Crowd Disasters As Systemic Failures: Analysis of the Love Parade Disaster?
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
French Underground Raves of the Nineties. Aesthetic Politics of Affect and Autonomy Jean-Christophe Sevin
French underground raves of the nineties. Aesthetic politics of affect and autonomy Jean-Christophe Sevin To cite this version: Jean-Christophe Sevin. French underground raves of the nineties. Aesthetic politics of affect and autonomy. Political Aesthetics: Culture, Critique and the Everyday, Arundhati Virmani, pp.71-86, 2016, 978-0-415-72884-3. halshs-01954321 HAL Id: halshs-01954321 https://halshs.archives-ouvertes.fr/halshs-01954321 Submitted on 13 Dec 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. French underground raves of the 1990s. Aesthetic politics of affect and autonomy Jean-Christophe Sevin FRENCH UNDERGROUND RAVES OF THE 1990S. AESTHETIC POLITICS OF AFFECT AND AUTONOMY In Arundhati Virmani (ed.), Political Aesthetics: Culture, Critique and the Everyday, London, Routledge, 2016, p.71-86. The emergence of techno music – commonly used in France as electronic dance music – in the early 1990s is inseparable from rave parties as a form of spatiotemporal deployment. It signifies that the live diffusion via a sound system powerful enough to diffuse not only its volume but also its sound frequencies spectrum, including infrabass, is an integral part of the techno experience. In other words listening on domestic equipment is not a sufficient condition to experience this music. -
Modeling of Behavioral Changes in Agent-Based Simulations
Fakultät für Informatik / Lehrstuhl für wissenschaftliches Rechnen Technische Universität München Modeling of Behavioral Changes in Agent-Based Simulations Bridging the gap between social and computer science by operationalizing psychological processes Benedikt Kleinmeier Vollständiger Abdruck der von der Fakultät für Informatik der Technischen Universität München zur Erlangung des akademischen Grades eines Doktor der Naturwissenschaften (Dr. rer. nat.) genehmigten Dissertation. Vorsitzender: Prof. Dr.-Ing. Georg Carle Prüfende der Dissertation: 1. Prof. Dr. Hans-Joachim Bungartz 2. Prof. Dr. Gerta Köster (Hochschule München) Die Dissertation wurde am 17.02.2021 bei der Technischen Universität München eingereicht und durch die Fakultät für Informatik am 13.04.2021 angenommen. Abstract This dissertation contributes to the field of pedestrian dynamics. Pedestrian dynam- ics tries to better understand crowd behavior to make gatherings safer. In particular, one wants to avoid crowd disasters like the one at the Love Parade festival in Germany, 2010, with 21 dead or at the Hajj with hundreds of casualties in several years. Pedestrian dynamics researchers carry out experiments and simulate large crowds and pedestrian streams. Current crowd simulation models mostly focus on physically correct simula- tions but neglect psychological aspects which affect crowd behavior. This dissertation describes my efforts to model behavioral changes in agent-based simulations and how I try to bridge the gap between computer science and social sciences to get accurate crowd simulation results. In Part I of this work, I conduct an exhaustive literature research on current modeling approaches and psychological aspects. I distill three important concepts from the broad research field of psychology that must be integrated into state-of-the-art simulations: perception, cognition and behavior. -
University of Southern Queensland Behavioural Risk At
University of Southern Queensland Behavioural risk at outdoor music festivals Aldo Salvatore Raineri Doctoral Thesis Submitted in partial fulfilment of the requirements for the Degree of Doctor of Professional Studies at the University of Southern Queensland Volume I April 2015 Supervisor: Prof Glen Postle ii Certification of Dissertation I certify that the ideas, experimental work, results, analyses and conclusions reported in this dissertation are entirely my own effort, except where otherwise acknowledged. I also certify that the work is original and has not been previously submitted for any other award, except where otherwise acknowledged. …………………………………………………. ………………….. Signature