Event Calendar March - April 2013
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Références D'articles Ou De Textes Courts Classées Par Périodiques Ou Recueils
Interrogation de la banque de données Limag le jeudi 16 septembre 1999 Références d'articles ou de textes courts classées par périodiques ou recueils Copyright Charles Bonn & CICLIM Abréviation: CR = Compte-rendu. N.B.: Les sites internet éventuels sont soit celui du périodique, soit celui de l'article. Celui de l'article permet d'en trouver le texte lui-même en ligne, quoique le plus souvent sans sa mise en pages. Les lois habituelles du copyright s'appliquent, dans ce cas, à la copie et à la diffusion de cet article, et le programme Limag ne saurait être tenu responsable du non-respect de ces lois. A.L.A. Bulletin. A Publication of the African Literature Association. African Literature Association. 1998 Numéro: 24 BEN JELLOUN, Tahar. (Interview). ACHOUR, Christiane. (Dir.). Cahiers Jamel Eddine Bencheikh. Savoir et imaginaire. Paris, L'Harmattan/Université Paris 13, ISBN 2-7384-6804-7 1998 Jamel-Eddine Bencheikh: Notice bio-bibliographique. p. 227-228. ACHOUR, Christiane. ALI-BENALI, Zineb. p. 181-186. Celles qui apprivoisent les étoiles et forgent les libertés: Kahina, Fatma et Hassiba. AMRANI, Djamal. p. 15-16. Bivouac des certitudes. BELHADJ-YAHIA, Emna. p. 219-221. Ecoute et exigence. BONN, Charles. p. 103-109. Ecriture romanesque, lectures idéologiques et discours d'identité au Maghreb: une parole problématique. 1998 BOUCHENTOUF-SIAGH, Zohra. p. 149-157. Migrants et choix de sépulture en terre d'accueil: moment zéro de l'"intégration"? CHAULET-ACHOUR, Christiane. p. 73-86. Clés et miroirs. Résurgences des "Nuits". CHAULET-ACHOUR, Christiane. p. 17-21. Présentation. CHITOUR, Marie-Françoise. p. 187-201. -
Politische Luege Arab
– 10 ا 2006 ام ا آو ا – 20 ذار اء م م اءة دو ا إت " ااق / What I heard about Iraq " م 20 ذار 2006 و اآى ا م ااق . دي ن وا ه إ إء اآى ا ئ ب ااق م 20 ذار م آو ا . وف ات وات ا ى ا إ اأي ام ل ت وأل اا ا وإ ام اآو ا ا – ا أو ا أو ا ار . و ئ ان ادي وا اء أن رك أن اآو زا أداة م آت ، اوض ا أن اى اه . ه ى ام ا آو ا اي م ن و ق دو م /3/20 2006 اءات ا إت " ااق / What I heard about Iraq ". ا د ات ادرة أء ات اة ا و وأء اب، إ إ ادات د ا ا وآ اا اا . و ا ة اب اا 1992 و 2005 ل ات ا . ا ول ة ة " London Review of Books” إ د ات اى، آ أآ 100،000 ة ا . و أ ا ا " Lettre International " ر 68 ر م 2005 . آ اء ا ا ا " What I heard about Iraq in 2005 " د 2005 ة " London Review of Books ". وون اص ا ا www .literaturfestival .com اءة ا ل ان او دب ادي ام ا . آ ء ا آ ، رك، رغ، ا و أى ا، م ا ا س ا ة أ، آ د دور اوا ج ض ار او أس ا ذا. ا ها ااء : Chris Abani, USA/ Nigeria; Ali Abdollahi, Iran; Alireza Abiz, Iran; Darryl Accone, South Africa; David Albahari, Canada; Tariq Ali, UK; Hanan al-Shaykh, Lebanon/ UK; Esther Andradi, Argentina/ Germany; María Teresa Andruetto, Argentina; Michael Augustin, Germany; Paul Auster, USA; Gabeba Baderon, South Africa; Bei Dao, USA/ China; Biyi Bandele, UK; Russell Banks, USA; Shabbir Bannobhei, South Africa; Mohammed Bennis, Morocco; Abbas Beydoun, Lebanon; Martha Brooks, Canada; Peter Cole, Israel/ USA; Bora Ćosi ć, Serbia/ Croatia/ Germany; Edgardo Cozarinsky, Argentina/ France; Mahmoud Darwish, Palestine; Lydia Davis, USA; Siddhartha -
PERSONS • of the YEAR • Muslimthe 500 the WORLD’S 500 MOST INFLUENTIAL MUSLIMS • 2018 •
PERSONS • OF THE YEAR • MuslimThe 500 THE WORLD’S 500 MOST INFLUENTIAL MUSLIMS • 2018 • MuslimThe 500 THE WORLD’S 500 MOST INFLUENTIAL MUSLIMS • 2018 • C The Muslim 500: 2018 Chief Editor: Prof S Abdallah Schleifer The World’s 500 Most Influential Muslims, 2018 Deputy Chief Editor: Ms Farah El-Sharif ISBN: 978-9957-635-14-5 Contributing Editor: Dr Tarek Elgawhary Editor-at-Large: Mr Aftab Ahmed Jordan National Library Deposit No: 2017/10/5597 Editorial Board: Dr Minwer Al-Meheid, Mr Moustafa Elqabbany, and Ms Zeinab Asfour © 2017 The Royal Islamic Strategic Studies Centre 20 Sa’ed Bino Road, Dabuq Researchers: Lamya Al-Khraisha, Moustafa Elqabbany, PO BOX 950361 Zeinab Asfour, and M AbdulJaleal Nasreddin