Diapositive 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Outlaw: Wilderness and Exile in Old and Middle
THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sarah Michelle Haughey August 2011 © 2011 Sarah Michelle Haughey THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE Sarah Michelle Haughey, Ph. D. Cornell University 2011 This dissertation, The ‘Bestli’ Outlaw: Wilderness and Exile in Old and Middle English Literature explores the reasons for the survival of the beast-like outlaw, a transgressive figure who highlights tensions in normative definitions of human and natural, which came to represent both the fears and the desires of a people in a state of constant negotiation with the land they inhabited. Although the outlaw’s shelter in the wilderness changed dramatically from the dense and menacing forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, the outlaw remained strongly animalistic, other, and liminal, in strong contrast to premodern notions of what it meant to be human and civilized. I argue that outlaw narratives become particularly popular and poignant at moments of national political and ecological crisis—as they did during the Viking attacks of the Anglo-Saxon period, the epoch of intense natural change following the Norman Conquest, and the beginning of the market revolution at the end of the Middle Ages. Figures like the Anglo-Saxon resistance fighter Hereward, the exiled Marcher lord Fulk Fitz Waryn, and the brutal yet courtly Gamelyn and Robin Hood, represent a lost England imagined as pristine and forested. -
Jasmine St. Claire Interview with Punktv.Ca in Support of Her New DVD Series, Metal Page 1 of 12
Jasmine St. Claire Interview with PunkTV.ca in support of her new DVD series, Metal Page 1 of 12 Interviews List enter e-mail address Music Reviews List nmlkji Subscribe nmlkj Unsubscribe Live Photos List Movies List Music New Music Music Featured Music PunkTV.ca Interviews CDs Movies Photos Events Contests Features Products News Charts BandsVideos Products Jasmine St. Claire Interview with PunkTV.ca in All Interviews support of her new DVD series, Metal 16th October » Stealth Plug Allows... Dixon Christie » Belphegor Exclusive... E-MAIL THIS PRINT THIS » Lye Interview -... » Skid Row Interview on... » Cellador Exclusive... » Artimus Pyledriver... » Sergie from SAMIAM gets... Jasmine St. Claire Interview with PunkTV.ca in support of her new DVD series, Metal’s Darkside. » Shiny Toy Guns Interview by Dixon Christie » The Salads Interview PunkTV.ca: We are here with Jasmine St. Claire, thanks a lot to agree to be » Procon Interview with us today. Jasmine: Thanks for having me, Dixon. » Helmet Exclusive... PunkTV.ca: You’re welcome, where are you right now? » Black Dahlia Murder... Jasmine: Right now I am in Marina Delray in California is actually where I live. » Protest the Hero... PunkTV.ca: Nice. » DragonForce Exclusive... Jasmine: Its pretty cold today, I've had a pretty long weekend. » Emanuel At Warped Tour... PunkTV.ca: Do you work as hard as I think you probably do, you working day » Cattle Decapitation... and night on this new Metal’s Darkside? Jasmine: Day and night is not even really the way it is, its like even in my sleep its » All Shall Perish... like I just never ever stop coming up with ideas. -
The Queers Interview in Support of Their New DVD Release the Queers Are Here Page 1 of 14
