Bibliography

Bibliography

Bibliography Adler, Thomas P. “Pinter/Proust/Pinter.” Pinter: Critical Approaches. Ed. Steven H. Gale. Rutherford: Fairleigh Dickinson University Press, 1986. 128–138. Almansi, Guido, and Simon Henderson. Harold Pinter. London: Methuen, 1983. Andretta, Richard. “Harold Pinter’s Technique of Character Revelation in The Caretaker.” Journal of English 11 (1983): 19–47. “Are YOU a Victor Meldrew?” BBC Radio 4. Web. Feb. 2, 2008. Aronson, Ronald. Camus and Sartre. Chicago: Chicago University Press, 2004. Barber, Susanna, and Richard Messer, “The French Lieutenant’s Woman and Individualization,” Literature / Film Quarterly 12 (1984): 225–229. Batty, Mark. About Pinter: The Playwright & the Work. London: Faber and Faber, 2005. Beckett, Samuel. Proust. New York: Grove Press, 1931. ——. The Complete Dramatic Works. London: Faber and Faber Limited, 1990. Begley, Varun. Harold Pinter and the Twilight of Modernism. Toronto: University of Toronto Press, 2005. Benjamin, Walter. Illuminations. Ed. Hannah Arendt. New York: Harcourt, Brace and World, 1968. Bensky, Lawrence. “Interview. The Art of Theater No. 3 Harold Pinter.” The Paris Review: The Art of Theater No. 3.39 (1966). Web. Dec. 20, 2006. Berkowitz, Gerald M. “Pinter’s Revision of The Caretaker.” Journal of Modern Literature 5.1 (1976): 109–116. DOI: 10.1057/9781137343079 93 94 Bibliography Berne, Eric. Games People Play. London: Andre Deutsch, 1966. Billington, Michael. The Life and Work of Harold Pinter. London: Faber and Faber, 1996. Bluestone, George. Novels into Film. Berkeley and Los Angeles: University of California Press, 1957. Brater, Enoch. “Time and Memory in Pinter’s Proust Screenplay.” Comparative Drama 13.2 (1979): 121–126. ——. “The French Lieutenant’s Woman: Screenplay and Adaptation.” Harold Pinter: Critical Approaches. Ed. Steven H. Gale. London; Toronto: Associated University Press, 1986. 139–152. Braunmuller, A. R. “Pinter’s Silence: Experience without Character.” Pinter: Critical Approaches. Ed. Steven H. Gale. Rutherford: Fairleigh Dickinson University Press, 1986. 118–127. Burkman, Katherine. The Dramatic World of Harold Pinter: Its Basis in Ritual. Columbus: Ohio State University Press, 1971. Camus, Albert. Lyrical and Critical Essays. Ed. Philip Thody. Trans. Ellen Conroy Kennedy. New York: Vintage Books, 1970. ——. Selected Essays and Notebooks. Ed. and Trans. Philip Thody. Middlesex, UK: Penguin Books, 1970. ——. The Myth of Sisyphus and Other Essays. Trans. Justin O’Brien. New York: Vintage Books, 1991. ——. “Neither Victims nor Executioners.” Approaches to Peace. Ed. David P. Barash. New York: Oxford University Press, 2000. 181–183. Canby, Vincent. “Review of The French Lieutenant’s Woman.” New York Times. Sept. 18, 1981: sec. C:4. Carpenter, Charles A. “‘What Have I Seen, the Scum or the Essence?’: Symbolic Fallout in Pinter’s The Birthday Party.” Harold Pinter: You Never Heard Such a Silence. Ed. Alan Bold. London: Vision Press, 1984, 93–112. ——. “Quicksand in Pinterland: ‘The Caretaker.’” Arizona Quarterly 33 (1977): 65–75. Clausius, C. “Spatialized Time in Harold Pinter’s Silence.” Pinter Review (1995): 28–40. Corandi, Peter. John Fowles. London; New York: Methuen, 