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Shoreline Response to Multi-Scale Oceanic Forcing from Video Imagery Donatus Bapentire Angnuureng
Shoreline response to multi-scale oceanic forcing from video imagery Donatus Bapentire Angnuureng To cite this version: Donatus Bapentire Angnuureng. Shoreline response to multi-scale oceanic forcing from video imagery. Earth Sciences. Université de Bordeaux, 2016. English. NNT : 2016BORD0094. tel-01358567 HAL Id: tel-01358567 https://tel.archives-ouvertes.fr/tel-01358567 Submitted on 1 Sep 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THÈSE PRÉSENTÉE POUR OBTENIR LE GRADE DE DOCTEUR DE L’UNIVERSITÉ DE BORDEAUX ÉCOLE DOCTORALE SPÉCIALITÉ Physique de l’environnement Par Donatus Bapentire Angnuureng Shoreline response to multi-scale oceanic forcing from video imagery Sous la direction de : Nadia Senechal (co-directeur : Rafael Almar) (co-directeur : Bruno Castelle ) (co-directeur :Kwasi Appeaning Addo) Soutenue le 06/07/2016 Membres du jury : M. HALL Nicholas Professor Université de Toulouse Président M. ANTHONY Edward Professor CEREGE, Aix-Provence Rapporteur M. OUILLON Sylvain Professor IRD-LEGOS Rapporteur M.RANASINGHE Roshanka Professor UNESCO-IHE, Pays-Bas Rapporteur Titre : Réponse de shoreline à forçage océanique multi-échelle à partir d’images vidéo Résumé : Le but de cette étude était de développer une méthodologie pour évaluer la résilience des littoraux aux évènements de tempêtes, à des échelles de temps différentes pour une plage située à une latitude moyenne (Biscarrosse, France). -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
1 Breakfast at Tiffany's Truman Capote, 1958 I Am Always Drawn Back To
1 Breakfast at Tiffany's surrounded by photographs of ice-hockey stars, there is always a large bowl of fresh Truman Capote, 1958 flowers that Joe Bell himself arranges with matronly care. That is what he was doing when I came in. I am always drawn back to places where I have lived, the houses and their "Naturally," he said, rooting a gladiola deep into the bowl, "naturally I wouldn't have neighborhoods. For instance, there is a brownstone in the East Seventies where, got you over here if it wasn't I wanted your opinion. It's peculiar. A very peculiar thing during the early years of the war, I had my first New York apartment. It was one room has happened." crowded with attic furniture, a sofa and fat chairs upholstered in that itchy, particular red "You heard from Holly?" velvet that one associates with hot days on a tram. The walls were stucco, and a color He fingered a leaf, as though uncertain of how to answer. A small man with a fine rather like tobacco-spit. Everywhere, in the bathroom too, there were prints of Roman head of coarse white hair, he has a bony, sloping face better suited to someone far ruins freckled brown with age. The single window looked out on a fire escape. Even so, taller; his complexion seems permanently sunburned: now it grew even redder. "I can't my spirits heightened whenever I felt in my pocket the key to this apartment; with all its say exactly heard from her. I mean, I don't know. -
THE MUG RACK in Several Performances Here at Was Good, Wait Until You See Our the Mug Rack Really Is 0 Marian
MUShare The Carbon Campus Newspaper Collection 9-13-1985 The Carbon (September 13, 1985) Marian University - Indianapolis Follow this and additional works at: https://mushare.marian.edu/crbn Recommended Citation Marian University - Indianapolis, "The Carbon (September 13, 1985)" (1985). The Carbon. 234. https://mushare.marian.edu/crbn/234 This Book is brought to you for free and open access by the Campus Newspaper Collection at MUShare. It has been accepted for inclusion in The Carbon by an authorized administrator of MUShare. For more information, please contact [email protected]. THE CARBON VOL. 3, NO. 3, SEPT. 13, 1985 I -fi-1 ') PACKAGE YOURSELF FOR SUCCESS Again this year, the Office job candidate. of Career Placement and the Home 1.Je fee 1 that th i s i s a very Sl-HUEI-T Economics Club are co-sponsoring important opportunity for any a seminar to help students student that mi~ht be seeking develop appropriate job emp 1 oymen t in the next few years ~lllrll~H------ interviewing skills. The first and of particular importance to part of the program will be the graduating seniors • presented by representatives ..,.