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Concert Calendar — Bit Burgers Checks Out - 8 — Brazos County Metal News — VeritableCornucopia of Book/Movie/CD Reviews

JUNE 2011 Also inside: LOUDFEST 4 recap

Stover Bros. —ISSUE 6 VOL. 3 Summer issue Summer

With james gray james With

Northgate MusicFestival‖ at Zapatos for 100 people so,or to the 1000+ attendee event has it - KELLY MINNIS

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Mustache rides Mustache to book shows in College Station. They had no idea Revolution about Café downtown & Bryan. Bar and Rola Eric at at The Stafford have filled a townrather Bryan picks up that large slack. manySo of void. the older people who came out to their first LOUDFEST Down-last month had no idea that any live local music goes They assumed on it around was Northgate here, or let nothing. alone So ANYTHING many bands at have all aboutheard getting the indicked over horror on downtownmoney, stories parking from Bryan. and promotion other by the bands few Northgate clubs that still book bands that seethey Aggieland as a market to avoid. LOUDFEST is helping to change that attitude. LOUDFEST is booked every year out of a sense of brotherhood. We book bands we takelike careand of want our to bands. see. Every We out of town band gets a tank of gas (more if them theyonto the are next from gig. out We of feed state)them (special to thanks get to Fuzzy‘s Taco Shop in College Station!), we give them (again, thanks to our other sponsors Arsenal Tattoo, To the Point Piercing and Rock 103.9) and show them a really good time. In most music scenes bands compete with each other for prime bookings ences. and audi- We are like that communist utopia that bands dream support about, each where other. people help These one bands anothergo away out fromand LOUDFEST and their then friends, tell etc. their That friend is bands why about, LOUDFEST hasand continuedthen to steadily grow since creating theits ―Anti humble origins in 2008 of become. There‘s no way any of this could exist without those of you who come to LOUDFEST each year, come out to the shows 979Represent and Sinkhole Texas book throughout the year, those of you who patronize the folks that sponsor these events and advertise in this newspaper. Thank you for helping to make LOUDFEST a continued success! Why Why LOUDFEST Is So Awesome Every year after LOUDFEST I am reminded why so many bands love to come out and in downtown rock Bryan for all of youse. It is because so many of you show up and go absolutely apeshit over these incredible young bands. Bands that play LOUDFEST can‘t wait to come back over here because they have heard for many years how useless it is —

chures

Jason Clark -

— Mary Mary Manning

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Steve Nam Steve $200

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Niki PistolsNiki

— $75 $50 $100 — — — Mike L. Downey Mike —

is a local magazine magazine local a is 4850 FOR DETAILS James Gray — - Atarimatt Distributrix — 979Represent Morgan Leigh Editorial bored 1707 Austin Ave. Art Splendidness Mikey Roe Mikey Wonko TheWonko Sane 204 1/8 1/8 PAGE 1/4 PAGE1/4 — 1/2 1/2 PAGE - AD RATES College Station,77840 TX http://www.979represent.com BUY 3 BUY GET ONE FREE for the discerning the dirtbag. for ALL RATES MONTHLY. On the Internetz ThingyCloud at FULL FULL BACK PAGE Emaily to [email protected] Kelly Minnis Brianna Edwards Brianna Kevin Still 979Represent — — Materials reviewfor can & to: sent be bribery CALL 979CALL Folks Draw Shit That Write & For Us Pick or Take David David Lynch Jeremy Frank 979 Represent 2

8 Bit Burgers: Stover Bros. Cafe Lydon’s Rotten More Than a Music Book

The closing of Stover Boys was a sad sad time for all of us here at the 979Represent. It Not a new book, Rotten: No Irish, No Dogs, No Blacks was published in 1994. It has been 17 years since it was our favorite hamburger joint in town. But if you didn't know already, Char- was published, which was 17 years after the summer of 1977 when punk broke in England. First, let me lie Stover quickly pulled it back together and set up shop in The Village Foods grocery begin with the warning that my view of Mr. Lydon is probably biased (as I developed a huge crush on John store across from Bryan High School under the name Stover Brothers. Lydon when I first read this book a few years back). He is an asshole, but he is a forthright asshole—the We finally got around to stopping by a few weeks ago to check out the new digs and I kind you can love. As Chrissie Hyde says in the book: ―John‘s a bastard, but there‘s still something sweet and tender about him.‖ got a chance to try a new burger that the original Stover Boys didn't offer.

