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Toward a Redefinition of Musical Learning in the Saxophone Studios of Argentina
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Toward a redefinition of musical learning in the saxophone studios of Argentina Mauricio Gabriel Aguero Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Aguero, Mauricio Gabriel, "Toward a redefinition of musical learning in the saxophone studios of Argentina" (2013). LSU Doctoral Dissertations. 2221. https://digitalcommons.lsu.edu/gradschool_dissertations/2221 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. TOWARD A REDEFINITION OF MUSICAL LEARNING IN THE SAXOPHONE STUDIOS OF ARGENTINA A Monograph Submitted to the Graduate Faculty of Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Mauricio Gabriel Agüero B.M., Universidad Nacional de Cuyo, 2005 M.M., University of Florida, 2010 December 2013 Acknowledgments This monograph would not have been possible without the help of many people. Most important, I want to thank to my Professor and advisor Griffin Campbell, who guided my studies at LSU for the last three years with his musical passion, artistry and great teaching ability. As a brilliant saxophonist and thoughtful educator, Professor Campbell has been an important mentor and role model for me. -
Merciad Editor Know As the Bayfront Development Plan Was Individual Point O F View, in Other Words One : That Planning Was Either Poorly Dor Born
VOL. 61 NO. 2 2 MERCYHURST COLLEGE. GLENWOOD HILLS. ERIE APRIL 21.1988 • Mercyhurst profs oppose bayfront development By Matthew J. Clark As a result, the project which we now because they're only looking at this from an "The idea of development is good Merciad Editor know as the bayfront development plan was individual point o f view, in other words one : that planning was either poorly dor born. development, then another one next t o it, then planned well enough," he said, i '\£ In the late 1970's, with the future of Erie's There are many who are very excited another. economy looking less certain than it had been about the development project, such as the They haven t taken into consideration *to**b#0&&- in recent memory, the Erie Port Authority port authority. But, there are many, especially what kind of impact all of t h o s e developments began searching for ways to revitalize the environmentalists, who oppose die develop- together will have on the environment area, <% f $ \ ment f o r o n e r e a s on or another. Many o f them "The best example of that is that no one The plan which the organizers devised, don't oppose the plan entirely but would like has ever considered what the carrying capac- known as the Erie Bayfront Redevelopment to see some aspects of it done differently. ity of the harbor is in terms of the number of project, has been met with its fair share of * ' M o s t p e o p l e would like to see some sort boats." j j£& 'I criticism. -
Downbeat.Com April 2011 U.K. £3.50
£3.50 £3.50 U.K. PRIL 2011 DOWNBEAT.COM A D OW N B E AT MARSALIS FAMILY // WOMEN IN JAZZ // KURT ELLING // BENNY GREEN // BRASS SCHOOL APRIL 2011 APRIL 2011 VOLume 78 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Maureen Flaherty ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, -
THE SMITHEREENS Bio
THE SMITHEREENS bio Pat DiNizio—vocals, guitar Jim Babjak—guitar, vocals Dennis Diken—drums, vocals Severo "the Thrilla" Jornacion—bass "I think it's as good as anything we've ever done," Pat DiNizio says of Smithereens 2011 , the Smithereens' first album of original songs in 11 years. "I hate to use the term 'comeback album,' and it certainly wasn't planned that way, but it really feels like it," adds his longtime bandmate Jim Babjak. "It has the raw vibe of our early albums, while showing that we're moving forward and that we're still at the top of our game after 31 years." Indeed, the 13-song set shows the New Jersey-bred quartet to be making some of the most urgent music of their three-decade career, delivering their timeless brand of punchy, heartfelt rock 'n' roll with as much fire as ever. Such instantly memorable new tunes as "Sorry," "One Look At You," "A World of Our Own" and "Rings On Her Fingers" exemplify the Smithereens' trademark brand of punchy melodic songcraft, driven home by DiNizio's expressive vocals and emotionally complex lyrics, along with fiery ensemble performances that show off the uncanny musical chemistry of longstanding musical partners DiNizio, Babjak and Dennis Diken, and later addition Severo "the Thrilla" Jornacion, who joined in 2006. Smithereens 2011 's title slyly acknowledges the fact that it's the band's 11th studio album, and that it's been 11 years since their last collection of original material. The album's moniker—as well as its cover design—also pays tribute to the foursome's beloved 1989 release Smithereens 11 . -
11, 1999 USPS 402420 35 Cents Neptune Avon's City's ...Lovgs S Ftfsclo
