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Bibliography Adler, Thomas P. “Pinter/Proust/Pinter.” Pinter: Critical Approaches. Ed. Steven H. Gale. Rutherford: Fairleigh Dickinson University Press, 1986. 128–138. Almansi, Guido, and Simon Henderson. Harold Pinter. London: Methuen, 1983. Andretta, Richard. “Harold Pinter’s Technique of Character Revelation in The Caretaker.” Journal of English 11 (1983): 19–47. “Are YOU a Victor Meldrew?” BBC Radio 4. Web. Feb. 2, 2008. Aronson, Ronald. Camus and Sartre. Chicago: Chicago University Press, 2004. Barber, Susanna, and Richard Messer, “The French Lieutenant’s Woman and Individualization,” Literature / Film Quarterly 12 (1984): 225–229. Batty, Mark. About Pinter: The Playwright & the Work. London: Faber and Faber, 2005. Beckett, Samuel. Proust. New York: Grove Press, 1931. ——. The Complete Dramatic Works. London: Faber and Faber Limited, 1990. Begley, Varun. Harold Pinter and the Twilight of Modernism. Toronto: University of Toronto Press, 2005. Benjamin, Walter. Illuminations. Ed. Hannah Arendt. New York: Harcourt, Brace and World, 1968. Bensky, Lawrence. “Interview. The Art of Theater No. 3 Harold Pinter.” The Paris Review: The Art of Theater No. 3.39 (1966). Web. Dec. 20, 2006. Berkowitz, Gerald M. “Pinter’s Revision of The Caretaker.” Journal of Modern Literature 5.1 (1976): 109–116. DOI: 10.1057/9781137343079 93 94 Bibliography Berne, Eric. Games People Play. London: Andre Deutsch, 1966. Billington, Michael. The Life and Work of Harold Pinter. London: Faber and Faber, 1996. Bluestone, George. Novels into Film. Berkeley and Los Angeles: University of California Press, 1957. Brater, Enoch. “Time and Memory in Pinter’s Proust Screenplay.” Comparative Drama 13.2 (1979): 121–126. ——. “The French Lieutenant’s Woman: Screenplay and Adaptation.” Harold Pinter: Critical Approaches. Ed. Steven H. Gale. London; Toronto: Associated University Press, 1986. 139–152. Braunmuller, A. R. “Pinter’s Silence: Experience without Character.” Pinter: Critical Approaches. Ed. Steven H. Gale. Rutherford: Fairleigh Dickinson University Press, 1986. 118–127. Burkman, Katherine. The Dramatic World of Harold Pinter: Its Basis in Ritual. Columbus: Ohio State University Press, 1971. Camus, Albert. Lyrical and Critical Essays. Ed. Philip Thody. Trans. Ellen Conroy Kennedy. New York: Vintage Books, 1970. ——. Selected Essays and Notebooks. Ed. and Trans. Philip Thody. Middlesex, UK: Penguin Books, 1970. ——. The Myth of Sisyphus and Other Essays. Trans. Justin O’Brien. New York: Vintage Books, 1991. ——. “Neither Victims nor Executioners.” Approaches to Peace. Ed. David P. Barash. New York: Oxford University Press, 2000. 181–183. Canby, Vincent. “Review of The French Lieutenant’s Woman.” New York Times. Sept. 18, 1981: sec. C:4. Carpenter, Charles A. “‘What Have I Seen, the Scum or the Essence?’: Symbolic Fallout in Pinter’s The Birthday Party.” Harold Pinter: You Never Heard Such a Silence. Ed. Alan Bold. London: Vision Press, 1984, 93–112. ——. “Quicksand in Pinterland: ‘The Caretaker.’” Arizona Quarterly 33 (1977): 65–75. Clausius, C. “Spatialized Time in Harold Pinter’s Silence.” Pinter Review (1995): 28–40. Corandi, Peter. John Fowles. London; New York: Methuen, 1982. ——. “The French Lieutenant’s Woman: Novel, Screenplay, Film.” Critical Quarterly 24.1 (1982): 41–57. Davidson, David. “Pinter in No Man’s Land: The Proust Screenplay.” Comparative Literature 34.2 (1982): 157–170. DOI: 10.1057/9781137343079 Bibliography 95 Derrida, Jacques. Politics of Friendship. Trans. George Collins. New York: Verso, 1997. Dobrez, Livio. “Beckett, Sartre and Camus: The Darkness and the Light.” Southern Review 7 (1974): 51–63. Dohmen, William F. “Time after Time: Pinter Plays with Disjunctive Chronologies.” Pinter: Critical Approaches. Ed. Steven H. Gale. Rutherford: Fairleigh Dickinson University Press, 1986. 