Le Cronache Del Malaspina
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Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Summer Beer Issue Summer
VOL.3 JUNE 2011 — ISSUE6 Summer beer issue Also inside: LOUDFEST 4 recap—8-Bit Burgers Checks Out Stover Bros.—Brazos County Metal News—Concert Calendar—A Veritable Cornucopia of Book/Movie/CD Reviews 979 Represent 2 Why LOUDFEST Is So Awesome Every year after LOUDFEST I am reminded why so many bands love to come and rock out in downtown Bryan for all of youse. It is because so many of you show up and go absolutely apeshit over these incredible young bands. Bands that play LOUDFEST can‘t wait to come back over here because they have heard for many years how useless it is to book shows in College Station. They had no idea about downtown Bryan. Rola at Revolution Café & Bar and Eric at The Stafford have filled a rather large void. Down- town Bryan picks up that slack. So many of the older people who came out to their first LOUDFEST last month 979Represent is a local magazine had no idea that any live local music goes on around here, let alone ANYTHING at all in downtown Bryan. for the discerning dirtbag. They assumed it was Northgate or nothing. So many bands have heard the horror stories from other bands about getting dicked over on money, parking and promotion by the few Northgate clubs that still book bands that they see Aggieland as a market to avoid. LOUDFEST is helping to change that attitude. Editorial bored LOUDFEST is booked every year out of a sense of brotherhood. We book bands we like and want to see. -
Sean Mcculloch – Lead Vocals Daniel Gailey – Guitar, Backing Vocals Bryce Kelly – Bass, Backing Vocals Lee Humarian – Drums
Sean McCulloch – Lead Vocals Daniel Gailey – Guitar, Backing Vocals Bryce Kelly – Bass, Backing Vocals Lee Humarian – Drums Utter and complete reinvention isn’t the only way to destroy boundaries. Oftentimes, the most invigorating renewal in any particular community comes not from a generation’s desperate search for some sort of unrealized frontier, but from a reverence for the strength of its foundation. The steadfast metal fury of PHINEHAS is focused, deliberate, and unashamed. Across three albums and two EPs, the Southern California quartet has proven to be both herald of the genre’s future and keeper of its glorious past. The New Wave Of American Metal defined by the likes of As I Lay Dying, Shadows Fall, Unearth, All That Remains, Bleeding Through, and likeminded bands on the Ozzfest stage and on the covers of heavy metal publications has found a new heir in PHINEHAS. Even as the NWOAM owed a sizeable debt to Europe’s At The Gates and In Flames and North America’s Integrity and Coalesce, PHINEHAS grab the torch from the generation just before them. The four men of mayhem find themselves increasingly celebrated by fans, critics, and contemporaries, due to their pulse-pounding brutality. Make no mistake: PHINEHAS is not a simple throwback. PHINEHAS is a distillation of everything that has made the genre great since bands first discovered the brilliant results of combining heavy metal’s technical skill with hardcore punk’s impassioned fury. SEAN MCCULLOCH has poured his heart out through his throat with decisive power, honest reflections on faith and doubt, and down-to-earth charm since 2007. -
Punk: Music, History, Sub/Culture Indicate If Seminar And/Or Writing II Course
MUSIC HISTORY 13 PAGE 1 of 14 MUSIC HISTORY 13 General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 13 Course Title Punk: Music, History, Sub/Culture Indicate if Seminar and/or Writing II course 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice x Foundations of Society and Culture • Historical Analysis • Social Analysis x Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This course falls into social analysis and visual and performance arts analysis and practice because it shows how punk, as a subculture, has influenced alternative economic practices, led to political mobilization, and challenged social norms. This course situates the activity of listening to punk music in its broader cultural ideologies, such as the DIY (do-it-yourself) ideal, which includes nontraditional musical pedagogy and composition, cooperatively owned performance venues, and underground distribution and circulation practices. Students learn to analyze punk subculture as an alternative social formation and how punk productions confront and are times co-opted by capitalistic logic and normative economic, political and social arrangements. 