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Media Ownership Chart
In 1983, 50 corporations controlled the vast majority of all news media in the U.S. At the time, Ben Bagdikian was called "alarmist" for pointing this out in his book, The Media Monopoly . In his 4th edition, published in 1992, he wrote "in the U.S., fewer than two dozen of these extraordinary creatures own and operate 90% of the mass media" -- controlling almost all of America's newspapers, magazines, TV and radio stations, books, records, movies, videos, wire services and photo agencies. He predicted then that eventually this number would fall to about half a dozen companies. This was greeted with skepticism at the time. When the 6th edition of The Media Monopoly was published in 2000, the number had fallen to six. Since then, there have been more mergers and the scope has expanded to include new media like the Internet market. More than 1 in 4 Internet users in the U.S. now log in with AOL Time-Warner, the world's largest media corporation. In 2004, Bagdikian's revised and expanded book, The New Media Monopoly , shows that only 5 huge corporations -- Time Warner, Disney, Murdoch's News Corporation, Bertelsmann of Germany, and Viacom (formerly CBS) -- now control most of the media industry in the U.S. General Electric's NBC is a close sixth. Who Controls the Media? Parent General Electric Time Warner The Walt Viacom News Company Disney Co. Corporation $100.5 billion $26.8 billion $18.9 billion 1998 revenues 1998 revenues $23 billion 1998 revenues $13 billion 1998 revenues 1998 revenues Background GE/NBC's ranks No. -
And See Jerry Springer Host the Price Is Right Live!™ in Worcester
FOR IMMEDIATE RELEASE “Come On Down” and see Jerry Springer host The Price is Right Live!™ in Worcester WORCESTER, Mass. - (UPDATED September 28, 2017) The Price is Right Live!™ recently announced that TV favorite Jerry Springer will host its interactive stage show when it comes to The Hanover Theatre for the Performing Arts on Friday, October 20 at 8 p.m. Tickets are on sale now. Throughout an illustrious career, Jerry Springer has become a cultural and civic icon. In addition to hosting “The Jerry Springer Show,” he has acted as the mayor of Cincinnati and has been a political pundit, lawyer, award-winning newscaster, country recording artist, international emcee and TV personality. He has been in movies and on Broadway, is a progressive talk-radio broadcaster and won America's heart with his ballroom dancing on “Dancing With The Stars.” As host of The Price is Right Live!™, Springer will give eligible individuals the chance to "Come On Down" to win. Prizes may include appliances, vacations and possibly a new car! Contestants play classic games from television's longest running and most popular game show, including Plinko™, Cliffhangers™, The Big Wheel™ and even the fabulous Showcase. Playing to near sold out audiences for nearly nine years, The Price Is Right Live! ™ has given away more than 10 million dollars in cash and prizes and sold more than 1.2 million tickets. The game show is produced by FremantleMedia North America and licensed by FremantleMedia. Tickets to The Price is Right Live!™ start at $35. and are available online at TheHanoverTheatre.org, by phone at 877.571.SHOW (7469) or at The Hanover Theatre box office located at 2 Southbridge Street in downtown Worcester. -
The Normative Influence of Syndi-Court on Contemporary Litigiousness