of candidate Date Endorsement ………………………………………………….. …………………… Signature of Supervisor Date iii Acknowledgements “One’s destination is never a place, but a new way of seeing things.” Henry Miller (1891 – 1980) An outcome such as this dissertation is never the sole result of individual endeavour, but is rather accomplished through the cumulative influences of many experiences and colleagues, acquaintances and individuals who pass through our lives. While these are too numerous to list (or even remember for that matter) in this instance, I would nonetheless like to acknowledge and thank everyone who has traversed my life path over the years, for without them I would not be who I am today. There are, however, a number of people who deserve singling out for special mention. Firstly I would like to thank Dr Malcolm Cathcart. It was Malcolm who suggested I embark on doctoral study and introduced me to the Professional Studies Program at the University of Southern Queensland. It was also Malcolm’s encouragement that “sold” me on my ability to undertake doctoral work. -
Bay Guardian | August 26 - September 1, 2009 ■
I Newsom screwed the city to promote his campaign for governor^ How hackers outwitted SF’s smart parking meters Pi2 fHB _ _ \i, . EDITORIALS 5 NEWS + CULTURE 8 PICKS 14 MUSIC 22 STAGE 40 FOOD + DRINK 45 LETTERS 5 GREEN CITY 13 FALL ARTS PREVIEW 16 VISUAL ART 38 LIT 44 FILM 48 1 I ‘ VOflj On wireless INTRODUCING THE BLACKBERRY TOUR BLACKBERRY RUNS BETTER ON AMERICA'S LARGEST, MOST RELIABLE 3G NETWORK. More reliable 3G coverage at home and on the go More dependable downloads on hundreds of apps More access to email and full HTML Web around the globe New from Verizon Wireless BlackBerryTour • Brilliant hi-res screen $ " • Ultra fast processor 199 $299.99 2-yr. price - $100 mail-in rebate • Global voice and data capabilities debit card. Requires new 2-yr. activation on a voice plan with email feature, or email plan. • Best camera on a full keyboard BlackBerry—3.2 megapixels DOUBLE YOUR BLACKBERRY: BlackBerry Storm™ Now just BUY ANY, GET ONE FREE! $99.99 Free phone 2-yr. price must be of equal or lesser value. All 2-yr. prices: Storm: $199.99 - $100 mail-in rebate debit card. Curve: $149.99 - $100 mail-in rebate debit card. Pearl Flip: $179.99 - $100 mail-in rebate debit card. Add'l phone $100 - $100 mail-in rebate debit card. All smartphones require new 2-yr. activation on a voice plan with email feature, or email plan. While supplies last. SWITCH TO AMERICA S LARGEST, MOST RELIABLE 3G NETWORK. Call 1.800.2JOIN.IN Click verizonwireless.com Visit any Communications Store to shop or find a store near you Activation fee/line: $35 ($25 for secondary Family SharePlan’ lines w/ 2-yr. -
Civil Defense and Chemical Warfare in Great Britain, 1915-1945 Jordan I
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-7-2018 Britain Can Take It: Civil Defense and Chemical Warfare in Great Britain, 1915-1945 Jordan I. Malfoy [email protected] DOI: 10.25148/etd.FIDC006585 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the European History Commons, History of Science, Technology, and Medicine Commons, Military History Commons, Political History Commons, and the Social History Commons Recommended Citation Malfoy, Jordan I., "Britain Can Take It: Civil Defense and Chemical Warfare in Great Britain, 1915-1945" (2018). FIU Electronic Theses and Dissertations. 3639. https://digitalcommons.fiu.edu/etd/3639 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida BRITAIN CAN TAKE IT: CHEMICAL WARFARE AND THE ORIGINS OF CIVIL DEFENSE IN GREAT BRITAIN, 1915 - 1945 A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in HISTORY by Jordan Malfoy 2018 To: Dean John F. Stack, Jr. choose the name of dean of your college/school Green School of International and Public Affairs choose the name of your college/school This disserta tion, writte n by Jordan Malfoy, and entitled Britain Can Take It: Chemical Warfare and the Ori gins of Civil D efense i n Great Britain, 1915-1945, having been approved in respect to style and intellectual content, is referred to you for judgment. -
From Orality to Literacy: a Curricular Model for Intensive Second-Year Collegiate Language Instruction