Rotten is touted on the title page as an authoritative autobiography, First off, they've switched up the bun situation. The but the back cover claims it is an oral history of punk. Lydon is burgers now come on a sweet jalapeno cheese bun listed as author with co-writers Keith and Kent Zimmerman. Addi- which is totally awesome. The meat is a bit thicker tionally, Lydon‘s ―autobiography‖ is interspersed with excerpts and and due to the demand of people not wanting it his chapters from contributors, including band members, friends, fam- way but their way, he's got tomatoes and lettuce ily, musicians, and music business people. Of the contributors, Lydon says, ―This book is as much their point of view as it is mine.‖ thrown into the mix. The burger I got was a big Although a major character in this story, Malcolm McLaren is only kobe beef patty, tomato, pimento cheese and a fried allowed to speak for himself in the chapter that presents affidavits egg, topped with the classically delicious Stovers from the John Lydon vs. Glitterbest case. Lydon explains that the Sauce. It was the shit. The absolute shit. That‘s as Sex Pistols were just teenagers, and being so, were not well posi- much description as you are gonna get or need. tioned to protect their financial interests. And McLaren, their man- Apparently this is an off-the-menu burger and when ager, did not protect them either. Lydon‘s take on McLaren‘s under- I asked Charlie what it was called he said "Call it the standing of punk can be boiled down to one sentence: ―MALCOLM JUST DIDN‘T GET IT.‖ Atarimatt. Ask for it by name." Lydon describes his upbringing in the Irish working class district of So there you have it. Get your ass over Stover Finsbury Park. He describes a poor but close and supportive family. Brothers and pick yourself up an Atarimatt burger! It will not dissapoint. He locates the beginning of his evolution to Johnny Rotten in his development of meningitis at age eight. As he explains, meningitis is a disease of the poor—often the result of drinking rat urine Bit Rate 9.5/10—ATARIMATT tainted water. In the hospital for a year, Lydon returned home with no memory—of his family or his home. His eyesight was damaged, and this is where that wide eyed ―Lydon stare‖ for which he is known came. He had to relearn everything he had learned in school. To this point, his childhood had been hard but relatively normal. In returning to school, he was outcast, called a dummy.

Throughout the book, there is quite of bit of commentary in which Lydon and his contributors maintain that punk was not influenced by situationist philosophy. Although Greil Marcus is not specifically men- tioned, this seems to be a reaction to his 1989 Lipstick Traces. Lydon states: ―We didn‘t sit around and wax situationist philosophy…I always thought it was foolishness—art students just being art students…Plus, they were French, so fuck them…Mind games for the muddled classes.‖ The alleged nihilism of punk was also refuted.

More than a music book, Rotten chronicles the social and musical environment leading up to the summer of 77. Having roots in the movement, punk was a reaction against the art school movement of the time and prog rock bands like the Yes. Although there were conflicts between punks and Teddy Boys, elements of mod, soul boy, and Teddy Boy fashion infiltrated punk style. The store SEX, ran by McLaren and Vivienne Westwood, featured Teddy Boy fashion alongside bondage wear. Punks frequented gay clubs and listened to reggae music. According to Lydon, punk broke down class distinctions and allowed classes to mix while creating a space for the dissatisfied and disenfranchised from all backgrounds. It was a space for the misfits to belong. He disputes the assertion by many that it was an asexual move- ment. Sex existed; however, sex, gender, and sexual orientation became less important—they were not an issue. Punk, as opposed to previous musical movements (e.g. Teddy Boy, mod, and rock and roll in gen- eral) that were male dominated, became a place where women could play a role in the music and the movement (e.g., X-Ray specs, Slits, and Siouxsie and the Banshees).

For Lydon, punk was over when the Sex Pistols disbanded, and he does not believe that a music or social movement has followed to have taken its place or has moved forward from its place. He identifies hip hop as a movement coming from a place of the working class but remarks on its sexism and later com- mercialism. However, contributor and rock photographer Bob Gruen points to Fugazi and Bikini Kill as bands that continue to produce original music inspired by the punk ethos.

The first mentioning of the book‘s title occurs when Don Letts (a black London Rastafarian who DJed at the Roxie and filmed The Movie) is talking about why he and Lydon get along so well. Letts says: ―In the development of England‘s history, there was a time when John‘s people—the Irish—and blacks and dogs were thrown together. There used to be signs in the hotels that said…‖ Letts and Lydon exclaim in unison: ―No Irish, no blacks, no dogs.‖

