Selected Filmography
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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs The thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. Word count: 85,810 Abstract Extreme art cinema, has, in recent film scholarship, become an important area of study. Many of the existing practices are motivated by a Franco-centric lens, which ultimately defines transgressive art cinema as a new phenomenon. The thesis argues that a study of extreme art cinema needs to consider filmic production both within and beyond France. It also argues that it requires an historical analysis, and I contest the notion that extreme art cinema is a recent mode of Film production. The study considers extreme art cinema as inhabiting a space between ‘high’ and ‘low’ art forms, noting the slippage between the two often polarised industries. The study has a focus on the paratext, with an analysis of DVD extras including ‘making ofs’ and documentary featurettes, interviews with directors, and cover sleeves. This will be used to examine audience engagement with the artefacts, and the films’ position within the film market. Through a detailed assessment of the visual symbols used throughout the films’ narrative images, the thesis observes the manner in which they engage with the taste structures and pictorial templates of art and exploitation cinema. -
Broadcasting Taste: a History of Film Talk, International Criticism, and English-Canadian Media a Thesis in the Department of Co
Broadcasting Taste: A History of Film Talk, International Criticism, and English-Canadian Media A Thesis In the Department of Communication Studies Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Communication Studies) at Concordia University Montreal, Quebec, Canada December 2016 © Zoë Constantinides, 2016 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Zoë Constantinides Entitled: Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media and submitted in partial fulfillment of the requirements for the degree of PhD in Communication Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: __________________________________________ Beverly Best Chair __________________________________________ Peter Urquhart External Examiner __________________________________________ Haidee Wasson External to Program __________________________________________ Monika Kin Gagnon Examiner __________________________________________ William Buxton Examiner __________________________________________ Charles R. Acland Thesis Supervisor Approved by __________________________________________ Yasmin Jiwani Graduate Program Director __________________________________________ André Roy Dean of Faculty Abstract Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media Zoë Constantinides, -
Happy Birthday!
THE THURSDAY, APRIL 1, 2021 Quote of the Day “That’s what I love about dance. It makes you happy, fully happy.” Although quite popular since the ~ Debbie Reynolds 19th century, the day is not a public holiday in any country (no kidding). Happy Birthday! 1998 – Burger King published a full-page advertisement in USA Debbie Reynolds (1932–2016) was Today introducing the “Left-Handed a mega-talented American actress, Whopper.” All the condiments singer, and dancer. The acclaimed were rotated 180 degrees for the entertainer was first noticed at a benefit of left-handed customers. beauty pageant in 1948. Reynolds Thousands of customers requested was soon making movies and the burger. earned a nomination for a Golden Globe Award for Most Promising 2005 – A zoo in Tokyo announced Newcomer. She became a major force that it had discovered a remarkable in Hollywood musicals, including new species: a giant penguin called Singin’ In the Rain, Bundle of Joy, the Tonosama (Lord) penguin. With and The Unsinkable Molly Brown. much fanfare, the bird was revealed In 1969, The Debbie Reynolds Show to the public. As the cameras rolled, debuted on TV. The the other penguins lifted their beaks iconic star continued and gazed up at the purported Lord, to perform in film, but then walked away disinterested theater, and TV well when he took off his penguin mask into her 80s. Her and revealed himself to be the daughter was actress zoo director. Carrie Fisher. ©ActivityConnection.com – The Daily Chronicles (CAN) HURSDAY PRIL T , A 1, 2021 Today is April Fools’ Day, also known as April fish day in some parts of Europe. -