From our House to your House... TViingsToPo .P laces to Go ...at the jersey shore TN >iywci Aynasy Bn¥ isyid OQ'r: a il Diiarid >ii¥d Aynasy IMES at the jersey shor< Asburvj Park, Avon-by-the-Sea, Belmar, Bradley Beach, Neptune, Neptune City, Ocean Grove, Point Pleasant BeacK Spring Lake, Sea Girt, Wall, Sr Surrounding Communities Since 187S Vo}. CXXJV No. 10 Township of Neptune Thursday, March 11, 1999 USPS 402420 35 cents Neptune Avon's City's ...LovGS S ftfSclo... Tax Rate Heinzinger Decreases Retires "ASBURY PARK PUBLIC UBRARY By Lois Ellermann ASBURY PARK, NEW JERSEY By Bonnie Graham Neptune City - M onday Avon-By-The-Sea - The night's Mayor/Council meet public hearing was held on ing of March 8, 1999 began the 1999 budget during with Borough Clerk Joel Monday’s Mayor/Commis- Popkin reading a letter of retirement from Neptune sioner meeting of March 8, City Police Lieutenant 1999. The new municipal Ronald Heinzinger, a police tax rate, at 1.006 per as officer since 1971, effective sessed $100 of valuation, is April 1,1999, to which Mayor a 6 cent decrease from the Deeves added, “He was an 1998 rate of 1.06. outstanding police officer Borough Clerk/Busi- and we wish him the best in ness Administrator Timothy his retirement." Gallagher explained how Resolutions were the decrease was reached. passed enabling United “Operating expenses were Fire Company #1 to have a cut by $80,000, which de parade to celebrate their creased the tax rate by 4 100th year anniversary to begin 12 noon on July 10, cents. -
The Complete Poetry of James Hearst
The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring. -
Welcome, We Have Been Archiving This Data for Research and Preservation of These Early Discs. ALL MP3 Files Can Be Sent to You B
Welcome, To our MP3 archive section. These listings are recordings taken from early 78 & 45 rpm records. We have been archiving this data for research and preservation of these early discs. ALL MP3 files can be sent to you by email - $2.00 per song Scroll until you locate what you would like to have sent to you, via email. If you don't use Paypal you can send payment to us at: RECORDSMITH, 2803 IRISDALE AVE RICHMOND, VA 23228 Order by ARTIST & TITLE [email protected] S.O.S. Band - Finest, The 1983 S.O.S. Band - Just Be Good To Me 1984 S.O.S. Band - Just The Way You Like It 1980 S.O.S. Band - Take Your Time (Do It Right) 1983 S.O.S. Band - Tell Me If You Still Care 1999 S.O.S. Band with UWF All-Stars - Girls Night Out S.O.U.L. - On Top Of The World 1992 S.O.U.L. S.Y.S.T.E.M. with M. Visage - It's Gonna Be A Love. 1995 Saadiq, Raphael - Ask Of You 1999 Saadiq, Raphael with Q-Tip - Get Involved 1981 Sad Cafe - La-Di-Da 1979 Sad Cafe - Run Home Girl 1996 Sadat X - Hang 'Em High 1937 Saddle Tramps - Hot As I Am 1937 (Voc 3708) Saddler, Janice & Jammers - My Baby's Coming Home To Stay 1993 Sade - Kiss Of Life 1986 Sade - Never As Good As The First Time 1992 Sade - No Ordinary Love 1988 Sade - Paradise 1985 Sade - Smooth Operator 1985 Sade - Sweetest Taboo, The 1985 Sade - Your Love Is King Sadina - It Comes And Goes 1966 Sadler, Barry - A Team 1966 Sadler, Barry - Ballad Of The Green Berets 1960 Safaris - Girl With The Story In Her Eyes 1960 Safaris - Image Of A Girl 1963 Safaris - Kick Out 1988 Sa-Fire - Boy, I've Been Told 1989 Sa-Fire - Gonna Make it 1989 Sa-Fire - I Will Survive 1991 Sa-Fire - Made Up My Mind 1989 Sa-Fire - Thinking Of You 1983 Saga - Flyer, The 1982 Saga - On The Loose 1983 Saga - Wind Him Up 1994 Sagat - (Funk Dat) 1977 Sager, Carol Bayer - I'd Rather Leave While I'm In Love 1977 1981 Sager, Carol Bayer - Stronger Than Before 1977 Sager, Carol Bayer - You're Moving Out Today 1969 Sagittarius - In My Room 1967 Sagittarius - My World Fell Down 1969 Sagittarius (feat. -
The Cord Weekly (November 30, 1989)
[ Volume 30, Number 14 | Wilfrid Laurier University Thursday November 30, 1989. CORD WEEKLY THE: WHITE COVER: void of all sexist, homophobic, heterosexist, offensive, racist, (oh, and creative) material. Have a merry Christ- mas. J The Cord Weekly 2 Thursday November 30, 1989. —■ • A strong beginning to your future in man- •An opportunity to specialize: ;X agement * Accounting * Finance * Organizational $: Behavior/Human Resource Management :$ * Management Science/Information Systems £: : : * Marketing * Policy Analysis : : CORD For detailed......informationx write to: j:|: NOVEMBERWEEKLY 30, 1989 j V OLUME 30, NUMBER 14 EDITOR-IN-CHIEF...Chris Slarkey j NEWS EDlTOR...Jonathan Stover ASSOCIATE NEWS EDlTOR...vacant NEWS CONTRIBUTORS Kevin Vaughn, Angela Baker, Cathy Merriman, Mark Hand, Bill Needle, Debra Sheehan * * * COMMENT PAGES CONTRIBUTORS J.R. Artinger, Harvey Luong, Karen Burke, Sieve Burke, Lynda A. Fare t -T- -r- FEATURES EDlTOR...Elizabeth Chen FEATURES CONTRIBUTORS Marie Molloy **NOTICE** * * * "SCENE" EDITOR...Tony Burke Office of the Registrar November, 1989 "SCENE" CONTRIBUTORS Steve Burke, Feizal Valli, Tom Szeibel, J. Tyler Leatherland, Jana Watson Watch for the * * * SPORTS EDITOR...Brian Owen new seating arrangement SPORTS CONTRIBUTORS ChrisDodd for final examinations * * * PRODUCTION MANAGER...Jana Watson Complex and PRODUCTION ASSISTANTS in the Athletic Karen Burke, Andrea Nasello, Christine Yarwood ! * * Auditorium * Theatre SYSTEMS TECHNICIAN...vacant COPY EDITORS Please read the signs Robin Sutherland, vacant CIRCULATION -