The Queers interview in support of their new DVD release The Queers are Here Page 1 of 14 enter e-mail address nmlkji Subscribe nmlkj Unsubscribe Music New Music Music Featured Music PunkTV. Interviews CDs MoviesPhotos Events Features Products News Charts Bands Videos Product The Queers interview in support of their new DVD release The Queers are Here All Interviews 10th April Dixon Christie E-MAIL THIS PRINT THIS » Anne Heller interview in... » XMS3 interview in... » The Showdown interview... » Sarah from Cradle of... » Nomad 67 interview in... PunkTV.ca: We’re here on the line with Joe Queer from the Queers in support » Nick Pruher and Joe... of their new MVD DVD release The Queers Are Here. How are you Mr. Joe » Necro interview about... Queer? » Matthew Morgan interview... Excellent amigo. » James Szfnarowski... » Forign Legion interview... » Black Halos Interview PunkTV.ca: Super good, it’s awesome. Where are you right now? » Cradle of Filth Live... I am sitting on my ass in the hotel in Buffalo New York. » The Living End interview... » Impaler Interview with... » Testament Interview with... PunkTV.ca: So you’re probably just as cold as we are here in Alberta Canada » Static Thought Interview... Ya it’s not exactly warm out here but oh well it’s all good. » Since the Flood... » Obituary Interview with... » Foreign Legion Interview... PunkTV.ca: Did you get there last night or this morning. » Cradle of Filth Live... We got in at 4AM, we were a little nervous about crossing the border but they let us » 3 Inches of Blood... through reluctantly back into our own country. -
Metal Obs' Numéro 32
Metal Obs’ numéro 32 - juillet-Août 2009 Metal Obs’ n°32 - Juillet/Août 2009 MENSUEL METAL GRATUIT DISTRIBUÉ EXCLUSIVEMENT DANS LES Juillet / août, le temps des maillots de bain, de la plage, des MAGASINS FNAC crustacés, des bibines fraîches... et surtout des voyages, histoire de voir si l’herbe est plus verte ailleurs ! Mais même si nous RÉDACTEUR EN CHEF Geoffrey PAUFERT (Fnac Valenciennes)SEC RÉTAIRE DE RÉDAC- allons faire un break bien mérité pendant 2 ou 3 semaines, après TION Will «Of Death» HIEN RÉDACTION Will Of Death, Yazan «Yath» El Safadi, Gaetan une nouvelle clôture dans la douleur, nous allons quand même Soleil, Olivier «Breizhjoker» Le Pan, Regis «min cousin» Vandenbussche, Lucie, Looner, profiter de nos congés pour écouter Megadeth ou Immortal, deux Luna , Gilles «Der Kaiser» Kaeser, Jonathan Deladerrière MAQUETTE: Geoffrey Paufert exemples de grosse sortie de la rentrée, qui s’annonce une nouvelle fois exaltante en termes de WEBMASTER : Jean-Noël Bonnaillie disques à paraître... Bref, les vacances seront studieuses. REMERCIEMENTS aux labels, à la FNAC et à tous les vendeurs metal, les chargés de Cette saison 2008/2009 s’est terminée en beauté par un terrible Hellfest qui a su rassembler plus de communication FNAC, Mathieu Barville, Jean-Luc Muller, Daniel d’UNDERCLASS, Char- 60.000 rednecks venus de partout, en proposant une affiche éclectique unique en Europe ! Quelle les-Henry Provost, Virginie Binard, Karine «Blackberry forever» S. réussite et quel plaisir pour les fans ! Pour fêter ça, en plus de nos rubriques traditionnelles, on vous REMERCIEMENTS ETERNELS Michel S. propose ce mois-ci un report completoilà, dans avec ce photos, tableau qui idyllique, sera complété il y a une par ombre, beaucoup Hcelleellfest d’autres des aupr culs-bénisès clichés, des sur notre site Noiseweb. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Economy and Rhetoric of Exchange in Early Modern Spain Permalink https://escholarship.org/uc/item/5nf7w72p Author Ruiz, Eduardo German Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Economy and Rhetoric of Exchange in Early Modern Spain by Eduardo German Ruiz A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Hispanic Languages and Literatures in the GRADUATE DIVISION of the UNIVERSITY OF CALIFORNIA, BERKELEY Committee in charge: Professor Ignacio Navarrete, Chair Professor Emilie Bergmann Professor David Landreth Fall 2010 1 Abstract Economy and Rhetoric of Exchange in Early Modern Spain by Eduardo German Ruiz Doctor of Philosophy in Hispanic Languages and Literature University of California, Berkeley Professor Ignacio Navarrete, Chair In this dissertation I analyze four canonical works (Lazarillo de Tormes, La Vida es Sueño, “El Celoso Extremeño,” and Heráclito Cristiano) with the goal of highlighting material- economic content and circumstantial