DREW Deascentis
DREW DeASCENTIS SELECTED CREDITS ASSASSINATION NATION (2018) MIRACLES FROM HEAVEN (2016) LOOPER (2012) THE BROTHERS BLOOM (2008) BRICK (2005) BIOGRAPHY Drew DeAscentis is an accomplished music editor known for films such as ‘Miracles from Heaven’, ‘Looper’, ‘Assassination Nation’ and ‘The Brothers Bloom’. FILM CREDITS Hypnotized (2019) El Dia del Temblor (2017) Music Editor Music Editor Directed by Juan Curi (composer, Carlo Siliotto) | Directed by Kuno Becker (composer, Carlo AG Studios Siliotto) | Teté Films, Videocine Rattlesnake (2019) We Don’t Belong Here (2017) Music Editor Music Editor Directed by Zak Hilditch (composer, Ian Directed by Peer Pederson (composer, Michael Hultquist) | Campfire, Netflix Yezerski) | Bright Space Struggle: The Life and Lost Art of Szukalski Lea to the Rescue (2016) (2018) Music Editor Music Editor Directed by Nadia Tass (composer, Kenneth Directed by Ireneusz Dobrowolski (composer, Burgomaster) | Martin Chase Productions Amotz Plessner) | Film Street, Netflix Time Toys (2016) The Great Buster (2018) Music Editor Music Editor Directed by Mark Rosman (composer, Kenneth Directed by Peter Bogdanovich | Cohen Media Burgomaster) | Madalyn Productions Group Miracles from HeaVen (2016) Assassination Nation (2018) Music Editor Music Editor Directed by Patricia Riggen (composer, Carlo Directed by Sam Levinson (composer, Ian Siliotto) | Columbia Pictures Hultquist) | Bron Studios, Neon Jackie & Ryan (2014) The Boxcar Children: Surprise Island Music Editor (2018) Directed by Ami Canaan Mann (composer, Nick Music -
Dennis Burrell 1ST
Dennis Burrell Mobile: 310-923-5332 DGA Assistant Director [email protected] 1st ASSISTANT DIRECTOR Snowfall- Season 3- Even Episodes Exec Producer: John Singleton, Thomas Shlamme, Dave Andron, Co-Producer/ UPM: John Labrucherie Shameless-Season 9- Episode 9- Showtime Exec Producer: John Wells, Co-Exec Producer: Michael Hissrich, Iain B. MacDonald Director: Loren Yaconelli UPM: John Labrucherie Hood Adjacent- Comedy Central- TV Pilot Director: Stoney Sharpe, EP: James Davis Small Town Prince- Mascot Pictures- TV Movie Director: Fred Olan-Ray, UPM: Kim Ray Ouija- (Addl Photography)- Blumhouse Productions Director: Stiles White, UPM: Luc Etienne Correcting Christmas- Marvista Entertainment, MOW Director: Tim O’Donnell, Producer: Kim Ray The Purge: Anarchy- (2nd Unit) Blumhouse Productions Director: James Demonaco, Exec. Producer: Luc Etienne Fatties Take Down the House- Fatties Inc- Feature Film Director: Bob Gordon, Producer: Paul Bernard, LP: Michael Jones Pirahna 3D- 2nd Unit- Feature Film Director: Gregory Levasseur, UPM: Louis Friedman Dragon Age: Redemption- Tallis Productions, LLC Director: Peter Winther, UPM: Dan Kaplow War Wolves- Sci-Fi TV Movie Director: Michael Worth, LP: Brian Schwartz Green Digity Dog- Feature Film Director: Hoot Maynerd, Producer: Allen Dial Road to Redemption- 2nd Unit- Feature Film Director: Robert Vernon, Producer: John Shepherd KEY 2nd ASSISTANT DIRECTOR Shameless-Season 9- Showtime Exec Producer: John Wells, Co-Exec Producer: Michael Hissrich, Iain B. MacDonald UPM: John Labrucherie, 1st AD:, -
Master Class with Andrea Martin: Selected Filmography 1 the Higher
Master Class with Andrea Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the Master Class 8½. Dir. Federico Fellini, 1963, Italy and France. 138 mins. Production Co.: Cineriz / Francinex. American Dad! (2005-2012). 7 seasons, 133 episodes. Creators: Seth MacFarlane, Mike Barker, and Matt Weitzman. U.S.A. Originally aired on Fox. 20th Century Fox Television / Atlantic Creative / Fuzzy Door Productions / Underdog Productions. Auntie Mame. Dir. Morton DaCosta, 1958, U.S.A. 143 mins. Production Co.: Warner Bros. Pictures. Breaking Upwards. Dir. Daryl Wein, 2009, U.S.A. 88mins. Production Co.: Daryl Wein Films. Bridesmaids. Dir. Paul Feig, 2011, U.S.A. 125 mins. Production Co.: Universal Pictures / Relativity Media / Apatow Productions. Cannibal Girls. Dir. Ivan Reitman, 1973, Canada. 84 mins. Production Co.: Scary Pictures Productions. The Cleveland Show (2009-2012). 3 seasons, 65 episodes. Creators: Richard Appel, Seth MacFarlane, and Mike Henry. U.S.A. Originally aired on Fox. Production Co.: Persons Unknown Productions / Happy Jack Productions / Fuzzy Door Productions / 20th Century Fox Television. Club Paradise. Dir. Harold Ramis, 1986, U.S.A. -
