Number 28 Heroes / Heroines / Other Part 1
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Lovend Over Vaardigheden, Kritisch Op De Roosters
Lieve Ingrid Prof. Heeren Hero Less workload Psychische6 problemen? Psycholoog “Het8-9 is de hoogste tijd voor een bèta- Jenny4 Slatman about Franҫoise Fasos:5 Reduce work pressure, imple- geeft antwoord in nieuwe serie faculteit in Maastricht” Dastur’s beautiful voice ment repair plans and a healthy budget 5 www.observantonline.nl Onafhankelijk weekblad van de Universiteit Maastricht | Redactieadres: Postbus 616 6200 MD Maastricht | Jaargang 35 | 25 september 2014 Genootschap Phylla van studentenvereniging Koko hoopt dit jaar nog een officieel dispuut te worden. Zie pagina 7 Foto: Joey Roberts Free Dutch courses very popular Keuzegids-presentatie over de Maastrichtse studentenoordelen In the past year, 93 per cent of all foreign first- was 18.5 per cent. year bachelors – 1,200 were expected – partici- First-year foreign bachelors again have the oppor- pated in one of the two free Basic Dutch courses. tunity to take one or two free Basic Dutch courses Lovend over vaardigheden, Two thirds of them passed the exam. this year. What is new this year, is the fact that the courses are now also available for master’s kritisch op de roosters It was the first time that Maastricht University had students. The cost for the master’s students will De faculteiten rechten en Humanities & Sciences kleine dingen”, zegt Steenkamp. “Studenten zijn granted the long-desired wish of various student be paid from the UM Innovation Fund for 2014- hebben een bewonderenswaardige inhaalslag nauwelijks in staat om de inhoud en vorm van groups: free Dutch courses for foreign students. 2016. gemaakt, terwijl Health, Medicine and Life een toets tegen het licht te houden. -
BBC Four Programme Information
SOUND OF CINEMA: THE MUSIC THAT MADE THE MOVIES BBC Four Programme Information Neil Brand presenter and composer said, “It's so fantastic that the BBC, the biggest producer of music content, is showing how music works for films this autumn with Sound of Cinema. Film scores demand an extraordinary degree of both musicianship and dramatic understanding on the part of their composers. Whilst creating potent, original music to synchronise exactly with the images, composers are also making that music as discreet, accessible and communicative as possible, so that it can speak to each and every one of us. Film music demands the highest standards of its composers, the insight to 'see' what is needed and come up with something new and original. With my series and the other content across the BBC’s Sound of Cinema season I hope that people will hear more in their movies than they ever thought possible.” Part 1: The Big Score In the first episode of a new series celebrating film music for BBC Four as part of a wider Sound of Cinema Season on the BBC, Neil Brand explores how the classic orchestral film score emerged and why it’s still going strong today. Neil begins by analysing John Barry's title music for the 1965 thriller The Ipcress File. Demonstrating how Barry incorporated the sounds of east European instruments and even a coffee grinder to capture a down at heel Cold War feel, Neil highlights how a great composer can add a whole new dimension to film. Music has been inextricably linked with cinema even since the days of the "silent era", when movie houses employed accompanists ranging from pianists to small orchestras. -
A Strategy for Representing Difference and Cultural Diversity on Stage, and Jump for Jordan: a Play
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2016 Dialogic interplay: A strategy for representing difference and Cultural Diversity on stage, and Jump for Jordan: a play Donna T. Abela University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Abela, Donna T., Dialogic interplay: A strategy for representing difference and Cultural Diversity on stage, and Jump for Jordan: a play, Doctor of Creative Arts thesis, School of the Arts, English and Media, University of Wollongong, 2016. -
A Philosophy of the Dreaming Mind
