On the Necessity of Ritual Sensibility in Public Protest: a Hong Kong Perspective
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Changing Political Economy of the Hong Kong Media
China Perspectives 2018/3 | 2018 Twenty Years After: Hong Kong's Changes and Challenges under China's Rule Changing Political Economy of the Hong Kong Media Francis L. F. Lee Electronic version URL: https://journals.openedition.org/chinaperspectives/8009 DOI: 10.4000/chinaperspectives.8009 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 September 2018 Number of pages: 9-18 ISSN: 2070-3449 Electronic reference Francis L. F. Lee, “Changing Political Economy of the Hong Kong Media”, China Perspectives [Online], 2018/3 | 2018, Online since 01 September 2018, connection on 21 September 2021. URL: http:// journals.openedition.org/chinaperspectives/8009 ; DOI: https://doi.org/10.4000/chinaperspectives. 8009 © All rights reserved Special feature China perspectives Changing Political Economy of the Hong Kong Media FRANCIS L. F. LEE ABSTRACT: Most observers argued that press freedom in Hong Kong has been declining continually over the past 15 years. This article examines the problem of press freedom from the perspective of the political economy of the media. According to conventional understanding, the Chinese government has exerted indirect influence over the Hong Kong media through co-opting media owners, most of whom were entrepreneurs with ample business interests in the mainland. At the same time, there were internal tensions within the political economic system. The latter opened up a space of resistance for media practitioners and thus helped the media system as a whole to maintain a degree of relative autonomy from the power centre. However, into the 2010s, the media landscape has undergone several significant changes, especially the worsening media business environment and the growth of digital media technologies. -
Reuters Institute Digital News Report 2020
Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media. -
Digital News Report 2018 Reuters Institute for the Study of Journalism / Digital News Report 2018 2 2 / 3
1 Reuters Institute Digital News Report 2018 Reuters Institute for the Study of Journalism / Digital News Report 2018 2 2 / 3 Reuters Institute Digital News Report 2018 Nic Newman with Richard Fletcher, Antonis Kalogeropoulos, David A. L. Levy and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2018 4 Contents Foreword by David A. L. Levy 5 3.12 Hungary 84 Methodology 6 3.13 Ireland 86 Authorship and Research Acknowledgements 7 3.14 Italy 88 3.15 Netherlands 90 SECTION 1 3.16 Norway 92 Executive Summary and Key Findings by Nic Newman 8 3.17 Poland 94 3.18 Portugal 96 SECTION 2 3.19 Romania 98 Further Analysis and International Comparison 32 3.20 Slovakia 100 2.1 The Impact of Greater News Literacy 34 3.21 Spain 102 2.2 Misinformation and Disinformation Unpacked 38 3.22 Sweden 104 2.3 Which Brands do we Trust and Why? 42 3.23 Switzerland 106 2.4 Who Uses Alternative and Partisan News Brands? 45 3.24 Turkey 108 2.5 Donations & Crowdfunding: an Emerging Opportunity? 49 Americas 2.6 The Rise of Messaging Apps for News 52 3.25 United States 112 2.7 Podcasts and New Audio Strategies 55 3.26 Argentina 114 3.27 Brazil 116 SECTION 3 3.28 Canada 118 Analysis by Country 58 3.29 Chile 120 Europe 3.30 Mexico 122 3.01 United Kingdom 62 Asia Pacific 3.02 Austria 64 3.31 Australia 126 3.03 Belgium 66 3.32 Hong Kong 128 3.04 Bulgaria 68 3.33 Japan 130 3.05 Croatia 70 3.34 Malaysia 132 3.06 Czech Republic 72 3.35 Singapore 134 3.07 Denmark 74 3.36 South Korea 136 3.08 Finland 76 3.37 Taiwan 138 3.09 France 78 3.10 Germany 80 SECTION 4 3.11 Greece 82 Postscript and Further Reading 140 4 / 5 Foreword Dr David A. -
