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Ledding Library News LIBRARY HOURS Ledding Library News M O N - T H U R S : 1 0 A M – 9 P M VOLUME 16, ISSUE 4 A P R I L 2 0 1 5 FRI & SAT: 1 0 A M - 6 P M S U N : 1 2 P M - 6 P M National Library Week Food Donations The libraries in Clackamas County would like you to join them in celebrating National Library Week (ilovelibraries.org). To celebrate this week, all of the libraries are offering a “Food for Fines” promotion April 12 - 18. Bring in a non-perishable food item (please no damaged or expired items) and the library will waive $1.00 of library fines for every item you donate. All food will go to local food banks in each area. FRIENDS OF THE L E D D I N G LIBRARY POND HOUSE USED B O O K S T O R E FRI & SAT: 1 1 A M - 4 P M Wii Games at the Library! Speculative Fiction As of April 1, the children’s library has added 70 Wii in Milwaukie games for check out. Ranging from Mariokart to LEGO Our third presenter of the 2015 Ledding Star Wars to How to Train Your Dragon, the collection Cultural Forum on Thursday, April 2nd at includes both Wii and Wii-U titles. The games check 7pm is Tina Connolly, author of Silverblind, out for 14 days and may be renewed as long as no one the third book in the speculative fiction series has placed the title on hold. To find these new games in Ironskin. Connolly will present on her writing the catalog, simply enter “Wii” in the search box. Once at the Pond House. Light refreshments will http:// the list of results appears, check the boxes for video www.milwaukieoregon.gov be served. She is also games and Milwaukie on the left side of the screen. If /newsletter/subcription the author of the teen you do not find your favorite games listed, please let us series Seriously Wicked. know. We hope to continue expanding the game collection in the year ahead and welcome suggestions. The Ledding Cultural Forum is a celebration of culture with public http://www.facebook.com/ talks by local or LeddingLibrary regional artists, media producers, musicians, writers and other makers of culture. http://www.pinterest.com/ Each event is free and will be held at the leddinglibrary/ Ledding Library Pond House, from 7pm to 8pm, the first Thursday of each month of this year (except July and December). Ledding Library of Milwaukie, 10660 SE 21st Ave., Milwaukie, OR 97222 ● 503-786-7580 ● www.milwaukieoregon.gov/library VOLUME 16, ISSUE 4 P A G E 2 BOOK CLUB: WED, APRIL 22ND AT 7PM, FICTION SPANISH STORYTIME: SAT, APRIL 18TH AT 2PM NATIONAL LIBRARY WEEK: APRIL 12TH - 18TH ROOM. READ FAR FROM THE MADDING CROWD SPANISH STORYTIME FOR CHILDREN OF ALL AGES TH TH FOOD FOR FINES: APRIL 12 - 18 BY THOMAS HARDY HORA DE CUENTOS: SÁBADO 18 DE ABRIL A LAS ALL CLACKAMAS COUNTY LIBRARIES POETRY WORKSHOP - PAULANN PETERSEN: 2PM - HORA DE CUENTOS EN ESPAÑOL Y ARTES SAT, APRIL 25TH 10AM - 1PM - POND HOUSE PARA LOS NIÑOS DE TODAS LAS EDADES. ¡GRATIS! PROGRAMS FOR ADULTS TH REGISTER W/ TOM HOGAN AT 503-819-8367 TALK BACK TO BOOKS: TUES, APRIL 28 AT KNIT NITE: THURSDAYS FROM 6:30PM - 8PM, 4:30PM - A BOOK GROUP FOR YOUNG TEENS. PROGRAMS FOR KIDS, TEENS & PARENTS FICTION ROOM AGES 10 & UP. READ THE FLAME OF OLYMPUS OPEN MIC - HUMOROUS POETRY: TODDLER STORYTIME: MONDAYS & TUESDAYS AT (PEGASUS, BOOK 1), BY KATE O’HEARN. WED, APRIL 1ST AT 7PM - POND HOUSE 10:30AM. AGES 1-3 LEDDING CULTURAL FORUM - TINA BOOK BABIES: MONDAYS AT 1PM. CONNOLLY: THURS, APRIL 2ND AT 7PM, AGES BIRTH - 18 MONTHS APRIL 2015 POND HOUSE DROP-IN CRAFTS: TUESDAYS FROM 6-7PM. 1ST SATURDAY MUSIC - HYATUS: PRESCHOOLERS Su Mo Tu We Th Fri Sat SAT, APRIL 4TH AT 2PM PRESCHOOL STORYTIME: WEDNESDAYS & 1 2 3 4 POETRY READING - HAROLD JOHNSON: THURSDAYS AT 10:30AM. AGES 3-5 WED, APRIL 8TH AT 7PM – POND HOUSE FAMILY STORYTIME: WEDNESDAYS AT 6:30PM. 