Dream Pluralism: A Philosophy of the Dreaming Mind By Melanie Rosen A THESIS SUBMITTED TO MACQUARIE UNIVERSITY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF COGNITIVE SCIENCE, FACULTY OF HUMAN SCIENCE MACQUARIE UNIVERSITY, NSW 2109, AUSTRALIA JULY 2012 Table of Contents Abstract 9 Declaration 11 Acknowledgements 13 Introduction 15 Part 1: Dream Pluralism 25 Chapter 1: The Empirical Study of Dreams: Discoveries and Disputes 27 1.1 Stages of sleep 29 1.1.1 NREM Sleep 30 1.1.2 REM Sleep 32 1.1.3 The Scanning Hypothesis: an attempt to correlate eye movements with dream reports 33 1.2 Dream reports 35 1.2.1 The benefits of lab-based research 36 1.2.2 The benefits of home-based research 38 1.3 Measuring the physiology of the sleeping brain and body 41 1.3.1 Physiological measures: pros and cons 42 1.4 Cognitive and neural features of sleep 48 1.5 Lucid dreamers in the dream lab 55 Conclusion 59 1 Chapter 2: Bizarreness and Metacognition in Dreams: the Pluralist View of Content and Cognition 61 2.1 A pluralistic account of dream content 62 2.1.1 Bizarre and incoherent dreams 63 2.1.2 Dreams are not particularly bizarre 66 2.1.3 Explanations of the conflicting results 69 2.1.4 Dreams vs. fantasy reports 72 2.2 Cognition in dreams: deficient or equivalent? 80 2.2.1 What is metacognition? 80 2.2.2 Metacognition in dreams 83 Conclusion 97 Chapter 3: Rethinking the Received View: Anti-Experience and Narrative Fabrication 99 3.1 Malcolm on dreaming 101 3.1.1 Dreams and verification 102 3.1.2 Evidence against Malcolm 109 3.2 Metaphysical anti-experience theses 115 3.2.1 The cassette view 115 3.2.2 Arguments against the cassette view 118 3.2.3 Consciousness requires recognition or clout 120 3.3 Narrative fabrication in dream reports 122 3.3.1 Rationalisation of strange content 123 3.3.2 Confabulation and memory loss 127 3.3.3 Altered states of consciousness and what it’s like to be a bat. -
America the Beautiful Part 1
America the Beautiful Part 1 Charlene Notgrass 1 America the Beautiful Part 1 by Charlene Notgrass ISBN 978-1-60999-141-8 Copyright © 2020 Notgrass Company. All rights reserved. All product names, brands, and other trademarks mentioned or pictured in this book are used for educational purposes only. No association with or endorsement by the owners of the trademarks is intended. Each trademark remains the property of its respective owner. Unless otherwise noted, scripture quotations are taken from the New American Standard Bible®, Copyright © 1960, 1962, 1963, 1971, 1972, 1973, 1975, 1977, 1995 by the Lockman Foundation. All rights reserved. Used by permission. Cover Images: Jordan Pond, Maine, background by Dave Ashworth / Shutterstock.com; Deer’s Hair by George Catlin / Smithsonian American Art Museum; Young Girl and Dog by Percy Moran / Smithsonian American Art Museum; William Lee from George Washington and William Lee by John Trumbull / Metropolitan Museum of Art. Back Cover Author Photo: Professional Portraits by Kevin Wimpy The image on the preceding page is of Denali in Denali National Park. No part of this material may be reproduced without permission from the publisher. You may not photocopy this book. If you need additional copies for children in your family or for students in your group or classroom, contact Notgrass History to order them. Printed in the United States of America. Notgrass History 975 Roaring River Rd. Gainesboro, TN 38562 1-800-211-8793 notgrass.com Thunder Rocks, Allegany State Park, New York Dear Student When God created the land we call America, He sculpted and painted a masterpiece. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
Central Florida Future, Vol. 22 No. 06, September 7, 1989
University of Central Florida STARS Central Florida Future University Archives 9-7-1989 Central Florida Future, Vol. 22 No. 06, September 7, 1989 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 22 No. 06, September 7, 1989" (1989). Central Florida Future. 939. https://stars.library.ucf.edu/centralfloridafuture/939 NEWSCLIPS ... ~ ........... 3 :- :0::0P.:lNlON .; ......... ~ ...•.... &·' ·: tjOMICS ':' ;.,. '·. :-.~. : ' .•. :;....... 9 ::·· 1;!;, Q,LASS JFl ED. '.:'... ::HO. ,,, 10,: :· .;::: § 'pbfiTSfk ; · ;~. \ .:: .. ..: ·..... f2 :~:::: ) Thentral Florida Future Volume 22, Number 6 University of Central Florida/Orlando Thursday September 7, 1989 Balky elevators· handicap acce·ss by Lance Turner Gold faced is not an isolated case. Frid- ' CENTRAL FLORIDA FUTURE erici also uses a wheelchair and has had to deal with elevator problems A UCF student who uses a wheel since 1970, when she was a student at · chairwas denied access to her class last the University of South Florida. She Wednesday because ofa faulty elevator said elevator breakdown is a problem in the Howard Philips building. throughout the State University Sys Jenni Gold, RTV major, said it was tem. not the first time she had experienced The UCF Student Senate has ad such a difficulty. -
