Radical San Francisco Before Flower Power
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Mark Kitchell
A film by Mark Kitchell 101 min, English, Digital (DCP/Blu-ray), U.S.A, 2012, Documentary FIRST RUN FEATURES The Film Center Building | 630 Ninth Ave. #1213 | New York, NY 10036 (212) 243-0600 | Fax (212) 989-7649 | [email protected] www.firstrunfeatures.com www.firstrunfeatures.com/fiercegreenfire About the Film A FIERCE GREEN FIRE: The Battle for a Living Planet is the first big-picture exploration of the environmental movement – grassroots and global activism spanning fifty years from conservation to climate change. Directed and written by Mark Kitchell, Academy Award- nominated director of Berkeley in the Sixties, and narrated by Robert Redford, Ashley Judd, Van Jones, Isabel Allende and Meryl Streep, the film premiered at Sundance Film Festival 2012, won acclaim at festivals around the world, and in 2013 begins theatrical release as well as educational distribution and use by environmental groups. Inspired by the book of the same name by Philip Shabecoff and informed by advisors like E.O. Wilson and Tom Lovejoy, A FIERCE GREEN FIRE chronicles the largest movement of the 20th century and one of the keys to the 21st. It brings together all the major parts of environmentalism and connects them. It focuses on activism, people fighting to save their homes, their lives, the future – and succeeding against all odds. The film unfolds in five acts, each with a central story and character: • David Brower and the Sierra Club’s battle to halt dams in the Grand Canyon • Lois Gibbs and Love Canal residents’ struggle against 20,000 tons of toxic chemicals • Paul Watson and Greenpeace’s campaigns to save whales and baby harp seals • Chico Mendes and Brazilian rubbertappers’ fight to save the Amazon rainforest • Bill McKibben and the 25-year effort to address the impossible issue – climate change Surrounding these main stories are strands like environmental justice, going back to the land, and movements of the global south such as Wangari Maathai in Kenya. -
Selected Chronology of Political Protests and Events in Lawrence
SELECTED CHRONOLOGY OF POLITICAL PROTESTS AND EVENTS IN LAWRENCE 1960-1973 By Clark H. Coan January 1, 2001 LAV1tRE ~\JCE~ ~')lJ~3lj(~ ~~JGR§~~Frlt 707 Vf~ f·1~J1()NT .STFie~:T LA1JVi~f:NCE! i(At.. lSAG GG044 INTRODUCTION Civil Rights & Black Power Movements. Lawrence, the Free State or anti-slavery capital of Kansas during Bleeding Kansas, was dubbed the "Cradle of Liberty" by Abraham Lincoln. Partly due to this reputation, a vibrant Black community developed in the town in the years following the Civil War. White Lawrencians were fairly tolerant of Black people during this period, though three Black men were lynched from the Kaw River Bridge in 1882 during an economic depression in Lawrence. When the U.S. Supreme Court ruled in 1894 that "separate but equal" was constitutional, racial attitudes hardened. Gradually Jim Crow segregation was instituted in the former bastion of freedom with many facilities becoming segregated around the time Black Poet Laureate Langston Hughes lived in the dty-asa child. Then in the 1920s a Ku Klux Klan rally with a burning cross was attended by 2,000 hooded participants near Centennial Park. Racial discrimination subsequently became rampant and segregation solidified. Change was in the air after World "vV ar II. The Lawrence League for the Practice of Democracy (LLPD) formed in 1945 and was in the vanguard of Post-war efforts to end racial segregation and discrimination. This was a bi-racial group composed of many KU faculty and Lawrence residents. A chapter of Congress on Racial Equality (CORE) formed in Lawrence in 1947 and on April 15 of the following year, 25 members held a sit-in at Brick's Cafe to force it to serve everyone equally. -
Student Protest Movements at University of Cape Town and University of California-Berkeley from 1960-1965 Brianna White [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Wellesley College Wellesley College Wellesley College Digital Scholarship and Archive Honors Thesis Collection 2015 A Cross-Cultural Study: Student Protest Movements at University of Cape Town and University of California-Berkeley from 1960-1965 Brianna White [email protected] Follow this and additional works at: https://repository.wellesley.edu/thesiscollection Recommended Citation White, Brianna, "A Cross-Cultural Study: Student Protest Movements at University of Cape Town and University of California- Berkeley from 1960-1965" (2015). Honors Thesis Collection. 