Download This Article
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Arabic for Dummies Nada Shaath
Arabic for Dummies Nada Shaath Bell High School Bell, California 2007- 2008 What is the Arabic Language? An alphabetical Language with 28 letters Has its own alphabetical characters Of Semitic origin (root) Spoken by about 186 million people in 28 countries Considered a very difficult language due to its vast vocabulary and special grammatical characteristics Can be classified into 3 forms: Classical Arabic Modem Standard Arabic Local dialects Hello ﻣﺮﺣﺒﺎ The root of Arabic (Greetings (Peace be upon you اﻟﺴﻼم ﻋﻠﻴﻜﻢ Arabic alphabet Arabic alphabet Arabic alphabet: History The Arabic alphabet was used to write the Nabataean dialect of Aramaic, The first known text in the Arabic alphabet is a late fourth-century inscription from Jabal Ramm (50 km east of Aqaba), but the first dated one is a trilingual inscription at Zebed in Syria from 512. The epigraphic record is extremely sparse, with only five certainly pre- Islamic Arabic inscriptions surviving, though some others may be pre- Islamic. Good morning ﺻﺒﺎح اﻟﺨﻴﺮ Arabic alphabet: Structure 28 basic letters and Is written from right to left. There is no difference between written and printed letters The writing is unicase (i.e. the concept of upper and lower case letters does not exist). Most of the letters are attached to one another. The Arabic alphabet is an impure abjad (Good day (evening ﻣﺴﺎء اﻟﺨﻴﺮ “Dots” in the Arabic alphabet Arabs relied on their extensive knowledge of their language to distinguish one letter from another having the same shape. Later “Dots” were added above and below the letters to differentiate them The first surviving document that definitely uses these dots is also the first surviving Arabic papyrus, dated April 643. -
Références D'articles Ou De Textes Courts Classées Par Périodiques Ou Recueils
Interrogation de la banque de données Limag le jeudi 16 septembre 1999 Références d'articles ou de textes courts classées par périodiques ou recueils Copyright Charles Bonn & CICLIM Abréviation: CR = Compte-rendu. N.B.: Les sites internet éventuels sont soit celui du périodique, soit celui de l'article. Celui de l'article permet d'en trouver le texte lui-même en ligne, quoique le plus souvent sans sa mise en pages. Les lois habituelles du copyright s'appliquent, dans ce cas, à la copie et à la diffusion de cet article, et le programme Limag ne saurait être tenu responsable du non-respect de ces lois. A.L.A. Bulletin. A Publication of the African Literature Association. African Literature Association. 1998 Numéro: 24 BEN JELLOUN, Tahar. (Interview). ACHOUR, Christiane. (Dir.). Cahiers Jamel Eddine Bencheikh. Savoir et imaginaire. Paris, L'Harmattan/Université Paris 13, ISBN 2-7384-6804-7 1998 Jamel-Eddine Bencheikh: Notice bio-bibliographique. p. 227-228. ACHOUR, Christiane. ALI-BENALI, Zineb. p. 181-186. Celles qui apprivoisent les étoiles et forgent les libertés: Kahina, Fatma et Hassiba. AMRANI, Djamal. p. 15-16. Bivouac des certitudes. BELHADJ-YAHIA, Emna. p. 219-221. Ecoute et exigence. BONN, Charles. p. 103-109. Ecriture romanesque, lectures idéologiques et discours d'identité au Maghreb: une parole problématique. 1998 BOUCHENTOUF-SIAGH, Zohra. p. 149-157. Migrants et choix de sépulture en terre d'accueil: moment zéro de l'"intégration"? CHAULET-ACHOUR, Christiane. p. 73-86. Clés et miroirs. Résurgences des "Nuits". CHAULET-ACHOUR, Christiane. p. 17-21. Présentation. CHITOUR, Marie-Françoise. p. 187-201. -
Cruzando Fronteras: Imágenes Literarias De La Migración Marroquí a España
