar.
    [Show full text]
  • Stratford Festival Story
    2016 STUDY GUIDE 2016 STUDY GUIDE EDUCATION PROGRAM PARTNER MACBETH BY WILLIAM SHAKESPEARE DIRECTOR ANTONI CIMOLINO TOOLS FOR TEACHERS sponsored by PRODUCTION SUPPORT is generously provided by Jane Petersen Burfield & Family, by Barbara & John Schubert, by the Tremain Family, and by Chip & Barbara Vallis INDIVIDUAL THEATRE SPONSORS Support for the 2016 Support for the 2016 Support for the 2016 Support for the 2016 season of the Festival season of the Avon season of the Tom season of the Studio Theatre is generously Theatre is generously Patterson Theatre is Theatre is generously provided by provided by the generously provided by provided by Claire & Daniel Birmingham family Richard Rooney & Sandra & Jim Pitblado Bernstein Laura Dinner CORPORATE THEATRE PARTNER Sponsor for the 2016 season of the Tom Patterson Theatre Cover: Ian Lake. Photography by Don Dixon. Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Plot Synopsis ............................................................................................................... 6 Sources, Origins and Production History .................................................................... 7 The Historical Macbeth ............................................................................................
    [Show full text]
  • Program of the 2019 Shakespearean Theatre Conference Festival and Festivity
    Program of the 2019 Shakespearean Theatre Conference Festival and Festivity 20-22 June 2019 University of Waterloo Stratford Festival Stratford, Ontario, Canada 2019 Shakespearean Theatre Conference: Festival and Festivity Wednesday, June 19 7:30-9:00 Wine and Cheese Reception (Stratford Festival Archives) Thursday, June 20 8:30-5:00 Registration (UW-Stratford Campus) 9:00-10:30 Short Paper Session #1 – Festivity, Ritual, and Sacrifice (3022/24) Chair: Andrew Moore (St. Thomas University) Peter Byrne (Kent State University-Trumbull), “‘Blood and Revenge’: The Saturnalia of Titus Andronicus” John Langdon (Shakespeare Institute), “Death on the Side: Festive Sacrifice in A Midsummer Night’s Dream, with a Glance at Plays within Plays” James W. Stone (American University), “‘Is this a holiday?’ Festivity and Sacrifice in Julius Caesar” Short Paper Session #2 – Locating Festivity (3129) Chair: Niels Herold (Oakland University) Katherine Steele Brokaw (University of California, Merced), “Shakespeare in the (National) Park: Performance, Ecology, and the Great Outdoors” Wes Pearce (University of Regina), “Summertime Shakespeare as Tourist Destination” Short Paper Session #3 – Women and Dream On Stage, Then and Now (2024) Chair: Katherine Acheson (University of Waterloo) David J. Amelang (Freie Universität Berlin), “Female Protagonism on the Early Modern European Stage” Jessica Boyles (Mary Baldwin University), “‘The Lost Exchange’: Ophelia’s Absence from ‘To be, or not to be’” Corinne Brown (Independent Scholar), “Re-reading A Midsummer Night’s Dream in the Context of Tudor History and Peter Sellars’ 2014 Staging of the Play” 10:30-11:00 Coffee Break 11:00-12:30 Welcome and Announcements (3022/24) Katherine Acheson, Associate Dean of Arts First Plenary Paper Chair: Paul Werstine (King’s University College, Western University) M.J.
    [Show full text]
  • The Merry Wives of Windsor 2019 House Program.Pdf
    SUPPORT FOR THE 2019 SEASON OF THE FESTIVAL THEATRE IS GENEROUSLY PROVIDED BY DANIEL BERNSTEIN AND CLAIRE FOERSTER PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY JANE PETERSEN BURFIELD & FAMILY, BY DR. DESTA LEAVINE IN MEMORY OF PAULINE LEAVINE AND BY DR. M. LEE MYERS 2 DIRECTOR’S NOTES A COMMUNITY TRANSFORMED BY THEATRE BY ANTONI CIMOLINO The Merry Wives of Windsor is the only play Shakespeare set in his own contemporary time and place. Yet it somehow has the feeling of a memory play. Ben Jonson accused Shakespeare, his friend and rival, of having “small Latin and less Greek,” and this play features a Latin lesson taken by a struggling young student named Will. Might the rural, small-town community in Merry Wives be modelled on the Stratford of the playwright’s youth? We can’t know that for sure, but we can certainly see that the hero of this play is the community, and that community is led – by example, at least – by two remarkable women. Alice Ford and Meg Page, the BRIGIT WILSON (LEFT), SOPHIA WALKER, GERAINT WYN DAVIES (INSET) “merry wives” of the title, take whatever ill fortune offers them and, through wit, differences. Shakespeare has a deep love wisdom, and brio, ensure a happy outcome for the underdog and the marginalized. for themselves and those they love. Here, the oddballs, eccentrics, and This brilliant comedy about harassment, foreigners do not merely find inclusion jealousy, and revenge tames through but also drive positive change in the laughter the green-eyed monster that community by virtue of their diverse views.
    [Show full text]