Chapter 6 Hong Kong
CHAPTER 6 HONG KONG Key Findings • The Hong Kong government’s proposal of a bill that would allow for extraditions to mainland China sparked the territory’s worst political crisis since its 1997 handover to the Mainland from the United Kingdom. China’s encroachment on Hong Kong’s auton- omy and its suppression of prodemocracy voices in recent years have fueled opposition, with many protesters now seeing the current demonstrations as Hong Kong’s last stand to preserve its freedoms. Protesters voiced five demands: (1) formal with- drawal of the bill; (2) establishing an independent inquiry into police brutality; (3) removing the designation of the protests as “riots;” (4) releasing all those arrested during the movement; and (5) instituting universal suffrage. • After unprecedented protests against the extradition bill, Hong Kong Chief Executive Carrie Lam suspended the measure in June 2019, dealing a blow to Beijing which had backed the legislation and crippling her political agenda. Her promise in September to formally withdraw the bill came after months of protests and escalation by the Hong Kong police seeking to quell demonstrations. The Hong Kong police used increasingly aggressive tactics against protesters, resulting in calls for an independent inquiry into police abuses. • Despite millions of demonstrators—spanning ages, religions, and professions—taking to the streets in largely peaceful pro- test, the Lam Administration continues to align itself with Bei- jing and only conceded to one of the five protester demands. In an attempt to conflate the bolder actions of a few with the largely peaceful protests, Chinese officials have compared the movement to “terrorism” and a “color revolution,” and have im- plicitly threatened to deploy its security forces from outside Hong Kong to suppress the demonstrations. -
Reddening Or Reckoning?
Reddening or Reckoning? An Essay on China’s Shadow on Hong Kong Media 22 Years after Handover from British Rule Stuart Lau Journalist Fellow 2018 Reuters Institute for the Study of Journalism University of Oxford August 2019 CONTENTS 1. Preface 2 2. From top to bottom: the downfall of a TV station 4 3. Money, Power, Media 10 4. “Political correctness”: New normal for media 20 5. From the Big Brother: “We are watching you” 23 6. Way forward - Is objective journalism still what Hong Kong needs? 27 1 Preface Hong Kong journalists have always stood on the front line of reporting China, a country that exercises an authoritarian system of government but is nonetheless on track to global economic prominence. The often-overlooked role of Hong Kong journalists, though, has gained international attention in summer 2019, when weeks of citywide protests has viralled into the largest-scale public opposition movement ever in the city’s 22-year history as a postcolonial political entity under Chinese sovereignty, forcing the Hong Kong government into accepting defeat over the hugely controversial extradition bill. While much can be said about the admirable professionalism of Hong Kong’s frontline journalists including reporters, photojournalists and video journalists, most of whom not having received the level of warzone-like training required amid the police’s unprecedentedly massive use of potentially lethal weapons, this essay seeks to examine something less visible and less discussed by international media and academia: the extent to which China influences Hong Kong’s media organisations, either directly or indirectly. The issue is important on three levels. -
Detecting Digital Fingerprints: Tracing Chinese Disinformation in Taiwan
