Bowling Green Alumni Association Announces
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Exam Sample Question
Latin II St. Charles Preparatory School Sample Second Semester Examination Questions PART I Background and History (Questions 1-35) Directions: On the answer sheet cover the letter of the response which correctly completes each statement about Caesar or his armies. 1. The commander-in-chief of a Roman army who had won a significant victory was known as a. dux b. imperator c. signifer d. sagittarius e. legatus 2. Caesar was consul for the first time in the year a. 65 B.C. b. 70 B.C. c. 59 B.C. d. 44 B.C. e. 51 B.C. PART II Vocabulary (Questions 36-85) Directions: On the answer sheet provided cover the letter of the correct meaning for the boldfaced Latin word in the left band column. 36. doctus a. edge b. entrance c. learned d. record e. friendly 37. incipio a. stop b. speaker c. rest d. happen e. begin PART III Prepared Translation, Passage A (Questions 86-95) Directions: On the answer sheet provided cover the letter of the best translation for each Latin sentence or fragment. 86. Gallia est omnis divisa in partes tres. a. The Gauls divided themselves into three parts b. All of Gaul was divided into three parts c. Three parts of Gaul have been divided d. Everyone in Gaul was divided into three parts PART IV Prepared Translation, Passage B (Questions 96-105) Directions: On the answer sheet provided cover the letter of the best translation for each Latin sentence or fragment. 96. Galli se Celtas appellant. Romani autem eos Gallos appellant. -
Ius Militare – Military Courts in the Roman Law (I)
International Journal of Sciences: Basic and Applied Research (IJSBAR) ISSN 2307-4531 (Print & Online) http://gssrr.org/index.php?journal=JournalOfBasicAndApplied --------------------------------------------------------------------------------------------------------------------------- Ius Militare – Military Courts in the Roman Law (I) PhD Dimitar Apasieva*, PhD Olga Koshevaliskab a,bGoce Delcev University – Shtip, Shtip 2000, Republic of Macedonia aEmail: [email protected] bEmail: [email protected] Abstract Military courts in ancient Rome belonged to the so-called inconstant coercions (coercitio), they were respectively treated as “special circumstances courts” excluded from the regular Roman judicial system and performed criminal justice implementation, strictly in conditions of war. To repress the war torts, as well as to overcome the soldiers’ resistance, which at moments was violent, the king (rex) himself at first and the highest new established magistrates i.e. consuls (consules) afterwards, have been using various constrained acts. The authority of such enforcement against Roman soldiers sprang from their “military imperium” (imperium militiae). As most important criminal and judicial organs in conditions of war, responsible for maintenance of the military courtesy, were introduced the military commander (dux) and the array and their subsidiary organs were the cavalry commander, military legates, military tribunals, centurions and regents. In this paper, due to limited available space, we will only stick to the main military courts in ancient Rome. Keywords: military camp; tribunal; dux; recruiting; praetor. 1. Introduction “[The Romans...] strictly cared about punishments and awards of those who deserved praise or lecture… The military courtesy was grounded at the fear of laws, and god – for people, weapon, brad and money are the power of war! …It was nothing more than an army, that is well trained during muster; it was no possible for one to be defeated, who knows how to apply it!” [23]. -
Catalyzing CTE Grant 2017