3. "List faculty member(s) who will serve as instructor (give academic rank): Jessica Schwartz, Assistant Professor Do you intend to use graduate student instructors (TAs) in this course? Yes x No If yes, please indicate the number of TAs 2 4. -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
Pg0140 Layout 1
New Releases HILLSONG UNITED: LIVE IN MIAMI Table of Contents Giving voice to a generation pas- Accompaniment Tracks . .14, 15 sionate about God, the modern Bargains . .20, 21, 38 rock praise & worship band shares 22 tracks recorded live on their Collections . .2–4, 18, 19, 22–27, sold-out Aftermath Tour. Includes 31–33, 35, 36, 38, 39 the radio single “Search My Heart,” “Break Free,” “Mighty to Save,” Contemporary & Pop . .6–9, back cover “Rhythms of Grace,” “From the Folios & Songbooks . .16, 17 Inside Out,” “Your Name High,” “Take It All,” “With Everything,” and the Gifts . .back cover tour theme song. Two CDs. Hymns . .26, 27 $ 99 KTCD23395 Retail $14.99 . .CBD Price12 Inspirational . .22, 23 Also available: Instrumental . .24, 25 KTCD28897 Deluxe CD . 19.99 15.99 KT623598 DVD . 14.99 12.99 Kids’ Music . .18, 19 Movie DVDs . .A1–A36 he spring and summer months are often New Releases . .2–5 Tpacked with holidays, graduations, celebra- Praise & Worship . .32–37 tions—you name it! So we had you and all your upcoming gift-giving needs in mind when we Rock & Alternative . .10–13 picked the products to feature on these pages. Southern Gospel, Country & Bluegrass . .28–31 You’ll find $5 bargains on many of our best-sell- WOW . .39 ing albums (pages 20 & 21) and 2-CD sets (page Search our entire music and film inventory 38). Give the special grad in yourConGRADulations! life something unique and enjoyable with the by artist, title, or topic at Christianbook.com! Class of 2012 gift set on the back cover. -
[Klikk Her Og Skriv Tittel]
“Not Just Boys’ Fun?” The Gendered Experience of American Hardcore Siri C. Brockmeier MA Thesis in American Studies Department of Literature, Area Studies and European Languages ILOS UNIVERSITETET I OSLO May 2009 Advisor: Rebecca Scherr 2 Abstract The goal of this thesis is to shed light on a part of the story of American hardcore, a part that in my view has not been given the space it deserves. Women in punk and hardcore do not own a place in the history of their subcultural communities. Their contributions to their scenes are deemphasized, if not ignored. Drawing from subcultural theory and Joan W. Scott’s view on using experience as evidence, I use song lyrics, images and interviews to contextualize women’s experiences of American hardcore. In this, I attempt to understand how and why some women are drawn to such a closed masculine community, and how they navigate this environment. Women in the scene have been mentioned in works on hardcore, but their experiences and the role of gender in the scene has not been fully studied. Before women can be incorporated into subcultural history, they must be taken seriously as active participants in their environment. This thesis is an attempt at beginning such a discussion. 3 Acknowledgements This thesis is ultimately a cultural production of hardcore. Without the influence and inspiration hardcore has given me throughout the years, my path might have been very different. To my informants for honest input and enthusiasm about the project, to Gry Holmern Halvorsen for constant support I could not do without and insightful discussion that ultimately led to this project, to Pernille Birkeland for scholarly teamwork, to Peter Sehlin for introducing me to hardcore in our youth, to Andreas Øverland, Anette Pedersen, Jon A. -
10 Supplement.Indd