connections that, taken together, come to shape selfhood and identity. I use the concept of sin or scarcity (lack) to argue that Lazarillo de Tormes grounds identity upon religious experience and material economy combined. In this process the church as institution depends on economic forces and pre-capitalistic profit motivations as well as rhetorical strategies to shape hegemonic narratives. Those strategies have economic and moral roots that, fused together through intimate exchanges, surround and determine the lacking selfhood represented by the title character. La Vida es Sueño begins with defective selfhoods, too. -
{Replace with the Title of Your Dissertation}
Haec Templa: Religion in Cicero’s Orations A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY NICHOLAS ROBERT WAGNER IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Spencer Cole April 2019 © NICHOLAS WAGNER 2019 Acknowledgements I would first like to thank my advisor, Spencer Cole, who provided helpful feedback and recommendations throughout the entire process of this dissertation and deserves singular acknowledgement. The project originated with a 2013 course on Roman religion. That, along with numerous meetings and emails, has been fundamental to my approach to the subject. I would also like to thank my other committee members, Christopher Nappa, Andrew Gallia, and Richard Graff, all of whom provided immensely useful feedback at various stages, both in the scope of the project and future directions to train my attention. Next, thanks are due to the faculty and the graduate students in the Department of Classical and Near Eastern Studies at the University of Minnesota. Their support over the years has been invaluable, both academically and socially. Special thanks are due to current student Joshua Reno and former student Rachael Cullick. Lunches with them, where they patiently heard my ideas in its earliest stages, will be ever-cherished. Finally, I would like to thank my parents and siblings for their endless support over the years. Sometimes a nice meal or a break at the movies is exactly what was needed. i Dedication This dissertation is dedicated to my parents and their parents. ii Table of Contents Introduction ....................................................................................................................... 1 Cicero and Lived Religion ........................................................................................................ -
Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
"THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr. -
Revocation High on Fire Horrendous Monster
ONCE HUMAN FIT FOR A KING PYREXIA HORRENDOUS REVOCATION STAGE OF EVOLUTION DARK SKIES UNHOLY REQUIEM IDOL THE OUTER ONES EARMUSIC SOLID STATE RECORDS UNIQUE LEADER RECORDS SEASON OF MIST METAL BLADE Evolution was not just the title of Once Human’s No matter the pristine picture of self-worth we Long standing New York death metal legends Pyrexia Horrendous explode out of the underground with Pushing both the death metal and progressive elements sophomore release last year — it was an armor-plated project, in the unquenchable pursuit of recognition return with its newest and, arguably, most devastating its incredible new album Idol. Drawing inspiration of its signature sound harder than ever, The Outer Ones declaration. And it evolved into something big. Stage and affirmation, the gnawing anxiousness of guilt and album, Unholy Requiem. Recorded, mixed, and from both personal and national crises, Idol’s music represents Revocation at its boldest, most aggressive Of Evolution is the consequential mutation of the brokenness chews away at our spirits, uncovering mastered by guitarist Chris Basile, Unholy Requiem is a methodical and unapologetic take on dynamic, and complex. Moving away from the societal and Evolution album from studio to stage. “I know it’s new pain and vulnerability. Dark Skies is Fit For A finds Pyrexia revisiting its filthy, pulverizing, classic progressive death metal. Thematically, the ambitious historical themes that informed 2016’s Great is Our Sin, uncommon for a band who is not headlining to record King’s evocative declaration of a hard won victory. sound. Basile said of the album, “This album is definitely new album is an exploration of defeat, of the gods we vocalist/guitarist Dave Davidson has immersed himself a live album,” says Logan Mader, who metalheads “This album is far from happy. -
