Chapter 1 Beyond the Myth: the Real Marquis De Sade
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Sade and Sensibility.Cwk
1. (c) 2011 by Sean M. Quinlan. Draft. Please do not quote, cite, summarize, or otherwise reproduce without permission of the author. SHOCKED SENSIBILITY: WILL, NERVES AND ALTERED STATES IN SADE’S L’HISTOIRE DE JULIETTE by Sean M. Quinlan, University of Idaho From the opening pages of the Marquis de Sade’s L’His- toire de Juliette, a book which Maurice Blanchot has called the most scandalous ever written,1 readers are presented with repeated references to the relation between sensibility, the nerves and the human will. Sade’s characters are constantly asserting that they can unlock the secrets of physical and mental bliss by controlling their nervous sensibility and then pushing it into a transcendent realm of experience. In this place anything was possible. But before opening this door, libertines must first grasp the real key: ‘the shock imparted by criminal impressions to the nervous system’.2 By means of this ‘indispensable shock’, libertines could 1 Maurice Blanchot, Lautréamont et Sade (Paris: Union générale d'édi- tions, 1967). 2 Donatien-Alphonse-François de Sade, Juliette, trans. Austryn Wainhouse (New York: Grove, 1968), p. 111. 2. send ‘voluptuous vibrations’ through their nervous systems and thus ignite their ‘lubricious mood’.3 One character, named Noirceuil, testifies: ‘How my senses are brought alive, how my organs bestir themselves! ... ’tis a new life surging in me, a new soul animates me; my mind is blended in pleas- ures, identifies with it’.4 Yet this nervous shock delivered more than carnal de- light. Rather, when -
De Sade's Theatrical Passions
06.puchner 4/19/05 2:28 PM Page 111 Martin Puchner Sade’s Theatrical Passions The Theater of the Revolution The Marquis de Sade entered theater history in 1964 when the Royal Shakespeare Company, under the direction of Peter Brook, presented a play by the unknown author Peter Weiss entitled, The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade.1 Marat/Sade, as the play is usually called, became an extraordinary success story.2 By com- bining narrators with techniques developed in a multi-year workshop entitled “Theater of Cruelty,” Marat/Sade managed to link the two modernist visionaries of the theater whom everybody had considered to be irreconcilable opposites: Bertolt Brecht and Antonin Artaud. Marat/Sade not only fabricated a new revolutionary theater from the vestiges of modernism, it also coincided with a philosophical and cul- tural revision of the French revolution that had begun with Theodor Adorno and Max Horkheimer’s The Dialectics of Enlightenment (1944/69) and found a preliminary culmination in Michel Foucault’s History of Madness (1972). At the same time, the revival of Sade was fu- eled by the first complete publication of his work in French (1967) and by Roland Barthes’ landmark study, Sade Fourier Loyola (1971).3 Marat/Sade had thus hit a theatrical and intellectual nerve. Sade, however, belongs to theater history as more than just a char- acter in a play.Little is known about the historical Sade’s life-long pas- sion for the theater, about his work as a theater builder and manager, an actor and director. -
Vox Issue 1 – April 2015
The University of VOX Divinity Magazine Issue 1, April 2015 Welcome to the first issue of Vox: The University of Divinity Magazine. Change is the dominant characteristic of our time. Our world continues to respond to phenomenal developments in knowledge, technology, and imagination, yet struggles more and more with the age-old problems of war, injustice, and poverty. In Australia, the university sector is undergoing a once-in-a-generation transformation, the end of which is uncertain. The University of Divinity, too, has experienced transformational change in recent years. In 2012 we attained University status, building on the century of achievements of the Melbourne College of Divinity, founded in 1910. We have grown to include new Colleges and new parts of the Christian tradition, notably the Coptic Orthodox Church. Our vision, therefore, is to empower our learning community to speak into this ever-changing world, to respond to the changes around us, and to be Professor Peter Sherlock agents of change, always grounded in the riches of our ancient theological traditions. This new publication aims to help us achieve our vision by telling and GRADUATION The University of Divinity Melbourne sharing the stories of the University community. This community includes Graduation for 2015 took place on the staff and students of the Colleges, our alumni, and our partners in the Friday 20 March in St Michael’s Uniting churches and religious orders representing eight major Christian traditions. Church, Melbourne. For photos and stories see pp. 4–6. The University is full of extraordinary stories of the diverse intersections of NEW CAMPUS theological scholarship and research, formation for ministry, and the effects Catherine Booth College has moved to of theological engagement in the public realm. -