5 6 7 8 9 10 11 TRIVIA NIGHT WITH “THE LIBRARIAN”: THURS, ALL AGES APRIL 9TH AT 7PM - GAMEROOM HOMESCHOOLERS’ TIME TRAVEL: THUR, ND TH 12 13 14 15 16 17 18 NATIVE PLANT SALE: SUN, APRIL 12TH 9AM - 2PM, APRIL 2 & 16 AT 1:30PM. AGES 5 & UP TH TH OUTSIDE, SOUTH SIDE OF THE LIBRARY SATURDAY CRAFTS: SAT, APRIL 4 & 11 AT 2PM. 19 20 21 22 23 24 25 LIBRARY2GO HELP: MON, APRIL 13TH, 20TH & 27TH AGES 5 & UP TH ND BY APPOINTMENT FROM 6PM - 8:30PM GAME NIGHT: WED, APRIL 8 & 22 AT 6:00PM - 26 27 28 29 30 CALL (503) 786-7546 IN THE YOUNG ADULT AREA TH FOREIGN FILM NIGHT – LONG LIFE, HAPPINESS WRITING GROUP: TUES, APRIL 14 AT 4:30PM. AND PROSPERITY: THURS, APRIL 16TH AT 7PM, AGES 10 & UP. POND HOUSE The Movie Maven’s Directors You Should Know - Richard Linklater Texas born writer/director was the first feature film for selling book based on their night Richard Linklater has had quite a future Oscar winners Ben Affleck together in Vienna. They meet on year. His film Boyhood has swept and Matthew McConaughey. the French leg of his book tour and the award circuit like wildfire, Through the right of passage of their feelings are rekindled as they including being nominated for the hazing younger students, we get again spend time together before Best Picture Oscar. Exploring to know the individuals in the high his flight back to New York. what he calls "the youth rebellion school groups of stoners, jocks Before Midnight (2013): In the continuum," Linklater is and nerds. final act of the trilogy, we join considered one of the founders of Before Sunrise (1995): The first Celine and Jesse almost two the Independent Film Movement of his love story trilogy starring decades since their first meeting. in the 1990s and has launched the Ethan Hawke (a frequent actor in They are now in a relationship and careers of many talented young Linklater’s films) and Julie Delpy, a the parents of twin girls. During a actors. Here's an overview of his couple who meet on a European trip to Greece, they evaluate their work: train and spend one magical night lives together and apart. together in Vienna. As in all of his Slacker (1991): Slacker was made Boyhood (2014): This brilliant film, films, the conversation is more for under $23,000, earned acclaim 12 years in the making, should prominent than the plot. This at The Sundance Film Festival in have, in my opinion, won the Best gives his characters realism not 1991, and is a forerunner of Picture Oscar. Shot for a period of found in other romances. independent film. Virtually plot- two weeks each year, its fluid School of Rock (2003): Jack Black less, the film provides a brief look direction helps us watch a little “Books are the plane, and plays Dewey Finn, a down and out at the social misfits, over boy, Mason, turn into a man before the train, and the road. rock star facing a mountain of educated, and oddballs of Austin, our eyes. It duplicates the feeling of They are the destination, debt. In desperation, he takes a Texas in the scope of one day. childhood going by in a flash. Not job as a substitute teacher at an and the journey. They are The term "slacker" soon became a to be missed. uptight private school and home.” catch-all word for the disaffected Expand your horizons with a swipe introduces his class to the youth culture. of your Clackamas County library Anna Quindlen wonders of rock and roll. Dazed and Confused (1993): card and check out a new director Before Sunset (2004): It's been This film is a cult classic taking today! nine years since the lovers, Jesse place on the last day of school in a and Celine met on the train. Since ~Amelia Heinl small Texas town in 1976. This then, Jesse has written a best- Ledding Library of Milwaukie, 10660 SE 21st Ave., Milwaukie, OR 97222 ● 503-786-7580 ● www.milwaukieoregon.gov/library .