1982. ——. “The French Lieutenant’s Woman: Novel, Screenplay, Film.” Critical Quarterly 24.1 (1982): 41–57. Davidson, David. “Pinter in No Man’s Land: The Proust Screenplay.” Comparative Literature 34.2 (1982): 157–170. DOI: 10.1057/9781137343079 Bibliography 95 Derrida, Jacques. Politics of Friendship. Trans. George Collins. New York: Verso, 1997. Dobrez, Livio. “Beckett, Sartre and Camus: The Darkness and the Light.” Southern Review 7 (1974): 51–63. Dohmen, William F. “Time after Time: Pinter Plays with Disjunctive Chronologies.” Pinter: Critical Approaches. Ed. Steven H. Gale. Rutherford: Fairleigh Dickinson University Press, 1986. 187–200. Dunn, Judy. Children’s Friendship. Malden, MA: Blackwell Publishing, 2004. Durbach, Errol. “‘The Caretaker’: Text and Subtext.”English Studies in Africa 18 (1975): 23–29. Eliot, T. S. The Complete Poems and Plays 1909–1950.New York: Harcourt, Brace and Company, 1958. Erickson, Jon. “Self-objectification and Preservation in Beckett’s Krapp’s Last Tape.” The World of Samuel Beckett. Ed. Joseph H. Smith. Baltimore: Johns Hopkins University Press, 1991. 181–194. Esslin, Martin. “Letter to Peter Wood. Harold Pinter.” Kenyon Review 3.3 (1981): 1–5. ——. The Peopled Wound: The Work of Harold Pinter. New York: Doubleday & Company, Inc., 1970. ——. The Theatre of the Absurd. New York: Vintage Books, 2004. Evans, Gareth and Barbara. Ed. Plays in Review 1956–1980. London: Batsford Academic and Educational (B. T. Batsford), 1985. Eyre, Richard. “Harold Pinter at Seventy.” Harold Pinter: A Celebration. London: Faber and Faber, 2000. vii–x. Fowles, John. The French Lieutenant’s Woman. London: Jonathan Cape, 1969. Gabbard, Lucina Paquet. The Dream Structure of Pinter’s Plays. Cranbury, NJ: Associated University Presses, Inc., 1976. Gale, Steven H. Sharp Cut Harold Pinter’s Screenplays and the Artistic Process. Lexington: University of Kentucky Press, 2003. ——. The Films of Harold Pinter. Albany: State University of New York Press, 2001. Ganz, Arthur. Realms of the Self: Variations on a Theme in Modern Drama. New York: New York University Press, 1980. Gautam, Kripa K. “Pinter’s ‘The Caretaker’ A Study in Conversational Analysis.” Journal of Pragmatics 11.1 (1987): 49–59. DOI: 10.1057/9781137343079 96 Bibliography Giantvalley, Scott. “Toying with The Dwarfs: The Textual Problems with Pinter’s ‘Corrections’.” Harold Pinter Critical Approaches. Ed. Steven H. Gale. Cranbury, NJ: Associated University Presses, 1986. 72–81. Gillen, Francis. “Between Fluidity and Fixity: Harold Pinter’s Novel The Dwarfs.” Pinter Review (1990): 50–60. ——. “Harold Pinter’s ‘The Birthday Party’: Menace Reconsidered.” Harold Pinter: Critical Approaches. Ed. Steven H. Gale. Rutherford: Fairleigh Dickinson University Press, 1986. 38–26. ——. “Introduction to Harold Pinter’s Unpublished Novel: The Dwarfs.” Pinter Review 1 (1987): 1–6. Goodwin, John. Men’s Work and Male Lives. Aldershot, UK: Ashgate Publishing, 1999. Gordon, Lois G. Stratagems to Uncover Nakedness. Columbia, MI: University of Missouri Press, 1969. ——. “Introduction to Harold Pinter’s Unpublished Novel: The Dwarfs.” Pinter Review 1 (1987): 1–6. Gussow, Mel. Conversations with Pinter. New York: Grove Press, 1996. Hall, Ann C. “Looking for Mr. Goldberg: Spectacle and Speculation in Harold Pinter’s The Birthday Party.” Pinter Review (1997): 48–56. Hare, David. “David Hare.” Harold Pinter A Celebration. Intr. by Richard Eyre. London: Faber and Faber, 2000. 