Amman 11195, JORDAN http://www.rissc.jo Consultant: Simon Hart All rights reserved. No part of this book may be reproduced Typeset by: M AbdulJaleal Nasreddin or utilized in any form or by any means, electronic or me- chanic, including photocopying or recording or by any in- formation storage and retrieval system, without the prior written permission of the publisher. Views expressed in The Muslim 500 do not necessarily re- flect those of RISSC or its advisory board. Set in Garamond Premiere Pro Printed in The Hashemite Kingdom of Jordan Calligraphy used throughout the book provided courtesy of www.FreeIslamicCalligraphy.com Title page Bismilla by Mothana Al-Obaydi • Contents • page 1 Introduction 5 Persons of the Year—2018 7 Influence and The Muslim 500 9 The House of Islam 21 The Top 50 89 Honourable Mentions 97 The 450 Lists 99 Scholarly -
3. 10 SHANTY Mencari Cinta Sejati (4:05) 4
Disc Bola 1. Judika Sakura (4:12) 2. Firman Esok Kan Masih Ada (3:43) 3. 10 SHANTY Mencari Cinta Sejati (4:05) 4. 14 J ROCK Topeng Sahabat (4:53) 5. Tata AFI Junior feat Rio Febrian There's A Hero (3:26) 6. DSDS Cry On My Shoulder (3:55) 7. Glenn Pengakuan Lelaki Ft.pazto (3:35) 8. Glenn Kisah Romantis (4:23) 9. Guo Mei Mei Lao Shu Ai Da Mi Lao Shu Ai Da Mi (Original Version) (4:31) 10. Indonesian Idol Cinta (4:30) 11. Ismi Azis Kasih (4:25) 12. Jikustik Samudra Mengering (4:24) 13. Keane Somewhere Only We Know (3:57) 14. Once Dealova (4:25) 15. Peterpan Menunggu Pagi [Ost. Alexandria] (3:01) 16. PeterPan Tak Bisakah (3:33) 17. Peterpan soundtrack album menunggu pagi (3:02) 18. Plus One Last Flight Out (3:56) 19. S Club 7 Have You Ever (3:19) 20. Seurieus Band Apanya Dong (4:08) 21. Iwan Fals Selamat Malam, Selamat Tidur Sayang (5:00) 22. 5566 Wo Nan Guo (4:54) 23. Aaron Kwok Wo Shi Bu Shi Gai An Jing De Zou Kai (3:57) 24. Abba Chiquitita (5:26) 25. Abba Dancing Queen (3:50) 26. Abba Fernando (4:11) 27. Ace Of Base The Sign (3:09) 28. Alanis Morissette Uninvited (4:36) 29. Alejandro Sanz & The Corrs Me Iré (The Hardest Day) (4:26) 30. Andy Lau Lian Xi (4:24) 31. Anggun Look Into Yourself (4:06) 32. Anggun Still Reminds Me (3:50) 33. Anggun Want You to Want Me (3:14) 34. -
HUMANITARIAN SITUATION REPORT February 2018
UNICEF IRAQ HUMANITARIAN SITUATION REPORT February 2018 Iraq Humanitarian Situation Report A young student in Baghdad enjoys his school’s new bathroom facilities ©UNICEF/Iraq/2017/Jeelo SITUATION IN NUMBERS Highlights February 2018 • In February, Rapid Response Mechanism (RRM) partners delivered 4 million children in need out of immediate, life-saving emergency supplies to 14,655 individuals on the 8.7 million people affected move, including 8,575 children, across five governorates. UNICEF and (OCHA, HRP 2018) partners also delivered Multi-Sector Emergency Packages (MSEP) to 8,782 individuals in need in retaken areas, including 4,782 children, in Ka’im district, 2.31 million internally displaced people western Anbar, ensuring provision of essential items. (IDP) • UNICEF ensured continued water trucking to 14 neighbourhoods in West 3.51 million people returned to newly- Mosul, ensuring safe water for 54,150 individuals (115,213 children). In accessible areas coordination with the Directorate of Water (DoW) Ninewa and other (IOM, Displacement Tracking Matrix, 28 February 2018) partners, UNICEF continued to fix the water network, intending to eventually eliminate water trucking. Target population in 2018 • Since the start of 2018, UNICEF partners provided psychosocial services Rapid Response: 1,030,000 IDPs (PSS) to 19,262 newly-registered IDP children (9,299 girls), specialized child WASH: 1.3 million people protection services reached 2,424 IDP children (1,170 girls). Education: 450,000 children • In February, the UN launched a two-year Recovery and Resilience Health: 1.2 million children (polio) Programme (RRP) at the International Conference for Reconstruction of Iraq. Child Protection: 186,300 children and The RRP complements the 2018 Humanitarian Response Plan (HRP), and caregivers builds on existing efforts to ensure tangible improvements at the start of the reconstruction process. -