187–200. Dunn, Judy. Children’s Friendship. Malden, MA: Blackwell Publishing, 2004. Durbach, Errol. “‘The Caretaker’: Text and Subtext.”English Studies in Africa 18 (1975): 23–29. Eliot, T. S. The Complete Poems and Plays 1909–1950.New York: Harcourt, Brace and Company, 1958. Erickson, Jon. “Self-objectification and Preservation in Beckett’s Krapp’s Last Tape.” The World of Samuel Beckett. Ed. Joseph H. Smith. Baltimore: Johns Hopkins University Press, 1991. 181–194. Esslin, Martin. “Letter to Peter Wood. Harold Pinter.” Kenyon Review 3.3 (1981): 1–5. ——. The Peopled Wound: The Work of Harold Pinter. New York: Doubleday & Company, Inc., 1970. ——. The Theatre of the Absurd. New York: Vintage Books, 2004. Evans, Gareth and Barbara. Ed. Plays in Review 1956–1980. London: Batsford Academic and Educational (B. T. Batsford), 1985. Eyre, Richard. “Harold Pinter at Seventy.” Harold Pinter: A Celebration. London: Faber and Faber, 2000. vii–x. Fowles, John. The French Lieutenant’s Woman. London: Jonathan Cape, 1969. Gabbard, Lucina Paquet. The Dream Structure of Pinter’s Plays. Cranbury, NJ: Associated University Presses, Inc., 1976. Gale, Steven H. Sharp Cut Harold Pinter’s Screenplays and the Artistic Process. Lexington: University of Kentucky Press, 2003. ——. The Films of Harold Pinter. Albany: State University of New York Press, 2001. Ganz, Arthur. Realms of the Self: Variations on a Theme in Modern Drama. New York: New York University Press, 1980. Gautam, Kripa K. “Pinter’s ‘The Caretaker’ A Study in Conversational Analysis.” Journal of Pragmatics 11.1 (1987): 49–59. DOI: 10.1057/9781137343079 96 Bibliography Giantvalley, Scott. “Toying with The Dwarfs: The Textual Problems with Pinter’s ‘Corrections’.” Harold Pinter Critical Approaches. Ed. Steven H. Gale. Cranbury, NJ: Associated University Presses, 1986. 72–81. Gillen, Francis. “Between Fluidity and Fixity: Harold Pinter’s Novel The Dwarfs.” Pinter Review (1990): 50–60. ——. “Harold Pinter’s ‘The Birthday Party’: Menace Reconsidered.” Harold Pinter: Critical Approaches. Ed. Steven H. Gale. Rutherford: Fairleigh Dickinson University Press, 1986. 38–26. ——. “Introduction to Harold Pinter’s Unpublished Novel: The Dwarfs.” Pinter Review 1 (1987): 1–6. Goodwin, John. Men’s Work and Male Lives. Aldershot, UK: Ashgate Publishing, 1999. Gordon, Lois G. Stratagems to Uncover Nakedness. Columbia, MI: University of Missouri Press, 1969. ——. “Introduction to Harold Pinter’s Unpublished Novel: The Dwarfs.” Pinter Review 1 (1987): 1–6. Gussow, Mel. Conversations with Pinter. New York: Grove Press, 1996. Hall, Ann C. “Looking for Mr. Goldberg: Spectacle and Speculation in Harold Pinter’s The Birthday Party.” Pinter Review (1997): 48–56. Hare, David. “David Hare.” Harold Pinter A Celebration. Intr. by Richard Eyre. London: Faber and Faber, 2000. 17–22. Hayman, Ronald. Harold Pinter. New York: Frederick Ungar Publishing Co., 1973. Herbeck, Jason Ryan. “Awakening Routinists: Consciousness, Quest and Albert Camus.” Diss. University of Wisconsin, Madison, 2002. Higgins, Charlotte. “Pinter bows out as playwright.” Guardian Unlimited Mar. 1, 2005. Jul. 5, 2007 <http://arts.guardian.co.uk/news/ story/0,,1427744,00.html>. Hinchliffe, Arnold P.Harold Pinter. London and Basingstoke: The Macmillan Press Ltd, 1976. Holmes, Frederick M. “The Novel, Illusion, and Reality: The Paradox of Omniscience in The French Lieutenant’s Woman.” Metafiction. Ed. Mark Currie. London; New York: Longman, 1995. 