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  • Richard Linklater
    8 Monday April 22 2013 | the times arts artscomedy DESPINA SPYROU; GRAEME ROBERTSON “Studioshave financedfourofmy [23]films.Idon’thave aproblemwith Find thenextbig thing Theone-nightstand Hollywood,butthe airwe breathe hereisn’tpermeatedbybusiness. My familylifeishere.” Linklateris unmarried(“Iam Go to Edinburgh anti-institutionalineveryareaofmy life”).He andTina,hispartnerof andjoin thepanel thatsparked aclassic 20years,have threemuch-cherished daughters—19-year-oldLorelei, an actress,and the8-year-old“fascinating” that decides who identicaltwinsCharlotte andAlina. “That’s abig gapbetweenchildren,”he is thestand-up ThedirectorRichard Linklater tells Tim Teeman says.“Tinasaid:‘I wantmorekidsand ifyoudon’tI’ll gohave themwith comedianof2013 thebittersweet story of abrief encounterwitha someoneelse’,” Linklaterlaughs. He quotesastatisticthat70 percentof oyouwant togo tothe strangerthatgaveusBeforeSunrise andits sequels marriedmen and72percentofmarried EdinburghFestivalFringefor women havestrayed.Isheoneofthe afortnight andstay there hosewhoracefor chanceonenight inVienna.Lehrhaupt, monogamousones?“No, of coursenot!” free?Thinkyoucouldhandle theexitasamovie’s Linklaterrevealsforthefirsttime,was heroars.“Anyonewhowantsto bewith D morethan 100hours of closingcredits rollwill thewoman with“crazy, cute,wonderful mehastoacceptthecomplexityofbeing comedyintwoweeks?Thenyouhave miss,at theendof We talked energy”hemetonenight inOctober ahuman.Itrynotto live inastraitjacket. whatittakesto beaFoster’sEdinburgh RichardLinklater’s aboutart, 1989who inspiredthefilms.“What
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  • Sony Pictures Classics Acquires Sundance Favorite Before Midnight
    SONY PICTURES CLASSICS ACQUIRES SUNDANCE FAVORITE BEFORE MIDNIGHT NEW YORK (January 25, 2013) - Sony Pictures Classics announced today that they have acquired all North American and UK rights to Richard Linklater’s BEFORE MIDNIGHT, the third installment to BEFORE SUNRISE and BEFORE SUNSET, starring Ethan Hawke and Julie Delpy. Like BEFORE SUNSET, the third film is written by Academy Award® nominees Linklater, Hawke and Delpy. Premiering to critical acclaim in the Premieres Section on Sunday evening at the Sundance Film Festival, BEFORE MIDNIGHT has been one of the most talked about films at the festival. The film is produced by Linklater, Christos V. Konstantakopoulos and Sara Woodhatch and executive produced by Jacob Pechenik, Martin Shafer, Liz Glotzer, and John Sloss. The deal was negotiated by SPC and Cinetic Media on behalf of the filmmakers. In BEFORE MIDNIGHT, we meet Celine and Jesse 9 years on. Almost 2 decades have passed since that first meeting on a train bound for Vienna, and we now find them in their early 40's in Greece. Before the clock strikes midnight, we will again become part of their story. "In 1991 we were in Sundance with SLACKER and we witnessed the birth of a major American filmmaker. At Sundance 2013 with BEFORE MIDNIGHT, we have further confirmation that Richard Linklater is a film master at the peak of his form. This one has it all as entertainment and as a work of cinematic art. It is a perfect movie made by not one but three auteurs, Rick, Ethan Hawke, and Julie Delpy. This movie will be incredibly successful around the world.
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  • Safeguarding Digital Democracy Digital Innovation and Democracy Initiative Roadmap
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  • Race in Hollywood: Quantifying the Effect of Race on Movie Performance
    Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10.