2 From Orality to Literacy: A Curricular Model for Intensive Second-Year Collegiate Language Instruction Per Urlaub University of Texas-Austin Jan Uelzmann Georgia Institute of Technology Abstract This article documents a curriculum reform of the second-year German program at the Department of Germanic Studies at the University of Texas at Austin. This curricular reform had two goals: (1) compressing two semesters of intermediate-level language in- struction into a single semester; (2) incorporating a strategy-based approach to literary reading in the second language. The article will first compare the previous curriculum and then introduce a conceptual framework for the reform process. This framework is based on three distinct pedagogical principles that the article will outline. Further, the article will describe the planning and implementation stages of the reform and trace decision-making processes that relate to the selection and design of teaching materials as well as teaching approaches that target at the intensification of the second-year cur- riculum. This approach emphasizes the explicit development of literary reading skills to facilitate the learners’ transition into the upper-level curriculum. We conclude with concrete recommendations for departments that embark on similar projects. Introduction In late 2009, the language program of the Department of Germanic Studies at the University of Texas at Austin embarked on a reform process of the second year of language instruction. Responding to institutional incentives to intensify and acceler- ate language programs, the department decided to replace the two three-credit-hour course sequence that previously represented the second year of German language in- struction with a single intensive, accelerated six-credit-hour course. -
Bernard Tschumi Architectsfrance by Susan Berger Special Assignment New York/San Francisco/Hong Kong/London/ Tokyo/Rome/Toronto
Jo Lee Jo 180° From Ordinary Magazine Magazine 180° From Ordinary Jo Lee Jo Jo Lee Magazine layout May 10:Layout 1 10/5/13 4:31 PM Page 1 Image.Commerce.Power. Reach 39 million international readers for less. STRENGTHEN YOUR BRAND • COMPLETELY DIGITAL • MORE PAGES • GREAT PRICING joleemagazine.com • [email protected] • 416-350-7505 Cellphone layout:Layout 1 10/5/13 4:26 PM Page 1 Image.Commerce.Power. Reach 39 million international readers for less. Download JO LEE Magazine for iPhone • iPad • BlackBerry joleemagazine.com • [email protected] • 416-350-7505 C M Y CM MY CY CMY K C M Y CM MY CY CMY K provocadv ad:Layout 1 5/11/13 2:48 PM Page 1 Sure there’s competition, but it diminishes when you’re original. w w w . p r o v o c a d v . c o m • 6 1 3 - 2 4 1 - 1 9 2 3 ADVERTISING • BRANDING • WEBSITES • WRITING • PHOTOGRAPHY ExecutiveCreative VP Jason C. LuxuryHowlett Imaging Jo Lee 180° From Ordinary On The Cover: Jo Lee at The Fairmont Royal York, Toronto. Her Canadian home. Evening dress exclusive by Original. Original Toronto — 416.603.9400 originaltoronto.com Original Los Angeles — 323.951.0702 originallosangeles.com Cover photography and digital imaging by Alexandra A. Egan. alexandraegan.com The ADESTE Medal Sr. Strategist Founder, Publisher, Editor in Chief Gayle Robin, Strategic Ampersand Inc. Josephina Lea Mascioli-Mansell Toronto, Canada Global Advisor Executive VP Creative Micheline C. Hollaus Jason C. Howlett Boca Raton, Florida Worldwide Marketing Advisor Recruiting Coordinators Ann Graham Michelle Ohonsi Juneanne Pratt BACKER Emily Pyfrom Marisa Gallagher Director to the offices of Jo Lee Peggy Egan THE 40 AND UNDER GOVERNORS TECHNICAL BACKER Honorary Patron Personas – My Mobile Life Production Sue Tam Borden Tom Bell Canada Print Fritz Lyons Salim Abu-Samra Sherwood Design And Print Salvita Gomes Makhani Middle East and Europe Aniko Boehler Chief Consultant Special Assignment Morocco Maureen O’Mahoney Bette Laderoute Karine Hagen Clive Branson Russia President & CEO Social Media Mark Rabo Bing Han Nino A. -
Popular Music in Germany the History of Electronic Music in Germany