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Universidad Carlos III de Madrid e-Archivo UNIVERSIDAD CARLOS III DE MADRID TESIS DOCTORAL Cruzando fronteras: imágenes literarias de la migración marroquí a España. Una lectura comparatista. Autor: Nasima Nisha Akaloo Director/es: Domingo Sánchez-Mesa Martínez y David Conte Imbert HUMANIDADES: FILOSOFÍA, LENGUAJE Y LITERATURA Getafe, mayo de 2012 2 TESIS DOCTORAL CRUZANDO FRONTERAS: IMÁGENES LITERARIAS DE LA MIGRACIÓN MARROQUÍ A ESPAÑA. UNA LECTURA COMPARATISTA. Autor: Nasima Nisha Akaloo Directores: Domingo Sánchez-Mesa Martínez y David Conte Firma del Tribunal Calificador: Firma Presidente: Vocal: Vocal: Vocal: Secretario: Calificación: Getafe, de de 3 4 Índice 1. Introducción................................................................................................................ 9 1.1. Vigilando las fronteras de la identidad española....................................................... 9 1.2. El recorrido de algunos términos clave ................................................................... 17 1.3. Marruecos como caso de estudio............................................................................. 24 1.4. Génesis, objetivos y estructura de trabajo ............................................................... 30 1.5. Conceptos culturales en circulación ........................................................................ 41 Capítulo 2. La migración y la literatura.................................................................... -
Eastern Aspects of Kazakh International Literary Relations
Eastern Aspects of Kazakh International Literary Relations Mukhidin Salkynbayev* Sapashov Oraz** Kunduzay Aubakirova*** Abstract The comprehension of Kazakh-Arabic cultural and literary relations creates conditions for the expansion and development of our art of speech and the tradition of Kazakh-Arabic cultural relation which has continued from the ancient times up to the present day from the theoretical-scholarly point of view. We can notice the interconnection that has brittlely but been tightly embroidered by the brilliant, Eastern literary masterpieces in the samples of Kazakh oral literature, poems of orators and in the works of Abay, Ybyray, Shakarim, Mashhur Jusip. For instance, the issue of love in the many Arabic ethnical poems and epic poems like “Arabian Nights”, “Layla and Majnun”, “Yusuf and Zliha”, “Sefulmalik” were known among Kazakh people in past. While reviewing the history of development and origin of the Kazakh-Arabic literary relation, the purely Arabic motives were determined between tendencies in works of Kazakh illuminators as Ybyrai Altynsarin and Abay Qunanbayev, which were related as “Eastern”, and their effect were indicated in this article. We found the origin of fables in Kazakh poet’s works with the aim to determine the genesis of the genre of fables in Kazakh literature from Arabic literature. Indisputably, the relevancy of this research work is by proving with certain examples, while comprehending its’ structural and thematically-linked interconnection, the adoption of many fables from Arabic language texts which were previously considered to be the translations of I.Krylov’s works. The positions which had been named “eastern tendencies” until the present were concretized and the influence of classical Arabic literature on Kazakh literature was analyzed from the new theoretical-scholarly basis in this research article. -
Politische Luege Arab
– 10 ا 2006 ام ا آو ا – 20 ذار اء م م اءة دو ا إت " ااق / What I heard about Iraq " م 20 ذار 2006 و اآى ا م ااق . دي ن وا ه إ إء اآى ا ئ ب ااق م 20 ذار م آو ا . وف ات وات ا ى ا إ اأي ام ل ت وأل اا ا وإ ام اآو ا ا – ا أو ا أو ا ار . و ئ ان ادي وا اء أن رك أن اآو زا أداة م آت ، اوض ا أن اى اه . ه ى ام ا آو ا اي م ن و ق دو م /3/20 2006 اءات ا إت " ااق / What I heard about Iraq ". ا د ات ادرة أء ات اة ا و وأء اب، إ إ ادات د ا ا وآ اا اا . و ا ة اب اا 1992 و 2005 ل ات ا . ا ول ة ة " London Review of Books” إ د ات اى، آ أآ 100،000 ة ا . و أ ا ا " Lettre International " ر 68 ر م 2005 . آ اء ا ا ا " What I heard about Iraq in 2005 " د 2005 ة " London Review of Books ". وون اص ا ا www .literaturfestival .com اءة ا ل ان او دب ادي ام ا . آ ء ا آ ، رك، رغ، ا و أى ا، م ا ا س ا ة أ، آ د دور اوا ج ض ار او أس ا ذا. ا ها ااء : Chris Abani, USA/ Nigeria; Ali Abdollahi, Iran; Alireza Abiz, Iran; Darryl Accone, South Africa; David Albahari, Canada; Tariq Ali, UK; Hanan al-Shaykh, Lebanon/ UK; Esther Andradi, Argentina/ Germany; María Teresa Andruetto, Argentina; Michael Augustin, Germany; Paul Auster, USA; Gabeba Baderon, South Africa; Bei Dao, USA/ China; Biyi Bandele, UK; Russell Banks, USA; Shabbir Bannobhei, South Africa; Mohammed Bennis, Morocco; Abbas Beydoun, Lebanon; Martha Brooks, Canada; Peter Cole, Israel/ USA; Bora Ćosi ć, Serbia/ Croatia/ Germany; Edgardo Cozarinsky, Argentina/ France; Mahmoud Darwish, Palestine; Lydia Davis, USA; Siddhartha -