Exhibition Brochure Is There A
‘Is There Anyone Out There?’ Documenting Birmingham’s Alternative Music Scene 1986-1990 Acknowledgements and Thanks Thanks to Dave Travis for opening up his incredible archive and recalling the histories associated with The Click Club. Likewise, thanks to Steve (Geoffrey S. Kent) Coxon for his generous insights and for taking a road trip to tell us almost everything. Thanks on behalf of all Click Clubbers to Travis and Coxon for starting it and for program- ming so many memorable nights for creating an environment for people to make their own. Thanks to Dave Chambers (and Andy Morris), Donna Gee, Bridget Duffy and Bryan Taylor Thankswho provided to all of particular those who materials contributed for the written exhibition memories: (Bryan Steve for some Byrne; fine Craig writing!). Hamilton; Andrew Davies; Sarah Heyworth; Neil Hollins; Angela Hughes; Rhodri Marsden; Dave Newton; Daniel Rachel; Lara Ratnaraja; Spencer Roberts; John Taggart; Andy Tomlinson and Maria Williams. Acknowledgements to the many contributors to Facebook Groups for The Click Club and Birmingham Music Archive. John Hall and Ixchelt Corbett Mighty Mighty: Russell Burton, Mick Geoghegan, Pete Geoghegan, D J Hennessy Hugh McGuinness. Lyle Bignon, Boris Barker, Darren Elliot, Graham Bradbury, Richard March Yasmin Baig-Clifford (Vivid Projects), John Reed at Cherry Red Records, Ernie Cartwright, Birmingham Music Archive, Justin Sanders, Naomi Midgley. Neil Hollins for production of the podcast interview with Steve Coxon and Dave Travis. Digital Print Services who produced the images. Special thanks to: Neil Taylor, Ellie Gibbons, Anna Pirvola, Aidan Mooney and Beth Kane. What was The Click Club? Established in 1986 by Dave Travis and Steve Coxon, ‘The Click Club’ was the name of a concert venue and disco associated with Birmingham’s alternative music culture. -
Body Dreamwork Using Focusing to Find the Life Force Inherent in Dreams Leslie A
Body Dreamwork Using Focusing to Find the Life Force Inherent in Dreams Leslie A. Ellis Received: 16.11.2018; Revised: 17.09.2019; Accepted: 23.09.2019 ABSTRACT Finding and embodying the life force or “help” in a dream is the central practice of focusing-oriented dreamwork. This article briefly introducesfocusing (Gendlin, 1978/1981) and its application to dreamwork, and provides a case example with a transcript of how to guide a dreamer to find the life force in a distressing dream. The practice of embodying the dream’s life force provides the dreamer with an embodied resource that can be an end in itself, and can also facilitate working with the more challenging aspects of dreams and nightmares. Research and clinical examples support the use of this technique in clinical practice, and demonstrate how it can provide clinically significant relief from nightmare distress and other symptoms of PTSD. Keywords: dreamwork, focusing, nightmares, embodiment, psychotherapy International Body Psychotherapy Journal The Art and Science of Somatic Praxis Volume 18, Number 2, Fall/Winter 2019/20 pp. 75-85 ISSN 2169-4745 Printing, ISSN 2168-1279 Online © Author and USABP/EABP. Reprints and permissions [email protected] “A dream is alive,” according to Gendlin (2012), a philosopher and psychologist who developed the gentle somatic inquiry practice called focusing (1978/1981). He said that every dream contains life force—sometimes obvious and sometimes hidden— and that the main objective of working with dreams is to locate and embody this life force. This article describes how to do so, first by providing a brief introduction to focusing theory and practice and how it applies to dreamwork, then by grounding the theory through a clinical example of a dream that came to life. -
Kate Bush the Whole Story Mp3, Flac, Wma