Volume 11 Issue 1 Article 1 2004 As Seen on TV: The Normative Influence of Syndi-Court on Contemporary Litigiousness Kimberlianne Podlas Follow this and additional works at: https://digitalcommons.law.villanova.edu/mslj Part of the Civil Procedure Commons, Communications Law Commons, and the Entertainment, Arts, and Sports Law Commons Recommended Citation Kimberlianne Podlas, As Seen on TV: The Normative Influence of Syndi-Court on Contemporary Litigiousness, 11 Jeffrey S. Moorad Sports L.J. 1 (2004). Available at: https://digitalcommons.law.villanova.edu/mslj/vol11/iss1/1 This Article is brought to you for free and open access by Villanova University Charles Widger School of Law Digital Repository. It has been accepted for inclusion in Jeffrey S. Moorad Sports Law Journal by an authorized editor of Villanova University Charles Widger School of Law Digital Repository. Podlas: As Seen on TV: The Normative Influence of Syndi-Court on Contempo VILLANOVA SPORTS & ENTERTAINMENT LAW JOURNAL VOLUME XI 2004 ISSUE 1 Article AS SEEN ON TV: THE NORMATIVE INFLUENCE OF SYNDI-COURT ON CONTEMPORARY LITIGIOUSNESS KIMBERLIANNE PODLAS* I. INTRODUCTION A variety of disciplines have investigated the ability of the me- dia, particularly television, to influence public perceptions.' Re- gardless of the theory employed, all posit that television content has a reasonably direct and directional influence on viewer attitudes and propensities to engage in certain behaviors. 2 This article ex- tends this thesis to the impact of television representations of law: If television content generally can impact public attitudes, then it is reasonable to believe that television law specifically can do so. 3 Nevertheless, though television representations of law have become * Kimberlianne Podlas, Assistant Professor, Caldwell College, Caldwell, New Jersey. -
Jerry Springer Keynote Speaker Announcement
ADVANTAGE’S 2018 CONFERENCE KEYNOTE SPEAKER IS… JERRY SPRINGER London, January 2018 – Advantage Travel Partnership, the UK’s largest independent travel agent consortium, unveils Jerry Springer as the keynote speaker for the 2018 conference, being held in Miami, between 10 and 13 May 2018. Throughout an illustrious career, Jerry Springer has become a cultural and civic icon. Springer’s notoriety is due in large to the hosting of his eponymous show, The Jerry Springer Show, for 27 seasons. Springer’s career also includes time as a lawyer, the mayor of Cincinnati, an award-winning newscaster, author, Broadway actor, executive producer, ballroom dancer, and much more. “We are utterly thrilled that Jerry Springer will be our keynote speaker at our 2018 conference in Miami. Our conference theme focuses on building a story and how to effectively communicate this narrative with audiences, and Jerry’s career and experience is a perfect example of how best to achieve this. His exuberant personality adds an exciting dimension to the conference and will give our members a new perspective;” commented Julia Lo Bue-Said, Managing Director, Advantage Travel Partnership. Born in London, Springer’s family immigrated to New York when he was five years old. It was during a dinner meeting with New York Senator, Robert Kennedy, in 1968 that changed Springer’s life. He signed on with the Kennedy campaign and shortly thereafter felt the horror of Kennedy’s assassination along with the rest of the world. It was this catalyst that sprung Springer into the political world, 1 spearheading the movement in Ohio to lower the voting age from 21 to 18 which led to the ratification of the 26th Amendment to the Constitution that lowered the voting age for all Americans. -
I'm Not a Judge but I Play One on TV : American Reality-Based Courtroom Television
I'M NOT A JUDGE BUT I PLAY ONE ON TV: AMERICAN REALITY-BASED COURTROOM TELEVISION Steven Arthur Kohm B.A. (Honours) University of Winnipeg, 1997 M.A. University of Toronto, 1998 DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School of Criminology O Steven Kohm 2004 SIMON FRASER UNIVERSITY Fall 2004 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Steven Arthur Kohm Degree: Ph.D. Title of Dissertation: I'm Not a Judge, but I Play One on TV: American Reality-based Courtroom Television Examining Committee: Chair: Dr. Dorothy Chunn Professor of Criminology Dr. John Lowman Senior Supervisor Professor of Criminology Dr. Robert Menzies Supervisor Professor of Criminology Dr. Margaret Jackson Supervisor Professor of Criminology Dr. Rick Gruneau Internal Examiner Professor of Communication Dr. Aaron Doyle External Examiner Assistant Professor of Sociology and Anthropology, Carlton University Date DefendedApproved: SIMON FRASER UNIVERSITY PARTIAL COPYRIGHT LICENCE The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, afid to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection. -