rationale Rockingham County is faced with daunting economic challenges. The exo- dus of its textile manufacturing base has not only left the county in search of new employment opportunities but has also left the county in search of a new identity. The types of relatively low skilled work that afforded our students’ parents and grandparents with a family-sustaining wage have all but disappeared. Hence, there exists much uncertainty as to what will emerge as the new economic driver within the county. We believe that Rock- ingham County Schools, in collaboration Spray Cotton Mill Eden, NC with Rockingham Community College (RCC) along with business and community leaders, have to play a leadership role in addressing what we perceive to be a growing gap between the world of education and the world of work. If we are to improve the economic condition of our community, we must work in a consorted effort to close the gap between the technical skills that our citizens currently possess and those skills that are required for available careers. We must develop the types of career skills within our young people that are essential to success in the workforce, and we have to work together to develop the kind of thinking skills that will not only afford our students success within the current job market but will also grant them the capacity to adapt to the demands of such a rapidly changing economy. Our stu- dents will undoubtably be confronted with perplexing problems and unprecedented challenges within their lifetime. If we are to meet such challenges, then we are going to need the contributions of all of our young people. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17. -
Byzantine Missionaries, Foreign Rulers, and Christian Narratives (Ca
Conversion and Empire: Byzantine Missionaries, Foreign Rulers, and Christian Narratives (ca. 300-900) by Alexander Borislavov Angelov A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan 2011 Doctoral Committee: Professor John V.A. Fine, Jr., Chair Professor Emeritus H. Don Cameron Professor Paul Christopher Johnson Professor Raymond H. Van Dam Associate Professor Diane Owen Hughes © Alexander Borislavov Angelov 2011 To my mother Irina with all my love and gratitude ii Acknowledgements To put in words deepest feelings of gratitude to so many people and for so many things is to reflect on various encounters and influences. In a sense, it is to sketch out a singular narrative but of many personal “conversions.” So now, being here, I am looking back, and it all seems so clear and obvious. But, it is the historian in me that realizes best the numerous situations, emotions, and dilemmas that brought me where I am. I feel so profoundly thankful for a journey that even I, obsessed with planning, could not have fully anticipated. In a final analysis, as my dissertation grew so did I, but neither could have become better without the presence of the people or the institutions that I feel so fortunate to be able to acknowledge here. At the University of Michigan, I first thank my mentor John Fine for his tremendous academic support over the years, for his friendship always present when most needed, and for best illustrating to me how true knowledge does in fact produce better humanity. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Celebrating 100 Years
AMERICANa CERAMICting SOCIETY ars Celebr 100 ye bullemerginge ceramicstin & glass technology SEPTEMBER 2021 Laser-driven chemical vapor deposition for high-performance fibers and powders New issue inside: SEPTEMBER 2021 • VOLUME 2 • ISSUE 3 www.ceramics.org/ceramicandglassmanufacturing THE VALUE OF COLLABORATION: PARTNERSHIPS ARE A PATH TO SUCCESS ABET ENSURES QUALITY IN UNIVERSITY ENGINEERING EDUCATION ACerS Awards of 2021 | Coe College glass research | Big science in aerospace When it Comes to Heat, We Sweat the Details! Your firing needs are unique. Our laboratory can run tests to So why use an “off the shelf” help identify your process kiln in your process? boundaries. Through our toll firing facility, we can At Harrop, we get it. help to further define That’s why, for over a the equipment/ century, we’ve been processing putting in the hard work combination that to design and service works best for your custom kilns. Is it harder material. And if you to do things this way? are not ready for a Yes. Is the extra effort new kiln, we can toll worth it? You bet! fire your material to help meet your At Harrop, we don’t production needs. stop there. If you aren’t sure what you Does your current need, we can help. kiln company sweat the details? www.harropusa.com 1.614.231.3621 Harrop Ad Sweat the Details ACerS Full Size w 100 logo.indd 1 5/21/20 9:33 AM contents September 2021 • Vol. 100 No.7 feature articles department Announcing ACerS Awards of 2021 News & Trends . 3 29 The Society will honor members and corporations at the Spotlight . -
Emperors and Generals in the Fourth Century Doug Lee Roman