Course Title Popular Music in Germany The History of Electronic Music in Germany Course Number REMU-UT.9811001 SAMPLE SYLLABUS Instructors’ Contact Information Heiko Hoffmann [email protected] Course Details Wednesdays, 6:15pm to 7:30pm Location of class: NYU Berlin Academic Center, Room “Prenzlauer Berg” (tbc) Prerequisites No pre-requisites Units earned 2 credits Course Description From Karlheinz Stockhausen and Kraftwerk to Giorgio Moroder, D.A.F. and the Euro Dance of Snap!, the first nine weeks of class consider the history of German electronic music prior to the Fall of the Wall in 1989. We will particularly look at how electronic music developed in Germany before the advent of house and techno in the late 1980s. One focus will be on regional scenes, such as the Düsseldorf school of electronic music in the 1970s with music groups such as Cluster, Neu! and Can, the Berlin school of synthesizer pioneers like Tangerine Dream, Klaus Schulze and Manuel Göttsching, or Giorgio Moroder's Sound of Munich. Students will be expected to competently identify key musicians and recordings of this creative period. The second half of the course looks more specifically at the arrival of techno, a new musical movement, and new technology in Berlin and Germany in the turbulent years after the Fall of the Berlin Wall, up to the present. Indeed, Post-Wall East Berlin, full of abandoned spaces and buildings and deserted office blocks, was the perfect breeding ground for the youth culture that would dominate the 1990s and led techno pioneers and artists from the East and the West to take over and set up shop. -
Dancecult Bibliography: Books, Articles, Theses, Lectures, and Films About Electronic Dance Music Cultures
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2010 Dancecult Bibliography: Books, Articles, Theses, Lectures, and Films About Electronic Dance Music Cultures Eliot Bates CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/408 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] archive.today Saved from http://www.dancecult.net/bibliography.php search 3 Sep 2013 05:47:40 UTC webpage capture history All snapshots from host www.dancecult.net Linked from en.wikipedia.org » Talk:Trance (music genre)/Archive 1 Webpage Screenshot share download .zip report error or abuse Electronic dance music cultures bibliography Help expand this bibliography by submitting new references to dancecult! Complete list [sort by document type] [printable] [new entries] Abreu, Carolina. 2005. Raves: encontros e disputas. M.A. Thesis (Anthropology), University of São Paulo. [view online] Albiez, Sean and Pattie, David (eds.). 2010. Kraftwerk: Music Non Stop. New York / London: Continuum. [view online] Albiez, Sean. 2003. "'Strands of the Future: France and the birth of electronica'." Volume! 2003(2), 99-114. Albiez, Sean. 2003. "Sounds of Future Past: from Neu! to Numan." In Pop Sounds: Klangtexturen in der Pop- und Rockmusik, edited by Phleps, Thomas & von Appen, Ralf. Bielefeld: Transcript Verlag, 129-152. Albiez, Sean. 2005. "Post Soul Futurama: African American cultural politics and early Detroit Techno." European Journal of American Culture 24(2), 131-152. -
La Boum-Boum I
# 1998/40 dschungel https://jungle.world/artikel/1998/40/la-boum-boum-i La Boum-Boum I Von ariel hauptmeier Love-Parade in Paris - Techno taugt nicht mehr als Feindbild Draußen, auf der Place de la Nation, jagt DJ Carl Cox Bässe durch die Luft und wird dafür von Zehntausenden bejubelt; drinnen, im Café Le Dalou, steht Frankreichs Ex- Kulturminister Jack Lang, lächelt erschöpft und sagt in die Mikrofone der Journalisten: "Wir stehen an der Schwelle zum 21. Jahrhundert. Warum träumen wir nicht einen neuen, einen globalen Traum? Daß eines Tages gleichzeitig ein Rave in Berlin, Paris, London, New York, Tokio stattfindet, ein lebendiges Manifest für die Kultur und die Freiheit?" Vierzehn Monate ist es her, daß Jack Lang bei der Berliner Love Parade laut von einer Techno Parade in Paris geträumt hat. Der Traum wurde Wirklichkeit. Mitte September zogen rund 130 000 Leute - zumeist weiß, jung und heterosexuell - durch Paris und tanzten am Ende sechs Stunden lang auf der Place de la Nation. Und Medienprofi Lang träumte sofort seinen nächsten Traum von einer weltweiten Parade. Techno - die Kultur der Globalisierung, der Rhythmus, der weltweit Menschen