A Musical Comedy Tribute to the 1960S
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Shawyer Dissertation May 2008 Final Version
Copyright by Susanne Elizabeth Shawyer 2008 The Dissertation Committee for Susanne Elizabeth Shawyer certifies that this is the approved version of the following dissertation: Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 Committee: Jill Dolan, Supervisor Paul Bonin-Rodriguez Charlotte Canning Janet Davis Stacy Wolf Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 by Susanne Elizabeth Shawyer, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2008 Acknowledgements There are many people I want to thank for their assistance throughout the process of this dissertation project. First, I would like to acknowledge the generous support and helpful advice of my committee members. My supervisor, Dr. Jill Dolan, was present in every stage of the process with thought-provoking questions, incredible patience, and unfailing encouragement. During my years at the University of Texas at Austin Dr. Charlotte Canning has continually provided exceptional mentorship and modeled a high standard of scholarly rigor and pedagogical generosity. Dr. Janet Davis and Dr. Stacy Wolf guided me through my earliest explorations of the Yippies and pushed me to consider the complex historical and theoretical intersections of my performance scholarship. I am grateful for the warm collegiality and insightful questions of Dr. Paul Bonin-Rodriguez. My committee’s wise guidance has pushed me to be a better scholar. -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world. -
February 29, 1996
Imm Hulliuii Uniienit; litwj It's only a H«rrnooo« M 2?«87 Men's short drive to m ? 9 asketball Charlottesville, T|tne '""'• nds season home to a Ith five-game wide variety of win streak; restaurants prepares for and activities. CAA tourney. Focus/12 JAMESBreeze MADISON UNIVERSITY Sports/19 ; * THURSDAY FEBRUARY 29. 1996 V0_. 73, NO. Td Students protest upcoming speech by radio show host by Kristcn Heiss public relations chairwoman. staff writer Liddy, who wai convicted and served time in prison for breaking Convicted Watergate participant into the Watergate Hotel under and controversial radio personality former president Richard Nixon's G. Gordon Liddy is already turning administration, how hosts a heads at JMU, although he is not conservative Washington, D.C.- scheduled to speak at the based radio talk show. Convocation Center until April 2. A newly formed student group is The University Program Board is protesting Liddy's appearance by co-sponsoring Liddy's appearance circulating a petition. "Survive or Prevail," which will "I do commend some concerned address "survival in the real world," according to Manisha Sethi, UPB see HOST page 2 College grads earn more, report states by Maggie Welter grew by 40 percent. staff writer According to Laftor Department statistics, the average yearly salary of WASHINGTON, D.C. — The a male worker with a bachelor's years students spend at JMU are degree was $54,391 in 1979 (figures going to pay off, literally. are adjusted for inflation). Workers The 1996 Economic Report of the with only high school educations President, released last week by brought home only-an average of President Bill Clinton's Council of $36,594 a year, representing a Economic Advisers, shows the difference of about $17,000, an earnings gap between those with earnings gap of 49 percent. -
"Flower Power" Women's Community Education QAF 2009
FLOWER POWER AONTAS GUIDE TO BEST PRACTICE OF WOMEN’CoverS COMMUNITY EDUCATION ISBN No. 978-0-906826-30-0 Flower Power AONTAS GUIDe To BeST PrACTICe oF WoMeN’S CoMMUNITY eDUCATIoN 4 Flower Power GUIDe To Best Practice oF WoMeN’S Community EducatioN TABle oF CoNTents Glossary 11 1. Acknowledgements 15 1.1. Groups and individuals who participated in the pilot and mainstreaming phase 15 2. Introduction 17 2.1. What is the Framework? 18 2.2. What does the QAF assist groups to do? 18 2.3. What is women’s community education all about? 21 2.4. What kind of organisations or groups is the process for? 22 2.5. Is my group or organisation involved in education? 23 2.6. Who is this guidebook for? 23 2.7. What is the difference between the QAF and other quality assurance frameworks? 24 2.7.1. We have already done FETAC, why go through this process? 24 2.8. What are the benefits to going through the process that is described in this guidebook? 25 2.9. A note on how this guide was developed 26 2.10. An evolving QAF 26 3. Getting Started – How to go about the Process 27 3.1. The Women’s Community Education Quality Assurance Framework (the flower) 27 3.1.1. The Story of the QAF Flower 29 3.1.2. Case Study – St. Munchin’s Women’s Group 30 Flower Power GUIDe To Best Practice oF WoMeN’S Community EducatioN 3.2. Getting ready to go through the process 31 3.2.1. -