JGI V. 14, N. 2
Journal of Global Initiatives: Policy, Pedagogy, Perspective Volume 14 Number 2 Multicultural Morocco Article 1 11-15-2019 Full Issue - JGI v. 14, n. 2 Follow this and additional works at: https://digitalcommons.kennesaw.edu/jgi Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation (2019) "Full Issue - JGI v. 14, n. 2," Journal of Global Initiatives: Policy, Pedagogy, Perspective: Vol. 14 : No. 2 , Article 1. Available at: https://digitalcommons.kennesaw.edu/jgi/vol14/iss2/1 This Article is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Journal of Global Initiatives: Policy, Pedagogy, Perspective by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Multicultural Morocco JOURNAL of GLOBAL INITIATIVES POLICY, PEDAGOGY, PERSPECTIVE 2019 VOLUME 14 NUMBER 2 Journal of global Initiatives Vol. 14, No. 2, 2019, pp.1-28. The Year of Morocco: An Introduction Dan Paracka Marking the 35th anniversary of Kennesaw State University’s award-winning Annual Country Study Program, the 2018-19 academic year focused on Morocco and consisted of 22 distinct educational events, with over 1,700 people in attendance. It also featured an interdisciplinary team-taught Year of Morocco (YoM) course that included a study abroad experience to Morocco (March 28-April 7, 2019), an academic conference on “Gender, Identity, and Youth Empowerment in Morocco” (March 15-16, 2019), and this dedicated special issue of the Journal of Global Initiatives. Most events were organized through six different College Spotlights titled: The Taste of Morocco; Experiencing Moroccan Visual Arts; Multiple Literacies in Morocco; Conflict Management, Peacebuilding, and Development Challenges in Morocco, Moroccan Cultural Festival; and Moroccan Solar Tree. -
The Festive Sacred and the Fetish of Trance Performing the Sacred at the Essaouira Gnawa Festival Le Sacré Festif Et La Transe Fétiche
Gradhiva Revue d'anthropologie et d'histoire des arts 7 | 2008 Le possédé spectaculaire The Festive Sacred and the Fetish of Trance Performing the Sacred at the Essaouira Gnawa Festival Le sacré festif et la transe fétiche. La performance du sacré au festival gnaoua et musiques du monde d’Essaouira Deborah Kapchan Electronic version URL: http://journals.openedition.org/gradhiva/1014 DOI: 10.4000/gradhiva.1014 ISSN: 1760-849X Publisher Musée du quai Branly Jacques Chirac Printed version Date of publication: 15 May 2008 Number of pages: 52-67 ISBN: 978-2-915133-86-8 ISSN: 0764-8928 Electronic reference Deborah Kapchan, « The Festive Sacred and the Fetish of Trance », Gradhiva [Online], 7 | 2008, Online since 15 May 2011, connection on 19 April 2019. URL : http://journals.openedition.org/gradhiva/1014 ; DOI : 10.4000/gradhiva.1014 © musée du quai Branly Fig. 1 Spectacle gnawa au « festival gnaoua et musiques du monde d’Essaouira », 24 juin 2006. © Pierre-Emmanuel Rastoin (P. E. R.). Dossier The Festive Sacred and the Fetish of Trance Performing the Sacred at the Essaouira Gnawa Festival of World Music Deborah Kapchan t is late June 1999 and I am in Essaouira, Morocco, it still unfolds b-haqq-u u treq-u, in its truth and its path. for the Essaouira Gnawa Festival of World Music. In 2004 I find myself in Essaouira again. There is ano- I The weather is balmy, but the wind of this coastal ther conference — this time on religion and slavery — city blows so hard that the festival-goers clasp their organized by another scholar, historian Mohammed scarves tightly around them. -
Karima LAACHIR University of London