I J o D R Abstracts of the 34th Annual Conference of the International Association for the Study of Dreams June 16 - June 20, 2017 Anaheim, California, USA Content This supplement of the International Journal of Dream Research includes the abstracts of presenters who gave consent to the publishing. The abstracts are categorized into thematic groups and within the category sorted according to the last name of the fi rst presenter. Affi liations are included only for the fi rst author. A name register at the end is also provided. Seven Surprising Discoveries that Changed My Contents: Thinking about Dreams 1. Keynotes G. William Domhoff 2. Morning Dream Groups Santa Cruz, California, USA 3. Workshops There have been seven unanticipated descriptive empirical 4. Clinical Topics fi ndings over the past 70 years that changed everything. 5. Religion/Spiritual/Culture/Arts They include the discovery of the sleep cycle, the fi ndings on consistency and continuity in dream journals, the de- 6. Education/Other Topics velopmental fi ndings on children, lesion and neuroimaging 7. PSI Dreaming studies, and the discovery of the default network. 8. Lucid Dreaming 9. Research/Theory Mapping Your Dream Themes 10. Posters Patricia Garfi eld Larkspur, California, USA Patricia Garfi eld shares her unique approach to understand- 1. Keynotes ing dreams. Never before presented publicly, this highly visual system of comprehending dreams derives from her dream journals spanning 69 years (1948 - 2017). Emphasis Dreams: CT Scans of Your Love Life is on illustrated images from 2006 onward. These journals informed Garfi eld’s fi fteen dream books, including bestseller Gayle Delaney Creative Dreaming. -
Pmk Distribution September, 2012
PMK DISTRIBUTION SEPTEMBER, 2012. -------------------------------------------------------- CONTENT: LAST DISTRO UPDATE .……………..……………...... page 2 COMPLETE DISTRO LIST .……………. ……………...... page 3 PUNK / HARDCORE / GRIND …………….………………… page 3-15 SLUDGE / METALCORE / BLACK METAL .…………...………………… page 16-19 NOISE / AMBIENT / EXPERIMENTAL .……………………………… page 20-22 OTHER .……………………………… page 23-25 FANZINES / BOOKS .……………………………… page 26 -------------------------------------------------------- MONEY TRANSFER: PayPal Bank Transfer (optionally over 10-20 €/us$) Hidden Cash (no coins) CHEAPEST POSTAGE EUROPE & OVERSEA: 2 € / 3 us$ (1-5 cd / 1-3 mc / 1-3 zine) 3 € / 4 us$ (6-8 cd / 4-6 mc / 4-6 zine) 5 € / 7 us$ (1-2 lp) -------------------------------------------------------- CONTACT: LONCAREVIC GORAN TRG ST. RODOLJUBA 14/16 19370 BOLJEVAC SERBIA / EUROPE [email protected] www.myspace.com/pmkrecords www.discogs.com/label/PMK+Records 1 -------------------------------------------------------- • LAST DISTRO UPDATE • September, ‘12. -------------------------------------------------------- VINYL V/A "AMEBIX BALKANS" - A TRIBUTE TO AMEBIX LP (8 balkan's stench/sludge/black covers legends / http://soundcloud.com/punkgr / artwork by doomsday graphics & lightbearer studios / incl. innersleeve / 10€) OD VRATOT NADOLU "Mercury" 12'' (dystopia ugly style hardcore / macedonia / www.myspace.com/odvratotnadolu / clear vinyl / 10€) NOOTHGRUSH "1994" 12'' (the first more psychedelic sludge recordings / white vinyl / 10€) DAZD "Self titled" 12'' (occult punk/metal / serbia -
Authorized Catalogs - United States
Authorized Catalogs - United States Miché-Whiting, Danielle Emma "C" Vic Music @Canvas Music +2DB 1 Of 4 Prod. 10 Free Trees Music 10 Free Trees Music (Admin. by Word Music Group, 1000 lbs of People Publishing 1000 Pushups, LLC Inc obo WB Music Corp) 10000 Fathers 10000 Fathers 10000 Fathers SESAC Designee 10000 MINUTES 1012 Rosedale Music 10KF Publishing 11! Music 12 Gate Recordings LLC 121 Music 121 Music 12Stone Worship 1600 Publishing 17th Avenue Music 19 Entertainment 19 Tunes 1978 Music 1978 Music 1DA Music 2 Acre Lot 2 Dada Music 2 Hour Songs 2 Letit Music 2 Right Feet 2035 Music 21 Cent Hymns 21 DAYS 21 Songs 216 Music 220 Digital Music 2218 Music 24 Fret 243 Music 247 Worship Music 24DLB Publishing 27:4 Worship Publishing 288 Music 29:11 Church Productions 29:Eleven Music 2GZ Publishing 2Klean Music 2nd Law Music 2nd Law Music 2PM Music 2Surrender 2Surrender 2Ten 3 Leaves 3 Little Bugs 360 Music Works 365 Worship Resources 3JCord Music 3RD WAVE MUSIC 4 Heartstrings