Personal Testimony
PERSONAL TESTIMONY Story by Wilda Kruzinski Kathy Gilbert: From Flower Child at Woodstock to Jesus Freak The day after Kathy Gilbert graduated own eyes what she had been talking about. from high school in 1969, she moved to She prayed about everything.” a hippie commune in Virginia. While her parents in Baltimore worried about her Eileen Gross added, “When she left, her safety, she bounced all around the country eyes were dead; when she came back, they from San Francisco to Washington, D.C. were alive.” In August, she camped at Woodstock for a week with the rock group, Grateful Dead. Ed and Eileen were touched by the change Kathy recalls, “It was a week of brown rice, in Kathy, but they clung to their religion. mud, drugs, and rock ’n’ roll. I was looking When Kathy returned to Shiloh, she asked to answer the big questions of life: ‘Who Kathy Gilbert, then and now the other believers to pray for her parents. am I? Why am I here?’” Nearly a year later, her parents saw a Gospel program on TV. “We knelt in the In Washington, D.C., she got tear-gassed “I was awed to living room, and God gave us new hearts in a march at the State Department. In San on Valentine’s Day 1972,” Ed said with a Francisco, she joined another commune realize that, all chuckle. “It was the intercessory prayer of where some creepy fellows visited from those 300 kids; God was working in us.” a group called “The Family” (a.k.a. -
Flower Power Hippie Movement
FLOWER POWER HIPPIE MOVEMENT Bohemian life and music : California When did it start ?? > In the mid 1960s, a never before seen counter-culture blossomed throughout the United States, inciting the Flower Power movement these fresh-faced masses would soon come to be known as Hippies. The Origin of ""Hippie"" > Originally taken from ‘Hipster’, the term “hippie” was used to describe beatniks who found their technicolor heart in the Haight-Ashbury district of San Francisco; children of the road who believed they should make love, not war. SAN FRANCISCO > Haight-Ashbury is a district of San Francisco, California, named for the intersection of Haight and Ashbury streets. It is also called The Haight and The Upper Haight. The neighborhood is known for its history of hippie subculture. > Hippie hill one of the most famous hippie places in San Francisco because is a area where bohemian , hippie people meet to play instruments , sing , smoke weed ........ HIPPIE HILL BARS IN THE HIPPIE NEIGHBORHOOD HAIGHT-ASHBURY NEIGHBORHOOD Video https://www.youtube.com/watch?v=n54kbhRIcwo SPREAD BALEARIC ISLANDS GOA ISLAND CALIFORNIA -SAN FRACISCO (INDIA ) Culture > The hippies’ primary tenet was that life was about being happy, not about what others thought you should be. Their “if it feels good, do it” PEACE VIETNAM WAR > At this time youth weren´t in accordance with Vietnam war , so the did a lot of demostrations. DRUGS > LSD > MARIHUANA INSTITUTUION S > Hippies rejected established institutions. Calling them: > The Establishment > Big Brother > The Man Hippies and Music What type of music they listened to ? > Rock - Jimi Hendrix : The wind cries Mary - Janis Joplin : Piece of my heart - The Beatles : Strawberries fields forever -The mamas&the papas: California dreamin´ -The Doors : People are strange -Pink Floyd : Wish you were here -Led Zeppelin : Stairway to heaven JANIS JOPLIN JANIS JOPLIN was a American sing- songwriter who rose to fame in 1960s first as a member of a group ,then as a solist . -
2017 High Sierra Music Festival Program