Analyse the Extent to Which Controversial Theatre Can Be Accommodated on a West End Stage
Analyse the Extent to Which Controversial Theatre can be Accommodated on a West End Stage. Olivia Rook Jane Milling asserts that London’s West End (WE) is familiar to tourist audiences for its ‘remarkably stable’ repertoire, consisting largely of ‘literary musical adaptations’, ‘musical adaptations of films’ and ‘compilation musicals of popular musical trends’.1 This suggests that the WE is almost entirely motivated by the commercial successes of the megamusical. Audiences have a ‘horizon of expectations’ when they visit a WE theatre, as they associate the area with a particular cultural experience.2 New work is measured against the audience’s expectations and ‘The closer it correlates with this horizon, the more likely it is to be low, pulp, or ‘culinary’ art’.3 This disparaging perspective is shared by many in the industry; indeed, Peter Brook argues that during the mid-twentieth century, shows had become ‘weak, watery, repetitive, drab and silly’.4 However, there have been challenges to these long-running musical productions, leading to the development of more innovative theatre. This essay will focus on the work of the Royal Court (RC), in particular, Jez Butterworth’s Jerusalem, and the journey of Jerry Springer, The Opera from scratch theatre to the WE. Citing Frank Parkin’s model of ‘social democracies’, it will be explored how far and in what ways these examples of controversial theatre abide by the ‘dominant system’ established in the WE: of palatable, long-running musicals.5 By focusing on modes of controversy, the idea of celebrity, processes of production and critical response, this essay will determine whether Springer and Jerusalem abide by a ‘subordinate system’, and thus comprehend and comply with the dominant, or whether they are being ‘radical’ and oppose any sense of a normative status, deviating too far from audiences’ ‘horizon of expectations’. -
Exploring Viewers' Responses to Nine Reality TV Subgenres
Psychology of Popular Media Culture © 2015 American Psychological Association 2015, Vol. 5, No. 1, 000 2160-4134/15/$12.00 http://dx.doi.org/10.1037/ppm0000103 Exploring Viewers’ Responses to Nine Reality TV Subgenres Mina Tsay-Vogel K. Maja Krakowiak Boston University University of Colorado, Colorado Springs Reality TV is a genre that places nonactors in dramatic situations with unpredictable outcomes. The influx of reality TV dominating network and cable programming has been highly reflective in its expansion of formats, evident from the variety of narrative themes embedded in reality-based shows. Findings from this exploratory study (N ϭ 274) reveal significant differences in the way college students affectively, cognitively, and behaviorally engage with reality TV. Specifically, identification, interactivity, enjoyment, perceived realism, and perceived competition across 9 reality TV sub- genres: dating/romance, makeover/lifestyle, hidden camera, talent, game show, docu- soap, sitcom, law enforcement, and court significantly differed. Data provide strong support that programs commonly defined as reality-based offer qualitatively distinct affective, cognitive, and behavioral experiences and gratifications for viewers. Keywords: reality TV, reality programs, subgenres, TV formats, gratifications The unscripted and inexpensive nature of re- (Cavendar & Fishman, 1998). Shows such as ality TV programs continues to make them pop- The Bachelor, Survivor, The Voice, Duck Dy- ular commodities in the entertainment industry nasty, Love and Hip Hop, and The Real House- (Essany, 2013; Ramdhany, 2012). Evidence wives have generally been regarded as a single supporting reality TV’s appeal has been docu- and collective genre, assumed to convey homo- mented as a function of motives for self- geneous messages and themes (Kavka, 2012). -