Lydon repeatedly remarks on the value of individualism. He explains that when it comes to politics, he is not a revolutionary or a socialist—but an individual. He complains that all political groups strive to sup- press individuality—whether left or right: ―They need voting block numbers.‖ He asserts that mass move- ments whether women‘s or gay become oppressive as they become organized and that a new norm comes in place that the group members need to follow, or be victimized and ostracized. ―It‘s replacing the old system with a different clothing…It destroys personality and individuality.‖ On individuality, he adds: ―Maybe a roomful of people having very different ideas is chaotic, but it‘s wonderfully chaotic, highly entertaining and very educational. That‘s how you learn things—not by everyone having the same doc- trine.‖ - MARY MANNING

979 Represent 3 Loudfest redux

I talked to a lot of different people at this year‘s LOUD- FEST, held last month in downtown Bryan. Lots of new people who had no idea that Bryan hosted new rock bands. Each person had a different band to rave about, each person had their favorite, their surprise band, the band they thought was a breakout band. So why not share some photos and raves with you from our staff? Why certainly, yuk yuk yuk.

Starting with me. Again, surprised that four years run- ning our crew can pull this thing off without any major drama, no douchebags, just superfun. Though the rain Friday night was definitely NOT in the cards, but I‘m not gonna bitch about that too much because we needed that rain, right? Yuppers. But Friday night for me was the big night. I got stuck at Revolution the whole night so I was way bummed to miss out on Austin stoner metal band The Roller but I did see three bands in particular that night who creamed my undies good. Starting with festi- val openers Wasp And Pear, two guys, a laptop, a guitar and a floor full of guitar pedals, who made machine music that was somehow joyful while at the same time shrill and loud. WNP laptop dude Donald Mayne intro- duced a song as ―here‘s our Hawkwind song‖ but I was certainly feeling more on the Ash Ra Tempel and Harmo- nia vibe than anything else. And y‘all know how much I love my electro krautrock. Houston prog punk prodigies The Dead Revolt flipped me WAY out. The band seemed like they had the foot on the gas the whole time, with tons of stop time chaotic song arrangements and a drum- mer that seemed to play 32nd notes THE ENTIRE SET without ever letting up. Made me wanna throw my drum- sticks away. You should drop by their Bandcamp page and pick up their album. And then The Well. It‘s no secret I never really cared for Ian‘s previous band & Revolution They looked good, had a pleasant jangly sound but no songs. Well, The Well has no songs either, but Ian has traded out a hipster sound for a dirty psyche- delic rock take on the stoner metal sound. Like Blue Cheer on acid, with a tad of the garage thing that Ian preserved from the old band. It was pretty rad.

As a player I have to say enveloping Revolution with Guerrilla Fog during The Tron Sack‘s set was definitely a highlight for me.—KELLY MINNIS

There was LOUDFEST, and The Roller. Enuff said.— FOILFACE

Friday - Mike the Engineer straddled the line between modern rock and punk with their set, highlighted by an unexpected rocking cover of the Beach Boys‘ staple ―Sloop John B.‖ The Ex-Optimists sounded tighter than ever although Kelly Minnis‘ vocals were lost in the mix at Revolution. Dog Company was a marvelous retro politi- cal punk band from Dallas that powered through their tunes with the right touch of anger, humor, and right- eousness. I wish I‘d bought their vinyl/CD combo at the show though. When I checked online I discovered they are on a German punk label, and I didn‘t want to shell out euros. I gave out during the Roller‘s thundering set at the Stafford.

Saturday – I enjoyed the daylight raw set at Revolution by the Busy Kids, an all-girl punk band side project of Some- thing Fierce‘s Nikki Sevven. Charger Fits hit on all cylin- ders as usual at the Stafford; these lefties have some great tunes. Jay Satellite put on a great show at the Staf- ford, despite his guitar player‘s penchant for breaking strings, mixing new songs with old favorites. The trio Transmography won me over finally – last time was un- derwhelming – with their punchy electronica and drum tunes. The Hangouts leapt off with ―Get Well‖ from their ADD Generation vinyl EP and gleefully walloped through several other tunes including a killer cover of the Go-Gos ―We Got the Beat‖ and an encore cover of Joan Jett‘s ―Bad Reputation.‖ The Hot Things from Houston rocked a full house at Revolution as lead singer MansRuin snaked through the crowd periodically to torment the male at- tendees. Dallas‘ Tow the Line at the Stafford put on a solid indie rock show with three vocalists, and a funny aside near the end as they offered cassettes for sale: ―I From Top Left clockwise, yo: Wasp and Pear makes electro don‘t know what you‘re going to play them on though.‖ bang heads; The Roller caves in chests; Sea of Wolves stirs up What a great start to the summer.—MIKE L. DOWNEY the crowd; The Wrong Ones fall off the stage; Omotai make massive metal; The Hot Things bring sexy rock back; Charger Fits assume the punk stance. 979 Represent 4 All photos by David Lynch Summer Imbibed and written about by Kevin still