___fHII: .... _______. from two clothing stor·e~- who will discuss the proper attire "Package Yourself for Success" for interviewing. The second Wednesday, October 2, 1985 part of the program will be Student Board meetings are 7:30 p.m. Library Auditorium presented by two personnel held every Tuesday at 9:00 p.rn. representatives who wi 11 share in the Student Boar·d Room in For further information, with the students what they look please contact Connie Wesner or Cl are Hal 1 across from the for when meeting the potential cafeteria. -
Report of the President Daniel Sher Dean, College of Music University of Colorado-Boulder
NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC 2006 Annual Meeting Report of the President Daniel Sher Dean, College of Music University of Colorado-Boulder Last year our annual meeting centered on the issues of developing a positive future for art music, and we are continuing the theme this year. I chose this subject for my Report to you today, partly because it is surely one of the major challenges we face, and partly because I was inspired by Sam Hope’s beautifully concise and comprehensive paper, “Creating a Positive Future for Art Music,” which I read as a call to arms. In fact, I asked the NASM staff to place another copy of it in your packet again this year with the idea that you may find guidance and inspiration in it, as I have. My train of thought went this way: First, I wondered whether there is any point to considering that there is a cumulative effect to the activities and advocacy each of us engage in at our local level. And then, it occurred to me how important it might be to consider whether our advocacy role depends upon our abil- ity to understand the critically important, but often nuanced differences between music’s intrinsic and extrinsic values. This latter point seems especially important now, given the complex and often over- whelmingly commercial environment for messaging, branding, and marketing in which we live. I’ll frame these two issues by asking two fundamental questions: First, “What is our message?” Second, “How do we best advance it?” Given the challenges in messaging I referred to a moment ago, it seems essential that, first and foremost, we try our best to understand what comprises music’s intrinsic values, so as not to confuse them with extrinsic ones. -
Gray Area: Thinking with a Damaged Brain
LOST Magazine - Gray Area: Thinking With a Damaged Brain by Floyd Skloot My entire brain, the organ by which my very consciousness is controlled, was reorganized one day ten years ago. I went to sleep here and woke up there; the place looked the same but nothing in it worked the way it used to. I used to be able to think. My brain's circuits were all connected and I had spark, a quickness of mind that let me function well in the world. There were no problems with numbers or abstract reasoning; I could find the right word, could hold a thought in mind, match faces with names, converse coherently in crowded hallways, learn new tasks. I had a memory and an intuition that I could trust. All that changed on December 7, 1988, when I contracted a virus that targeted my brain. A decade later, my cane and odd gait are the most visible evidence of damage. But most of the damage is hidden. My cerebral cortex, the gray matter that M.I.T. neuroscientist Steven Pinker likens to "a large sheet of two- dimensional tissue that has been wadded up to fit inside the spherical skull," has been riddled with tiny perforations. This sheet and the thinking it governs are now porous. Invisible to the naked eye, but readily seen through brain imaging technology, are areas of scar tissue that constrict blood flow. Anatomic holes, the lesions in my gray matter, appear as a scatter of white spots like bubbles or a ghostly pattern of potshots. -