Jahrestag Der Politischen Lüge Russisch
Берлин , 21 февраля 2006 г. Годовщина Политической Лжи – 20 марта Призыв к всемирным чтениям « Что я слышал об Ираке » Элиота Вайнбергера 20 марта 2006 г. в честь третьей годовщины начала войны Фонд Искусства и Политики Петера Вайсс , расположенный в Берлине , рассылает призыв объявить двадцатое марта ( третья годовщина начала войны в Ираке ) Годовщиной Политической Лжи . Мероприятия, приуроченные к этому дню , должны служить ознакомлению с содержанием и формами политических сообщений и обличению и критике политической лжи доступными методами – в науке и искусстве и в форме карикатуры . Хотя уже в самом начале двадцать первого века стало ясно , что ложь по - прежнему входит в арсенал некоторых политических движений , в тоже время нужно обратить внимание на стойкость оппозиции . Первая Годовщина Политической Лжи будет отмечаться двадцатого марта 2006 г. в разных городах по всему миру, и в число запланированных мероприятий входят чтения « Что я слышал об Ираке » Элиота Вайнбергера . Текст составляют высказывания , сделанные служащими Американской администрации и их союзниками вплоть до начала войны , а затем их же высказывания после начала войны , наряду с высказываниями американских солдат и мирных граждан Ирака . Это история войны в Ираке , рассказанная фразами из речей политиков с 1992 г. по январь 2005 г. После того как текст был опубликован в London Review of Books, он стал наиболее часто посещаемой статьей на вебсайте журнала и был воспроизведен на 100,000 других вебсайтов . Кромк того он был переведен на многие другие языки мира . Продолжение статьи , «Что я слышал об Ираке 2005», было опубликовано в London Review of Books в декабре 2005 г. На сайте www.literaturfestival.com Вы можете познакомиться с оригинальной версией обоих текстов . -
Palestine Between Memory and the Anticolonial Art of Resistance
After the Last Frontiers: Palestine Between Memory and the Anticolonial Art of Resistance by Huda Salha A thesis exhibition presented to OCAD University In partial fulfillment of the requirements for the degree of Master of Fine Arts In Interdisciplinary Master’s in Art, Media and Design Toronto, Ontario, Canada, 2020 I Abstract After the Last Frontiers, my thesis exhibition, aims to raise questions about forms of oppression and violence practiced by the oppressive colonial powers in Palestine and, by extension, the world. The thesis explores the possibilities of artists’ contributions to social and political change by shedding light on my motives, narratives, and art practice, and by comparing my artworks to those by artists who have tackled similar issues. The art produced for this thesis exhibition is intended to act as an anticolonial form of resistance and activism. The exhibition consists of installations of objects that represent sites of memory, reviving the collective memory of people and land. In my case, I wish to commemorate the places that were stolen, the over 750,000 displaced Palestinians and their descendants, amounting to millions, the thousands of Palestinians killed since 1948, the hundreds of thousands of acres of olive trees uprooted, and the over 500 Palestinian villages and towns obliterated. Based on relevant historical and archival artifacts, this practice-based thesis underscores the significance of documentation and archival material in memory tracing/maintaining, and its relevance to the Palestinian case, and, in turn, the Israeli hegemonic narrative in the West. II Acknowledgements I acknowledge the ancestral and traditional territories of the Indigenous nations of Canada, “who are the original owners and custodians of the land on which [I] stand and create”(OCADU), the land where I live and raise my children in peace, the land where I have sought refuge. -
Journal Article
