Brendan Mcnamara the 'Celtic' Dimension of Pre-First World War
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The Celtic Revival in English Literature, 1760-1800
ZOh. jU\j THE CELTIC REVIVAL IN ENGLISH LITERATURE LONDON : HUMPHREY MILFORD OXFORD UNIVERSITY PRESS The "Bard The Celtic Revival in English Literature 1760 — 1800 BY EDWARD D. SNYDER B.A. (Yale), Ph.D. (Harvard) CAMBRIDGE HARVARD UNIVERSITY PRESS 1923 COPYRIGHT, 1923 BY HARVARD UNIVERSITY PRESS PRINTED AT THE HARVARD UNIVERSITY PRESS CAMBRIDGE, MASS., U. S. A. PREFACE The wholesome tendency of modern scholarship to stop attempting a definition of romanticism and to turn instead to an intimate study of the pre-roman- tic poets, has led me to publish this volume, on which I have been intermittently engaged for several years. In selecting the approximate dates 1760 and 1800 for the limits, I have been more arbitrary in the later than in the earlier. The year 1760 has been selected because it marks, roughly speaking, the beginning of the Celtic Revival; whereas 1800, the end of the century, is little more than a con- venient place for breaking off a history that might have been continued, and may yet be continued, down to the present day. Even as the volume has been going through the press, I have found many new items from various obscure sources, and I am more than ever impressed with the fact that a collection of this sort can never be complete. I have made an effort, nevertheless, to show in detail what has been hastily sketched in countless histories of literature — the nature and extent of the Celtic Revival in the late eighteenth century. Most of the material here presented is now pub- lished for the first time. -
Celticism, Internationalism and Scottish Identity Three Key Images in Focus
Celticism, Internationalism and Scottish Identity Three Key Images in Focus Frances Fowle The Scottish Celtic Revival emerged from long-standing debates around language and the concept of a Celtic race, a notion fostered above all by the poet and critic Matthew Arnold.1 It took the form of a pan-Celtic, rather than a purely Scottish revival, whereby Scotland participated in a shared national mythology that spilled into and overlapped with Irish, Welsh, Manx, Breton and Cornish legend. Some historians portrayed the Celts – the original Scottish settlers – as pagan and feckless; others regarded them as creative and honorable, an antidote to the Industrial Revolution. ‘In a prosaic and utilitarian age,’ wrote one commentator, ‘the idealism of the Celt is an ennobling and uplifting influence both on literature and life.’2 The revival was championed in Edinburgh by the biologist, sociologist and utopian visionary Patrick Geddes (1854–1932), who, in 1895, produced the first edition of his avant-garde journal The Evergreen: a Northern Seasonal, edited by William Sharp (1855–1905) and published in four ‘seasonal’ volumes, in 1895– 86.3 The journal included translations of Breton and Irish legends and the poetry and writings of Fiona Macleod, Sharp’s Celtic alter ego. The cover was designed by Charles Hodge Mackie (1862– 1920) and it was emblazoned with a Celtic Tree of Life. Among 1 On Arnold see, for example, Murray Pittock, Celtic Identity and the Brit the many contributors were Sharp himself and the artist John ish Image (Manchester: Manches- ter University Press, 1999), 64–69 Duncan (1866–1945), who produced some of the key images of 2 Anon, ‘Pan-Celtic Congress’, The the Scottish Celtic Revival. -
A Seeker's Guide to Glastonbury
BEST OF BRITAIN Glastonbury Tor C A Seeker’s Guide to Glastonbury Welcome to my seekers’ guide to (paraphrased): Every sacred site we visit tate on what you feel and what emerges Glastonbury and its sacred sites, for those awakens a spark in us and takes us forward within you. Churches are often built on seeking to make the most of the magic you on our journey of self-evolution. As each of sacred sites, which in turn were often built might encounter but with both feet on the us is on our own unique life pilgrimage, we on the earth’s energy, or ley, lines. Ley lines ground. Glastonbury is famous as the site will each experience it in our own way, crisscross the globe, connecting ancient of the annual music festival, but is also an which inspired me to put together my own monuments and are believed to contain ancient English town, steeped in myth and seekers’ guide to Glastonbury. magnetic energy. history and linked to the founding of Glastonbury Tor is a magical spot. To People have been making pilgrimages to Christianity as well as the legend of King connect and feel the energy of the land, I sacred sites for thousands of years, using Arthur. chose to walk up to the top of the Tor bare - them for their intentions, prayers and cere - . Everything is frequency. Sacred foot. Being so steep, every step was a re - monies. Put all this together and you end 2 sites hold a specific frequency minder of how unfit I was feeling – I ended up with a magical energy for us all to tap stronger than most and we all hold up feeling more out of breath than enlight - into. -