WELCOME! Festivarians, music lovers, friends old and new... WELCOME to the 27th version of our annual get-together! This year, we can’t help but look back 50 years to the Summer of Love, the summer of 1967, a year that brought us the Monterey Pop Festival (with such performers as Jimi Hendrix, The Who, Otis Redding, Janis Joplin and The Grateful Dead) which became an inspiration and template for future music festivals like the one you find yourself at right now. But the hippies of that era would likely refer to what’s going on in the political climate of these United States now as a “bad trip” with the old adage “the more things change, the more they stay the same” coming back into play. Here we are in 2017 with so many of the rights and freedoms that were fought long and hard for over the past 50 years being challenged, reinterpreted or revoked seemingly at warp speed. It’s high time to embrace the two basic tenets of the counterculture movement. First is PEACE. PEACE for your fellow human, PEACE within and PEACE for our planet. The second tenet brings a song to mind - and while the Beatles Sgt. Pepper’s Lonely Hearts Club Band gets all the attention on its 50th anniversary, it’s the final track on their Magical Mystery Tour album (which came out later the same year) that contains the most apropos song for these times. ALL YOU NEED IS LOVE. LOVE more, fear less. LOVE is always our answer. Come back to LOVE. -
Flower Power: Spirit of the Summer of Love in Full Bloom at the Asian Art Museum
PRESS CONTACTS: Zac T. Rose Zejian Shen 415.581.3560 415.581.3566 [email protected] [email protected] Flower Power: Spirit of the Summer of Love in Full Bloom at the Asian Art Museum San Francisco, April 12, 2017 — The 50th anniversary of the Summer of Love in San Francisco conjures images of hippies frolicking in the park with daisies in their hair. But the power of flowers to inspire peace and love goes back far more than 50 years and far beyond our city shores. From June 23 – Oct. 1, 2017 the Asian Art Museum presents Flower Power, an original exhibition of pan-Asian artworks that reveals the powerful language of flowers across times and cultures. The exhibition brings to light unexpected connections among gloriously gilded folding screens, modern-looking lacquers, rare porcelains, sumptuous textiles, and contemporary installations of live flowers and sensory-igniting multimedia. Drawn primarily from the museum’s renowned collection, dozens of masterpieces are displayed in a way that highlights their shared botanical bounty. Visitors to Flower Power will discover that for centuries humans have used flowers to communicate ideals from the refined to the revolutionary. “Flower Power offers a unique take on the spirit of the Summer of Love and its connections to Asian artistic practices, past and present,” says Museum Director Jay Xu. “In addition to serving as an oasis of beauty during this lively anniversary year, our exhibition shows why artists return again and again to floral imagery to express themselves during times of social uncertainty and cultural change — a message that is more relevant now than ever before.” Powerful Flowers Explore the Human Experience “The anti-materialist and pacifist spirit of the Summer of Love was really a starting point for developing the exhibition,” says Flower Power curator Dany Chan. -
Liberation News Service, Montague Farm, and the New Left, 1967-1981
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository LIVING THE MOVEMENT: LIBERATION NEWS SERVICE, MONTAGUE FARM, AND THE NEW LEFT, 1967-1981 Blake Slonecker A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2009 Approved by Advisor: Peter G. Filene Reader: Robert Cantwell Reader: William H. Chafe Reader: Jacquelyn Dowd Hall Reader: Jerma A. Jackson © 2009 Blake Slonecker ALL RIGHTS RESERVED ii Abstract BLAKE SLONECKER: Living the Movement: Liberation News Service, Montague Farm, and the New Left, 1967-1981 (Under the direction of Professor Peter G. Filene) This dissertation uses the Liberation News Service (LNS)—the Associated Press of New Left underground media—and Montague Farm—a commune created by former LNS staffers—as a lens through which to trace the evolution of the American New Left after 1968. The establishments of underground newspapers—often organized as work collectives—and communes were two of the most ubiquitous and emblematic gestures of the late 1960s and early 1970s. For this reason, LNS and Montague Farm serve as ideal subjects to reveal how institutions founded on the ideals of late-1960s activism adapted their politics to survive in the adverse political culture of the 1970s. By tracking these two groups, this dissertation grounds the events of the 1970s in the legacies of the 1960s. Along the way it explores the divergent aspirations of the communal counterculture, the evolution and demise of the New Left, and the quotidian challenges of living the Movement. -
July 1967, Vector Vol. 3 No. 08