Eddie Murphy in the Cut: Race, Class, Culture, and 1980S Film Comedy
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-10-2019 Eddie Murphy In The Cut: Race, Class, Culture, And 1980s Film Comedy Gail A. McFarland Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation McFarland, Gail A., "Eddie Murphy In The Cut: Race, Class, Culture, And 1980s Film Comedy." Thesis, Georgia State University, 2019. https://scholarworks.gsu.edu/aas_theses/59 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. EDDIE MURPHY IN THE CUT: RACE, CLASS, CULTURE, AND 1980S FILM COMEDY by GAIL A. MCFARLAND Under the Direction of Lia T. Bascomb, PhD ABSTRACT Race, class, and politics in film comedy have been debated in the field of African American culture and aesthetics, with scholars and filmmakers arguing the merits of narrative space without adequately addressing the issue of subversive agency of aesthetic expression by black film comedians. With special attention to the 1980-1989 work of comedian Eddie Murphy, this study will look at the film and television work found in this moment as an incisive cut in traditional Hollywood industry and narrative practices in order to show black comedic agency through aesthetic and cinematic narrative subversion. Through close examination of the film, Beverly Hills Cop (Brest, 1984), this project works to shed new light on the cinematic and standup trickster influences of comedy, and the little recognized existence of the 1980s as a decade that defines a base period for chronicling and inspecting the black aesthetic narrative subversion of American film comedy. -
PRODUKTIONSBOLAG Sverige
Uppdaterad 2012-10-23 (Svenska produktionsbolag och organisationer) B R A N S C H K O N T A K T E N SVERIGE__________________________ Tegelviksgatan 77 116 47 Stockholm PRODUKTIONSBOLAG Sverige Tel 070-7177670 Producent: Anne Ingvar Bolag som sysslar med långfilmsproduktion för bio E-post: [email protected] och/eller TV-produktion. Det bästa sättet att skapa Mobil 070-7177670 kontakt är att ringa först och höra om de tar emot manus. I Sverige och övriga Skandinavien behövs ATMO MEDIA NETWORK inte representation i form av agent eller manager. Götgatan 9 Men å andra sidan krävs att du är lite driven för att 116 46 Stockholm få ditt manus läst. Med andra ord: sälj dig själv. Ge Tel +46 (0)8 462 26 90 inte upp. Ligg på konstant. Producent: Kristina Åberg Producent: Kristina Åberg ACNE FILM [email protected] Lilla Nygatan 23 Telefon +46 (0)8 4622690 111 28 Stockholm Mobil +46 (0)70 768 31 33 Tel: 08-555 799 00 Filmer: Metropia, Gitmo, E-post: [email protected] Webbsida: http://www.acne.se/film AUTO IMAGES [email protected] Jakob Nilsgatan 19 Producent: Richard Björlin 211 21 Malmö [email protected] Tel: 040–661 01 60 Mobil 0736-999906 [email protected] Filmer: Bitchkram (2012), Känn ingen sorg (2013) www.autoimages.se Producent: Kristina Åberg ACTION FILM [email protected] Kungsholmsgatan 9 Telefon +46 (0)8 4622690 112 27 STOCKHOLM Mobil +46 (0)70 768 31 33 Tel: 08-673 28 38 E-post: [email protected] BOB FILM SWEDEN Webb: http://www.actionfilm.se/ Hökens gata 10 Anders Jacobsson Mobil 0708-15 33 25 11646 STOCKHOLM Hendrik Wadling Mobil 0705-33 80 16 Tel: 08-556 930 90 Ove Valeskog Mobil 0707-31 47 73 Webb: www.bobfilm.se Producenter: Jan Blomgren ANAGRAM FILMPRODUKTION [email protected] Lilla Fiskaregatan 5 Anna Croneman 222 22 Lund [email protected] Tel 046-159750 Mobil 070-5928168 Producent: Martin Persson Malin Nevander, utvecklingsansvarig [email protected] Karolina Heimburg, produktionschef Mobil 070-7710291 Filmer: Flimmer, Bröderna Hårdrock, Bröllopsfotografen, I skuggan av värmen, Ping- ANNE INGVAR FILM pongkingen, Lilla spöket Laban. -
Classes of 2019 and 2020 Hiring Organizations
HIRING ORGANIZATIONS CLASSES OF 2019 AND 2020 HIRING ORGANIZATIONS RECENT EMPLOYERS The following firms hired at least one UCLA Anderson student during the 2018–2019 school year (combining both full-time employment and summer internships): A Breakwater Investment Edison International Hewlett Packard Enterprise Lionsgate Entertainment Inc . O A G. Spanos Companies Management Education Pioneers Company Lionstone Investments Openpath Security Inc . A+E Television Networks ByteDance Edwards Lifesciences Hines Liquid Stock Oracle Corp . Accenture C Electronic Arts Inc . HomeAway Logitech P ACHS Califia Farms Honda R&D Americas Inc . Pabst Brewing Company Engine Biosciences L’Oreal USA Adobe Systems