Kate Bush The Whole Story mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: The Whole Story Country: France Released: 1986 Style: Art Rock, Downtempo, Synth-pop, Experimental MP3 version RAR size: 1822 mb FLAC version RAR size: 1324 mb WMA version RAR size: 1584 mb Rating: 4.8 Votes: 737 Other Formats: MP4 WMA MP3 TTA VQF AA ADX Tracklist Hide Credits Wuthering Heights (New Vocal) A1 4:57 Producer [Originally] – Andrew Powell Cloudbusting A2 5:09 Producer – Kate Bush The Man With The Child In His Eyes A3 2:38 Producer – Andrew Powell Breathing A4 5:28 Producer – Jon Kelly, Kate Bush Wow A5 3:46 Producer – Andrew Powell Hounds Of Love A6 3:02 Producer – Kate Bush Running Up That Hill B1 5:00 Producer – Kate Bush Army Dreamers B2 3:13 Producer – Jon Kelly, Kate Bush Sat In Your Lap B3 3:29 Producer – Kate Bush Experiment IV B4 4:21 Producer – Kate Bush The Dreaming B5 4:14 Producer – Kate Bush Babooshka B6 3:29 Producer – Jon Kelly, Kate Bush Companies, etc. Phonographic Copyright (p) – EMI Records Ltd. Phonographic Copyright (p) – Novercia Ltd. Copyright (c) – Novercia Ltd. Licensed To – EMI Records Ltd. Published By – Kate Bush Music Ltd. Published By – EMI Music Publishing Ltd. Manufactured By – EMI-Valentim De Carvalho, Música Lda. Distributed By – EMI-Valentim De Carvalho, Música Lda. Credits Design – Bill Smith Studio Mastered By [Cut By] – Ian Cooper Other [Hair] – Anthony Yacomine Other [Make-up] – Sue Adams Photography By [Cover] – John Carder Bush Written-By – Kate Bush Barcode and Other Identifiers Matrix -
Historic Farmsteads: Preliminary Character Statement
7.0 Key Building Types: Animals and Animal Products 7.1 CATTLE HOUSING • Interior stalling and feeding arrangements. Cows were usually tethered in pairs with low partitions of wood, 7.1.1 NATIONAL OVERVIEW (Figure 26) stone, slate and, later, cast iron between them. As the There are great regional differences in the management breeding of stock improved and cows became larger, of cattle and the buildings that house them.This extends the space for the animals in the older buildings to how they are described in different parts of the became limited and an indication of the date of a cow country: for example,‘shippon’ in much of the South house can be the length of the stalls or the width of West;‘byre’ in northern England;‘hovel’ in central the building. Feeding arrangements can survive in the England. Stalls, drains and muck passages have also been form of hayracks, water bowls and mangers for feed. given their own local vocabulary. • Variations in internal planning, cattle being stalled along or across the main axis of the building and facing a Evidence for cattle housing is very rare before the wall or partition.They were fed either from behind or 18th century, and in many areas uncommon before the from a feeding passage, these often being connected 19th century.The agricultural improvements of the 18th to fodder rooms from the late 18th century. century emphasised the importance of farmyard manure in maintaining the fertility of the soil. It was also In the following descriptions of buildings for cattle the recognised that cattle fattened better and were more wide variety in the means of providing accommodation productive in milk if housed in strawed-down yards and for cattle, both over time and regionally, can be seen . -
The Black Summer
Kosciuszko Huts Association Inc NE W S L E T T E R Www.khuts.org The Black Summer No: 185 THANK AUTUMN 2020 YOU ALL Committee 2019-2020 PLEASE READ THIS Please assist your volunteer membership team by renewing your membership by one of President our preferred methods below. Clive Richardson [email protected] Secretary VACANT Renew online at our website with a credit card, this method is fully automatic, requiring zero volunteer effort. Treasurer 0412 020 150 Bob Anderson [email protected] Make a direct deposit into KHA's bank account BSB: 062 Membership 0431 956 426 912 Account Number: 10140661 then login to register your Pip Brown [email protected] payment on our website by making an 'offline' payment. Deposit HMO Jagungal 0400 106 007 your cheque at your local Commonwealth Bank Branch to the Bob Salijevic [email protected] above bank account, then login to register your payment on our HMO Tantangara 0449 663 769 website by making an 'offline' payment. Instructions for the above can be found under the 'RENEW' menu item on the Peter Charker [email protected] website. HMO Snowy 0411 407 441 Marion Plum [email protected] Kosciuszko Huts Association Incorporated HMO Namadgi 0413 372 476 (KHA) Jean Hammond [email protected] KHA (formed in 1971) provides volunteer support to the HMO Support/Liaison 0403 917 633 NSW and ACT Governments to preserve the ‘settlement Simon Buckpitt era’ vernacular architecture of the northern Australian Alps Huts History VACANT as part of the continuum of total landscape management. We Committee Members are one of only a few organisations in Australia dedicated to Patsy Sheather the preservation of traditional Australian bush building Nathan Kellett skills.