Spellbound Beginnings and Endings in American Literature and Film
Spellbound Beginnings and Endings in American Literature and Film Lecturer: Univ.-Prof. Dr. Stefan Brandt Course number: 512.312 Winter Term 2016/17 Selected Bibliography Primary Sources Films Annie Hall. Dir. Woody Allen. United Artists, 1977. Boyhood. Dir. Richard Linklater. Universal Pictures, 2014. Butch Cassidy and the Sundance Kid. Dir. George R. Hill. 20th Century Fox, 1969. Fight Club. Dir. David Fincher. 20th Century Fox, 1999. Inception. Dir. Christopher Nolan. Warner Bros. Pictures, 2010. Jaws. Dir. Steven Spielberg. Universal Pictures, 1975. Magnolia. Dir. Paul T. Anderson. New Line Cinema, 1999. Manhattan. Dir. Woody Allen. United Artists, 1979. Once Upon A Time in America. Dir. Sergio Leone. Warner Bros. Pictures, 1984. Psycho. Dir. Alfred Hitchcock. Paramount Pictures, 1960. Saw. Dir. James Wan. Lionsgate Films, 2004. Seven. Dir. David Fincher. New Line Cinema, 1995. Source Code. Dir. Duncan Jones. Summit Entertainment, 2011. Thelma & Louise. Dir. Ridley Scott. MGM, 1991. The Sixth Sense. Dir. M. Night Shyamalan. Buena Vista, 1999. Literary Sources Auster, Paul. The Brooklyn Follies 2005. London: Faber and Faber, 2011. Bellow, Saul. The Adventures of Augie March. 1949. New York: Penguin, 2001. Ellis, Bret Easton. American Psycho. New York: Vintage Books, 1991. Ellison, Ralph. Invisible Man. 1952. London: Penguin Classics, 2001. Harnid, Mohsin. The Reluctant Fundamentalist 2007. London: Penguin Books, 2008. Hemingway, Ernest. A Farewell to Arms. 1929. London: Vintage, 2013. Johnson, James Weldon. The Autobiography of an Ex-Colored Man. 1912. Ed. and Introd. William L. Andrews. New York: Penguin, 1990. Keller, Hellen. The Story of My Life. 1904. New York: Bantam Classic, 2005. Kincaid, Jamaica. The Autobiography of My Mother.
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