Emperors and Generals in the Fourth Century Doug Lee Roman emperors had always been conscious of the political power of the military establishment. In his well-known assessment of the secrets of Augustus’ success, Tacitus observed that he had “won over the soldiers with gifts”,1 while Septimius Severus is famously reported to have advised his sons to “be harmonious, enrich the soldiers, and despise the rest”.2 Since both men had gained power after fiercely contested periods of civil war, it is hardly surprising that they were mindful of the importance of conciliating this particular constituency. Emperors’ awareness of this can only have been intensified by the prolonged and repeated incidence of civil war during the mid third century, as well as by emperors themselves increasingly coming from military backgrounds during this period. At the same time, the sheer frequency with which armies were able to make and unmake emperors in the mid third century must have served to reinforce soldiers’ sense of their potential to influence the empire’s affairs and extract concessions from emperors. The stage was thus set for a fourth century in which the stakes were high in relations between emperors and the military, with a distinct risk that, if those relations were not handled judiciously, the empire might fragment, as it almost did in the 260s and 270s. 1 Tac. Ann. 1.2. 2 Cass. Dio 76.15.2. Just as emperors of earlier centuries had taken care to conciliate the rank and file by various means,3 so too fourth-century emperors deployed a range of measures designed to win and retain the loyalties of the soldiery. -
LUCAN's CHARACTERIZATION of CAESAR THROUGH SPEECH By
LUCAN’S CHARACTERIZATION OF CAESAR THROUGH SPEECH by ELIZABETH TALBOT NEELY (Under the Direction of Thomas Biggs) ABSTRACT This thesis examines Caesar’s three extended battle exhortations in Lucan’s Bellum Civile (1.299-351, 5.319-364, 7.250-329) and the speeches that accompany them in an effort to discover patterns in the character’s speech. Lucan did not seem to develop a specific Caesarian style of speech, but he does make an effort to show the changing relationship between the General and his soldiers in the three scenes analyzed. The troops, initially under the spell of madness that pervades the poem, rebel. Caesar, through speech, is able to bring them into line. Caesar caters to the soldiers’ interests and egos and crafts his speeches in order to keep his army working together. INDEX WORDS: Lucan, Caesar, Bellum Civile, Pharsalia, Cohortatio, Battle Exhortation, Latin Literature LUCAN’S CHARACTERIZATION OF CAESAR THROUGH SPEECH by ELIZABETH TALBOT NEELY B.A., The College of Wooster, 2007 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2016 © 2016 Elizabeth Talbot Neely All Rights Reserved LUCAN’S CHARACTERIZATION OF CAESAR THROUGH SPEECH by ELIZABETH TALBOT NEELY Major Professor: Thomas Biggs Committee: Christine Albright John Nicholson Electronic Version Approved: Suzanne Barbour Dean of the Graduate School The University of Georgia May 2016 iv TABLE OF CONTENTS Page CHAPTER 1 INTRODUCTION .........................................................................................................1 -
Flavius Athanasius, Dux Et Augustalis Thebaidis – a Case Study on Landholding and Power in Late Antique Egypt
Imperium and Officium Working Papers (IOWP) Flavius Athanasius, dux et Augustalis Thebaidis – A case study on landholding and power in Late Antique Egypt Version 01 March 2013 Anna Maria Kaiser (University of Vienna, Department of Ancient History, Papyrology and Epigraphy) Abstract: From 565 to 567/568 CE Flavius Triadius Marianus Michaelius Gabrielius Constantinus Theodorus Martyrius Iulianus Athanasius was dux et Augustalis Thebaidis. Papyri mention him explicitly in this function, as the highest civil and military authority in the Thebaid, the southernmost province of the Eastern Roman Empire. Flavius Athanasius might be not the most typical dux et Augustalis Thebaidis concerning his career, but most typical concerning his powerful standing in society. And he has the benefit of being one of the better- known duces et Augustales Thebaidis in the second half of the 6th century. This article will focus first on his official competence as dux et Augustalis: The geographic area(s) of responsibility, the