At Tony Lena's, It's All in the Bread
TUESDAY, FEBRUARY 18, 2020 A world 828 units connected oated by trains for South Marblehead store owner nds perfect Harbor model in Peabody By Gayla Cawley ITEM STAFF By Thor Jourgensen ITEM STAFF LYNN — After years of stalled plans aimed at redeveloping the PEABODY — A train lover since long-vacant 17-acre waterfront site he was tyke, Don Stubbs decided known as “South Harbor” on the to turn a hobby into a business in Lynnway, the city’s head of econom- 1988 when he opened North East ic development believes the timing Trains on Main Street, about four is nally right. blocks from the model and minia- The renewed push to redevelop ture train store’s current location. the South Harbor site, which has Located in a former hardware sat vacant for three decades and is store with high, tin-stamp ceil- located near the General Edwards ings and classical music playing Bridge at the mouth of the Saugus at a soft volume, North East is a River, comes from property owner model-train lover’s dream come Joseph O’Donnell, who purchased true. Display cases and shelves the land in 2005. showcase miniature locomotives, O’Donnell, founder of Belmont passenger and freight cars with Capital, LLC in Cambridge, has names like “K-line diesel” and submitted preliminary plans that “Jordan spreader plow.” would transform the former Harbor A walk around the store is a vis- House site into a neighborhood of it to a world where rail enthusi- 828 market-rate apartments over asts from around the region stop three wood-framed buildings, retail in to shop or sell their train col- space and 935 parking spaces. -
2020 Syndicated Program Guide.Xlsx
CONTENT STRATEGY SYNDICATED PROGRAM GUIDE SYNDICATED PROGRAM LISTINGS / M-F STRIPS (Preliminary) Distributor Genre Time Terms Barter Split Renewed Syndication UPDATED 1/28/20 thru Debut FUTURES FALL 2020 STRIPS CARBONARO EFFECT, THE Trifecta Reality 30 Barter TBA 2020-21 Hidden-camera prank series hosted by magician and prankster Michael Carbonaro. From truTV. Weekly offering as well. COMMON KNOWLEDGE Sony TV Game 30 Barter 3:00N / 5:00L 2020-21 Family friendly, multiple choice quiz game off GSN, hosted by Joey Fatone. DREW BARRYMORE SHOW, THE CBS TV Distribution Talk 60 Cash+ 4:00N / 10:30L 2021-22 Entertainment talk show hosted by Producer, Actress & TV personality Drew Barrymore. 2 runs available. CBS launch group. Food/Lifestyle talk show spin-off of Dr. Oz's "The Dish on Oz" segment", hosted by Daphne Oz, Vanessa Williams, Gail Simmons(Top Chef), Jamika GOOD DISH, THE Sony TV Talk 60 Cash+ 4:00N / 10:30L 2021-22 Pessoa(Next Food Star). DR. OZ production team. For stations includes sponsorable vignettes, local content integrations, unique digital & social content. LAUREN LAKE SHOW, THE MGM Talk 30 Barter 4:00N / 4:00L 2020-21 Conflict resolution "old-shool" talker with "a new attitude" and Lauren Lake's signature take-aways and action items for guests. 10 episodes per week. LOCK-UP NBC Universal Reality 60 Barter 8:00N/8:00L 2020-21 An inside look at prison life. Ran on MSNBC from 2005-2017. Flexibility, can be used as a strip, a weekly or both, 10 runs available, 5 eps/wk. Live-to-tape daily daytime talker featuring host Nick Cannon's take on the "latest in trending pop culture stories and celeb interviews." FOX launch. -
Mother Calls Curwin Killer a ‘Coward’