252. https://repository.wellesley.edu/thesiscollection/252 This Dissertation/Thesis is brought to you for free and open access by Wellesley College Digital Scholarship and Archive. It has been accepted for inclusion in Honors Thesis Collection by an authorized administrator of Wellesley College Digital Scholarship and Archive. For more information, please contact [email protected]. A Cross-Cultural Study: Student Protest Movements at University of Cape Town and University of California-Berkeley from 1960-1965 Brianna White Department of American Studies [email protected] 1 Acknowledgements The student would like to thank my committee of advisors, including Dr. Michael Jeffries, Dr. Barbara Beatty, and Dr. Paul MacDonald. Thank you for your support and patience as I worked to solidify my ideas. I appreciate your feedback and understanding. I would also like to thank the Department of American Studies and Wellesley College for allowing me to pursue this project. Finally I would like to thank my parents and friends for their support. 2 Table of Contents Chapter I: University of Cape Town and University of California- Berkeley: A Comparative Study ........................................................... -
Churchills Rebels: Esmond Romilly and Jessica Mitford Pdf, Epub, Ebook
CHURCHILLS REBELS: ESMOND ROMILLY AND JESSICA MITFORD PDF, EPUB, EBOOK Meredith Whitford | 256 pages | 05 Jun 2014 | Umbria Press | 9781910074015 | English | London, United Kingdom Churchills Rebels: Esmond Romilly and Jessica Mitford PDF Book At the age of eighteen he joined the International Brigades and fought on the Madrid front during the Spanish Civil War , of which he wrote and published a vivid account. Romilly had been assiduous in developing a distribution network "in every cloister and dormitory he could reach", [37] and had acquired a wide selection of contributions, so that the magazine ran to 35 pages. Carter Jr. They moved to London and lived in the East End , then mostly a poor industrial area. Books by Meredith Whitford. Hozier appeared to have accepted that the elder daughters were probably his, but largely ignored the twins who, when the marriage ended in , remained with their mother while Hozier initially took responsibility for the older girls before disappearing from the family scene altogether. Paperback , pages. Showing The families, bitterly opposed to the union, hoped to avoid press attention, but Romilly opportunistically exploited press interest by selling his story through an intermediary. This book is not yet featured on Listopia. The baby died in a measles epidemic the following May. The Observer. Kira Gillett marked it as to-read May 15, Thomas Milner Gibson. She recorded two short albums: one [18] contains her rendition of " Maxwell's Silver Hammer " and " Grace Darling ", [19] and the other, two duets with friend and poet Maya Angelou. She performed at numerous benefits and opened for Cyndi Lauper on the roof of the Virgin Records store in San Francisco. -
Radical Action and a National Antiwar Movement: the Vietnam Day Committee
Western Illinois Historical Review © 2012 Vol. IV, Spring 2012 ISSN 2153-1714 Radical Action and a National Antiwar Movement: The Vietnam Day Committee By Michael Lowe1 In August 1965, a few hundred demonstrators marched from the University of California, Berkeley campus to a provocative, dangerous antiwar demonstration. Flanked by policemen and flash bulbs, demonstrators stood on a Berkeley train track, carrying signs and chanting. A train carrying troops bound for the Oakland Army Terminal headed straight for them. Suspenseful seconds passed while many stayed put. The train let out an immense rush of steam, confusing demonstrators as a shrill, piercing conductor’s whistle rendered everything else chaotic but silent. One woman was pulled from the tracks moments before a collision, but other activists scrambling to escape the train’s path could not see through clouds of steam; the train to Oakland soon advanced forward, carrying troops closer to war. Throughout most of 1965 and the early months of 1966, Berkeley’s Vietnam Day Committee (VDC), an early antiwar organization which sought to build a nationwide consensus against the war, held rallies and supported the quick withdrawal of U.S. military forces in Vietnam. The group formed on the University of California, Berkeley campus while the Free Speech Movement (FSM) trials were reaching their conclusions; the VDC gained a great deal of attention among the general public and respect among the growing minority of antiwar students because of its connections with the FSM, which had recently achieved victories for student rights 1 Michael Lowe completed his research under the mentorship of Dr. -
Documentary Movies