206–220. Hutcheon, Linda. “The ‘Real World(s)’ of Fiction:The French Lieutenant’s Woman.” English Studies in Canada 4.1 (1978): 81–94. Imhof, Rüdiger. “Pinter’s Silence: The Impossibility of Communication.” Modern Drama 17 (1974): 449–460. Innes, Christopher. Modern British Drama: The Twentieth Century. Cambridge, UK: Cambridge University Press, 2002. DOI: 10.1057/9781137343079 Bibliography 97 Jeffrey, Ewan, and David Jeffrey. “I Could Never Quite Get It Together: Lessons for End-of-Life Care in Harold Pinter’s The Caretaker.” Journal of Medical Humanities 33.2 (2012): 117–126. Kirby, E. T. “The Paranoid Pseudo Community In Pinter’sThe Birthday Party.” Educational Theatre Journal30.2 (1978): 157–164. Klein, Joanne. Making Pictures: The Pinter Screenplays. Columbus: Ohio State University Press, 1985. Knowles, Ronald. “The Road to Basingstoke: ‘The Birthday Party’ and the IRA.” Pinter Review (1992): 73–77. Leitch, Thomas.Film Adaptations and Its Discontents. Baltimore: Johns Hopkins University Press, 2007. Lesser, Simon O. “Reflections on Pinter’s The Birthday Party.” Contemporary Literature 13.1 (1972): 34–43. Lorsch, Susan E. “Pinter Fails Fowles: Narration in The French Lieutenant’s Woman.” Literature/Film Quarterly 16.3 (1988): 144–154. Low, Gail. “Streets, Rooms and Residents: The Urban Uncanny and the Poetics of Space in Harold Pinter, Sam Selvon, Colin MacInnes and George Lamming.” Landscape and Empire, 1770–2000. Ed. Glenn Hooper. Burlington, VT: Ashgate Publishing Company, 2005. 159–176. “Luminaries applaud Pinter’s Nobel.” BBC News. Oct. 13, 2005. Web. Nov. 30, 2007. McCrum, Robert. “Cricket: Less a Game, More a Metaphor for a Way of Life.” Guardian. Jul. 19, 2009. Web. Feb. 25, 2013. Mayberry, Bob. The Theatre of Discord. Cranbury, NJ: Associated University Press, 1989. Miller, Mary Jane. “Pinter as Radio Dramatist.” Modern Drama 17 (1974): 403–412. Morgan, Ricki. “The Multiple Nature of Reality in Pinter’sThe Caretaker.” Quarterly Journal of Speech 64.1 (1978): 86–96. Morrison, Kristin. Canters and Chronicles. Chicago: The University of Chicago Press, 1983. Nelson, Katherine. “Self and Social Functions: Individual Autobiographical Memory and Collective Narrative.” Memory 11.2 (2003): 125–136. Nietzsche, Friedrich. Human, All Too Human. Trans.
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  • Literature Translation Fellowship Recipients Number of Grants: 24 of $12,500 Each Total Dollar Amount: $300,000

    Literature Translation Fellowship Recipients Number of Grants: 24 of $12,500 Each Total Dollar Amount: $300,000

    Fiscal Year 2020 Literature Translation Fellowship Recipients Number of Grants: 24 of $12,500 each Total Dollar Amount: $300,000 *Photos of the FY 2020 Translation Fellows and project descriptions follow the list below. Jeffrey Angles, Kalamazoo, MI . Nancy Naomi Carlson, Silver Spring, MD . Jessica Cohen, Denver, CO . Robyn Creswell, New York, NY . Marguerite Feitlowitz, Washington, DC . Gwendolyn Harper, Emeryville, CA . Brian T. Henry, Richmond, VA . William Maynard Hutchins, Todd, NC . Adriana X. Jacobs, New York, NY/Oxford, UK . Bill Johnston, Bloomington, IN . Elizabeth Lowe, Gainesville, FL . Rebekah Maggor, Ithaca, NY . Valerie Miles, Barcelona, Spain . Valzhyna Mort, Ithaca, NY . Armine Kotin Mortimer, Urbana, IL . Suneela Mubayi, New York, NY/Cambridge, UK . Greg Nissan, Tesuque, NM . Allison Markin Powell, New York, NY . Julia Powers, New Haven, CT . Frederika Randall, Rome, Italy . Sherry Roush, State College, PA . James Shea, Hong Kong . Kaija Straumanis, Rochester, NY . Spring Ulmer, Essex, NY Credit: Dirk Skiba Jeffrey Angles, Kalamazoo, MI ($12,500) To support the translation from the Japanese of the collected poems of modernist poet Nakahara Chūya. Chūya's poetry has been set to hundreds of pieces of music, ranging from classical art pieces to pop songs, and he has been the subject of biographies, studies, and creative pieces, including fiction, manga, and an opera libretto. Born in 1907, he published his first collection of poems, Songs of the Goat, when he was 27 and died at age 30 of cerebral meningitis, just before the release of his second book of poems, Songs of Days That Were. While some translations of his poems have appeared in anthologies, journals, and various books, all English translations of Chūya are long out of print.