25 Beyond Language Determinism: Multilingual Literary Traditions in Morocco Karima LAACHIR University of London Linguistic and cultural diversity in the Maghreb have not been explored adequately in the field of literary and cultural studies. This paper raises the problematic separation of the Moroccan novel written in Arabic and French in literary and critical studies. It provides a critique of the way Moroccan novels in French have been excluded from the literary field of Arabic literature despite their strong affiliation with the cultural history of Arabic literature. In the field of Francophone studies, the focus on Moroccan novel in French has completely excluded Moroccan novels in Arabic which has resulted in a shallow conception of the transmitted cultural heritage and in obscuring the cultural histories from which these texts emerge. It also obscures the “cohabitation” of French with other languages in the region (Dobie 2003: 33). This paper argues against these dominant reading practices that are based on linguistic determinism as they have contributed to the marginalisation of Moroccan literary traditions within dominant literary systems such as the Francophone/French or Arabic traditions and therefore, have obscured the cultural, linguistic and historical entanglement of these multilingual literary traditions. Morocco’s complex multilingual scene predated French and Spanish colonialism (1912- 1956) as languages such as Darija or spoken Moroccan Arabic, Fusha or standard Arabic and various spoken dialects of Amazigh, as well as Judeo-Arabic and Judeo-Spanish shaped the oral and written cultures of Morocco. The arrival of French and Spanish languages further complicated the picture, particularly as the French pursued a colonial policy of imposing French as the sole language of education and administration. -
Jahrestag Der Politischen Lüge Russisch
Берлин , 21 февраля 2006 г. Годовщина Политической Лжи – 20 марта Призыв к всемирным чтениям « Что я слышал об Ираке » Элиота Вайнбергера 20 марта 2006 г. в честь третьей годовщины начала войны Фонд Искусства и Политики Петера Вайсс , расположенный в Берлине , рассылает призыв объявить двадцатое марта ( третья годовщина начала войны в Ираке ) Годовщиной Политической Лжи . Мероприятия, приуроченные к этому дню , должны служить ознакомлению с содержанием и формами политических сообщений и обличению и критике политической лжи доступными методами – в науке и искусстве и в форме карикатуры . Хотя уже в самом начале двадцать первого века стало ясно , что ложь по - прежнему входит в арсенал некоторых политических движений , в тоже время нужно обратить внимание на стойкость оппозиции . Первая Годовщина Политической Лжи будет отмечаться двадцатого марта 2006 г. в разных городах по всему миру, и в число запланированных мероприятий входят чтения « Что я слышал об Ираке » Элиота Вайнбергера . Текст составляют высказывания , сделанные служащими Американской администрации и их союзниками вплоть до начала войны , а затем их же высказывания после начала войны , наряду с высказываниями американских солдат и мирных граждан Ирака . Это история войны в Ираке , рассказанная фразами из речей политиков с 1992 г. по январь 2005 г. После того как текст был опубликован в London Review of Books, он стал наиболее часто посещаемой статьей на вебсайте журнала и был воспроизведен на 100,000 других вебсайтов . Кромк того он был переведен на многие другие языки мира . Продолжение статьи , «Что я слышал об Ираке 2005», было опубликовано в London Review of Books в декабре 2005 г. На сайте www.literaturfestival.com Вы можете познакомиться с оригинальной версией обоих текстов . -
Arabic Text. 2. Translation and Notes. MUFADDAL
MUFADDAL IBN MUHAMMAD. - -- comp. The Mufaddaliyat; an anthology of ancient Arabian odes compiled ... according to the recension and with the commentary of Abu Muhammad al -Qasim ibn Muhammad al- Anbari. Ed. for the first time by C.J. Lyall. 3 vols. Oxford. Mc.3.41 . 1. Arabic text. 1921. 2. Translation and notes. 1918. 3. Indexes to the Arabic text. Comp. by A.A. Bevan. [ "E.J.W. Gibb Mem." Ser. N.S.3.] 1924. - -- comp. [al- Mufaddaliyat. Ed. with notes by A.M. Shakir and CA.M. Harun. 2nd ed.] [Cairo] 1952. Islamic Lib. MUFADDAL IBN SAID IBN AL- HUSAIN, Mafarrukhi. See MAFARRUKHI (MUFADDAL IBN SAeD IBN AL- HUSAIN). MUFADDAL IBN SALAMA (ABII TÁLIB AL -). - -- Ancient Arabian musical instruments, as described by Al- MufaVal ibn Salama (9th century) in the unique Istanbul manuscript of the ::itab al- malahi in the handwriting of Yaqut al -Musta tsimi (d. 1298). Text in facsimile and translation edited with notes by J. Robson ... including notes on the instruments by H.G. Farmer. [Coll. of Orient. Writers on Music, 4.] Glasgow, 1938. Zs.2.20. MUFAZZAL IBN ABI'L- FAZÁ'IL. See MOUFAZZAL IBN ABIL- FAZAIL. MUFF (CHR.). - -- Idealismus. 4te verm. Aufl. Halle a.S., 1907. *X.14.46. MUFFET (PETER). --- A commentary on the ... Book of Proverbs. [Nicholls Comm.] Edin., 1868. Bound in Yi.2.10. ADDITIONS HUYE (JANET). - -- ed. Socialization, sexism, and stereotyping; women's issues in nursing. St. Louie, 1962. .61073(73) W. MUFFETT (D.J.M.). - -- Concerning brave captains; being a history of the British occupation of Kano and Sokoto, and of the last stand of the Fulani forces. -