I don‘t know about you, but I‘m drinking a lot of beer these days. Hawaii imported Big Swell IPA, no matter where you go, but after a own. Dean Brundage ―Founder/Unscrambler of Eggs‖ of New Repub- And that‘s a good thing. Texas is hot, the rain is scarce, and my few sips you‘ll know where your money went. Also, the can is pretty. lic has given us that . I‘ve tasted New Republic‘s backporch (affectionately known as the Cuss-n-Spit Beer Garden) has Bellows Texas Amber only once, and that once was not enough. some nice shade in the afternoon. So I drink the beers there. Lots of 7. SIERRA NEVADA SUMMERFEST CRISP SUMMER (5.0% ABV / Exquisitely hopped, curiously malted, and social circle appropriate, I them. And in all this excess, I‘ve taken a few notes about what‘s 28 IBUs) – I cannot count the number of hopheads I‘ve met who claim left the Village Café wanting more. For now, New Republic‘s Bellows worth drinking again and what‘s worth drinking often. This list cutting their hop-headed teeth on Sierra Nevada Pale Texas Amber is available per pint at Murphy‘s Law, Good Time Char- became exhaustive because there are very few beers I absolutely do . It‘s a staple of American craft beer. A corner- lie‘s, Revolution, and Village Café (all located in downtown Bryan). not like (Rolling Rock, Heineken, Corona, Corona Light, Bud Light all stone of Western hop literature. The Chuck Berry of of Bellows Texas Amber are available at the Bait Barn and Fish- come to mind), but I dutifully narrowed down my summer drinking rockin‘ hoppage. The Essential Rabbit of evolutionary eries (on HWY 21) and Whisky Charlie‘s. Speaking for the entire 979 list. pale ale science. And once Sierra Nevada earned their Represent staff, we‘re glad you guys are here and brewing. well-deserved hop throne, they hit shelves with Tor- Wait! Before launching the list, I want to congratulate Conroe‘s pedo Extra Pale Ale (7.2% ABV / 65 IBUs), one of the 3. BIG SKY IPA (6.2% ABV / 65 IBUs) – Another great Southern Star Brewing Company on the Pine Belt Pale Ale review in new bar setters for IPAs in my estimation, and Hop- brewery that recently worked it‘s way into BCS distribu- the May 2011 issue of All About Beer Magazine. American craft timuum Imperial IPA (10.4% ABV / 100 IBUs), which I tion, Big Sky Brewing Company, from Missoula, Mon- beer‘s Grand Poobah, , claimed ―Pine Belt will be a paid $18 for a 24 ounce bomber and never regretted a tana, boasts Moose Drool as their flagship. star rising in Texas and beyond‖ - high praise from the man who single penny spent. According to my experience, The Moose Drool gets rave reviews, in print and by pub literally wrote the book on homebrewing. It‘s a huge victory when a that take hops to the next level generally do tenders, but the glory is wasted on me. Moose Drool small town craft brewery, such as Southern Star, finds national recog- not excel at lighter beer styles (Ska Brewing, Bell‘s Brown Ale, in my opinion, is a wee bland. Hyperbolizing nition. So congrats to Southern Star. And congrats to you, the Brewing, Boulder Brewing, Flying Dog Brewing), but Moose Drool is like passionately exaggerating oxygen. drinker, for all the times you bought the sixer of locally crafted beer Sierra Nevada has always been an anomaly. For in- This is not the case with Big Sky IPA. I don‘t think you instead of the corporate case. That‘s why we‘re here, to celebrate stance, this Sierra Nevada Summerfest Crisp Summer can talk this beer up enough. (But for some reason they craft beer. So pop a top and take note. Here‘s a few other brews Lager, which is definitely not for everyone, is an enor- stuck a gigantic Moose on the bland brown ale and some you‘ll want to pour inside you. Ladies and dirtbags, I give you the mously flavorful lager. Piercing the palette with su- skinny ass jackalope mothertrucker on the larger-than- Top Ten Beers of Summer 2011. perbly sharp grass and hay blades, Summerfest starts life IPA, an exercise in animalistic irony.) Big Sky IPA green and lingers bright, crisp, dry, and eventually trumps in one primary respect: it‘s simultaneously su- 10. BUCKETHEAD IPA—I do not know much about toasty sweet. A bit too demanding for refreshment, Sierra Nevada‘s per huge in flavor while still remaining super refreshing. this beer, which is a helluva way to start my Top Summerfest Lager proves that even light beers can hit heavy, raise You wouldn‘t normally think to grab an IPA after walk- Ten Beer List, but I do know that Buckethead IPA, the bar, and challenge our beer literacy. I, for one, am