Music 40 Psalms Music 442 Music 4468 Productions 45 Degrees Music 4552 Entertainment Street 48 Flex 4th Son Music 4th teepee on the right music 5 Acre Publishing 50 Miles 50 States Music 586Beats 59 Cadillac Music 603 Publishing 66 Ford Songs 68 Guns 68 Guns 6th Generation Music 716 Music Publishing 7189 Music Publishing 7Core Publishing 7FT Songs 814 Stops Today 814 Stops Today 814 Today Publishing 815 Stops Today 816 Stops Today 817 Stops Today 818 Stops Today 819 Stops Today 833 Songs 84Media 88 Key Flow Music 9t One Songs A & C Black (Publishers) Ltd A Beautiful Liturgy Music A Few Good Tunes A J Not Y Publishing A Little Good News Music A Little More Good News Music A Mighty Poythress A New Song For A New Day Music A New Test Catalog A Pirates Life For Me Music A Popular Muse A Sofa And A Chair Music A Thousand Hills Music, LLC A&A Production Studios A. -
Atom and His Package Possibly the Smallest Band on the List, Atom & His
Atom and His Package Possibly the smallest band on the list, Atom & his Package consists of Adam Goren (Atom) and his package (a Yamaha music sequencer) make funny punk songs utilising many of of the package's hundreds of instruments about the metric system, the lead singer of Judas Priest and what Jewish people do on Christmas. Now moved on to other projects, Atom will remain the person who told the world Anarchy Means That I Litter, The Palestinians Are Not the Same Thing as the Rebel Alliance Jackass, and If You Own The Washington Redskins, You're a ****. Ghost Mice With only two members in this folk/punk band their voices and their music can be heard along with such pride. This band is one of the greatest to come out of the scene because of their abrasive acoustic style. The band consists of a male guitarist (I don't know his name) and Hannah who plays the violin. They are successful and very well should be because it's hard to 99 when you have such little to work with. This band is off Plan It X records and they put on a fantastic show. Not only is the band one of the leaders of the new genre called folk/punk but I'm sure there is going to be very big things to come from them and it will always be from the heart. Defiance, Ohio Defiance, Ohio are perhaps one of the most compassionate and energetic leaders of the "folk/punk" movement. Their clever lyrics accompanied by fast, melodic, acoustic guitars make them very enjoyable to listen to. -
Hold Fast: Technologies of Distinction in the Australian Hardcore Music Scene
Hold Fast: Technologies of Distinction in the Australian Hardcore Music Scene Author Driver, Christopher Published 2018-12 Thesis Type Thesis (PhD Doctorate) School School of Hum, Lang & Soc Sc DOI https://doi.org/10.25904/1912/957 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/385865 Griffith Research Online https://research-repository.griffith.edu.au Hold Fast: Technologies of Distinction in the Australian Hardcore Music Scene by Christopher Driver B/Comms, MA, BA (Hons) School of Humanities, Languages and Social Science Griffith University This thesis is submitted in fulfillment of the requirements of the degree of Doctor of Philosophy December 2018 1 Abstract Having emerged in the discourse of suburban American iterations of punK in the late 1970s, hardcore music has become an important cultural resource for groups around the world. The subsequent spread of the original musical tropes and development of multiple trajectories of musical and stylistic innovation have resulted in a complex and multifaceted constellation of ideas, practices and objects that now constitute the hardcore music scene. Despite its growth, scholarly discourse in the field continues to operate almost exclusively in response to what has come to be called the ‘subcultures’ framework (Clarke et al 1976). The focus has been placed on the question of whether such forms can be conceptualised in terms of coherent and subversive ideologies, effectively setting the parameters of the debate in ways that have marginalised considerations of the musical experiences of participation, and which have limited sociological attempts to comprehend the significance of hardcore music as a social force.