'Disciples of Flora'
‘Disciples of Flora’ ‘Disciples of Flora’: Gardens in History and Culture Edited by Victoria Emma Pagán, Judith W. Page and Brigitte Weltman-Aron ‘Disciples of Flora’: Gardens in History and Culture Edited by Victoria Emma Pagán, Judith W. Page and Brigitte Weltman-Aron This book first published 2015 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Victoria Emma Pagán, Judith W. Page, Brigitte Weltman-Aron and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7756-5 ISBN (13): 978-1-4438-7756-5 TABLE OF CONTENTS Illustrations and Credits ........................................................................... vii Preface and Acknowledgments ................................................................. ix Prologue ....................................................................................................... 1 Inviting the Indoors Out: Gardens and Other Arts Elizabeth Helsinger Part I: Gender Chapter One ............................................................................................... 20 Women’s Land as Garden History: Art, Activism, and Lesbian Spaces Lisa L. Moore Chapter Two ............................................................................................. -
The Journals of S. Elizabeth Dusenbury, 1852-1857: Portrait of a Teacher's Development Ruth K
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1990 The journals of S. Elizabeth Dusenbury, 1852-1857: portrait of a teacher's development Ruth K. McGaha Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Adult and Continuing Education and Teaching Commons, Other Education Commons, Other History Commons, Social and Philosophical Foundations of Education Commons, and the Women's Studies Commons Recommended Citation McGaha, Ruth K., "The ourj nals of S. Elizabeth Dusenbury, 1852-1857: portrait of a teacher's development " (1990). Retrospective Theses and Dissertations. 11204. https://lib.dr.iastate.edu/rtd/11204 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
Montana Kaimin, April 22, 1988 Associated Students of the University of Montana
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 4-22-1988 Montana Kaimin, April 22, 1988 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, April 22, 1988" (1988). Montana Kaimin, 1898-present. 8027. https://scholarworks.umt.edu/studentnewspaper/8027 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Montana Kaimin Friday/Aprll 22, 1988 Missoula, Montana Calendar made without faculty, McCormick says tive calendar drawn up by By John Firehammer Kaimin Reporter Bob Albrecht, deputy commis Higher education officials sioner of higher education, have broken their promise to isn't open to change, McCor allow negotiations on the aca mick said. < demic calendar the university He said he spoke to both system will follow when it Krause and Dennis Lind, converts to a semester sys chairman of the regents, tem, the president of the Uni Wednesday and received dif versity of Montana Teachers ferent views on what areas of Union said Thursday. the conversion to which fac Dennis McCormick said dur ulty members could contrib ing yesterday’s UM Faculty ute. -
Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 A Dissertation Presented by Jason James Hanley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philsophy in Music (Music History) Stony Brook University August 2011 Copyright by Jason James Hanley 2011 Stony Brook University The Graduate School Jason James Hanley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Judith Lochhead – Dissertation Advisor Professor, Department of Music Peter Winkler - Chairperson of Defense Professor, Department of Music Joseph Auner Professor, Department of Music David Brackett Professor, Department of Music McGill University This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 by Jason James Hanley Doctor of Philosophy in Music (Music History) Stony Brook University 2011 The British band Throbbing Gristle first used the term Industrial in the mid-1970s to describe the intense noise of their music while simultaneously tapping into a related set of aesthetics and ideas connected to early twentieth century modernist movements including a strong sense of history and an intense self-consciousness. This model was expanded upon by musicians in England and Germany during the late-1970s who developed the popular music style called Industrial as a fusion of experimental popular music sounds, performance art theatricality, and avant-garde composition.