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  • 1 E-Revista De Estudos Interculturais Do CEI – ISCAP N.º 4, Maio De
    E-Revista de Estudos Interculturais do CEI – ISCAP N.º 4, maio de 2016 ALGUMAS NOTAS SOBRE VIENA, PARIS, UMA ILHA NA GRÉCIA E DOIS AMANTES José Duarte FLUL/CEAUL/FCT [email protected] Resumo O presente artigo pretende analisar três filmes de Richard Linklater: Before Sunrise, 1995, Before Sunset, 2004 e Before Midnight, 2013 que se debruçam sobre a história de um casal ao longo de dezoito anos. Para além de assinalar alguns dos aspectos mais relevantes de cada narrativa, a análise proposta debruça-se essencialmente na viagem feita pelos dois personagens – Jesse e Céline – e nos vários locais dos diferentes filmes e os seus significados. Deste modo, o objectivo deste estudo é analisar o modo como Viena (Sunrise), Paris (Sunset) ou uma ilha na Grécia (Midnight) simbolizam três momentos distintos na relação de Jesse e Céline, funcionando também os locais como personagens que envolvem e caracterizam os dois amantes. Key-words: Richard Linklater; Viena; Paris; Grécia; Cinema; Espaço; Viagem. “Maybe I only exist in your mind, but still just as real as anything else.” Waking Life, 2001 – Richard Linklater O cinema de Richard Linklater Conhecido cineasta Americano, mas bastante influenciado pelo cinema europeu – em particular pela Nouvelle Vague – Richard Linklater é um realizador que procura explorar os pequenos momentos da vida diária nos seus filmes. Quer através de um registo mais próximo do realista, quer pela sua obsessão com o espaço e as palavras, Linklater, como nota Mayshark (2007: 15/16), mostra um verdadeiro interesse nos personagens que habitam os seus filmes. 1 Oscilando entre o cinema de autor e Hollywood, Linklater ficou conhecido por filmes como Slacker (1991), obra em que explora a cidade de Austin, local onde desenvolveu a sua educação cultural, através de personagens marginais que circulam pela cidade sem qualquer propósito.
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  • James Benning and Richard Linklater
    1 DOUBLE PLAY : JAMES BENNING AND RICHARD LINKlaTER A FILM BY GABE KLINGER 70th Venice Film Festival / Mostra Internazionale d’Arte Cinematografica della Biennale di Venezia 3 Double Play : James Benning and Richard Linklater Running time : 70 minutes Production countries : France/Portugal/United States Year of production : 2013 Spoken language : English Shooting format : 4K REDCODE RAW Aspect ratio : 1.85 :1 Sound : Dolby 5.1 Projection formats : 35mm/DCP/HDCam Production/Festivals Gladys Glover Films, Paris Sonia Buchman, [email protected], +33 6 18 44 58 81 Nicolas R. de la Mothe, [email protected], +33 6 74 72 95 05 Contacts in Venice Gabe Klinger : +1 312 480 1966 / [email protected] Nicolas R. de la Mothe : +33 6 74 72 95 05 / [email protected] Eugenio Renzi : +33 6 61 30 39 71 / [email protected] World Sales Cinetic Rights Management / FilmBuff (filmbuff.com) Steve Beckman, [email protected] / +1 212 463 6403 555 W 25th St | 4th Floor | New York, NY 10001 Press Viviana Andriani, [email protected] Aurélie Dard, [email protected] 2 rue Turgot 75009 Paris – France Tel. in Venice : +39 348 331 6681 (VA), +39 340 694 6540 (AD) Download Presskit and stills : www.rv-press.com 4 Short synopsis : A documentary portrait of the friendship between the renowned film- makers James Benning and Richard Linklater that combines filmed con- versations and extensive archival material to explore connections and divergences in their respective approaches to life and cinema. Long synopsis : In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experi- mental films to a budding community of cinephiles.
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  • Before Midnight
    Mongrel Media Presents Before Midnight A film by Richard Linklater (108 min., USA, 2012) Language: English Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html BEFORE MIDNIGHT Synopsis An American father, JESSE, (Ethan Hawke) is seeing off his son HANK (Seamus Davey-Fitzpatrick) at the Kalamata Airport in Greece. Hank’s returning to his mother and life in the U.S. after spending the “best summer ever” with Jesse and his family. The middle-schooler is more composed than his fortyish father, who hovers anxiously as their separation draws near. Geography weighs heavily on Jesse. Outside the airport, he rejoins his family: CELINE (Julie Delpy) and their young twin daughters ELLA and NINA (Jennifer and Charlotte Prior). As they drive through the austerely beautiful rocky hillsides of Messinia, Jesse and Celine talk—about living so far from Hank, about her career as an environmentalist and hopes for a new job, about the swirl of ancient and modern Greece around them. Jesse hints at wanting to move back to America from their home in Paris, but Celine has done her U.S. time—they lived in New York for a spell—and has no wish to return. Their long history together bubbles between them. Jesse’s a successful novelist, and they’re in Greece at a writer’s retreat, staying in the bucolic country villa of an older expat writer, PATRICK (Walter Lassally).