Contemporary Political Theory As an Anti-Enlightenment Project
Dennis C. Rasmussen Brown University Contemporary Political Theory as an Anti-Enlightenment Project [NB: I am aware that the argument of this paper – that the majority of contemporary political theorists seek to dissociate themselves from the Enlightenment – isn’t actually much of an argument. I am currently beginning a book project that will seek to defend the Enlightenment (to some extent or another) from the attacks of its contemporary critics; the material gathered here includes part of the introduction and the introductions to each of the five substantive chapters, along with a few underdeveloped remarks at the beginning and end that seek to tie things together. In other words, this material wasn’t written as a stand-alone paper, so I apologize if it seems incomplete – it is! I also apologize for the length; for those who don’t have the time or desire to read it all, the main line of argument comes in the first 18 pages, with the rest fleshing out some details. I will, however, be eager to hear your thoughts about the charges I have outlined, and especially if I have missed any major critics or criticisms of the Enlightenment.] Like it or not, we are all children of the Enlightenment, utterly incapable of escaping the clutches of ideals and arguments put forth over two centuries ago. Or so, at least, many critics of the Enlightenment seem to believe. Michel Foucault claims, for instance, that the Enlightenment has largely determined “what we are, what we think, and what we do today,”1 and John Gray insists that “all schools of contemporary political thought are variations on the Enlightenment project.”2 There is, of course, something to such claims: given the number of values, practices, and institutions that we have inherited from the eighteenth century, it is difficult to imagine what our world would look like without its Enlightenment heritage. -
Philosophy in the Boudoir Pdf, Epub, Ebook
PHILOSOPHY IN THE BOUDOIR PDF, EPUB, EBOOK De Sade | 192 pages | 25 Feb 2015 | CREATION BOOKS | 9781840681031 | English | London, United Kingdom Philosophy In The Boudoir PDF Book The Marquis de Sade believed this was his ultimate argument: if a crime even murder took place during one's desire for pleasure, then it could not be punished by law. And even his model for work, except her, did not want to see anyone…. His early work is tied to cubism and Dadaism, but in the whole creative path of the You need to be logged in to continue. Might the watch be the watchmaker? Add to Cart. But she is essentially brainwashed by this libertine philosophy. Philosophy in the Bedroom La philosophie dans le boudoir is a book by the Marquis de Sade written in the form of a dramatic dialogue. Download as PDF Printable version. Not a member? Notify me of new comments via email. Living with Shakespeare. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. There are none, not even theft, nor incest, nor murder. It may not have been reviewed by professional editors see full disclaimer Donate to Wikimedia. Magritte saw his future wife at the age of One Comment. The Satires of Horace and Persius. All translations of philosophy in the boudoir. Fruit of the terror and of frailty! Niccolo Machiavelli. View Edit History. They embody the longing of those who know that real life is something else, Great Dialogues of Plato. Horace and Persius. The Cossacks and Other Stories. -
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A Monster for Our Times: Reading Sade across the Centuries Matthew Bridge Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Matthew Bridge All Rights Reserved ABSTRACT A Monster for Our Times: Reading Sade across the Centuries Matthew Bridge This doctoral dissertation looks at several readings and interpretations of the works of the Marquis de Sade, from the eighteenth century to the present. Ever since he was imprisoned under the Old Regime following highly publicized instances of physical and sexual abuse, Sade has remained a controversial figure who has been both condemned as a dangerous criminal and celebrated as an icon for artistic freedom. The most enduring aspect of his legacy has been a vast collection of obscene publications, characterized by detailed descriptions of sexual torture and murder, along with philosophical diatribes that offer theoretical justifications for the atrocities. Not surprisingly, Sade’s works have been subject to censorship almost from the beginning, leading to the author’s imprisonment under Napoleon and to the eventual trials of his mid-twentieth-century publishers in France and Japan. The following pages examine the reception of Sade’s works in relation to the legal concept of obscenity, which provides a consistent framework for textual interpretation from the 1790s to the present. I begin with a prelude discussing the 1956 trial of Jean-Jacques Pauvert, in order to situate the remainder of the dissertation within the context of how readers approached a body of work as quintessentially obscene as that of Sade. -