drastically ing a black dog on black asphalt in a drought-ridden from Thirsty Planet Brewing Company in Austin, is a intrigued. Texas July, but you would if Big Sky IPA were in your game-changer. This beer is freaking huge. Major fridge. Grapefruity hops, perfect balance, suddenly citrus and copper hops explode at the front, a 6. RAHR AND SONS BLONDE (4.8% ABV/ 22 IBUs) – After sliced flavor finish – it‘s fine. And if hops are not your bushel of burnt toasty quicken on the edges, much prayer and petition, BCS finally won distribution thing, get on down to Good Time Charley‘s or O‘Ban- and the whole shebang rattles around the taste of Forth Worth based Rahr and Sons Brewing Co. non‘s for a bottle of Troutslayer Ale, a filtered ale buds awhile like post-Loudfest tinnitus. Thirsty Thankfully, Rahr and Sons‘ Ugly Pug Black Lager that will keep you sipping past your aforementioned limit. And Planet does not yet bottle their beer or distribute (smokier than Shiner Black and more flavorful than NB when someone calls you on your imbibing you can tell ‗em, ―Hey, this outside the city, but I‘ve found Buckethead IPA in 1554), Texas Amber Red (subtle, hoppy, and quite fine beer‘s from Montana!‖ They‘ll be impressed at your confidence with several Austin beer-lover hot-spots. Buckethead IPA with a blue cheese burger), and Blonde can be found by foreign . is a lusty, voluptuously full-bodied 16-month calen- the pint or the bottle at the Village Café, Good Times dar kinda ale. I need a glass of cold water just Charlie‘s, and O‘Bannon‘s Tap House, as well as in most 2. TWILIGHT SUMMER ALE (6.2% ABV/ 65 IBUs) – I‘ve served thinking about it. area beer selling joints. Likewise, a Rahr and Sons loads of beer at the Cuss-n-Spit Beer Garden in the past few Blonde may be found regularly at the Cuss-n-Spit Beer months, and, no matter what beer I‘m serving, the Deschutes‘ 9. SOMERSAULT (5.2% ABV / 28 IBUs) - In the craft beer community, Garden. Blondes have become a personal favorite, a Twilight Summer Ale is always the first to go. Everyone loves it‘s nearly as hip to dismiss New Belgium Brewing Com- style I‘ve discovered since moving to our German- the stuff. Like Velveeta based Rotel dip if you don‘t tell any- pany as it is to dismiss Heineken, green bottles, and influenced beer region. My only complaint with blonde one about the Velveeta, it‘s a crowd pleaser. I won‘t say much chilled mugs. But I‘ve never been that hip, especially by ales (Shiner Blonde, Southern Star Bombshell Blonde, else about Deschutes Brewery or Twilight Summer Ale here craft beer standards. So I‘ll openly confess here – loud Real Ale Fireman‘s #4) is that they can often be a bit dry. because we‘re planning a Deschutes write-up soon. For now, and proud – my love for New Belgium Brewing Company: This is why I love the Rahr and Sons Blonde: it ain‘t so just know that Twilight is a constant at the Cuss-n-Spit Beer I relish Fat Tire and 1554 on tap; the maltiness of Ranger Extra-Brute champagne-like, but it still features the lager Garden and Twilight is only here for the summer. Get it while IPA is seductive; I mark my calendar for the release of quenchabilities and Kolsch-grassy crispness of stellar you can. And bring a sixer to the Cuss-n-Spit. Please. NB‘s 2 Below Winter Seasonal; and their La Folie Sour Blonde ales. Buy this beer and buy it in bulk. And, Brown Ale is one of my Top Five favorite big-beers of all while we‘re at it, let‘s all just plan a big arse brewery trip to DFW! I‘m 1. LOST GOLD IPA (6.6% ABV / 55 IBUs) – I‘m time. While I‘m grieving the loss of NB‘s Loft Beer (a buzzing. about to win you with my humility or lose you hoppy seasonal from past summers), as well as Spring- with my pretentiousness. Since moving to the board (a fruity herbal spring ale), I‘m excited about this 5. SHINER RUBY RED (4.2% ABV / 13 IBUs) – Any opportunity to ad- Glorious Republic, I‘ve claimed Real Ale‘s Fire- new Somersault Ale. Like most NB brews, Somersault is vertise the lesser-known Shiner beers is a personal blessing. Watch- man‘s #4 my favorite Texas born beer. There‘s a subtle, kind to the palette, and not too demanding. It‘s ing purchased cases of Shiner Bock bounce through the parking lot good chance I‘ve said as much in a previous Still the perfect dinner party beer for when you want to focus hurts my heart nearly as much as seeing a Shiner He- Drinkin‘ review. Then Real Ale releases this your attention on the food, the conversation, and being feweizen consumed straight from the bottle. Shiner is a Alamo Golden Ale, which you‘ve