Annual Report of the International Whaling Commission 2007 THE INTERNATIONAL WHALING COMMISSION WAS CONSTITUTED UNDER THE INTERNATIONAL CONVENTION FOR THE REGULATION OF WHALING SIGNED AT WASHINGTON ON 2 DECEMBER 1946 International Whaling Commission The Red House, 135 Station Road, Impington, Cambridge, UK, CB24 9NP Tel: +44 (0)1223 233971 Fax: +44 (0)1223 232876 E-mail:[email protected] Cambridge 2008 ISSN: 1561-0721 List of Members of the Commission Contracting Government Adherence Commissioner Appointment Antigua and Barbuda 21/07/82 Mr. A. Liverpool 02/07/04 Argentina 18/05/60 Ambassador E. H. Iglesias 08/02/02 Australia 10/11/48 Ms. D. Petrachenko 09/08/07 Austria 20/05/94 Dr. A. Nouak 09/08/96 Belgium 15/07/04 Mr. A. de Lichtervelde 14/07/04 Belize 17/06/03 Ms. B. Wade 17/05/06 Benin 26/04/02 Mr. J. Ouake 06/05/02 Brazil 04/01/74 Mr. B.P. Velloso 31/08/07 Cambodia 01/06/06 Mr. P. Try 06/06/06 Cameroon 14/06/05 Dr. B. M. Ousman 04/08/05 Chile 06/07/79 Ambassador C. Maquieira 05/06/06 People’s Republic of China 24/09/80 Mr. Li Jianhua 06/06/00 Costa Rica 24/07/81 Dr. R. Dobles-Mora 23/05/07 Côte d’Ivoire 08/07/04 Dr. D. A. Jeanson 16/07/04 Croatia 10/01/07 Mr. Z. Šikić 16/02/07 Cyprus 26/02/07 Ms. M. Hadjichristoforou 13/03/07 Czech Republic 26/01/05 Dr. P. Hycova 17/03/05 Denmark 23/05/50 Mr. -
To Download the Press Kit (PDF)
Shadow Distribution Presents THE SITUATION Written by Wendell Steavenson Directed by Philip Haas Starring Connie Nielsen Damian Lewis Mido Hamada www.thesituationmovie.com 106 minutes Publicity Contact: Distributor Contact: Specialized Publicity, Website, Sasha Berman Shadow Distribution and Group Sales Contact: Shotwell Media P.O. Box 1246 Jackie Papier 2721 2nd St. # 205 Waterville, ME 04903 LJP Entertainment Consultants Santa Monica, CA 90405 Ph. (207) 872-5111 250 The Village #110 Ph. 310-450-5571 F. (207) 872-5502 Redondo Beach, CA 90277 [email protected] [email protected] Ph: 310-488-6003 [email protected] THE SITUATION SHORT SYNOPSIS Combining elements of thriller, romance, and war movie, THE SITUATION, set exclusively in Iraq and the first U.S. feature film to deal with the occupation, dramatizes one of the countless human stories that lie behind the headlines of the current war. When a group of American soldiers throw an Iraqi boy off a bridge in Samarra, the incident sets off a chain of events that exposes the deep rifts among the Iraqis in Samarra and results in yet another cycle of violence between the insurgents and the corrupt Iraqi police. Anna (Connie Nielsen) is an American journalist who decides to write a story about the assassination of an Iraqi leader whom she admires. At the same time, she is pulling away from a relationship with Dan (Damian Lewis), an American intelligence official who thinks the war can be won with hearts and minds, and towards Zaid (Mido Hamada), a young Iraqi photographer who shows her there are people, rather than sides, in the conflict. -
Allah, Allah, Allah: the Role of God in the Arab Version of the Voice
religions Article Allah, Allah, Allah: The Role of God in the Arab Version of The Voice Jan Jaap De Ruiter 1 and Mona Farrag Attwa 1,2,* 1 Tilburg University, 5037 AB Tilburg, The Netherlands; [email protected] 2 Department of Asian Languages and Civilizations, University of Colorado, Boulder, CO 80309, USA * Correspondence: [email protected] Abstract: This article discusses Arabic expressions referring to God, such as inshallah, mashallah, and alhamdulillah in the 2014 season of the Arab version of the talent show The Voice. It discusses the question to what extent these expressions are used by the various actors in the show, in particular its four jury members and three presenters, and it tries to explain why they use them and to what purpose. The analysis is set against the background of the question what the relationship is between ‘language’ (in this case, the various varieties of Arabic) and ‘religion’ (in this case, Christianity and Islam). The analysis yielded nearly 40 Arabic expressions referring to God (Allah or Rabb (Lord)) that together showed up more than 600 times in the 10 episodes of the show that were the object of analysis. The conclusion is that the expressions indeed have ‘religious’ roots but that they have at the same time become part and parcel of not necessarily religiously intended speaking styles expressing all kind of feelings, such as astonishment, surprise, disappointment, etc. This conclusion goes well with observations made in earlier research on the questions at stake. Keywords: expressions referring to God; varieties of Arabic; Arabic talent shows; language and religion Citation: De Ruiter, Jan Jaap, and Mona Farrag Attwa. -