French Romanticism and the Reinvention of Love by Maxime A
French Romanticism and the Reinvention of Love By Maxime A. Foerster A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Romance Languages and Literatures: French) In the University of Michigan 2012 Doctoral Committee: Professor Michèle A. Hannoosh, Chair Professor Cristina Moreiras-Menor Associate Professor Jarrod L. Hayes Associate Professor Nadine M. Hubbs Lecturer Esther Newton © Maxime A. Foerster 2012 Dedication Au charchour ii Acknowledgements I would like to express my gratitude to David Halperin, David Caron and Frieda Ekotto for having encouraged me to start my PhD at UM, Ann Arbor. I have been honored and stimulated to work with Michèle Hannoosh who taught me coherence and rigor throughout these years of thinking and writing. I feel privileged to have been able to write my dissertation with those I called my dream team, composed of Professors Michèle Hannoosh, Jarrod Hayes, Cristina Moreiras, Esther Newton and Nadine Hubbs. For their friendship, support and fabulousness, I would like to thank Aaron Boalick, Jennifer Bonnet, Virginie Brinker, Neil Doshi, Matthieu Dupas, Gilles Freissinier, Aston Gonzales, Melanie Hawthorne, Trevor Hoppe, Lauren Kennedy, Gérard Koskovich, Charline Lafage, Larry La Fountain, Nicolas Lamorte, Bertrand Metton, Pedro Monaville, Marie-Pierre Pruvot, Pantxika Passicot, Steve Puig, Marie Stoll, Marcelino Viera, and Yannick Viers. I will never thank my parents enough for their love and understanding. Above all, thank you, H.N. iii Table of Contents -
The French Revolution
The French Revolution ‘This is more than a history of the French Revolution. It covers all Europe during the revolutionary period, though events in France naturally take first place. It is particularly good on the social and intellectual back- ground. Surprisingly enough, considering that Lefebvre was primarily an economic historian, it also breaks new ground in its account of international relations, and sets the wars of intervention in their true light. The French have a taste for what they call works of synthesis, great general summaries of received knowledge. We might call them textbooks, though of the highest level. At any rate, in its class, whether synthesis or textbook, this is one of the best ever produced.’ A. J. P. Taylor Georges Lefebvre The French Revolution From its origins to 1793 Translated by Elizabeth Moss Evanson With a foreword by Paul H. Beik London and New York La Révolution française was first published in 1930 by Presses Universitaires de France. A new, entirely rewritten, version was published in 1951. The present work is a translation of the first three parts of the revised edition of 1957. First published in the United Kingdom 1962 by Routledge and Kegan Paul First published in Routledge Classics 2001 by Routledge 11 New Fetter Lane, London EC4P 4EE Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © 1962 Columbia University Press All rights reserved. -
Enlightenment Notes
The Enlightenment Definition: The European intellectual movement of the 17th and 18th centuries emphasizing reason, science, and individualism (rather than tradition and revelation) as the primary sources of truth and as the catalyst to human flourishing. This epoch is also known in intellectual history as the “Modern Era” or the “Age of Reason.” Why is it called the Enlightenment? Humanity was progressing away from the authority, tradition, and religious superstition (i.e. Christianity) of the “Dark Ages” and into the light of an age of unbridled human progress. What lead to the Enlightenment? -The Renaissance in the 14th -17th centuries lead to the rise of the liberal arts called “humanism.” It was a “rebirth” (what the French word, “renaissance” means) of classical learning. The Renaissance focused on studying the classics of ancient Greece and Rome, going back to the original sources of classical learning (“ad fontes”), and proliferation of the arts. -The Reformation had weakened the stranglehold of the Roman Catholic Church on society. But the radical strictness of Protestant orthodoxy was seen as too legalistic and depressing. People wanted to move away from the Catholic Church but not toward the confines of Protestant morality. -Europeans were tired of all the wars and fighting between Protestants and Catholics. From their perspective, Christianity had led to nothing but authoritarian warfare. -New innovations in science and philosophy. Worldview in the Pre-Modern, Modern, and Post-Modern era Pre-Modern Era Modern Era Post-Modern Era (Enlightenment) Truth Objective: Revealed Objective: Reasoned Not objective: Only by God to or discovered in an attempt to gain science power Approach Supernatural Rational Nonrational Authority Church/Tradition Reason None Humanity Corporate Individual Undefinable Highest Subject of Theology Science Sociology and Study Politics: Power Structures Highest Value God Humanity Self Select major players and how they contributed to the worldview of the modern era. -