17–22. Hayman, Ronald. Harold Pinter. New York: Frederick Ungar Publishing Co., 1973. Herbeck, Jason Ryan. “Awakening Routinists: Consciousness, Quest and Albert Camus.” Diss. University of Wisconsin, Madison, 2002. Higgins, Charlotte. “Pinter bows out as playwright.” Guardian Unlimited Mar. 1, 2005. Jul. 5, 2007 <http://arts.guardian.co.uk/news/ story/0,,1427744,00.html>. Hinchliffe, Arnold P.Harold Pinter. London and Basingstoke: The Macmillan Press Ltd, 1976. Holmes, Frederick M. “The Novel, Illusion, and Reality: The Paradox of Omniscience in The French Lieutenant’s Woman.” Metafiction. Ed. Mark Currie. London; New York: Longman, 1995. 206–220. Hutcheon, Linda. “The ‘Real World(s)’ of Fiction:The French Lieutenant’s Woman.” English Studies in Canada 4.1 (1978): 81–94. Imhof, Rüdiger. “Pinter’s Silence: The Impossibility of Communication.” Modern Drama 17 (1974): 449–460. Innes, Christopher. Modern British Drama: The Twentieth Century. Cambridge, UK: Cambridge University Press, 2002. DOI: 10.1057/9781137343079 Bibliography 97 Jeffrey, Ewan, and David Jeffrey. “I Could Never Quite Get It Together: Lessons for End-of-Life Care in Harold Pinter’s The Caretaker.” Journal of Medical Humanities 33.2 (2012): 117–126. Kirby, E. T. “The Paranoid Pseudo Community In Pinter’sThe Birthday Party.” Educational Theatre Journal30.2 (1978): 157–164. Klein, Joanne. Making Pictures: The Pinter Screenplays. Columbus: Ohio State University Press, 1985. Knowles, Ronald. “The Road to Basingstoke: ‘The Birthday Party’ and the IRA.” Pinter Review (1992): 73–77. Leitch, Thomas.Film Adaptations and Its Discontents. Baltimore: Johns Hopkins University Press, 2007. Lesser, Simon O. “Reflections on Pinter’s The Birthday Party.” Contemporary Literature 13.1 (1972): 34–43. Lorsch, Susan E. “Pinter Fails Fowles: Narration in The French Lieutenant’s Woman.” Literature/Film Quarterly 16.3 (1988): 144–154. Low, Gail. “Streets, Rooms and Residents: The Urban Uncanny and the Poetics of Space in Harold Pinter, Sam Selvon, Colin MacInnes and George Lamming.” Landscape and Empire, 1770–2000. Ed. Glenn Hooper. Burlington, VT: Ashgate Publishing Company, 2005. 159–176. “Luminaries applaud Pinter’s Nobel.” BBC News. Oct. 13, 2005. Web. Nov. 30, 2007. McCrum, Robert. “Cricket: Less a Game, More a Metaphor for a Way of Life.” Guardian. Jul. 19, 2009. Web. Feb. 25, 2013. Mayberry, Bob. The Theatre of Discord. Cranbury, NJ: Associated University Press, 1989. Miller, Mary Jane. “Pinter as Radio Dramatist.” Modern Drama 17 (1974): 403–412. Morgan, Ricki. “The Multiple Nature of Reality in Pinter’sThe Caretaker.” Quarterly Journal of Speech 64.1 (1978): 86–96. Morrison, Kristin. Canters and Chronicles. Chicago: The University of Chicago Press, 1983. Nelson, Katherine. “Self and Social Functions: Individual Autobiographical Memory and Collective Narrative.” Memory 11.2 (2003): 125–136. Nietzsche, Friedrich. Human, All Too Human. Trans.

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