Libraries DOCUMENTARY MOVIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 Days that Unexpectedly Changed America DVD-2043 56 Up DVD-8322 180 DVD-3999 60's DVD-0410 1-800-India: Importing a White-Collar Economy DVD-3263 7 Up/7 Plus Seven DVD-1056 1930s (Discs 1-3) DVD-5348 Discs 1 70 Acres in Chicago: Cabrini Green DVD-8778 1930s (Discs 4-5) DVD-5348 Discs 4 70 Acres in Chicago: Cabrini Green c.2 DVD-8778 c.2 1964 DVD-7724 9/11 c.2 DVD-0056 c.2 1968 with Tom Brokaw DVD-5235 9500 Liberty DVD-8572 1983 Riegelman's Closing/2008 Update DVD-7715 Abandoned: The Betrayal of America's Immigrants DVD-5835 20 Years Old in the Middle East DVD-6111 Abolitionists DVD-7362 DVD-4941 Aboriginal Architecture: Living Architecture DVD-3261 21 Up DVD-1061 Abraham and Mary Lincoln: A House Divided DVD-0001 21 Up South Africa DVD-3691 Absent from the Academy DVD-8351 24 City DVD-9072 Absolutely Positive DVD-8796 24 Hours 24 Million Meals: Feeding New York DVD-8157 Absolutely Positive c.2 DVD-8796 c.2 28 Up DVD-1066 Accidental Hero: Room 408 DVD-5980 3 Times Divorced DVD-5100 Act of Killing DVD-4434 30 Days Season 3 DVD-3708 Addicted to Plastic DVD-8168 35 Up DVD-1072 Addiction DVD-2884 4 Little Girls DVD-0051 Address DVD-8002 42 Up DVD-1079 Adonis Factor DVD-2607 49 Up DVD-1913 Adventure of English DVD-5957 500 Nations DVD-0778 Advertising and the End of the World DVD-1460 -
Berkeley-In-The-60S-Transcript.Pdf
l..J:J __J -- '-' ... BERKELEY IN THE SIXITES Transcript House n-American Activities Committee Demonstration, May 196(J (Music. "Ke a Knockin") T Narrator: y In the 1960s y generation set out on a journey of change. Coming out of an atmosphere f conformity a new spirit began to appear. One of the first signs was a demo tration, organized by Berkeley students in May of 1960 against .;')~u.P -'- the House -American Activities Committee. Archival/Co gressman Willis, HUAC Chairman: \ ' .., iJ' ,o-, «\' What we are ere to do is to gather information as we are ordered to by an act of Congress ith respect to the general operation of the communist conspiracy. Chairman W lis (off camera): Proceed to th next question. Archival/Un entified Witness: I'm not in the habit of being intimidated and I don't expect to start now. Now what was yo_ question? "{/\Thatwas your question. C Lawyer (off camera): Are you now n this instant a member of the communist party. BITS TRAN RIPT 2 t,...J-,,i._l-.. } 'Li..- Narrator: We came out 0 protest because we were against HUAC's suppression of political free m. In the 50s HUAC created a climate of fear by putting people on trial for t ir political beliefs. Any views left of center were labeled subversive. e refused to go back to McCarthyism. Archival/Wi liam Mandel: )/",'; 0 ~ If you think am going to cooperate with this collection of Judases, of men who sit ther in violation of the United States Constitution, if you think I will cooperat with you in any way, you are insane. -
Jessica Mitford Part 4 of 8
?92 .,- . - _ -- _..,._. _....r_.T___- 1- .. _'¢__. _ _.,.;_ _. ..; _,,,_.L.__ . _r__ V .7 7 - _;__,.... _. _ .,_____ __ V 'U Y ____ __ = . _. s- . '§..=.1_.-713'.-;IIflI t =~,::.-1-i=..* I , - _ -t /' '92; :. -- en " . E: 17-I. Rev.8-1 1-03! we ATTENTION 5' -a W .4 The following documents appearing in FBI les have been reviewed under the provisions of The Freedom of 2: Information Act FOIA! Title 5, United States Code, Section 552!; Privacy Act of 1974 PA! Title 5, United States Code, Section 552a!; and/or Litigation. 5'? " IQ s 1 . @911E] FOIAIPA U Litigation El Executive Order Applied vii 15-: Requester: ' _ q E I -1: Subject: __ _ __ Computer or Case Identication Number: Title of Case: _ _ _ Section ___________ Ii * File __ __ __ _ ,_ 7" _ _ _ Serials Reviewed: 17 E5-:1 ; '= b7C1 e if ., m I; '¬92_ ei; "5 Release Location: *File _ _ Section t':= I?-it_,I! F . .:?§§..--n....,.c. 1; _ . _ __ _ n ___ __ W4. ._.._.. mm. .~/ . ;__ **_ 77* V ' '.?' This le section has been scanned into the FOIPA Document Processing System FDPS!prior to National Security Classication review. Please see the documents locat ' current classication action, if warranted. Direct ! -,.et 4 . inquires about the FDPS to RIDS Service Request Unit .33 ii W 5:51 File Number: W f . A Section '2 5,-*2 Scrial s!Reviewed: ' __ _ _ ___ __ _ _ _7 __ __ ____ " -2; FOIPA Requester: _. -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world. -
Spring 1965 an Analytic and Autobiographical Account (2008)
one Spring 1965 An Analytic and Autobiographical Account (2008) in january 1965, in the wake of the turbulent Free Speech Movement on the Berkeley campus and the demise of its chancellor, Edward Strong, the new acting chancellor, Martin Meyerson, asked me to join his staff as a special assistant in the area of student political activity. This was the hottest seat in the chancellor’s offi ce at that moment, given the political fragility of the campus. I served eight months in that capacity until a new chancellor, Roger Heyns, was appointed and I took a scheduled sabbatical leave. Those months were a tense and uncertain period that resulted in an unsteady but palpable restoration of authority on the Berkeley campus and a few steps toward campus “normalcy.” They also