Immanence, Transcendence and Essence
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Deadlands: Reloaded Core Rulebook
This electronic book is copyright Pinnacle Entertainment Group. Redistribution by print or by file is strictly prohibited. This pdf may be printed for personal use. The Weird West Reloaded Shane Lacy Hensley and BD Flory Savage Worlds by Shane Lacy Hensley Credits & Acknowledgements Additional Material: Simon Lucas, Paul “Wiggy” Wade-Williams, Dave Blewer, Piotr Korys Editing: Simon Lucas, Dave Blewer, Piotr Korys, Jens Rushing Cover, Layout, and Graphic Design: Aaron Acevedo, Travis Anderson, Thomas Denmark Typesetting: Simon Lucas Cartography: John Worsley Special Thanks: To Clint Black, Dave Blewer, Kirsty Crabb, Rob “Tex” Elliott, Sean Fish, John Goff, John & Christy Hopler, Aaron Isaac, Jay, Amy, and Hayden Kyle, Piotr Korys, Rob Lusk, Randy Mosiondz, Cindi Rice, Dirk Ringersma, John Frank Rosenblum, Dave Ross, Jens Rushing, Zeke Sparkes, Teller, Paul “Wiggy” Wade-Williams, Frank Uchmanowicz, and all those who helped us make the original Deadlands a premiere property. Fan Dedication: To Nick Zachariasen, Eric Avedissian, Sean Fish, and all the other Deadlands fans who have kept us honest for the last 10 years. Personal Dedication: To mom, dad, Michelle, Caden, and Ronan. Thank you for all the love and support. You are my world. B.D.’s Dedication: To my parents, for everything. Sorry this took so long. Interior Artwork: Aaron Acevedo, Travis Anderson, Chris Appel, Tom Baxa, Melissa A. Benson, Theodor Black, Peter Bradley, Brom, Heather Burton, Paul Carrick, Jim Crabtree, Thomas Denmark, Cris Dornaus, Jason Engle, Edward Fetterman, -
BREAKING Newsrockville, MD August 19, 2019
MEDIA KIT BREAKING NEWS Rockville, MD August 19, 2019 THE BOYS by Garth Ennis and Darick Robertson Coming to GraphicAudio® A Movie in Your Mind® in Early 2020 GraphicAudio® is thrilled to announce a just inked deal with DYNAMITE COMICS to produce and publish all 6 Omnibus Volumes of THE BOYS directly from the comics and scripted and produced in their unique audio entertainment format. The creative team at GraphicAudio® plans to make the adaptations as faithful as possible to the Graphic Novel series. The series is set between 2006–2008 in a world where superheroes exist. However, most of the su- perheroes in the series' universe are corrupted by their celebrity status and often engage in reckless behavior, compromising the safety of the world. The story follows a small clandestine CIA squad, informally known as "The Boys", led by Butcher and also consisting of Mother's Milk, the French- man, the Female, and new addition "Wee" Hughie Campbell, who are charged with monitoring the superhero community, often leading to gruesome confrontations and dreadful results; in parallel, a key subplot follows Annie "Starlight" January, a young and naive superhero who joins the Seven, the most prestigious– and corrupted – superhero group in the world and The Boys' most powerful enemies. Amazon Prime released THE BOYS Season 1 last month. Joseph Rybandt, Executive Editor of Dynamite and Editor of The Boys says, “While I did not grow up anywhere near the Golden Age of Radio, I have loved the medium of radio and audio dramas almost my entire life. Podcasts make my commute bearable to this day. -
An Anselmian Approach to Divine Simplicity
Faith and Philosophy: Journal of the Society of Christian Philosophers Volume 37 Issue 3 Article 3 7-1-2020 An Anselmian Approach to Divine Simplicity Katherin A. Rogers Follow this and additional works at: https://place.asburyseminary.edu/faithandphilosophy Recommended Citation Rogers, Katherin A. (2020) "An Anselmian Approach to Divine Simplicity," Faith and Philosophy: Journal of the Society of Christian Philosophers: Vol. 37 : Iss. 3 , Article 3. DOI: 10.37977/faithphil.2020.37.3.3 Available at: https://place.asburyseminary.edu/faithandphilosophy/vol37/iss3/3 This Article is brought to you for free and open access by the Journals at ePLACE: preserving, learning, and creative exchange. It has been accepted for inclusion in Faith and