The Celtic Revival in Scotland Timetable
The Celtic Revival in Scotland Timetable Thursday 1 May 2014 1:00–1:30: Registration and Reception 1:30–1:50: Welcome and opening remarks Panel 1 Panel 2 2:00–2:30 Nicola Gordon Bowe, ‘Embroideries Liam Mac Mathúna, Douglas Hyde and out of old mythologies’: analogies between the wider world of the Gael inspiration and practice in the arts of the Celtic Revival in Dublin and Edinburgh 2:30–3:00 Sally Foster, Celtic collections and Wilson McLeod, Gaelic learners and the imperial connections: the V&A, language movement, 1870-1930 Scotland and the multiplication of plaster casts of ‘Celtic crosses’ 3:00–3:30 Elizabeth Cumming, Here Come the Rob Dunbar, Was there a Celtic Revival Celts! The Scottish National Pageant of in Canada? 1908 3:30–4:00 pm: Tea Panel 3 Panel 4 4:00–4:30 Stuart Eydmann, The harp as an Stuart Wallace, John Stuart Blackie and emblem of the Celtic Revival, with the Celtic Revival in Scotland particular reference to Scotland 4:30–5.15 John Purser, ‘The Lay of the Last Bernhard Maier, ‘Widening the Jacket’: Minstrel? Don’t count on it’: The Celtic John Stuart Blackie and Germany Revival in Scottish Classical Music 5:15–5:30: Break 5:30–6:30: Murdo Macdonald, The Art of the Scottish Celtic Revival Hawthornden Lecture Theatre, Scottish National Gallery 7:00–8:30: Drinks reception and private view of A Wide New Kingdom: The Celtic Revival in Scotland, Talbot Rice Gallery. Friday 2 May 2014 10:00–11:00: Donald Meek, The Celtic Revival and the beginnings of Celtic scholarship in Scotland Hawthornden Lecture Theatre, Scottish -
Celtic Egyptians: Isis Priests of the Lineage of Scota
Celtic Egyptians: Isis Priests of the Lineage of Scota Samuel Liddell MacGregor Mathers – the primary creative genius behind the famous British occult group, the Hermetic Order of the Golden Dawn – and his wife Moina Mathers established a mystery religion of Isis in fin-de-siècle Paris. Lawrence Durdin-Robertson, his wife Pamela, and his sister Olivia created the Fellowship of Isis in Ireland in the early 1970s. Although separated by over half a century, and not directly associated with each other, both groups have several characteristics in common. Each combined their worship of an ancient Egyptian goddess with an interest in the Celtic Revival; both claimed that their priestly lineages derived directly from the Egyptian queen Scota, mythical foundress of Ireland and Scotland; and both groups used dramatic ritual and theatrical events as avenues for the promulgation of their Isis cults. The Parisian Isis movement and the Fellowship of Isis were (and are) historically-inaccurate syncretic constructions that utilised the tradition of an Egyptian origin of the peoples of Scotland and Ireland to legitimise their founders’ claims of lineal descent from an ancient Egyptian priesthood. To explore this contention, this chapter begins with brief overviews of Isis in antiquity, her later appeal for Enlightenment Freemasons, and her subsequent adoption by the Hermetic Order of the Golden Dawn. It then explores the Parisian cult of Isis, its relationship to the Celtic Revival, the myth of the Egyptian queen Scota, and examines the establishment of the Fellowship of Isis. The Parisian mysteries of Isis and the Fellowship of Isis have largely been overlooked by critical scholarship to date; the use of the medieval myth of Scota by the founders of these groups has hitherto been left unexplored. -
James Joyce, Catholicism, and the Celtic Revival in the Pre-Revolution Ireland of Dubliners Sean Clifford
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Virtual Commons - Bridgewater State University Bridgewater State University Virtual Commons - Bridgewater State University Honors Program Theses and Projects Undergraduate Honors Program 5-13-2014 A Modernity Paused: James Joyce, Catholicism, and the Celtic Revival in the Pre-Revolution Ireland of Dubliners Sean Clifford Follow this and additional works at: http://vc.bridgew.edu/honors_proj Part of the English Language and Literature Commons Recommended Citation Clifford, Sean. (2014). A Modernity Paused: James Joyce, Catholicism, and the Celtic Revival in the Pre-Revolution Ireland of Dubliners. In BSU Honors Program Theses and Projects. Item 40. Available at: http://vc.bridgew.edu/honors_proj/40 Copyright © 2014 Sean Clifford This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Clifford 1 A Modernity Paused: James Joyce, Catholicism, and the Celtic Revival in the Pre-Revolution Ireland of Dubliners Sean Clifford Submitted in Partial Completion of the Requirements for Departmental Honors in English Bridgewater State University May 13, 2014 Dr. Ellen Scheible, Thesis Director Dr. Heidi Bean, Committee Member Prof. Bruce Machart, Committee Member Clifford 2 Sean Clifford Honors Thesis Bridgewater State University A Modernity Paused: James Joyce, Catholicism, and the Celtic Revival in the Pre-Revolution Ireland of Dubliners The Ireland of James Joyce’s first published work, Dubliners, is a nation only a few years away from revolution. It is a land still under the control of England and the specter of the Potato Famine. Charles Stuart Parnell’s push for Home Rule and his subsequent fall from grace and the failed revolutions of the past still lingered in its collective conscience. -