Inc . Cambridge Associates LLC Honeywell International Inc . Pacific Coast Capital Partners Epson America Inc . Los Angeles Chargers Advisor Group Capital Group Houlihan Lokey Palm Tree LLC Los Angeles Football Club Age of Learning Inc . Capstone Equities Esports One HOVER Inc . Pandora Media M Agoda Caruso EVgo Hulu Paramount Pictures M&T Bank Corporation Altair Engineering Inc . Casa Verde Capital Evolus I Park Lane Investment Bank Alteryx Inc . Cedars-Sinai Health System Experian Illumina Inc . Mailchimp Phoenix Suns Amazon Inc . Cenocore Inc . EY-Parthenon IMAX Marble Capital PIMCO American Airlines Inc . Century Park Capital Partners F InnoVision Solutions Group March Capital Partners Pine Street Group Amgen Inc . Charles Schwab FabFitFun Instacart Marvell Technology Group Ltd . Piper Jaffray & Co . Anaplan Checchi Capital Advisers Facebook Inc . Intel Corporation MarVista Entertainment PlayVS Apple Inc . Cisco Systems Inc . Intuit Inc . Mattel Inc . PLG Ventures Falabella Retail S .A . Applied Ventures The Clorox Company Intuitive Surgical Inc . McKinsey & Company The Pokemon Company Fandango Arc Capital Partners LLC Clutter Inversiones PS Medallia Inc . -
Analyse Ludique De La Franchise Saw
Université de Montréal Analyse ludique de la franchise Saw Par Janie Brien Département d’études cinématographiques Faculté des arts et des sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade M.A. en études cinématographiques Décembre 2012 © Janie Brien, 2012 Université de Montréal Faculté des études supérieures Ce mémoire intitulé : Analyse ludique de la franchise Saw présenté par : Janie Brien a été évalué(e) par un jury composé des personnes suivantes : Carl Therrien président-rapporteur Bernard Perron directeur de recherche Richard Bégin membre du jury i Résumé La saga Saw est une franchise qui a marqué le cinéma d’horreur des années 2000. Le présent mémoire tâchera d’en faire une étude détaillée et rigoureuse en utilisant la notion de jeu. En élaborant tout d’abord un survol du cinéma d’horreur contemporain et en observant la réception critique de la saga à travers l’étude de différents articles, ce travail tentera en majeure partie d’analyser la franchise Saw en rapport avec l’approche ludique du cinéma en général et celle adoptée par Bernard Perron. Cette étude, qui s’élaborera tant au niveau diégétique que spectatoriel, aura pour but de montrer l’importance de la place qu’occupe la notion de jeu dans cette série de films. Mots-clés Cinéma d’horreur, jeu, puzzle, torture. ii Abstract The Saw saga is a franchise that marked the horror film industry in the 2000’s. This report will try and give a thorough and detailled study while using the idea of a game. At the same time taking a cursory glance at contemporary horror films and observing how the critics were received by studying different articles. -
DREW Deascentis
DREW DeASCENTIS SELECTED CREDITS RATTLESNAKE (2019) ASSASSINATION NATION (2018) HATERS BACK OFF! (2016-2017) CROUCHING TIGER, HIDDEN DRAGON:SWORD OF DESTINY (2016) DON JON (2013) LOOPER (2012) BIOGRAPHY Drew DeAscentis is an accomPlished music editor known for films such as ‘Miracles from Heaven’, ‘LooPer’, ‘Assassination Nation’ and ‘The Brothers Bloom’. FILM CREDITS The Gift (upcoming) Cuando Sea Joven (2021) Music Editor Music Editor Directed by Anna Chi (comPoser, Kenneth Directed by Raúl Martínez (comPoser, Carlo Burgomaster) Siliotto) Gift Productions 3Pas Studios, Lionsgate Hypnotized (2019) Rattlesnake (2019) Music Editor Music Editor Directed by Juan Curi (comPoser, Carlo Directed by Zak Hilditch (comPoser, Ian Siliotto) Hultquist) AG Studios Campfire, Netflix Struggle: The Life and Lost Art of The Great Buster (2018) Szukalski (2018) Music Editor Music Editor Directed by Peter Bogdanovich Directed by Ireneusz Dobrowolski Cohen Media GrouP (comPoser, Amotz Plessner) Film Street, Netflix The Boxcar Children: Surprise Island (2018) Assassination Nation (2018) Music Editor Music Editor Directed by Daniel Chuba (comPoser, Directed by Sam Levinson (comPoser, Ian Kenneth Burgomaster) Hultquist) Shout! Factory Bron Studios, Neon El Dia del Temblor (2017) We Don’t Belong Here (2017) Music Editor Music Editor Directed by Kuno Becker (comPoser, Carlo Directed by Peer Pederson (comPoser, Siliotto) Michael Yezerski) Teté Films, Videocine Bright SPace Lea to the Rescue (2016) Time Toys (2016) Music Editor Music Editor Directed by Nadia Tass