seen in HEB the funniest guy in the room. Twists of citrus and apri- good brewery with a fine line-up, I just do not love their whether you realized it or not. So I bought some cot both rush forward and wash the finish, leaving an flagship Bock. There. I just instantly lost readers. For Alamo for a Still Drinkin‘ article, poured it in a oral sensation of freshly chewed fruit gum rather than those of you sticking around, let‘s share a Shiner Black, glass, sipped it, and then wrote a page of notes grainy, hopped out beer. You‘ll make friends if you serve Shiner Blonde, Shiner Blonde Light, Shiner Dortmunder about how this is one of the worst beers I‘ve Somersault at your next shin-dig, which is exactly what Spring Ale, Shiner Hefeweizen (swirled and served in a ever tasted, claiming it‘s too fruity over here and New Belgium does best: they brew all inclusive, non-offensive, diplo- glass), and let us petition Shiner to bring back that too thick over there. I might have even sug- matically mild beers for each and every occasion. God bless ‗em. glorious 101 Czech Style Pilsner cause, brother, this 102 gested, ―This beer would be great if I was eating They‘re the Anheuser-Busch of craft beers, and, dammit, if I don‘t Double Wheat ain‘t cutting it. The 102 is a fine beer for pancakes and ran outta Aunt Jemima.‖ Then I crave a Budweiser sometimes. experimental purposes (they say the 102 is a ―hybrid‖ went online to research the Alamo Golden Ale between wheat beer and wheat wine), but I often broke and learned that Alamo Golden Ale is actually 8. BIG SWELL IPA (6.8% ABV / 50+ IBUs) – Don‘t tell my monthly beer budget on Shiner 101 past the point of Fireman‘s #4 with a different label. I‘m not sure anybody, but Big Swell IPA is the official beer of this apology. Luckily, for me, Shiner recently released their how this is legal, but it obviously is, unless it‘s article. Sipping one now. Took down a couple during Shiner Ruby Red shandy style summer seasonal. It‘s an Internet hoax, like that one about Bill Gates the research process last night. Dear Christ! I love writ- lovely! And my non-beer drinking wife requests it by giving away money or Bin Laden‘s death. And, ing beer articles because it requires me to consume the sixer! Infused with copious amounts of sweet Texas sure, I could just call Real Ale and ask them beer. Yesterday I picked up two expensive sixers, tell- grown Ruby Red grapefruits, and a perfect palette personally, but the humility is too delicious. ing the wife, ―Honey, I‘ve got a deadline!‖ (Beer does not cleansing pinch of ginger, Shiner‘s Ruby Red is the de- Besides if Jesus really wants to cancel earth aide in meeting deadlines, but it helps relieve the worry notative definition of refreshing. This beer makes me before November, I better get used to the flavor about missing them.) Big Swell IPA comes to us from wanna dig ditches and ignore the skeeters. Mow the lawn and skip of humility. While we‘re talking humility, I can Maui Brewing Company in Lahaina, Hawaii, which BCS the lemonade. Declare a substitution for mimosas and spend the also tell you that sipping Real Ale‘s Lost Gold has only recently received in distribution. Big Swell is a morning watching Hoda and Kathie Lee get tanked on the Today IPA also humbles me, but in a different way. huge IPA. Big citrus hop flavors are slightly quelled by harsh toasted Show. Look, mom, I‘m sauced before noon! Gravy! Sipping Lost Gold IPA makes me feel privileged biscuit notes that bleed into a lingering hop presence. This beer and undeserving, like the President‘s daughter at sticks with you, buoyed and bobbing on the taste buds like the 4. BELLOWS TEXAS AMBER—Ladies and quasi-gentlemen, Bryan- a sorority rush party. I don‘t want to say too ocean‘s crest after leaving the boat. Along with Big Swell, Maui Brew- College Station has a craft-brewery! This is great news. As the beer much because I might get emotional. Just hear ing‘s Coconut Porter is also available in BCS. As a porter, Maui‘s community in the BCS area expands through the efforts of local me on this: Lost Gold IPA is beautiful. In a bottle. In a glass. Over Coconut Porter is top-notch, a 5-Star cocoa and coffee infused brew – restaurants and beer sellers, home-brewing associations, and fellow your bare chest. Don‘t ask me how I know. Just try it. Selah. BUT the selling point here is the coconut, which I found rather non- Texas craft breweries, our town has needed a brewery to call our existent. Somebody tell me I‘m wrong. You‘ll pay a pretty penny for 979 Represent 5