Philosophy: Journal of the Society of Christian Philosophers by an authorized editor of ePLACE: preserving, learning, and creative exchange. applyparastyle "fig//caption/p[1]" parastyle "FigCapt" applyparastyle "fig" parastyle "Figure" AQ1–AQ5 AN ANSELMIAN APPROACH TO DIVINE SIMPLICITY Katherin A. Rogers The doctrine of divine simplicity (DDS) is an important aspect of the clas- sical theism of philosophers like Augustine, Anselm, and Thomas Aquinas. Recently the doctrine has been defended in a Thomist mode using the intrin- sic/extrinsic distinction. I argue that this approach entails problems which can be avoided by taking Anselm’s more Neoplatonic line. This does involve AQ6 accepting some controversial claims: for example, that time is isotemporal and that God inevitably does the best. The most difficult problem involves trying to reconcile created libertarian free will with the Anselmian DDS. But for those attracted to DDS the Anselmian approach is worth considering. -
Merchant-Of-Venice-Study-Guide.Pdf
INDIANA UNIVERSITY THEMESter // wWW.THEMESter.indiana.edu 1 Welcome to William Shakespeare’s The Merchant of Venice, Cardinal Stage’s Collaboration with the Contents: COAS Themester on Beauty SECTION 1: 2 Beauty from across the Disciplines Ellen MacKay, Associate Professor, English, Director of IDAH, chair of faculty advisory committee of Themester 2016: Beauty. SECTION 2: 4 A Short Sketch of Shakespeare’s Life as We Know it When I proposed Beauty for an IU moment is ripe for lively and thoughtful Themester topic, I did so with the engagement of beauty’s standards, costs, following pitch: risks, pleasures and values. SECTION 3: As an organizing principle for As an example of this rich and complex 8 “Which is the Merchant programming that reaches across the tradition of beauty, The Merchant of here, and which the Jew?” diverse disciplines that comprise the Venice is extraordinarily apt. At a first College of Arts and sciences, Beauty glance the reason for this is pretty SECTION 4: is ideal: not only can a wide range of orthodox. Merchant is is a play by William 10 Beauty and Ugliness scholars, scientists, artists and community Shakespeare, by longstanding consensus in Jewish History members speak to it, they can do so the foremost writer of the English impassionedly. After all, beauty is at the language, named by Helen Vendler as the SECTION 5: root of who we are and what we do: the poet of the millennium on the New York 11 The Merchant of Venice: fundamental principals of science and Times’ “Best of” list in 2000. -
Writer Charles Soule Layouts Reilly Brown
BLINDED IN A FREAK ACCIDENT AS A CHILD, ATTORNEY MATT MURDOCK GAINED HEIGHTENED SENSES, ALLOWING HIM TO FIGHT CRIME AS DAREDEVIL. WHEN HIS FAMILY WAS MURDERED BY THE MOB, FORMER SOLDIER FRANK CASTLE RENOUNCED EVERYTHING EXCEPT VENGEANCE, BECOMING THE VIGILANTE KNOWN AS THE PUNISHER. PROSECUTOR MATT MURDOCK ARRANGED FOR GANGSTER SERGEY ANTONOV’S TRANSFER TO TEXAS, AS THE ACCUSED COULDN’T GET A FAIR TRIAL IN NEW YORK CITY. BUT A FAIR TRIAL BECAME THE LEAST OF THE GANGSTER’S WORRIES WHEN THE PUNISHER ATTACKED HIS PRISON TRANSPORT! DAREDEVIL AND HIS NEW PROTÉGÉ BLINDSPOT DISPENSED WITH PUNISHER AND GOT THE ACCUSED SAFELY TO QUEENS, ONLY TO BE AMBUSHED BY ANTONOV’S GOONS! TO MAKE MATTERS WORSE, FRANK CASTLE’S CAUGHT UP AND HE’S OUT FOR BLOOD… WRITER CHARLES SOULE LAYOUTS REILLY BROWN PENCILS & INKS SZYMON KUDRANSKI COLORS JIM CHARALAMPIDIS LETTERER VC’S CLAYTON COWLES PRODUCTION ANNIE CHENG PRODUCTION MANAGER TIM SMITH 3 ASSISTANT EDITOR CHARLES BEACHAM EDITOR JAKE THOMAS EDITOR IN CHIEF AXEL ALONSO CHIEF CREATIVE OFFICER JOE QUESADA PUBLISHER DAN BUCKLEY EXECUTIVE PRODUCER ALAN FINE DAREDEVIL/PUNISHER: SEVENTH CIRCLE No. 2, August 2016. Published Monthly by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. © 2016 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. -
Bringing in a New Era in Character Education. INSTITUTION Stanford Univ., CA