Detecting Digital Fingerprints: Tracing Chinese Disinformation in Taiwan By: A Joint Report from: Nick Monaco Institute for the Future’s Digital Intelligence Lab Melanie Smith Graphika Amy Studdart The International Republican Institute 08 / 2020 Acknowledgments The authors and organizations who produced this report are deeply grateful to our partners in Taiwan, who generously provided time and insights to help this project come to fruition. This report was only possible due to the incredible dedication of the civil society and academic community in Taiwan, which should inspire any democracy looking to protect itself from malign actors. Members of this community For their assistance in several include but are not limited to: aspects of this report the authors also thank: All Interview Subjects g0v.tw Projects Gary Schmitt 0archive Marina Gorbis Cofacts Nate Teblunthuis DoubleThink Lab Sylvie Liaw Taiwan FactCheck Center Sam Woolley The Reporter Katie Joseff Taiwan Foundation for Democracy Camille François Global Taiwan Institute Daniel Twining National Chengchi University Election Johanna Kao Study Center David Shullman Prospect Foundation Adam King Chris Olsen Hsieh Yauling The Dragon’s Digital Fingerprint: Tracing Chinese Disinformation in Taiwan 2 Graphika is the network Institute for the Future’s The International Republican analysis firm that empowers (IFTF) Digital Intelligence Lab Institute (IRI) is one of the Fortune 500 companies, (DigIntel) is a social scientific world’s leading international Silicon Valley, human rights research entity conducting democracy development organizations, and universities work on the most pressing organizations. The nonpartisan, to navigate the cybersocial issues at the intersection of nongovernmental institute terrain. With rigorous and technology and society. -
China Dreams 梦
CHINA DREAMS 梦 EDITED BY Jane Golley, Linda Jaivin Ben Hillman, WITH Sharon Strange C HINA S TORY YEARBOOK : C HINA D REAM S Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760463731 ISBN (online): 9781760463748 WorldCat (print): 1145684061 WorldCat (online): 1145684091 DOI: 10.22459/CSY.2020 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/ legalcode Design concept by Markuz Wernli; ‘Power’ cover design and chapter openers by CRE8IVE Typesetting by Chin-Jie Melodie Liu and Sharon Strange; copyediting by Jan Borrie Printed by Union Offset Printers, Canberra, Australia The Australian Centre on China in the World is an initiative of the Commonwealth Government of Australia and The Australian National University This edition © 2020 ANU Press 揭秘错综时事蓄 美梦 民族伟大复兴之梦对中国与世界民众而言为何种图景因编辑婴儿事件续镇压维吾尔族群倡导中国公民应在国际场合﹃维护国家荣誉﹄压破碎学生运动三十周年整庆祝中华人民共和国成立七十周年弘扬革命与国家富强之梦2019 , 多元视角呈现政经文化与人文社会之一脉相连、 。 泡影 2019年 、 , 凌云壮志与梦魇于中外大地上相吸相斥之画卷 为中国在全球日渐隆盛势力与影响提供解惑之匙, 拓展南极与称霸太空的雄心亦甚嚣尘上、 有鉴于此 日益恶化中美关系成为媒体焦点, , 各领风骚年中国恰逢几个划时代意义的周年纪念日 几多旧﹃梦﹄重回民主与言论自由在凌晨的梦乡中被政府的安定团结之梦碾 , 。 ︽中国故事年鉴 五四运动百年祭重温爱国情怀与文化革新之梦 , 粉墨登场 。 : 香港暴力抗争风起云涌 梦︾钩沉是年重大事件 。 , 。 。 本年鉴以浅显易懂的笔触一时庙堂江湖舆情四起人工智能的突飞猛进与基习近平主席权倾天下 。 ; 习近平脑海中的中华 。 并一如既往兼容并 是年亦距1989, 。 新旧﹃中国梦﹄ 、 , 新疆持 展示 , 。 并 ; Translation by Yayun Zhu and Annie Luman Ren Contents INTRODUCTION viii . Dream On · JANE GOLLEY, BEN HILLMAN, and LINDA JAIVIN xviii . Acknowledgements xviii . The Cover Image FORUM · ILLUSIONS AND TRANSFORMATIONS: THE MANY MEANINGS OF MENG 夢 5 . From the Land of Illusion to the Paradise of Truth · ANNIE LUMAN REN . 11 Zhuangzi and His Butterfly Dream: The Etymology ofMeng 夢 · JINGJING CHEN CHAPTER 1 . -
Historic Building Appraisal 1 Tsang Tai Uk Sha Tin, N.T