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6/2CONCERT—Robert Earl Keen @ Texas Hall of Fame, Bryan. 9pm 6/9—We Were Wolves, The Ex-OptimistsCAlenDAR @ La Bodega, College Sta- 6/12—Scarlet O‘Hara, From the Eyes of Servants, Wolves Among Men, tion. 10pm Behold the Great Throne @ The Stafford, Bryan. 9pm 6/3—James Hyland & The Joint Chiefs @ Revolution Café & Bar, Bryan. 10pm 6/10—Reckless Kelly @ Texas Hall of Fame, Bryan. 9pm 6/15—Inkblot, Transcend Before Azalea, The Tron Sack @ The Staf- ford, Bryan. 9pm 6/4—Brazos Valley Derby Girls Exhibition Bout @ VFW Post 4692, 6/11—Brazos Valley Metal & Hardcore Festival: The Famine, A Theory Bryan. 7pm On Conquest, The Compliance Process, White Arms of Athena, Be- 6/17—Lee Bucker & The River Bends, The Ex-Optimists, Jay Satellite, 6/4—Signal Rising, The Hectic, Witness To The Fallen, Sea of Wolves, hold the Great Throne, Sea of Wolves, Wake the Colossus, Halt the Mike The Engineer @ Revolution Café & Bar, Bryan. 10pm Protest The Protest, Dear Society @ The Stafford, Bryan. 8pm Morning, Painfilled Silent, A Bid Farewell @ The Stafford, Bryan. 6/4—Midnight River Choir, Sweetbriar @ Wolf Pen Creek Amphithea- 5pm 6/24—Sybiline Prophecy, 9 Minuets, Killing Clover, Domain of Arn- ter, College Station. 6pm 6/11—Satisfaction, Rock-A-Fellas @ Wolf Pen Creek Amphitheater, heim, Transcend Before Azalea, Smile Transylvania @ The Stafford, College Station. 6pm Bryan. 8pm 6/9—Worth the Fight, Earthworm, Behold the Great Throne, Sea of Wolves, Old Men Die In New Suits @ The Stafford, Bryan. 9pm record REVIEWS Their previous albums have been heavy name from Canada. Perhaps part of on the prog rock, especially 2008‘s their struggle to wrestle their own Spirit Animal which saw the band go identity from the same-name bands, Ocean is the first release by the Black even farther into prog rock land, add- Ships, but not the also-new Black Ships ing electric guitar to the mix for the from the UK or the group of the same first time and relying as much on name from Canada. Perhaps part of Mellotron sounds as the classic analog their struggle to wrestle their own synthesizer sounds they mostly use. identity from the same-name bands, For Escape Velocity, the band has taken The Black Ships bounce somewhat almost the exact opposite approach. unevenly around the modern rock spectrum with their eight song EP. The This is a Zombi pop album. talent is there, but the band doesn‘t seem sure about what to do with it. Gone are the time signature calculus equations. No one‘s playing 5 over 7. I The Black Ships hamstring their best don‘t think Steve Moore plays a single song, the dynamic ―Bangalor,‖ with a spoken-word ending. They have yet Beastie Boys Autonomadic note of bass guitar. The song struc- another song about music‘s favorite Hot Sauce Committee Pt. 2 Gift of the Sun tures are about as straight forward as martyr, Joan of Arc, but at least it can be. A.E. Paterra rarely shows off rocks along. ―Lost Beach‖ brings in a I must admit, I was really afraid when I Autonomadic has filled Gift of the Sun his Neil Peart-esque 32nd note multi- guest vocalist, a rapper. ―Partisan‖ first cued this, the Beasties‘ first album with punk anthems that rage against tom flourishes, and instead makes like finds that dreary dreamy sound one since 2004. I‘m not sure why. It‘s not the evils of the world with barely- would expect from a group named the like the Beasties have ever made a bad restrained fury. From the Orwellian a human Linn drum, grinding out the four on the floor Italo beat. It reminds Black Ships, but it goes on too long . . . album, but I was still afraid. These paranoia of ―Freedom is Slavery‖ to the and tacks on another spoken-word me a lot of Steve Moore‘s remix work dudes are nearly 30 years into their desperation of illegal aliens in the title close. ―731‖ is mostly the chanted title career and, let‘s face it, they really have cut, this power trio alternates lead for Maserati and Pelican, and even buried under distortion, but – again – no peers left. Who else from the mid vocals that range from a hoarse Drop- more of Paterra‘s side project Majeur. at least it rocks pretty well. ‗80s is still making good hip-hop? kick Murphys bellow to a cutting Sex Brothers are all either dead, in jail, on Pistols wail. Whether the despair of ―Legion‖ has these out-of-left-field That doesn‘t mean that the signature the small club circuit regurgitating the Clash-like ―Postcards‖ or the stir- tejano/flamenco horns and handclaps their hits or on television pretending to ring heartbreak of ―Blood and Guts,‖ sound isn‘t there. Escape Velocity has that work surprisingly well. ―Athena‖ be cops. Autonomadic don‘t preach – they just lots of analog bass synth sequences closes out the EP with a mid-tempo lay out their tales of horror and desola- and Nova soundtrack synthesizer pad martial tune wrapped with muted The Beasties are doing none of these tion, wrapped in powerhouse driving glisses, but pretty much all the prog horns and touches of glockenspiel. things, though neither really are they punk music over an unrelenting 20 rock influences have been washed ―Ocean‖ is interesting enough and au current. Hot Sauce Committee Part tunes like the profane ―Deadbeat‖ and away in Zombi‘s attempt to streamline shows some promise for a band that Two sounds pretty much just like the brutally-honest ―No Child Left needs to work hard to earn its name.— themselves into a two man Giorgio you‘d expect a Beasties album to Behind.‖ Listen at your own risk.— MIKE L. DOWNEY sound. For starters, it‘s just the band MIKE L. DOWNEY this time around. Money Mark, DJ‘s Moroder machine. This is not neces- Hurricane and Mixmaster Mike are sarily a bad thing. The album runs absent. But you‘d never know it, from the Moog + live drums ensemble along at a brisk pace (it is much bounce of ―Make Some Nice‖ the ‗70s shorter in length than their previous porno funk of ―Nonstop Disco Power- full-length albums) and Zombi really pack‖, to the headnodding bass heavy knows how to make the machines ―Multilateral Nuclear Disarmament‖. groove, and Paterra is fantastic at MCA is the hero of the record, drop- playing along to the metronome. The ping deep bass guitar science, borrow- ing heavily from dub and PiL. All approach works well and suits the below ensemble rapping, which the band‘s sound, but I can‘t help missing Beasties own since they are pretty the prog rock science that drew me much the only crew still doing it old initially to the band.—KELLY MINNIS school.