Spiritual Sites
BY W ILLIAM L EE R AND P HOTOS BY W ILLIAM L EE R AND lastonbury has a mystical history going back into the mists of time. Sacred sites Gand power spots surround this small town in Somerset, England, and their spiritual energies weave together to create a nurturing ambiance of peacefulness and joy that permeates the entire area. Considered to be the heart chakra of the world and an entrance point into higher dimensions, its special features draw healers and other spiritual pilgrims from all over the earth. www.reiki.org • © REIKI N EWS M AGAZINE •FALL 2007 11 The town is built over important ley lines that cross Over time, the sea, fed by fresh water from the surrounding beneath it. These ley lines channel the life energies of the hills, began to fill with silt. Reeds began to grow in the earth—energies recognized by dowsers and clairvoyants to be shallower waters and slowly the sea filled in, creating swamps especially conducive to meditation, healing and other spiritual and later dry land. Further drainage took place when channels practices. Two springs flow from nearby hills; both are were built to drain the remaining water away until today there purported to have healing properties. The mysterious Tor, a hill is no sign of the ancient sea. with a cave at the bottom, a labyrinth around its sides, and an This small town can be easily walked from one end to the ancient stone tower at the top, is Glastonbury’s most other in 30 minutes or so. -
Living Waters: an Interfaith Conference
Living Waters: An Interfaith Conference November 19, 2013 Lewis Ginter Botanical Garden Richmond, Virginia Sponsored by the Chesapeake Bay Foundation Facilitated by the University of Virginia Institute for Environmental Negotiation PLANNING TEAM, SPONSORS, and ACKNOWLEDGEMENTS Planning/Steering Committee • Craig Anderson, Randolph-Macon College and affiliated with the Episcopal Diocese of Virginia and the Church of the Holy Comforter • Karl Bren, Green Visions Consultation and Chair of the Stewardship of God’s Creation Committee • Martha Burford, Director of Church Music, Church of the Holy Comforter, and Committee member of Stewardship of Creation for the Episcopalian Diocese of Virginia • Aimee Bushman, Chesapeake Bay Foundation • Nina Beth Cardin, Rabbi and Chair of the Chesapeake Covenant Community • Nissa Dean, Alliance for the Chesapeake Bay • Tanya Denckla Cobb, Institute for Environmental Negotiation • Frank Dukes, Institute for Environmental Negotiation • Ann Jurczyk, Chesapeake Bay Foundation • The Honorable Tayloe Murphy, Former Delegate to the Virginia General Assembly, former Virginia Secretary of Natural Resources, Board Member of the Chesapeake Bay Foundation • Jacob Powell, Virginia Conservation Network • Katie Preston, Former Executive Director of Interfaith Power and Light • Justin Reilly, Catholic Archdiocese of Richmond • Ephraim Seidman, Chair, Social Action- Tikkun Olam Committee, Temple Beth-El • Deborah Usry, Chairwoman, Board of Directors for the James River Association • Pat Watkins, Executive Director of Caretakers -
E.E. Fournier D'albe's Fin De Siècle: Science, Nationalism and Monistic
Ian B. Stewart E.E. Fournier d’Albe’s Fin de siècle: Science, nationalism and monistic philosophy in Britain and Ireland Article (Accepted version) (Refereed) Original citation: Stewart, Ian B. (2017). E.E. Fournier d’Albe’s Fin de siècle: Science, nationalism and monistic philosophy in Britain and Ireland Cultural and Social History. pp 1-22. ISSN 1478-0038 DOI: 10.1080/14780038.2017.1375721 © 2017 Taylor & Francis This version available at: http://eprints.lse.ac.uk/84274/ Available in LSE Research Online: September 2017 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. 1 E.E. Fournier d’Albe’s Fin de siècle: Science, Nationalism and Monistic Philosophy in Britain and Ireland* Ian B. Stewart The aim of this article is to reconstruct the intellectual biography of the English physicist Edmund Edward Fournier d’Albe (1868-1933) in order to shed new light on disparate aspects of the British fin de siècle. -
Glastonbury, England