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  • 1 a TRILOGY of MELANCHOLY on the Bittersweet in Before Sunrise
    A TRILOGY OF MELANCHOLY On the bittersweet in Before Sunrise, Before Sunset and Before Midnight Hans Maes NB: This paper will appear in Philosophers on Film: Before Sunrise, Before Sunset, Before Midnight, eds. H.Maes & K. Schaubroeck, Routledge, 2021. This is a draft version. I am currently revising the paper and would welcome any suggestions for improvement. Melancholy is a central expressive property of the Before films and key to understanding and appreciating the trilogy as a whole. That, in a nutshell, is the thesis I wish to develop in this paper. Melancholy is understood here as the profound and bittersweet emotional experience that occurs when we vividly grasp a harsh truth about human existence in such a way that we come to appreciate certain aspects of life more deeply. The various encounters between Celine and Jesse, I will argue, are littered with such moments of melancholy. These moments are partly prompted by the circumstances in which they find themselves, but both of them also actively seek out this experience by the stories they tell and the reflections they engage in. That seems part of who they are as individuals and it may even be part of what attracts them to each other. Melancholy, furthermore, is not just present in the characters’ dialogue and in their facial and bodily expressions, but is also expressed through various cinematic means. And, as I will suggest in the final section, the films may resonate deeply with some viewers because they are so expressive of melancholy. Melancholy In the course of history the term ‘melancholy’ has been used in a variety of ways to refer to a particular character trait, a mood, various sorts of psychological pathologies, and even a form of cultural decline (Bowring 2016).
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  • Ghost-Righting: the Spectral Ethics and Haunted Spouses of Richard Linklater's Before Trilogy
    Ghost-Righting: The Spectral Ethics and Haunted Spouses of Richard Linklater's Before Trilogy Lilia Kilburn Criticism, Volume 60, Number 1, 2018, pp. 1-25 (Article) Published by Wayne State University Press For additional information about this article https://muse.jhu.edu/article/715827 Access provided at 20 Aug 2019 17:24 GMT from Harvard University GHOST-RIGHTING: THE SPECTRAL ETHICS AND HAUNTED SPOUSES OF RICHARD LINKLATER’S BEFORE TRILOGY Lilia Kilburn I. Death, Love’s Amber “All plots tend to move deathward,” wrote Don DeLillo.1 Others have sliced his statement more thinly, noting that this narrative death drive quickens in love stories, where death is often “what passion has yearned after from the beginning.”2 Across the Western canon’s fossil record, death is love’s amber, a preservative that, like its chemical contempo- raries, suspends in time that which tends to degrade in life. In film, like the camera itself, a deceased or distant lover is “freed from the contingen- cies of space and time but then discreetly confin[es] [her]self to codified patterns.”3 If lovers do not die, it is enough for the narrative to prove that they would die should they remain together—a collusion between threat and memory that begets famous romances collapsed into memorializing mantras: “We’ll always have Paris.” This paper is concerned with the disruption of established pattern- ing of love and death—disruption executed by the figure of the ghost. Modeling this disruption is a tripartite love story, Richard Linklater’s Before trilogy—1995’s Before Sunrise, 2004’s Before Sunset, and 2012’s Before Midnight—that invites ghosts in.
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  • Before Midnight Ethan Hawke Julie Delpy
    FALIRO HOUSE PRESENTA IN ASSOCIAZIONE CON VENTURE FORTH e CASTLE ROCK ENTERTAINMENT UNA PRODUZIONE DETOUR Un film di RICHARD LINKLATER BEFORE MIDNIGHT ETHAN HAWKE JULIE DELPY Distribuzione Durata: 108 min Uscita: 31 ottobre Ufficio Stampa Alessandro +39 3493127219 [email protected] Valerio +39 3357081956 [email protected] Via Pierluigi Giovanni Da Palestrina, 47* 00193 Roma ☎ +39 06916507804 @ www.alerusso.it Tutti i materiali stampa sono disponibili sul sito www.alerusso.it 1 CAST ARTISTICO Jesse ETHAN HAWKE Celine JULIE DELPY Hank SEAMUS DAVEY-FITZPATRICK Ella JENNIFER PRIOR Nina CHARLOTTE PRIOR Natalia XENIA KALOGEROPOULOU Patrick WALTER LASSALLY Anna ARIANE LABED Achilleas YANNIS PAPADOPOULOS Ariadni ATHINA RACHEL TSANGARI Stefanos PANOS KORONIS Bambini ENRICO FOCARDI MANOLIS GOUSSIAS ANOUK SERVERA Receptionist YOTA ARGYROPOULOU