Download Writing Circle Anthology
CALS WRITING CIRCLE Spring Poetry Anthology APRIL 2020 Copyright © 2020 by CALS Writing Circle All rights reserved. No part of this book may be reproduced or used in any manner without written permission of the copyright owner. www.cals.org CALS WRITING CIRCLE 2020 2 In certain ways writing is a form of prayer. — DENISE LEVERTOV CALS WRITING CIRCLE 2020 3 CALS WRITING CIRCLE Editors — JESSICA HALSEY — PAULETTE MEHTA — DEB MOORE —REBEKAH SMITH —ANNA M. WALTHALL CALS WRITING CIRCLE 2020 4 CALS WRITING CIRCLE Contents INTRODUCTION 6 ABOUT CALS WRITING CIRCLE 7 — ANNA M. WALTHALL 8 - 10 — JAN HAMLETT 11 - 13 — RACHEL LUEBKE 14 — LUIS UZCATEGNI 15 - 17 — MARY HALEY PERRY 18 - 21 — MICAH MATTSON 22 - 30 — SHIRLEY STICHT SCHUETTE 31 — TOM HUTCHISON 32 - 62 CONTRIBUTORS 63 - 64 CALS WRITING CIRCLE 2020 5 CALS WRITING CIRCLE Introduction Every April, writers and creatives across the map celebrate National Poetry Month. For thirty days, we honor the great poets of our past by spotlighting new and promising works and encouraging everyone (and anyone) to connect with their inner poet. This year, the CALS Writing Circle hosted a month-long challenge. For every day in the month of April, a new prompt in the form of a single word was given to our writers--words like wake, spark, thaw, clear. When we sat down to plan the challenge, we set a few goals. We agreed that if April came to an end and we had at least fifteen poems, we would consider the contest a success. The days ticked by, but our inboxes never came up empty; every morning there were new poems to be read. -
James Pitts – 1
File 1-1 0:00:00.0 Then he asked me later on, two, three, four years after that, he mentioned it again. I asked him, I said, “Are you sure that’s what you want?” He said, “Yeah.” I said, “Well, I ain’t makin’ a promise that I might not be able to keep, but I’ll put some stipulations in it, a possibility.” I said— 0:00:20.8 End file 1-1. File 1-2 0:00:00.0 —and I finished ninth grade at Stringtown [?]. Well, I said I finished it. I went. At the end of the school year I got an award for being an occasional ___ student. So the next year I quit. I had to put in the crops, and I stayed there about two years, and I went to my granddad’s. ‘Cause we walked miles one way to catch the—little over three miles, ‘bout three and a quarter miles to catch the bus and had to be there about 10 minutes to 7 in the mornin’ and then ride it several miles into school. And had three different creeks to cross, and they didn’t have bridges over ‘em, and sometimes that was ___, and sometimes I just didn’t want to go. So anyway, then I went back and I started in the tenth, and I never did go pick up my grades or report cards, so I don’t even know if I passed the ninth or not. But anyway— (What year was that?) 0:01:03.8 That’s—I have a great memory. -
Japan! by Ashley Komperda
SteinmetzVolume 81, Number 4, March-April 2016 Star www.steinmetzstar.com All-expenses paid trip provides once-in-a-lifetime opportunity Japan! By Ashley Komperda n an unprecedented experience for Steinmetz, 22 students, Principal Stephen Ngo and three staff Imembers travelled to Japan on a fully-funded cultural exchange, March 14 - 22. The Consul General of Chicago and the Japan International Cooperation Center chose Steinmetz as one of only five schools in the country selected for this opportunity. They paid the costs of the trip – airfare, lodging, meals, transportation – and provided us with several chaperones for the duration of our 8-day stay. One in particular, Tomo san, was with us day and night. “Such graciousness cannot be measured,” Mr. Ngo said in his report to the staff. Steinmetz hosted Japanese students on their tours of the U.S. in 2014 and 2013, in one-day