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DOI: 10.1057/9781137343079 Index
Almansi, Guido 56, 60, 93 dominance 13–14, 18, 21, Andretta, Richard 30, 93 23–24, 45, 56 asylum 8, 29, 36–38, 41, 44, 50, drama 4, 9, 13–14, 16 77, 88 dramatic 9, 13, 19, 31, 46, 68, 81 Austin, John L. 59 autonomy 41, 67, 69, 88 Esslin, Martin 1, 3–6, 9, 16–17, 24–25, 28, 32, 48, 59, Beckett, Samuel 3, 4, 91, 93, 95, 88–89, 95, 100 97–98 estrangement 2, 30, 44 Berne, Eric 60, 94 existence 5–6, 9, 13, 34, 68, 82, betrayal 1, 8, 29, 35, 45, 48, 85, 91–92 57–60, 88 existential; existentialism 9, 61, Billington, Michael 8, 15–17, 64, 74, 78 30, 33, 37, 42, 85, 89, 94 Eyre, Richard 3–4, 95–96 Bolt, Robert 62, 65 Brechtian 68 film 61–63, 65–66, 68–71, Burkman, Katherine 14, 44, 94 74–76, 79–82, 91 Fowles, John 9, 61–70, 74, Camus, Albert 1, 5–6, 9–11, 46, 76, 80–83, 90–91, 94–95, 59, 82, 85–86, 90–96, 99 97–99 Carpenter, CharlesA. 26, 38, 94 The Aristos 74 Chekhov, Anton 4 The French Lieutenant’s communication 1–2, 8, 30, 35, Woman 9, 65, 69, 83–84, 39–40, 46–48, 50–51, 70 90, 95–96, 99 contemplation 6, 64, 75 friendship 8, 29, 31, 34, 37, cultural 9, 64, 82, 84, 89, 42–43, 45, 47–48, 50–52, 90–91 54–60, 89–90 futility 1, 15, 29, 86 death 5, 15, 30 Derrida, Jacques 51–53, 58, 95 gender 19, 21, 23 desire 5, 18–19, 26, 29–30, 33, Genet, Jean 3–4 35, 37, 39, 43, 55, 61, 63–64, Gillen, Francis 15, 21, 96 68–71, 73, 76–78, 80–82, Goodwin, John 49, 96 87–88, 91 Grice, H. P. 38
DOI: 10.1057/9781137343079 101 102 Index
Hall, Peter 24, 46, 96, 99 Tea Party 59 Hare, David 3, 96 The Basement 59 Henderson, Simon 56, 60, 93 The Birthday Party 2, 7, 9, 12, 14–16, history 3, 9–10, 14, 30, 64, 66 19, 24–29, 31, 33, 37, 84, 87–88, Hutcheon, Linda 64, 96 94, 96–97 The Dumb Waiter 15, 100 Ibsen, Henrik 4 The Dwarfs 8, 45, 47–48, 51, 54–55, identity 21, 30–31, 34, 38, 51–52, 68, 58–59, 86, 89, 96, 98–99 70, 73 The Screenplay of the French illusion 52, 58, 63, 67, 69, 81 Lieutenant’s Woman 61–63, 66, Innes, Christopher 14, 86, 96 68, 70–71, 73–74, 78, 80–82, 93–94, intruder(s) 6–7, 12–15, 17–19, 24, 27, 29, 97–98, 100 32, 42–43, 55, 87 The Homecoming 2, 14, 100 Ionesco, Eugene 4 The Hothouse 2 The Love 2, 100 liberate; libertator 12, 15, 27 The Room 2, 13, 15, 19 literary 2–3, 8, 41, 48, 62, 64–65, 70 Various Voices 13, 27, 31, 40, 98 Lorsch, Susan E. 62, 97 plot 4–5, 7, 31 loyalty 1, 8, 36, 79 political 2, 10, 16, 74, 84, 86, 90 Potter 43, 98 menace 6, 10, 96 metafictional 64–65, 67 Quigley, Austin E. 10, 24, 48, 99 metaphor 54, 62–66, 72, 85 racial 32 metaphorical 8, 62, 66–69, 80 reality 6, 8, 18, 31–32, 52, 54, 58, 64, 67, monologue 36, 38, 41, 55 69, 72, 81, 89, 91 morality 9, 64, 80–82 Reisz, Karel 65–66, 82, 100 revolt 6, 9, 17, 26, 64, 74, 90 narrative 30, 62–67, 70–71, 75, 78, 80–81 Sedgwick, Eve Kosofsky 59, 99 narrator 13, 15, 62–70 self-conscious 49, 51 Nietzsche, Friedrich 46–47, 51, 58–59, 97 self-identification 48 novel 8–9, 48, 50–51, 55, 59, 61–70, 76, silence 31, 45–48, 50–54, 56–59, 74–75 80–82, 89–90 Sisyphus 5–6, 10, 20, 24, 26, 59, 82, 91–92 Oedipus 6, 11 storytelling 63, 67 stranger 5–7, 13–14, 27, 31–34, 36 Pinter, Harold 1–10, 12–17, 19, 21–22, 24–31, 37, 39, 44–48, 50, 52, 54, Theatre of the Absurd 1, 3–6, 9, 56–57, 59, 61–63, 65–71, 74–77, 95, 100 79–82, 84–100 trust 35–37, 44, 51, 88 Betrayal 2 tyranny 7, 9, 12, 64, 73, 84, 88, 90 Kullus 13, 15, 48 victim; victimization; victimized; Landscape 2, 82, 85–86, 97, 100 victimizer 7, 14–17, 19–22, 26–27, Monologue 2, 86 33, 54, 87 Silence 2, 10, 82, 86, 89, 94, Victorian 9, 61–72, 74, 76, 78, 80–81, 96, 100 90–91, 99
DOI: 10.1057/9781137343079 Index 103 violence 18, 21, 89 Wood, Peter 16, 26, 95
Waugh, Patricia 65, 100 Zarhy-Levo, Yael 3, 10, 100
DOI: 10.1057/9781137343079