Historic Building Appraisal 1 Tsang Tai Uk Sha Tin, N.T. Tsang Tai Uk (曾大屋, literally the Big Mansion of the Tsang Family) is also Historical called Shan Ha Wai (山廈圍, literally, Walled Village at the Foothill). Its Interest construction was started in 1847 and completed in 1867. Measuring 45 metres by 137 metres, it was built by Tsang Koon-man (曾貫萬, 1808-1894), nicknamed Tsang Sam-li (曾三利), who was a Hakka (客家) originated from Wuhua (五華) of Guangdong (廣東) province which was famous for producing masons. He came to Hong Kong from Wuhua working as a quarryman at the age of 16 in Cha Kwo Ling (茶果嶺) and Shaukiwan (筲箕灣). He set up his quarry business in Shaukiwan having his shop called Sam Lee Quarry (三利石行). Due to the large demand for building stone when Hong Kong was developed as a city since it became a ceded territory of Britain in 1841, he made huge profit. He bought land in Sha Tin from the Tsangs and built the village. The completed village accommodated around 100 residential units for his family and descendents. It was a shelter of some 500 refugees during the Second World War and the name of Tsang Tai Uk has since been adopted. The sizable and huge fortified village is a typical Hakka three-hall-four-row Architectural (三堂四横) walled village. It is in a Qing (清) vernacular design having a Merit symmetrical layout with the main entrance, entrance hall, middle hall and main hall at the central axis. Two other entrances are to either side of the front wall. -
Central Harbour -“The Happening Place” the HK UDA
Central Harbour -“The Happening Place” The HK UDA •The Hong Kong Urban Design Alliance (HK UDA) was established in 2001 •Objective - Improving the quality of urban life in Hong Kong by fostering greater awareness and promoting higher standards of urban design •An Alliance of: •HKIP; and •HKIA. •With participation from the HKILA, AIA-HK (UDC) and the PIA (HK) •The UDA promotes a high standard of urban design, the art of making places for people – the public realm – and improving the quality of urban life Central Harbour -“The Happening Place” Aerial View of Entire Central Waterfront Central Harbour -“The Happening Place” Previous Central Reclamation Plan Central Harbour -“The Happening Place” Aerial Photo of Harbour Reclamations Central Harbour -“The Happening Place” 1998 Draft Central Extension OZP Central Harbour -“The Happening Place” Aerial View of Harbour with Lines of Potential Reclamation Central Harbour -“The Happening Place” Central Harbour -“The Happening Place” Government’s Current Proposal • The UDA Submitted specific comments on Government’s Consultation Digest •The UDA Disagrees with many of the claims made by Government in this Document under several headings • For comparison sake, the same criteria set out in the Government’s document has been used for our proposal •The UDA have commented on these and made a comparison with our own proposal Central Harbour -“The Happening Place” Designing Hong Kong’s Central Waterfront of Hong Kong International Urban Planning & Design Competition 1st Prize – Amphibian Carpet nd 2 Prize – Hong Kong Waterfront 3rd Prize – Emerald Necklace 4th Prize - Sky for Dragon, Earth for People Central Harbour -“The Happening Place” Central Harbour -“The Happening Place” Central Harbour - “The Happening A. -
Mobile Mapping Mobile Mapping Mediamatters
media Mobile Mapping matters Space, Cartography and the Digital Amsterdam University clancy wilmott Press Mobile Mapping MediaMatters MediaMatters is an international book series published by Amsterdam University Press on current debates about media technology and its extended practices (cultural, social, political, spatial, aesthetic, artistic). The series focuses on critical analysis and theory, exploring the entanglements of materiality and performativity in ‘old’ and ‘new’ media and seeks contributions that engage with today’s (digital) media culture. For more information about the series see: www.aup.nl Mobile Mapping Space, Cartography and the Digital Clancy Wilmott Amsterdam University Press The publication of this book is made possible by a grant from the European Research Council (ERC) under the European Community’s 7th Framework program (FP7/2007-2013)/ ERC Grant Number: 283464 Cover illustration: Clancy Wilmott Cover design: Suzan Beijer Lay-out: Crius Group, Hulshout isbn 978 94 6298 453 0 e-isbn 978 90 4853 521 7 doi 10.5117/9789462984530 nur 670 © C. Wilmott / Amsterdam University Press B.V., Amsterdam 2020 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. Table of Contents Acknowledgements 7 Part 1 – Maps, Mappers, Mapping 1. -