cultural exchanges organized by Mr. Ngo and International The Steinmetz Japan group consisted of students Stephanie Alonso, Alejandro Alonzo, Kienna Bariso, Klaudia Batko, Marisol Bernardino, Catherine Delgado, Javier Delgado, Luis Estrada, Jorge Garcia, Baccuelarette (IB) coordinator Nancyanne Ferrarini. Melissa Gonzalez, Tyler Graves, Magda Hernandez, Ashley Komperda, Lukasz Kuczynski, Stanley Continued on Page 11 Kurian, Jonathan Ovalle, Jose Padilla, Maria Reyna, Jacqueline Saldana, Lissette Sandoval, Erica Toro and Alicia Urquizo, with chaperones Principal Stephen Ngo, Col. John Baynes, staff member Angel Gonzalez and counselor Deono Powell. Star wins ‘Superior’ overall newspaper in Artists win All-City awards Chicago media awards By Daria Velazquez Editors and reporters win honors for news, features, even students won All-City Art Ex- hibition awards – Navjot Banipal, Je- sports, reviews, opinion writing, photography and art Ssus Garcia, Renziel Ilium, McKenzie Lacefield, Michelle Rebolledo, Alec Reyes By Juan Ceballos and Maria Reyna. -
Patience Flucher & Family
Library of Congress [Patience Flucher & Family] 26017 Federal Writers' Project Paul Diggs Lakeland, Florida February 24, 1939 Patience Flucher & Family 118 W. 5th Street Lakeland, Florida PATIENCE FLUCHER & FAMILY Patience lived in North Lakeland, known us “Teaspoon Hill” at 118 W. 5th Street, in a ten room two story weather-board house that's unpainted. There are two long front porches lower and upper. On the lower porch there are few rusty flower pots. A swing and a chair are on the upper porch. The house is typical of a few that are located in this part of the colored section. There are located in this section lots of old time settlers who owns their homes. Patience's family group, with the exception of the two children work out in service. The women are in domestic service, and the men do common labor work. Patience is not able to work. She stays at home and looks out far the general welfare of the home. [Patience Flucher & Family] http://www.loc.gov/resource/wpalh1.11011313 Library of Congress Patience's family group consists of three women, three men, and two children. Through their employment they try to pool their income toward the maintanence of the home. The members of the family are very congenial towards each other. They are considered to be respectable and conduct themselves with respect in the neighborhood. Patience said, “I sit near this window all of the time. It is too cold to sit there today. I had to get near this fire place to keep the wind off of me. -
The Cure Happily Ever After Mp3, Flac, Wma
The Cure Happily Ever After mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Happily Ever After Country: US Released: 1987 Style: Alternative Rock, New Wave, Post-Punk MP3 version RAR size: 1513 mb FLAC version RAR size: 1191 mb WMA version RAR size: 1533 mb Rating: 4.5 Votes: 315 Other Formats: MP2 AU VOC MP1 MIDI MP3 VOX Tracklist Seventeen Seconds 1 A Reflection 2:08 2 Play For Today 3:41 3 Secrets 3:20 4 In Your House 4:08 5 Three 2:36 6 The Final Sound 0:52 7 A Forest 5:55 8 M 3:04 9 At Night 5:54 10 Seventeen Seconds 4:03 Faith 11 The Holy Hour 4:26 12 Primary 3:35 13 Other Voices 4:28 14 All Cats Are Grey 5:28 15 The Funeral Party 4:14 16 Doubt 3:12 17 The Drowning Man 4:49 18 Faith 6:43 Companies, etc. Phonographic Copyright (p) – A&M Records, Inc. Copyright (c) – A&M Records, Inc. Published By – APB Music Co. Ltd. Credits Bass – Simon Gallup Drums – Laurence Tolhurst Engineer – Mike Hedges Guitar – Robert Smith Keyboards – Matthieu Hartley (tracks: 1 to 10) Keyboards, Voice – Robert Smith (tracks: 11 to 18) Producer – Mike Hedges, The Cure Vocals – Robert Smith (tracks: 1 to 10) Written-By – Tolhurst*, Hartley* (tracks: 1 to 10), Smith*, Gallup* Notes US only compilation of Seventeen Seconds and Faith. ℗ 1980, 1981 A&M Records, Inc. © 1987 A&M Records, Inc. Printed in the U.S.A. CD made in USA. Also released with the disc pressed in Japan.