Justine: a Sadian Transformation of the French Literary Fairy Tale Ivy J
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Justine: A Sadian Transformation of the French Literary Fairy Tale Ivy J. Dyckman Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES JUSTINE: A SADIAN TRANSFORMATION OF THE FRENCH LITERARY FAIRY TALE By IVY J. DYCKMAN A Dissertation submitted to the Department of Modern Languages and Linguistics in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2007 Copyright © 2007 Ivy J. Dyckman All Rights Reserved The members of the Committee approve the dissertation of Ivy J. Dyckman defended on March 1, 2007. __________________________________ William Cloonan Professor Directing Dissertation __________________________________ Stanley E. Gontarski Outside Committee Member __________________________________ Aimée M.C. Boutin Committee Member __________________________________ Deborah J. Hasson Committee Member __________________________________ Lori J. Walters Committee Member Approved: _____________________________________________________________ William Cloonan, Chair, Department of Modern Languages and Linguistics _____________________________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii To Martin, The Greatest Dictionary of All iii ACKNOWLEDGMENTS I wish to thank Florida State University's Winthrop-King Institute for Contemporary French and Francophone Studies, which made possible a six-week summer session of research in Paris, the Congress of Graduate Students for a grant in support of that research, and the French Division of the Florida State University Department of Modern Languages and Linguistics for the opportunity to serve as a lectrice at the Sorbonne during the academic year 2002-2003. -
The Idea of ''A Turning Point'' and the Specific Features of the Time
THE IDEA OF ''A TURNING POINT'' AND THE SPECIFIC FEATURES OF THE TIME Laurence VANOFLEN, Lecturer in Literature and Philosophy, Paris Nanterre University Part 1 – Continuity and new openings To finish off this course, let's dwell on the final decades of the 18th century. For a long time, it was seen as a waiting time between the Enlightenment struggles and the advent of romanticism. It was a time of change towards creative and, for a long while, misunderstood activity. Under the devaluing label ''pre- romanticism'', Jean-Jacques Rousseau and Bernardin de Saint-Pierre would announce the arrival of a weaker version of a romanticism to come. For the last thirty years, we've preferred to talk of a turning point in the Enlightenment. This image underlines both the continuity and the deep splits taking place. They did not boil down to revolutionary upheavals, even if they were often accelerated or brought to light by the sudden collapse of the Ancient Regime. All the philosophers were dead by 1789, Voltaire and Rousseau in 1778, Diderot in 1784, but the publication of their work continued and remained a reference for revolutionaries. Their successors carried on their work right up to the Empire by way of new intellectual institutions, the Institute being one of them. Condillac's sensualism, or atheism among the more radical, is taken on by ideologists who, after Condorcet, took charge of the practical application of scientific methods in society. As such, they gathered anthropological and medical knowledge. They studied mental patients, the deaf, the mute, even uncivilised children so as to better understand brain function. -
10595.Ch01.Pdf
© 2007 UC Regents Buy this book University of California Press, one of the most distin- guished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its ac- tivities are supported by the UC Press Foundation and by philanthropic contributions from individuals and in- stitutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2007 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Bahr, Ehrhard. Weimar on the Pacific : German exile culture in Los Angeles and the crisis of modernism / Ehrhard Bahr. p. cm.—(Weimar and now : 41) Includes bibliographical references and index. isbn 978-0-520-25128-1 (cloth : alk. paper) 1. Modern (Aesthetics)—California—Los Angeles. 2. German—California—Los Angeles—Intellectual life. 3. Jews. German—California—Los Angeles—Intellec- tual life. 4. Los Angeles (Calif.)—Intellectual life— 20th century. I. Title. bh301.m54b34 2007 700.89'31079494—dc22 200700207 Manufactured in the United States of America 16 15 14 13 12 11 10 09 08 07 10 987654321 The paper used in this publication meets the minimum requirements of ansi/niso z39.48-1992 (r 1997) (Permanence of Paper). Contents List of Illustrations vii List of Abbreviations ix Preface xiii Introduction 1 1. The Dialectic of Modernism 30 2. Art and Its Resistance to Society: Theodor W. Adorno’s Aesthetic Theory 56 3. Bertolt Brecht’s California Poetry: Mimesis or Modernism? 79 4. The Dialectic of Modern Science: Brecht’s Galileo 105 5.