China Dreams 梦
CHINA DREAMS 梦 EDITED BY Jane Golley, Linda Jaivin Ben Hillman, WITH Sharon Strange C HINA S TORY YEARBOOK : C HINA D REAM S Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760463731 ISBN (online): 9781760463748 WorldCat (print): 1145684061 WorldCat (online): 1145684091 DOI: 10.22459/CSY.2020 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/ legalcode Design concept by Markuz Wernli; ‘Power’ cover design and chapter openers by CRE8IVE Typesetting by Chin-Jie Melodie Liu and Sharon Strange; copyediting by Jan Borrie Printed by Union Offset Printers, Canberra, Australia The Australian Centre on China in the World is an initiative of the Commonwealth Government of Australia and The Australian National University This edition © 2020 ANU Press 揭秘错综时事蓄 美梦 民族伟大复兴之梦对中国与世界民众而言为何种图景因编辑婴儿事件续镇压维吾尔族群倡导中国公民应在国际场合﹃维护国家荣誉﹄压破碎学生运动三十周年整庆祝中华人民共和国成立七十周年弘扬革命与国家富强之梦2019 , 多元视角呈现政经文化与人文社会之一脉相连、 。 泡影 2019年 、 , 凌云壮志与梦魇于中外大地上相吸相斥之画卷 为中国在全球日渐隆盛势力与影响提供解惑之匙, 拓展南极与称霸太空的雄心亦甚嚣尘上、 有鉴于此 日益恶化中美关系成为媒体焦点, , 各领风骚年中国恰逢几个划时代意义的周年纪念日 几多旧﹃梦﹄重回民主与言论自由在凌晨的梦乡中被政府的安定团结之梦碾 , 。 ︽中国故事年鉴 五四运动百年祭重温爱国情怀与文化革新之梦 , 粉墨登场 。 : 香港暴力抗争风起云涌 梦︾钩沉是年重大事件 。 , 。 。 本年鉴以浅显易懂的笔触一时庙堂江湖舆情四起人工智能的突飞猛进与基习近平主席权倾天下 。 ; 习近平脑海中的中华 。 并一如既往兼容并 是年亦距1989, 。 新旧﹃中国梦﹄ 、 , 新疆持 展示 , 。 并 ; Translation by Yayun Zhu and Annie Luman Ren Contents INTRODUCTION viii . Dream On · JANE GOLLEY, BEN HILLMAN, and LINDA JAIVIN xviii . Acknowledgements xviii . The Cover Image FORUM · ILLUSIONS AND TRANSFORMATIONS: THE MANY MEANINGS OF MENG 夢 5 . From the Land of Illusion to the Paradise of Truth · ANNIE LUMAN REN . 11 Zhuangzi and His Butterfly Dream: The Etymology ofMeng 夢 · JINGJING CHEN CHAPTER 1 . -
Proposed New Piazza Fronting City Gallery and City Hall
For discussion C & W DC Paper No 51/2014 Central and Western District Council Proposed New Piazza Fronting City Gallery and City Hall PURPOSE This paper seeks Members’ comments on the proposed project to develop a new piazza fronting City Gallery and City Hall (“the Piazza”). BACKGROUND 2. The Planning Department commenced the Urban Design Study for the New Central Harbourfront (“UDS”) in 2007 to refine the existing urban design framework, and prepare planning and design briefs to guide the future development of the new Central harbourfront with a view to creating a world-class waterfront in Central for the enjoyment of local residents and visitors. 3. The final report of UDS was released in March 2011. Among other proposals, UDS recommended that the Queen’s Pier (“QP”), which was closed and dismantled for the Central Reclamation works, be reassembled by the Harbour between Central Piers 9 and 10 (i.e. Site 8 of new Central harbourfront) to revive its pier function for public use, and the original site of QP be designed to include memorial elements through paving and landscaping to commemorate the old QP. 4. This Piazza project aims to implement the UDS recommendations. 1 THE PIAZZA Location 5. The Piazza will be approximately 6 850 m2 in size, covering the original site of QP, part of the Edinburgh Place fronting City Gallery and City Hall, and the northern strip of land bound by Lung Wo Road. Design 6. The Piazza will preserve and revitalize Edinburgh Place, reinterpret the key elements that contribute to the history of QP, and provide quality open space and performance venue for public enjoyment.