The Pennsylvania State University
The Pennsylvania State University The Graduate School College of the Liberal Arts CONNECTING NORTH AND SUB-SAHARAN AFRICA THROUGH LITERATURE, FILM, AND MUSIC A Dissertation in Comparative Literature by Ziad Bentahar © 2009 Ziad Bentahar Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2009 ii The dissertation of Ziad Bentahar was reviewed and approved* by the following: Thomas A. Hale Edwin Erle Sparks Professor of African, French, and Comparative Literature Dissertation Advisor Chair of Committee Thomas O. Beebee Distinguished Professor of Comparative Literature and German Reiko Tachibana Associate Professor of Comparative Literature, Japanese, and Asian Studies Gabeba Baderoon Assistant Professor of Women‘s Studies and African and African American Studies, and affiliate faculty member of Comparative Literature Jonathan E. Brockopp Associate Professor of History and Religious Studies Mildred Mortimer Professor of French, University of Colorado at Boulder Special Member Caroline D. Eckhardt Professor of Comparative Literature and English Head of the Department of Comparative Literature *Signatures are on file in the Graduate School iii ABSTRACT An unresolved issue in African literary studies is whether North and sub-Saharan Africa are disconnected from one another, or whether they share elements that can further our understanding of the cultures from which they emerge. Since the mid-twentieth century, due to growing interest in Islam and the Arab world on the global scene, the Arab side of North African identity has been given paramount recognition. More often than not, North Africa is considered part of the Middle East rather than an integral member of an African community, although in spite of shifting political winds in recent years, the literatures that have emerged from North Africa have been firmly embedded in African literary traditions since antiquity, and share strong links with their sub-Saharan counterparts. -
Intercultural Representations of Diasporic Amazigh (Berber) Writers In/From the Netherlands
Intercultural Representations of Diasporic Amazigh (Berber) Writers in/from the Netherlands Cristián H. Ricci, University of California, Merced/Pontificia Universidad Católica de Chile Abstract: The purpose of this article is to reconceptualise the idea of an Amazigh literature with regard to the transnational and plurilingual experiences from which this literature arises. Along these lines, the second generation of Amazigh writers born in the Netherlands – and/or those who migrated when they were children – rejects the label of writing ethnic literature, and/or being categorised under the umbrella of Dutch authors of Moroccan descent. Keywords: Moroccan literature / Marokkaanse literatuur, Dutch literature / Nederlandse literatuur, Migration / Migratie, Riff/Amazigh Journal of Dutch Literature, 8.2 (2017), 30-46 Intercultural Representations of Diasporic Amazigh (Berber) Writers in/from the Netherlands 31 Through a study of two literary texts, I question the ideological construction of migration literature in its role of ‘enriching complement’ to national literatures. The authors studied, Abdelkader Benali and Hafid Bouazza, both subvert and consolidate the discursive construct ‘migrant’ through the use of creative/ productive stereotypes that interact with and subvert the social imaginary and dominant discursive representations made by Europeans about North Africans (particularly Moroccan/Imazighen).1 This article therefore calls into question binary representations and interrogates the image foreigner/native in integration and migration