DOCUMENT RESUME ED 476 547 EA 032 522 AUTHOR Damon, William, Ed. TITLE Bringing in a New Era in Character Education. INSTITUTION Stanford Univ., CA. Hoover Institution on War, Revolution, and Peace. ISBN ISBN-0-8179-2962-2 PUB DATE 2002 -00 -00 NOTE 211p. AVAILABLE FROM Hoover Institution Press, Stanford University, Stanford, CA 94305-6010 ($15). Tel: 650-723-1754; Tel: 877-466-8374 (Toll Free); Fax: 650-723-1687; e- mail:. [email protected]; Web site: http://www.hoover.org. PUB TYPE Books (010) Guides Non-Classroom (055) EDRS PRICE EDRS Price MF01/PC09 Plus Postage. DESCRIPTORS Codes of Ethics; Consciousness Raising; Democratic Values; Educational Principles; Elementary Secondary Education; *Ethical Instruction; Ethics; Higher Education; Integrity; Moral Issues; *Moral Values; Personality Development; Social Values; Student Development; *Values Clarification; *Values Education IDENTIFIERS Character Development ABSTRACT The nine essays in this book present perspectives on what is needed in character education from kindergarten to college. Two main themes run through the volume. The first is a consensus among the authors that fundamental moral standards must be passed along to the young and that educators at all levels bear the obligation to transmit these core standards to their studehts. The second is a shared determination to discard old oppositions that have paralyzed some of the best efforts in character education over the past several decades. The essays are titled as follows: "Transmitting Moral Wisdom in an Age of the Autonomous Self" (Arthur J. Schwartz); "How Moral Education Is Finding It8 Way Back into American's Schools" (Christina Hoff Sommers); "The Science of Character Education" (Marvin W. -
DISSO FULL DOCUMENT With
From Zero to My Own Hero: An Intersectional Feminist Analysis of the Woman Superhero’s Challenge to Humanity in Watchmen and Jessica Jones Louise Stenbak Simonsen & Sabina Kox Thorsen 10th semester, MA Dissertation Engelsk Almen, Aalborg University Supervisor: Mia Rendix 02-06-2020 Characters: 317649 Simonsen & Thorsen 1 Abstract The image of women in the superhero genre has for many years been dominated by how it is produced as a mirror to the masculine. However, this image is now beginning to be disrupted by feminist attempts at diversifying representations. This paper aims to examine Watchmen and the first season of Jessica Jones as cultural representations and new voices of women which materialise the category as a transgressive, challenging force to assumedly fixed structures of gender, race and sexuality. As Jessica Jones speaks from a White feminist perspective, and Watchmen from a Black feminist perspective, we explore how the texts can be combined to expand the category of women. The texts show the discourses, regimes of truth, and forms of violence which seek to regulate women, and in exposing these tools of domination, the texts disrupt the fixed categories and definitions of women and question the limits of performativity. In spite of women being shown to be materialised beyond the phallogocentric economy of signification, the two series still limit gender to a biological determinism that assumes a normativity of social structures and relations of power. However, because the texts are voices of women, they are the first step of many towards a multitude of untold, endless possibilities of gender and racial representation. -
Number 3 2011 Korean Buddhist Art
NUMBER 3 2011 KOREAN BUDDHIST ART KOREAN ART SOCIETY JOURNAL NUMBER 3 2011 Korean Buddhist Art Publisher and Editor: Robert Turley, President of the Korean Art Society and Korean Art and Antiques CONTENTS About the Authors…………………………………………..………………...…..……...3-6 Publisher’s Greeting…...…………………………….…….………………..……....….....7 The Museum of Korean Buddhist Art by Robert Turley…………………..…..…..8-10 Twenty Selections from the Museum of Korean Buddhist Art by Dae Sung Kwon, Do Kyun Kwon, and Hyung Don Kwon………………….….11-37 Korean Buddhism in the Far East by Henrik Sorensen……………………..…….38-53 Korean Buddhism in East Asian Context by Robert Buswell……………………54-61 Buddhist Art in Korea by Youngsook Pak…………………………………..