auf die Straße treibt - hat mit Frankreich ein weiteres Land erobert. Mit dem Erfolg der von ihm protegierten Parade ist Lang endgültig zum Popstar avanciert. Vor der Parade trat er als "DJ Jack" bei einem Jugendradio auf und unterstützte die Organisatoren nach Kräften. Wiederholt ließ er seine Kontakte in der Parti Socialiste spielen, kümmerte sich gar um die Getränkestände an der Place de la Nation. Und als er dann freundlich lächelnd durch die Techno Parade zog, da lächelten die französischen Jugendlichen begeistert zurück, nahmen ihn in ihre Mitte und ließen sich in einem fort mit ihm fotografieren. -
Crowd Choreographies
Crowd Choreographies Madeline McHale Hartzell Andy Warhol, Crowd c. 1963 Crowd Choreographies by Madeline Hartzell, 0 Advisors: Jill Stoner, Associate Professor of Architecture Raveevarn Choksombatchai, Associate Professor of Architecture Introduction 4 one The Fear of Being Touched: Catalog and Critique of a Crowd 8 Definition of a Crowd Sociological Factors Different Crowd Types two Mosh Pit : Simulating the Crowd 16 Summary of Programming Crowd Simulation Diverging Theories: Fluid Dynamics Vs. Agent Based Lexicon of Crowd Simulation Programs three The Crush : Case Studies 24 Moving: Haaj Pilgrimmage Fleeing: 9/11 Receiving: The Superdome Entering: Black Friday four Live Your Passion : Rio de Janeiro Olympic 06 40 Brief on Olympics Site Analysis: Rio (Populace, Landscape) Current Concerns: Terrorism, Crime, Mob Olympic Event Calendar five Anticipation: Investigating the 06 Crowds 46 SITE ONE: Maracana Stadium SITE TWO: Sambodrome SITE THREE: Copacabana Stadium six Choreographing the Crowd : Final Designs 60 Bibliography 74 table of contents . Aftermath from the 954 Lima-Peru Soccer Tragedy, resulting in 38 spectators dead, . Aerial view of the 969 Woodstock concert in White Lake, New York. 3. Photograph from the 989 Hillsborough Disaster, where 96 fans were crushed to death. The more, the merrier? "The more fiercely people press together, the more certain they feel that they do not fear each other." -Elias Canetti Many of the most important historical moments of our time involved a crowd - whether waiting in anticipation for an election result, parading the street in riot or somberly listening to a speech in peaceful hope. Designing for a large capacity of people, either on a short term basis (stadium) or continuous movement throughout the period of day (subway station) inherently brings in an element of the unknown: how people will truly inhabit the space. -
Techno's Journey from Detroit to Berlin Advisor
The Day We Lost the Beat: Techno’s Journey From Detroit to Berlin Advisor: Professor Bryan McCann Honors Program Chair: Professor Amy Leonard James Constant Honors Thesis submitted to the Department of History Georgetown University 9 May 2016 2 Table of Contents Acknowledgements 3 Introduction 5 Glossary of terms and individuals 6 The techno sound 8 Listening suggestions for each chapter 11 Chapter One: Proto-Techno in Detroit: They Heard Europe on the Radio 12 The Electrifying Mojo 13 Cultural and economic environment of middle-class young black Detroit 15 Influences on early techno and differences between house and techno 22 The Belleville Three and proto-techno 26 Kraftwerk’s influence 28 Chapter Two: Frankfurt, Berlin, and Rave in the late 1980s 35 Frankfurt 37 Acid House and Rave in Chicago and Europe 43 Berlin, Ufo and the Love Parade 47 Chapter Three: Tresor, Underground Resistance, and the Berlin sound 55 Techno’s departure from the UK 57 A trip to Chicago 58 Underground Resistance 62 The New Geography of Berlin 67 Tresor Club 70 Hard Wax and Basic Channel 73 Chapter Four: Conclusion and techno today 77 Hip-hop and techno 79 Techno today 82 Bibliography 84 3 Acknowledgements Thank you, Mom, Dad, and Mary, for putting up with my incessant music (and me ruining last Christmas with this thesis), and to Professors Leonard and McCann, along with all of those in my thesis cohort. I would have never started this thesis if not for the transformative experiences I had at clubs and afterhours in New York and Washington, so to those at Good Room, Flash, U Street Music Hall, and Midnight Project, keep doing what you’re doing.