Db:Scanner (Band)"Stephan O'mallie"@En"Maurycy "Mauser" Stefanowicz"@En "Wildeþrýð"@En Db:Nihilist (Band) "Dave Edwards"@En "Ashish Kumar"@Endb:Krieg (Band) "W.D
db:Amalie_Bruun "Dominik Immler"@en "Frater D."@en * Gunnar* Egill Þór* Birkir* Hafþór* Næturfrost "Simon O'Laoghaire"@en db:Kimmo_Heikkinen "Uri Zelcha"@en db:1349_(band) db:Dan-Ola_Persson "Itzik Levy"@en db:The_Kovenant "Zorugelion"@en "Derek MacAmhlaigh"@en db:Lord_Morbivod db:Zonata "Goran Paleka"@en "Johan Elving"@en "Damir Adžić"@en "Ines Tančeva"@en db:Alan_Averill "Elvorn"@en "Enrique Zúñiga Gomez"@en "Nick Oakes"@en db:Marcela_Bovio "Frank Calleja"@en "Miroslav Branković"@en "Maxime Aneca - Guitar"@en "*Lex Icon*Pzy-Clone*Hellhammer*Angel*Sverd"@en db:Alejandro_Mill%C3%A1n Ines Tan?eva "Cremator , Fermentor"@en Alejandro Díaz "MasterMike"@en "Maria "Tristessa" Kolokouri"@en "Martijn Peters"@en "Ivan Vasić"@en "Filip Letinić"@en "Eduardo Falaschi"@en A. db:Viathyn Bart Teetaert - Vocals "Lior Mizrachi"@en "Nikola Mijić"@en "Loke Svarteld"@en "Koen De Croo - Bass"@en "Chris Brincat"@en "Duke"@en db:The_Kovenant "Demian Tiguez"@en "*Tomislav Crnkovic*Dave Crnkovic*Jacob Wright*Alex Kot"@en "Fermentor Cremator , Fermentor"@en db:Lori_Linstruth Ivan Kutija "César Talarico"@en "Eden Rabin"@en db:Alex_Losbäck "Artyom"@en "Sami Bachar"@en "Marchozelos"@en "Morten"@en "* Wagner Lamounier* Roberto Raffan* Jairo Guedz* Max Cavalera* Igor Cavalera* Jean Dolabella"@en Lazar Zec - Guitar "Dave Hampton"@en "Wellu Koskinen"@en "VnoM"@en db:Sabbat_(Japanese_band) "* Christofer Johnsson* Thomas Vikström* Johan Koleberg* Nalle "Grizzly" Påhlsson* Christian Vidal* Lori Lewis"@en db:Arjen_Anthony_Lucassen "Mića Kovačević"@en "Roberto Raffan"@en db:Memnock db:Henrik_Carlsson db:Throllmas "Lazar Zec - Guitar"@en "Chris Calavrias"@enEric Hazebroek "Mathias"* PauloSchlegl"@en Jr.* Andreas Kisser* Derrick Green* Eloy Casagrande"@en"Yatziv Caspi"@en "Erkki Silvennoinen"@en "Gaahnt, Nattulv, Bahznar, Dermorh"@en "Marco Cecconi"@en Antti Kilpi "Gezol"@en Koen De Croo - Bass Elizabeth Toriser "Ze'ev Tananboim"@en db:Jukka_Kolehmainen J. -
207 096 1917 FAX:(310) 913-1517 EMAIL:[email protected] »
9electric Darkest Hour Headcat** Motor Sister Skid Row Ace Frehley** Dave MacPherson Heaven’s Basement* Mudvayne Skindred** Adelitas Way Death Angel** Heavygrinder Mushroomhead Skyharbor Adrenaline Mob Diamond Plate Hed PE MXPX* Slaves On Dope Aeges Diamante Hinder** New Years Day* Slim Jim Phantom of The Alien Ant Farm Diecast Hoobastank Nonpoint Stray Cats Altitudes & Attitude Dope IDIOM One Eyed Doll Snocore Tour American Head Charge Double Vision Tour Ill Nino* P.O.D Soil Angra Doyle INC. Pat Travers Band Spineshank* Anthrax Drowning Pool INME Pearl Still Remains* Armored Saint Duff McKagan’s Loaded Islander Phil Campbell’s All Starr Sumo Cyco Ashes Earthtone9* It Dies Today Band Superjoint Ritual Avatar Eddie Money* Janus Powerman 5000 Tantric Beyond Threshold Empty Hearts Jeff Gutt Psychostick The Ataris* Bachman and Turner Even the Dead Love a Kaleido Queensrÿche The Bosshoss Billy Squier Parade Karnivool Randy Bachman The Coffis Brothers Black Tide Eyes Set to Kill Katastro RED The Damned Things Blue Öyster Cult Fates Warning Kelley James Red Dragon Cartel The Last Vegas Breed 77* Fear Factory Kill Devil Hill Rev Theory The Letter Black Brett Scallions Fireball Ministry Kittie** Revoker The Missing Letters Bridge To Grace Flaw Kottonmouth Kings Righteous Vendetta Thousand Foot Krutch Brokencyde* Flotsam & Jetsam Kris Roe* Robby Krieger of The Thomas Nicholas Band* Buck and Evans Fozzy* Life of Agony Doors Threat Signal Buffalo Summer Framing Hanley Like A Storm Robin Zander Band Ugly Kid Joe Burton Cummings Fuel Like Monroe Romantic -