civil and military branches of power will be treated. Second will be his civil branch of power; documents show his own domus gloriosa and prove his involvement with the domus divina, the estates of members of the imperial family itself. We will end with a look at his integration in the network of power – both in the Egyptian provinces and beyond. © Anna Maria Kaiser 2013 [email protected] Anna Kaiser 1 Flavius Athanasius, dux et Augustalis Thebaidis – A case study on landholding and power in Late Antique Egypt* Anna Maria Kaiser From 565 to 567/568 CE Flavius Triadius Marianus Michaelius Gabrielius Constantinus Theodorus Martyrius Iulianus Athanasius was dux et Augustalis Thebaidis. -
Lecture 5: Roman Comedy: Plautus Pseudolus
MDS1TRW: The Roman World Lecture 5: Roman Comedy: Plautus Pseudolus h"p://www.utexas.edu/courses/moorecomedy/comedyimages/naplesrelief.jpg ROMAN COMEDY fabula palliata – story in Greek dress • Plautus (c. 254 to 184 BCE) – 20 comedies including Pseudolus • Terence (195-160 BCE) - 6 comedies Italian influences on the fabula palliata • Fescennine Jesng – obscene abuse, verbal duelling [e.g. Pseudolus and Simia (Pseud. 913-20 – pp. 251-2)] • Saturnalia 17 December - overturning of social norms [e.g. slave in charge mo\f] • Atellan Farce: innuendo, obscenity, visual comedy [everywhere! – see Ballio and slaves scene] Plautus vs. Terence • Terence: v Athenian New Comedy v family drama • Plautus: v Roman elements • e.g. Aulularia (Pot of Gold 107): Euclio visits the Roman magistrate v Farce v Metatheatrics Performing Plautus’ Pseudolus • 191 BCE • Ludi Megalenses • Plautus = 63 years old Mosaic of two actors with masks Sousse Museum, Tunisia http://www.vroma.org/images/mcmanus_images/paula_chabot/theater/pctheater40.jpg Plautus: use of stock characters • Young man (adulescens) • Slave (servus, ancilla) • Old man (senex) • Pros\tute (meretrix) • Pimp, bawd (leno) • Soldier (miles) • Parasite (parasitus) Mosaic of comic masks: flute girl and • Nurse (nutrix) slave, Conservatori Museum, Rome http://www.vroma.org/images/mcmanus_images/paula_chabot/theater/pctheater.30.jpg Plautus: stock characters in Pseudolus • Young man (adulescens) - Calidorus • Slave (servus) – Pseudolus [and Simia] • Old man (senex) – Simo • Pimp, bawd (leno) – Ballio • Cook (coquus) –unnamed • Pros\tute (meretrix) - Phoenicium Mosaic of comic masks: flute girl and slave, Conservatori Museum, Rome http://www.vroma.org/images/mcmanus_images/paula_chabot/theater/pctheater.30.jpg Names with meaning • Slaves: Pseudolus; Harpax; Simia • Soldier: Polymachaeroplagides = lit. -
2014 Annual Report and Spring 2015 Newsletter
Leelanau Conservancy Conserving the Land, Water and Scenic Character of Leelanau County Leelanau Forever Campaign Report and 2014 Annual Report Thoughts From Our Chairman Susan continues to help us as we seek to fill her role. We will not find another Susan, just as we did not find another Brian. Tom Nelson, our new Executive Director, will lead us into the future, using his own talents, his love of Leelanau, his passion for the mission of our Conservancy, his concerns for the people of Leelanau. This is a fecund beginning for Tom, for the Conservancy, for our Leelanau. As we reflect on the past and look to the future, I am so grateful to you, our members, our supporters. Without you, nothing our Conservancy did would have been done, and nothing our Conservancy wants to do will be done. I thank you, Leelanau thanks you. You make our Conservancy possible. ooking back over last year I see endings - beautiful Lendings, each one of which is at once an ending Larry Mawby and also a beginning - promising beginnings which will Chairman of the Board carry our Conservancy into the future. The Leelanau Forever Campaign, begun five years ago, was successfully completed at the end of 2014. Because of your generous support, our Conservancy What’s Inside was able to protect natural lands and farmlands here in Leelanau, lands that will sustain future generations. The Leelanau Forever Campaign Page 4-19 deferred gifts pledged during the campaign [which our Campaign Summary Page 4-5 Conservancy will receive over the next three decades] Natural Lands protected Page 6-7 will help us steward those precious lands, helping us fulfill our obligations to those future generations.