GLASTONBURY England September 12, 2009 Words and photos by Victor E. Smith© The magical, The mystical, The mysterious, The miraculous All start as an inkling deep within, The twinkling of a tiny star in distant space, Blinking on and off, Beckoning one across the chasm between the all-too-real And the utterly fantastic. The entrance to a mystical place Merry Christmas and Happy New Year to my family and friends. Christmas Eve, 2009 Like most westerners, I’m fascinated by the legends of King Arthur and the Holy Grail. This summer, by chance (?), I picked up the book King Arthur’s Avalon, The Story of Glastonbury, by Geoffrey Ashe and was in the middle of it when I was asked to go to London on business. My first day there would be my only free day, and Glastonbury is well out of the city, so I asked a trusted friend, who had spent some years in England, if he thought the effort worthwhile. “I love Glastonbury,” he said with a light in his eyes that I knew I had to go there. So, early in the morning of September 12, 2009, I pushed through a fog of jet lag and got myself to Paddington Station. The train headed southwest— my first foray into the English country- English countryside around Castle Cary. A sinkhole in the foreground side—and arrived two hours later in demonstrates that low-lying area was once covered by water. Castle Cary, with Glastonbury still several miles away. But there was a taxi in the parking lot and its driver, an area native, proved hospitable and informative. -
Mercjyhursf College Erie, Pennsflvaipi \Lol.57Not3 Iridayf
£>S:;i::' •>:#>:J i i $M ^X^J Tltie Mercjyhursf College Erie, Pennsflvaipi :w::>:i: \lol.57Not3 S*x£SS£ ®&m iridayf 3d, pi i 'yj'JAW/i'KOi : BS:. ^ i r^C-i^ r *3&jr d £&a 53 svs •x-:-: r * •<•_•_*_• "OTJJ _*_•*•*** ^3& "?Sj3 &&^sgs$ •:•:• p###9WV; A • V"fc%'* ggss 1:BBS^ S ESS* Tennis Court '">>>« ********. **»« Controversy Resolved r- *«•» By Karen Merkle dent use. MERCIAD News Editor^ Any student who wants to use The recent controversy over the the St. Mark's courts can call the _«•> new "campus parking lot, which athletic department to make an * * was formerly the outdoor tennis appointment. mv 1^ •A- jiH courts,, has been resolved, accor- He explained that the old Mer- ding to president of the college, cy h u r s t courts have long been a Dr. William P. Garvey. problem, citing their bad location The problem began last week, and worsening conditions. vmmBM'A^y :#5*B«W when a letter from the Mercy h u r s t Dr. Garvey and others have Women's Tennis Team appeared been concerned with the courts' on the editorial page of The location next to the baseball field. Merciad. 1 He said the possibility of injury Signed by Coach Ric Harden from a foul ball has always been and seven members of the team, great, and that "We've run out on >>xn the letter was an angry response to our streak of luck." '^>J the summer switch of the tennis There were also unofficial war- -**#¥$£ nings from the school's insurance courts behind the Mercy h u r s t S3&& Apartments into a new 120 space company about the possibilities if m< . -
Conceptualising the North at the Fin De Siècle Frances Fowle and Marja Lahelma
Towards the end of the nineteenth century, the idea of its inhabitants, and that the art world of the period was Introduction: North was becoming worryingly enmeshed with issues of deeply affected by these debates. The remaining essays in race and national character, and these ideological debates this special volume expand and develop this analysis of Conceptualising the North affected the art world on many levels. The surge of cultural northernness from a multitude of perspectives, focusing in revivals that swept across Europe in the 1890s brought particular on Nordic, Scottish, and Canadian visual culture. at the Fin de Siècle questions of national identity to the foreground, while in the field of social anthropology debates were raging RE-INSTATING THE CELTS about the superiority of one ethnic group over another. In 1858 the Reverend Duncan McCallum observed: “That This phenomenon, which was fuelled at least in part by the ancient Scots were of Celtic origin is past all doubt,” Frances Fowle and the publication of Darwin’s On the Origin of Species adding that “the Celtae, the great and mighty people [were] (1859), is reflected in Joseph Deniker’s 1899 map of the altogether distinct from the Goths and Teutones.”2 Celticism Marja Lahelma races of Europe showing a patchwork of “principal” and was associated with specific parts of Britain, Ireland and “secondary” racial groups (fig. 1). The French anthropologist northern France. The Irish ethnologist Augustus Henry and naturalist was one among many fin-de-siècle scientists Keane (1833–1912), for example, defined the “Keltic fringe” who attempted to create a system of racial classification based as “the strips of territory on the skirts of the Teutonic and on physical characteristics.