.E - GROOVY MUS!C - ATMOSPHERE SATURDAY AMD SUNDAY FROM MOON T!LL 7 P.M. __________ _____________________________________________ 2155 POLK STREET SAN FRANC!SCO PH O N E '. 775-9541 DtNNERS: TUES. - SAT., 6 TO 11 P.M. SUNDAYBRUNCH: 11A.M. T03P.M . SUNDAY a MON: SANDWtCHES 8 TO 12 P.M. YOUR HOSTS: BARBARA-FRANK - ROME LEE-DON V0L.3N0.8 JULY1967 STAFF Chairman, W. E. Beardemphl Advertising, S. Mathews Circulation, G. Hall Art, C. Thayer C. Adams, J. Bradley, L. Carlson, M. Carpenter, P. George, D. Hinojosa, D. Jones, P. Kelley, P. Lane, H. Lelue, F. Miller, J. Miller, M. Newton, B. Plath, B. Ruble, E. Smith, M. Smith. VECTOR is the monthly publication of the SOCIETY FOR INDIVIDUAL RIGHTS, an organ ization dedicated to the education of all people who may be interested in better understanding the homosexual c o m m u n i t y . VECTOR articles represent the viewpoint of the writers and are not necessarily the opinion of the VECTOR staff or the SOCIETY FOR INDIVIDUAL RIGHTS. Advertising rates available on request. Published by: SOCIETY FOR INDIVIDUAL RIGHTS 83 Sixth Street San Francisco, Ca. 94103 PA CE 4 NOEL: There is so little empathy, rapport of any kind anywhere. LEON: People think that be cause they're communicating sexually, that that's IT, like wow, nirvana, the whole bit. But with all the levels of communication open to man, it's so re strictive, limiting to con^ centrate only on that one. NOEL: And that's what we're trying to get away from. -
Ethos Groceries and Countercultural Appetites: Consuming Memory in Whole Foods’ Brand Utopia
Fairfield University DigitalCommons@Fairfield Communication Faculty Publications Communication Department 2011 Ethos groceries and countercultural appetites: Consuming memory in Whole Foods’ brand utopia Michael Serazio Fairfield University, [email protected] Follow this and additional works at: https://digitalcommons.fairfield.edu/communications-facultypubs Copyright 2011 Wiley-Blackwell. This is a pre-print of an article accepted for publication in The Journal of Popular Culture (44, 1, 2011). The definitive version is available at www3.interscience.wiley.com Repository Citation Serazio, Michael, "Ethos groceries and countercultural appetites: Consuming memory in Whole Foods’ brand utopia" (2011). Communication Faculty Publications. 11. https://digitalcommons.fairfield.edu/communications-facultypubs/11 Published Citation Serazio, Michael. 2011. Ethos groceries and countercultural appetites: Consuming memory in Whole Foods’ brand utopia. The Journal of Popular Culture 44 (1) 158-177. This item has been accepted for inclusion in DigitalCommons@Fairfield by an authorized administrator of DigitalCommons@Fairfield. It is brought to you by DigitalCommons@Fairfield with permission from the rights- holder(s) and is protected by copyright and/or related rights. You are free to use this item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Running Head: ETHOS GROCERIES Ethos Groceries and Countercultural Appetites: A Case Study of Whole Foods Contact: Michael Serazio Annenberg School for Communication University of Pennsylvania 3620 Walnut St. -
Gagosian Gallery
Bloomberg.com April 12, 2011 GAGOSIAN GALLERY Richard Prince Fetes Hippies, Beatniks, Punks in Paris: Review By Jorg von Uthmann - Apr 12, 2011 7:00 PM ET Tue Apr 12 23:00:01 GMT 2011 "Untitled (Jimi Hendrix)" acrylic and t-shirt on canvas by Richard Prince. The work is on view at the Paris National Library through June 26. Source: Bibliotheque Nationale de France via Bloomberg "Untitled (Allen Ginsberg)" crayon and marker on paper by Richard Prince. The works are on view at the Paris National Library through June 26. Source: Bibliotheque Nationale via Bloomberg An unfortunate coincidence or a PR agent’s dream? Ten days before the opening of Richard Prince’s first major exhibition in Paris, a New York judge ruled that he violated the law by creating a series of collages and paintings based on photographs by Patrick Cariou. Prince, 61, is a star among the so-called appropriation artists who pirate images, manipulate them and present them as their own work. His best-known series feature cowboys, taken from the Marlboro Man advertising campaign, and blonde nurses copied from pulp-fiction covers. Ethical issues clearly do not perturb his clients. After a 2007 retrospective at the Guggenheim Museum in New York, prices for his works soared. Prince is now one of the biggest earners on the contemporary art market. Amazingly, it’s the National Library, not a museum, that presents his work to Parisians. Prince is a compulsive collector of books, from rare first editions to dime novels and porn paperbacks whose covers are waiting to be blown up, painted over and sold for a fortune.