Egypt's Pottery-Making Village an Attraction for Tourists
24 July 16, 2017 Travel www.thearabweekly.com Agenda Marrakech: Through July 31 The Marrakech Festival of Popular Arts and Folklore showcases Moroccan tradi- tions, music, dance and costumes through the ages. There are concerts, exhibitions and Moroccan street troupe performances. El Jem: Through August 12 El Jem Roman Amphitheatre, about 160km south of Tunis, hosts classical musicians from all over the world for the International Festival of Symphony Music of El Jem. In its 32nd year, the festival pro- A corner in one of the fields where tourists enjoy serene times and traditional Egyptian food. (Mohamed Abu Shanab) gramme includes symphonic and orchestral music from Ukraine, Italy, Austria, China and Tunisia. Egypt’s pottery-making village Beiteddine: Through August 12 The Beiteddine Art Festival, an attraction for tourists in Lebanon’s Chouf Moun- tains, includes a variety of performances from opera Mohamed Abu Shanab and concerts to theatre and art exhibitions. The festival Fayoum Oasis welcomes more than 50,000 visitors, as well as numer- othing around the ous star performers. Majida small village of Tu- el-Roumi, Pink Martini and nis in Egypt’s Fayoum Kadim al-Sahir are to perform Oasis, 100km south- at this year’s festival. west of Cairo, suggests Nthe charm awaiting inside. Tunis, Jounieh: named after the Tunisian capital for Through August 15 its geography and architecture, has long established a reputation as a The Jounieh Summer Festival, hub of art and culture known par- set near Jounieh Bay north of ticularly for its handmade pottery. Beirut, includes performances “Part of the charm of the vil- from international artists such lage is that most of the houses are as Michael Bolton. -
The Iraqi Superstar Talks About His Life, His Work and His Role on ‘The Voice’ B Y Adam Grundey the Private World of Kadim Al Sahir
THE IRAQI SUPERstaR TALks ABOUT His LIFE, His WORK AND His ROLE On ‘THE VOICE’ B y ADAM GRUNDEY The Private World of Kadim Al Sahir 58 • Rolling Stone, October 2012 Rolling Stone, October 2012 • 59 kaDIM AL saHIR y problem,” says kadim al sahir, “is played it to my teacher, he asked who’d 1 2 that I’m very emotional.” The Iraqi singer given it to me,” he says. “He wouldn’t be- lieve I’d composed it.” Not long after- and composer is talking specifically about wards, he tried his hand at writing lyrics the challenge of picking contestants for the too. “It was just saying that ‘they’ wanted to keep me away from my guitar, my po- Middle East version of The Voice, for which etry, everything that I loved,” he explains. he’s one of the coaches. But when it comes He admits it was a “pretty heavy” song for to the difficulties resulting from heeding a 13-year-old. By now, Al Sahir had already made up his heart over his head, he could be referring to any one of several areas of his mind that he wanted to be a musician. ‘hisM life: from the trouble it caused him as a kid lost in his own thoughts; His parents weren’t so sure. “No one ac- through his refusal to comply with requests to alter his style to fit the ex- cepted it in the beginning,” he says. “They thought it was a waste of time.” Ignor- 3 pectations of others; to the undefined anxiety that, in recent years, result- ing his parents’ wishes for him to become WORLD TRAVELER ed in a gradual withdrawal from public life – although he still performed a doctor or lawyer, Al Sahir continued to (1) Al Sahir performs at the BBC live – and weeks at a time spent holed up in one of his several homes compose, often finding inspiration in Ara- bic poetry that he read in magazines.