……...62-66 Image, Iconography and Belief in Early Korean Buddhism by Jonathan Best.67-87 Early Korean Buddhist Sculpture by Lena Kim…………………………………....88-94 The Taenghwa Tradition in Korean Buddhism by Henrik Sorensen…………..95-115 The Sound of Ecstasy and Nectar of Enlightenment by Lauren Deutsch…..116-122 The Korean Buddhist Rite of the Dead: Yeongsan-jae by Theresa Ki-ja Kim123-143 Dado: The Korean Way of Tea by Lauren Deutsch……………………………...144-149 Korean Art Society Events…………………………………………………………..150-154 Korean Art Society Press……………………………………………………………155-162 Bibliography of Korean Buddhism by Kenneth R. Robinson…...…………….163-199 Join the Korean Art Society……………...………….…….……………………...……...200 About the Authors 1 About the Authors All text and photographs contained herein are the property of the individual authors and any duplication without permission of the authors is a violation of applicable laws. ALL RIGHTS RESERVED BY THE INDIVIDUAL AUTHORS. Please click on the links in the bios below to order each author’s publications or to learn more about their activities. -
The Cardinal St
The Cardinal St. Paul’s Intermediate March 2020 The Cardinal Issue #1 Newspaper Contributors: Charlotte Bown Brayden Burden Joy Henein Jacob Mackey Brooklyn Payne 1 The Cardinal St. Paul’s Intermediate March 2020 is more difficult and has more opportunities, but I think that everything is going well. Interviews With Grade 7 Students 2. What are some of the differences you have found A few students from grade 7 were between your elementary years interviewed at the beginning of the school and junior high so far? year by different newspaper reporters. We were interested in seeing how they were Julianna: The school is a lot older. More managing with their move to a new school. freedom. Here are the questions asked and the answers of the students. Norah: I have found that there is a lot more freedom. NOTE: Remember this was in late September - early October. Some edits Ireland: There are not as many rules here have been made to the exact wording. than at the elementary. 1. How are you adjusting to your Caroline: Some differences are there is a move to St. Paul’s lot more freedom. In Gander Elementary Intermediate? garbage cans went on wheels, but now they don’t. Julianna: There's more freedom here Chloe: Some differences are that there are compared to Gander Elementary. You had to stay in one spot during recess. There was a lot more freedom, opportunities and no going to the gym. You were not allowed school extra curricular activities. to use your phone. 3. What activities are you Norah: I’m adjusting well. -
Artist's Proposal
Gabbert Artist’s Proposal 14th Street Roundabout Page 434 of 1673 Gabbert Sarasota Roundabout 41&14th James Gabbert Sculptor Ladies and Gentlemen, Thank you for this opportunity. For your consideration I propose a work tentatively titled “Flame”. I believe it to be simple-yet- compelling, symbolic, and appropriate to this setting. Dimensions will be 20 feet high by 14.5 feet wide by 14.5 feet deep. It sits on a 3.5 feet high by 9 feet in diameter base. (not accurately dimensioned in the 3D graphics) The composition. The design has substance, and yet, there is practically no impediment to drivers’ visibility. After review of the design by a structural engineer the flame flicks may need to be pierced with openings to meet the 150 mph wind velocity requirement. I see no problem in adjusting the design to accommodate any change like this. Fire can represent our passions, zeal, creativity, and motivation. The “flame” can suggest the light held by the Statue of Liberty, the fire from Prometheus, the spirit of the city, and the hearth-fire of 612.207.8895 | jgsculpture.webs.com | [email protected] 14th Street Roundabout Page 435 of 1673 Gabbert Sarasota Roundabout 41&14th James Gabbert Sculptor home. It would be lit at night with a soft glow from within. A flame creates a sense of place because everyone is drawn to a fire. A flame sheds light and warmth. Reference my “Hopes and Dreams” in my work example to get a sense of what this would look like. The four circles suggest unity and wholeness, or, the circle of life, or, the earth/universe. -
Does Classical Theism Deny God's Immanence?