Not to say the Beasties are doing it all by theyselves. There‘s a few guest Zombi Fleet Foxes turns, most noticeably the dubby Escape Velocity dancehall turn from Santigold on ―Long Helplessness Blues Burn the Fire‖ which makes me really Pittsburgh duo Zombi is one of my excited to hear what she‘s gonna turn These dudes CANNOT write a memora- favorite bands to emerge in the last ten out on her next album. Also, Nas ble song to save their lives. It was guests on ―Too Many Rappers‖ and on years. The band consists of two multi- charming on their debut album be- the first few listens I felt like Nas was instrumentalists who make prog rock cause the overall sound was so beauti- really out of his element here. He‘s not cool. Imagine all the rad instrumental ful, reverbed out cathedral folk/rock. really known for being fun and irrever- breaks from late ‗70s Rush and Genesis This time around the charm has worn ent. His drops at least stay true to his albums blended with the stark synthe- off, especially considering how labored style and he doesn‘t try to bend to the sizer scores of John Carpenter, the over this album is (recorded twice over Beasties‘ style, but after a lot of listens a two year period). Robin Pecknold I think it works pretty well. sequencer-driven bass heavy ambience shoulda taken that time to WRITE of Tangerine Dream and an affection BETTER FUCKING SONGS. Not that the There are some instrumentals, a few for Italo monster movie scores and Black Ships album is all bad, there are again some quick little incidental tracks and the you‘ve pretty much got Zombi. Drum- beautiful moments that make Helpless- obligatory punk rock freakout. Hot mer/synthesist A.E. Paterra and synthe- Ocean ness Blues a great background album, Sauce Committee plays out like pretty sist/bassist Steve Moore are able to but considering that is not Fleet Foxes‘ much any other Beastie Boys album, Ocean is the first release by the Black intent I‘d say they need to go back to pull off together what it often takes and I have to say that is definitely a Ships, but not the also-new Black Ships the drawing board.—KELLY MINNIS good thing.—KELLY MINNIS twice as many or more people to play. from the UK or the group of the same