Bands, Frequency, Data 9.25.12
Band How Often Played? Year Formed City (State, County, Province…) Country 1 Nightwish 14 1996 Kitee Finland 2 Amaranthe 11 2008 Gothenburg Sweden 3 Firewind 11 1998 Thessaloniki Greece 4 Iron Maiden 11 1975 London England 5 Primal Fear 11 1997 Esslingen Baden-Württemberg Germany 6 Lullacry 10 1998 Helsinki Finland 7 Megadeth 10 1983 Los Angeles California United States 8 Charon 9 1992 Raahe Finland 9 Trivium 9 2000 Orlando Florida United States 10 Avenged Sevenfold 8 1999 Huntington Beach California United States 11 Deathstars 8 2000 Stockholm Sweden 12 Dream Evil 8 1999 Gothenburg Sweden 13 Sentenced 8 1989 Muhos/Oulu Finland 14 Skid Row 8 1986 Toms River New Jersey United States 15 The Cult 8 1983 Bradford West Yorkshire England 16 The Slot 8 2002 Moscow Russia 17 Bullet For My Valentine 7 1998 Bridgend Wales 18 Epica 7 2002 Reuver Limburg Netherlands 19 In Flames 7 1990 Gothenburg Sweden 20 Riot 7 1975 New York City New York United States 21 Staind 7 1995 Springfield Massachusetts United States 22 Bayside 6 2000 Queens New York United States 23 Entwine 6 1995 Lahti Finland 24 Eye Empire 6 2009 Florida/Georgia/Ohio United States 25 HIM 6 1991 Helsinki Finland 26 Park Lane 6 27 Racer X 6 1985 Los Angeles California United States 28 Rammstein 6 1994 Berlin Germany 29 Ratt 6 1976 San Diego California United States 30 Scattershock 6 1989 Berkeley California United States 31 Sevendust 6 1994 Atlanta Georgia United States 32 Bad Religion 5 1979 Los Angeles California United States 33 Black Veil Brides 5 2006 Cincinnati Ohio United States 34 Bloodbound 5 2004 Bollnäs Sweden 35 Close Your Eyes 5 2005 Abilene Texas United States 36 Coheed & Cambria 5 1995 Nyack New York United States 37 Dead Letter Circus 5 2004 Brisbane Queensland Australia 38 Dokken 5 1976 Los Angeles California United States 39 Danger, Ltd. -
Crtpfcr Inaccurate, Sensationalist Little Misplaced in the Face of Our Critic
Wfyt OCTOBER 3, 2006 PUBLISHED BY THE STUDENTS OF TRINITY VOLCII, No. 4 Crmit$> Cripob COLLEGE SINCE 1904 www. trinitytripod.com Faculty Protests Closure Library Hosts Illustrated Sheet Music BySARAYOO band. According to the Knapps, the time. Some of his works on ARTS WRITER these covers helped promote the display are "Beale Street Blues" of Hamlin Successfully sales of the music and also boost- and "Yellow Dog Blues," as well By JAMES KUKSTTS Henderson, Associate Professor For anyone with a penchant ed the popularity of individual as his most popular favorite, NEWS WRITER of Legal and Policy Studies Renny for all things retro, "You're the songs by reaching the audience's "Saint Louis Blues." The illustrat- Fulco, and Associate Professor of Top" Illustrated Sheet Music of eyes as well as their ears. ed cover and music for "Memphis Hamlin Hall, which served History Jack Chatfield, organized American Popular Songs from The first of the eight com- Blues" is a copy personally dedi- primarily as the faculty dining themselves to find a way to re- World War I to the 1940s is a posers showcased is William cated to Abbe Niles, a Trinity hall, was closed last spring and is open Hamlin. * blast from the past and a feast for Christopher Handy, better known Alum and graduate of the class of slated to re-open Oct. 11. It was a "I was initially disappointed the eyes. The exhibit, curated by as W.C. Handy, and fondly 1916 who went on to become a financial decision based on a with the closing of Hamlin, but I Peter J Rnapp, the Special referred to as the "father of blues" successful lawyer and jazz critic.