TUESDAY, AUGUST 8, 2017 Kite sur ng Saugus author does and bicycling best writing in pencil collide in Nahant By Bridget Turcotte Martin, a Texas elementary school By Bridget Turcotte ITEM STAFF teacher. “It helps them have more ITEM STAFF empathy for other people when they SAUGUS — Have you ever felt realize that everyone is different, NAHANT — A 25-year-old Cambridge woman is dull, chewed up, stepped on, or worn everyone is unique and special. It being treated at Massachusetts General Hospital down like a pencil? helps them put themselves in some- for injuries sustained in a kitesur ng accident that Saugus native Kelli Martin re- one else’s shoes and think about how also injured a bicyclist. leased her rst children’s book, “A they might be feeling.” The woman, who was kitesur ng at about 9:30 School Year in the Life of a Pencil,” Martin said she plans to use the a.m. Sunday, was quickly blown toward the shore in which teaches children a lesson book to teach a lesson in her class- the area of Doggie Beach, coming in at such a high about perspective and treating other room. rate of speed that she feared she would be blown people well, just in time for them to “It can de nitely teach them about into the rocks, said Nahant Police Lt. Joseph “Paul” head back to school. bullying,” she said. “It would be won- Manley. The 20-page story follows a pencil’s derful if it could do that. The teach- She cut the line to her kite but was still tossed journey through a year in elemen- ing has to go along with it — you onto the rocks, said Manley. -
University of Cincinnati News Record. Friday, October 29, 1971. Vol. 59
-' - LHJlIfI)1 y, S E:fN:-NL:S" 1HHJ'l:! 3:C{11ft:r:s tJ_~ C,. - -(,,is RA,'lY !JS'!tl/:E:R Sn>fQF ~Ct.:f!jen~'tfi\tf INSIDE STORY OF C1:NCINN.A.TI· Registration for. Winter Quarter begins next Week. The schedule appears on page 2 of NE"WS this issue. Volume 59 Number 9 Published Tuesdays and Fridays during the academic year, except as scheduled. Friday; October 29, 1971 --'--------------,,.----'""""--------:..._'""""---"""--...,-,,"""'= Senate Votes Fa'cully Rock Concerts To Reverse May Cease Earlier Decision Exam In Coming Years by Philip Sicker by Bob Behlen Investigative Editor Staff Reporter I University of Cincinnati sponsore.. The Student Senate Wednesday rock concerts are in danger of being night passed a resolution urging silenced in coming years, according faculty members to postpone to Cultural Events Co-ordinator, Joan examinations on election day and the Cochran, and program consultant, day after. A similar resolution failed Tom Brown. 'to pass at last week's meeting. Senator Marty Horwitz (A&S The concert program has lost junior) felt that the _ new bill money in the past two seasons and so eliminated the hint of any coercion far 1971 has afforded little hope for redemption. in the defeated resolution, as had been suggested by some Senate Miss Cochran and Brown explained members. He asked for approval so that the entire rock music business that the request of the Senate could has simply gotten out of control. The be made ata Thursday faculty market has been inundated with meeting. promoters and mushrooming Senator Larry Bonhaus (DAA .agencies in so short a time that many pre-senior) objected to consideration universities simply cannot compete . -
TWENTY-FIRST CENTURY FOX, INC. (Exact Name of Registrant As Specified in Its Charter)
21st Century Fox - Annual Report Page 1 of 201 ^ \ ] _ UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, DC 20549 FORM 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended June 30, 2017 or ☐ TRANSITION REPORT PURSUANT TO SECTION 13 or 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission file number 001-32352 TWENTY-FIRST CENTURY FOX, INC. (Exact Name of Registrant as Specified in its Charter) Delaware 26-0075658 (State or Other Jurisdiction of (I.R.S. Employer Incorporation or Organization) Identification No.) 1211 Avenue of the Americas, New York, New York 10036 (Address of Principal Executive Offices) (Zip Code) Registrant’s telephone number, including area code (212) 852-7000 Securities registered pursuant to Section 12(b) of the Act: Name of Each Exchange On Which Title of Each Class Registered Class A Common Stock, par value $0.01 per share The NASDAQ Global Select Market Class B Common Stock, par value $0.01 per share The NASDAQ Global Select Market Securities registered pursuant to Section 12(g) of the Act: None (Title of class) Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act of 1933. Yes ☒ No ☐ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934.