constituted a period of rapid and mandatory political learning on my part and one of the most demanding seasons of my life. Over the years many colleagues have asked me to write about this important transitional period, both because it has received less attention than the historic Free Speech Movement days of late 1964 and because I had an “insider’s” point of view; now, in 2008, I have fi nally acceded to those requests. I have returned to the archives of the chancellor’s offi ce, to accounts of the events in the press, and to my personal recollections. The staff of the Bancroft Library were very helpful in supplying materials relevant to the Meyerson administration from the fi les of the chancellor’s offi ce. I also benefi ted from the research assistance of Ziza Delgado and Catherine Shepard-Haier. -
Free Speech at Berkeley:" University As Factory," an Argument From
DOCUMENT RESUME E D 249 5V CS 504 705 AUTHOR Stoner, Mark R. TITLE Free Speech at Berkeley: "University as Factory," An ---- Argument from Analogy. PUB DATE No 84 N OTE 18p.; Paper presented at the Annual Meeting of the Speech Communication Association (70th, Chicago, IL, November 1-4,-1984). PUB TYPE Speeches/Conference Papers (150)-- Viewpoints (t0) *DRS PRICE 14701/PC01 Plus Postage. DESCRIPTORS *Activism;1 Civil Rights; *Discourse Analysis; Ethics; Evaluation Criteria; *Freedom of Speech; Higher Education; *Metaphors; *Persuasive Discourse; Speech Communication; *Student College Relationship; Student Rights IDENTIFIERS *Free Speech Movement; University of California Berkeley ABSTRACT Although many metaphorswere developed throughout the Free Speech Movement at the Berkeley campus of the University of California, the central metaphor of the movement was the university as a factory. The analogy was used to argue that trends in higher education were moving toward the dehumanisation of.students and was related to the national concern over lack of freedom by many to exercise their constitutionally mandated civil rights. Students argued that university involvement with industry was mercenary and that students were used, like raw materials, to be molded into Jprefabrioeted cogs to fit easily into the machinery of government and industry. The movement, by its use of the structural analogy -- university as factory--chose an extremely powerful argumentative tool and a useful image that lent itself to quick and wide dissemination among members of the movement. The continued development of metaphors allowed the leadership to control the analogy to a fairly high degree. However, when compared to the standards of ethics proposed by Richard Weaver, the Free Speech Movement--because of certain unwarranted uses of, words as "free speech", its desire to eradicate hierarchical distinctions at the university, and its failure to recognise the constraints placed upon the university--must be judged as ethically suspect with regard to rhetoric. -
SPEC.RAR.CMS.89 Jessica Mitford Audio-Visual Materials VHS/U-Matic Transferred to DVD
SPEC.RAR.CMS.89 Jessica Mitford Audio-Visual Materials VHS/U-Matic transferred to DVD Boxes 282 - 287 Box 282 89-1. J.M. “First Interview, general” RT 00:21:17 • Quality – good • Content- Interview; politics, writing, general 89-2. J.M. “First Interview, general” RT 00:21:08 • Quality – good • Content- Interview cont.; family, growing up, her children, education, running away with Esmond, convent, fascism 89-3. J.M. “First Interview, general” RT 00:21:36 • Quality – good • Content- interview cont.; politics, Central America, journalism, communist party, humor in writing • Audio cuts out around 16:00 for 10 seconds 89-4. “JM – second interview, the early years” (Tape 1) RT 00:20:48 • Visual quality fair – a little fuzzy • Audio quality good • Content includes Philip Toynbee, writing in regards to Faces of Philip, Central America, Esmond Romilly, running away to Spain 89-5. “Decca Interview” (Tape 2) RT 00:21:36 • Visual quality fair – somewhat fuzzy • Audio quality good • Content includes running away account, Spain, Esmond, family, politics, moving to the United States 89-6. “Interview with Decca – Unity” (Tape 3) RT 00:22:17 • Audio quality good; visual quality fair – a little fuzzy/ somewhat low light • Content includes first arriving in the U.S., press attention, Unity, Dianna, Unity’s attempted suicide, AWOD 89-7. “Interview with Decca; older title – Cof San Diego #2” RT 00:14:36 • Quality- poor • ~ 00:46 end of interview, shows Mitford talking on phone, then you hear dialogue between Mitford and interviewer about how the interview went while seeing Mitford walk around the house, then Mitford on phone again • Audio cuts out ~ 03:20 • Camera jumps around, unfocused • Visual cuts out ~ 3:30 • Static and then film that was taped over- no audio, very poor visual, quality worsens as it reaches end of tape 89-8.