SERAFEIM RADIS CAST TECNICO Regia di RICHARD LINKLATER Produttori RICHARD LINKLATER, CHRISTOS V. KONSTANTAKOPOULOS, SARA WOODHATCH Scritto da RICHARD LINKLATER, JULIE DELPY, ETHAN HAWKE Produttore esecutivo JACOB PECHENIK Produttori esecutivi MARTIN SHAFER, LIZ GLOTZER Produttore esecutivo JOHN SLOSS Co-produttori VINCE PALMO JR., ATHINA RACHEL TSANGARI Fotografia di CHRISTOS VOUDOURIS Montaggio di SANDRA ADAIR, A.C.E. Musiche di GRAHAM REYNOLDS Casting, Atene CHRISTINA AKZOTI, ALEX KELLY Casting, UK LUCY BEVAN 2 Casting, US JUDY HENDERSON, CSA Scenografia di ANNA GEORGIADOU Line Producer KOSTAS KEFALAS Produttore Associato LELIA ANDRONIKOU Assistente UPM MARIA HATZAKOU Primo Assistente alla Regia VINCE
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  • Before Midnight (2013) “Still There… Still There… Still There… Gone.” Major Credits: Director: Richard Linklater Scree
    Before Midnight (2013) “Still there… still there… still there… Gone.” Major Credits: Director: Richard Linklater Screenplay: Richard Linklater, Julie Delpy, Ethan Hawke Cast: Julie Delpy (Céline), Ethan Hawke (Jesse), Walter Lassally (Patrick), Panos Karonis (Stefanos), Athina Rachel Tsangari (Ariadni), Seamus Davey-Fitzpatrick (Hank) Cinematography: Christos Voudouris Production Background: Before Midnight is the third film that follows the romantic relationship between Jesse and Céline, whom Jesse first meets on a train to Vienna in Before Sunrise (1995) and then again in Paris ten years later in Before Sunset (2004). In the first movie, at 23, they fall in love but must part; in the second, at 32, they rekindle their romance. Now they are a couple at the end of a six week summer vacation in Greece. As in the earlier films, Linklater is interested in the passage of time—both the nearly real time (approximately twelve hours) in which they interact and the near decade during which their lives have changed—as well as the quality of their conversation. In its attentiveness to virtually uninterrupted dialogue, the trilogy follows the tradition of the French New Wave director Eric Rohmer’s “Six Moral Tales.” In its compression of time in addition to its sustained conversation, Linklater also has been influenced by the film of another New Wave auteur, Louis Malle, and his great film My Dinner with André (1981). Finally, in its interest in how people change over decades, Before Midnight might be considered a fictional counterpart to Michael Apted’s Up documentary series, currently almost forty years in the making.
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  • AM Richard Linklater Production Bios
    Press Contact: Natasha Padilla, WNET, 212.560.8824, [email protected] Press Materials: http://pbs.org/pressroom or http://thirteen.org/pressroom Websites: http://pbs.org/americanmasters , http://facebook.com/americanmasters , @PBSAmerMasters , http://pbsamericanmasters.tumblr.com , http://youtube.com/AmericanMastersPBS , http://instagram.com/pbsamericanmasters , #AmericanMastersPBS American Masters: Richard Linklater – dream is destiny Premieres nationwide Friday, September 1 at 9/8c on PBS (check local listings) Production Bios Louis Black Director and Producer Louis Black is a legendary cultural force in Austin’s film world. As a co-founder of SXSW (which he named after Hitchcock’s North By Northwest ), he helped originate the festival’s film component. His love of film dates to his teens when he would skip school with friend Leonard Maltin and attend film screenings in New York City (once meeting Buster Keaton) to watch as many films as possible. While obtaining his master’s degree in film from the University of Texas at Austin in the early 1980s, he was a director and programmer at CinemaTexas. He was an original board member of the Austin Film Society, led by Richard Linklater. As co-founder and editor of The Austin Chronicle , he helped shape the city’s rich culture of both making and appreciating great cinema. In 2000, along with Texas Monthly editor Evan Smith, he launched AFS’ “Texas Film Hall of Fame.” Most recently he co-directed his first film, American Masters: Richard Linklater - Dream is Destiny , a documentary about Richard Linklater which premiered at Sundance and received a standing ovation at Rome Film Fest. He executive produced Be Here to Love Me, A Film About Townes Van Zandt , was a producer on two other films by Margaret Brown, the Peabody Award-winning The Order of Myths and the acclaimed The Great Invisible , as well as on Keith Maitland’s Tower , short listed for the Academy Awards.
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