Scholars Crossing LBTS Faculty Publications and Presentations 2003 Does Classical Theism Deny God's Immanence? C. Fred Smith Liberty University, [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/lts_fac_pubs Recommended Citation Smith, C. Fred, "Does Classical Theism Deny God's Immanence?" (2003). LBTS Faculty Publications and Presentations. 147. https://digitalcommons.liberty.edu/lts_fac_pubs/147 This Article is brought to you for free and open access by Scholars Crossing. It has been accepted for inclusion in LBTS Faculty Publications and Presentations by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. BiBLiOTHECA SACRA 160 (January-March 2003): 23-33 DOES CLASSICAL THEISM DENY GOD'S IMMANENCE? C. Fred Smith HE CONCEPT OF THE OPENNESS OF GOD has recently gained a foothold among some evangelical thinkers. Others who have T sought to refute this view have done so by emphasizing God's transcendent qualities. This article examines the criticism of clas sical theism by advocates of open theism and seeks to demonstrate that they portray classical theism inaccurately and that they have accepted a false understanding of God. OVERVIEW OF OPEN THEISM The movement's foundational text is The Openness of God, pub lished in 1994.l Most of what open theists have said since then amounts to a reiteration of arguments made in that book. Basic to open theism is the idea that God's being is analogous to that of humans, and so God experiences reality in ways similar to the ex periences of human beings. As evidence of this point Rice cites the fact that humankind is created in the image of God.2 In addition C. -
The Lawyer As Superhero: How Marvel Comics' Daredevil Depicts
Barry University School of Law Digital Commons @ Barry Law Faculty Scholarship Spring 5-2019 The Lawyer as Superhero: How Marvel Comics' Daredevil Depicts the American Court System and Legal Practice Louis Michael Rosen Barry University School of Law, [email protected] Follow this and additional works at: https://lawpublications.barry.edu/facultyscholarship Part of the Entertainment, Arts, and Sports Law Commons, Law and Society Commons, and the Legal Ethics and Professional Responsibility Commons Recommended Citation 47 Capital U. L. Rev. 379 (2019) This Article is brought to you for free and open access by Digital Commons @ Barry Law. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Digital Commons @ Barry Law. THE LAWYER AS SUPERHERO: HOW MARVEL COMICS’ DAREDEVIL DEPICTS THE AMERICAN COURT SYSTEM AND LEGAL PRACTICE LOUIS MICHAEL ROSEN* TABLE OF CONTENTS I. INTRODUCTION ................................................................................. 380 II. BACKGROUND: POPULAR CULTURE AND THE LAW THEORIES ....... 387 III. DAREDEVIL––THE STORY SO FAR ............................................... 391 A. Daredevil in the Sights of Frank Miller ....................................... 391 B. Daredevil Through the Eyes of Brian Michael Bendis ................ 395 C. Daredevil’s Journey to Redemption by David Hine .................... 402 D. Daredevil Goes Public, by Mark Waid ........................................ 406 IV. DAREDEVIL’S FRESH START AND BIGGEST CASE EVER, BY CHARLES SOULE ...................................................................................... 417 V. CONCLUSION .................................................................................... 430 Copyright © 2019, Louis Michael Rosen. * Louis Michael Rosen is a Reference Librarian and Associate Professor of Law Library at Barry University School of Law in Orlando, Florida. He would like to thank Professor Taylor Simpson-Wood, his mentor, ally, advocate, cheerleader, and ever-patient editor as he wrote this article.