Short Stories (PDF)
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
George Macdonald's the Wise Woman
Studies in Scottish Literature Volume 42 | Issue 2 Article 7 11-30-2016 Imagining Evil: George MacDonald's The iW se Woman: A Parable (1875) Colin Manlove University of Edinburgh Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Children's and Young Adult Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Manlove, Colin (2016) "Imagining Evil: George MacDonald's The iW se Woman: A Parable (1875)," Studies in Scottish Literature: Vol. 42: Iss. 2, 201–217. Available at: https://scholarcommons.sc.edu/ssl/vol42/iss2/7 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. IMAGINING EVIL: GEORGE MACDONALD’S THE WISE WOMAN: A PARABLE (1875) Colin Manlove George MacDonald has some claim to the title of “a neglected Scottish writer.” A great man and author in his day, he is now largely forgotten in his own country. Only his children’s fairy tales still spark an occasional glimmer of recognition, particularly his At the Back of the North Wind (1870) and The Princess and the Goblin (1872). Recent academic interest in MacDonald as a fantasy writer, and particularly as the forerunner of C.S. Lewis and J.R.R. Tolkien, has however begun to rescue him from obscurity, particularly in the U.S.. Here I want to carry on this process by showing the power of a story which where noticed is too often condemned—The Wise Woman: A Parable. -
The Armstrong Browning Library's George Macdonald Collection Cynthia Burgess
North Wind: A Journal of George MacDonald Studies Volume 31 Article 2 1-1-2012 The Armstrong Browning Library's George MacDonald Collection Cynthia Burgess Follow this and additional works at: http://digitalcommons.snc.edu/northwind Recommended Citation Burgess, Cynthia (2012) "The Armstrong Browning Library's George MacDonald Collection," North Wind: A Journal of George MacDonald Studies: Vol. 31 , Article 2. Available at: http://digitalcommons.snc.edu/northwind/vol31/iss1/2 This Article is brought to you for free and open access by the English at Digital Commons @ St. Norbert College. It has been accepted for inclusion in North Wind: A Journal of George MacDonald Studies by an authorized editor of Digital Commons @ St. Norbert College. For more information, please contact [email protected]. THE ARMSTRONG BROWNING LIBRARY’S GEORGE MACDONALD COLLECTION Cynthia Burgess he Armstrong Browning Library (ABL) of Baylor University is a nineteenth-centuryT research center committed to a focus on the British-born poets Robert Browning (1812-89) and Elizabeth Barrett Browning (1806-61). Because of the Brownings’ stature in the literary world of nineteenth-century Britain and America, they became acquainted with most of the famous writers of their era and developed personal friendships with many. Alfred Tennyson, Matthew Arnold, Thomas Carlyle, John Ruskin, Charles Dickens, Joseph Milsand, Isa Blagden, James Russell Lowell, and Harriet Beecher Stowe were only a few of their intimate friends and correspondents. Over the years, the ABL has broadened its collecting focus to include these and other associated nineteenth-century writers, including George MacDonald, as well as resources that reflect broader aspects of nineteenth-century literature and culture. -
George Macdonald's the Lost Princess and the Bible
North Wind: A Journal of George MacDonald Studies Volume 32 Article 5 1-1-2013 Tendering Greatness: George MacDonald’s The Lost Princess and the Bible Deborah Holm Follow this and additional works at: http://digitalcommons.snc.edu/northwind Recommended Citation Holm, Deborah (2013) "Tendering Greatness: George MacDonald’s The Lost Princess and the Bible," North Wind: A Journal of George MacDonald Studies: Vol. 32 , Article 5. Available at: http://digitalcommons.snc.edu/northwind/vol32/iss1/5 This Dissertation in Progress is brought to you for free and open access by the English at Digital Commons @ St. Norbert College. It has been accepted for inclusion in North Wind: A Journal of George MacDonald Studies by an authorized editor of Digital Commons @ St. Norbert College. For more information, please contact [email protected]. Dissertation in Progress In this section of North Wind the editors highlight new scholars who are working on MacDonald on the Masters and Doctoral levels. “Tendering Greatness” is the final project for the Masters degree in Literature and Society: Englightenment, Romantic, and Victorian at Edinburgh University. The program is described as follows: “This taught Masters degree introduces students to the relation between literary writing in English and political and social discourse in Britain and Ireland between the ‘Glorious Revolution’ of 1688 and the end of the 19th century.” Tendering Greatness: George MacDonald’s The Lost Princess and the Bible Deborah Holm Table of Contents 1. Names Like the Engraving of a Signet 2. Distinction in the Sounds 3. Familiar Spirits 4. It is Written Again 5. Waxed Greater and Greater Initials represent works by George MacDonald: FI “The Fantastic Imagination” HS Heather and Snow HG Hope of the Gospel. -
The Immanence of Heaven in the Fiction of CS Lewis and George
Shadows that Fall: The Immanence of Heaven in the Fiction of C. S. Lewis and George MacDonald David Manley Our life is no dream; but it ought to become one, and perhaps will. (Novalis) Solids whose shadow lay Across time, here (All subterfuge dispelled) Show hard and clear. (C.S. Lewis, “Emendation for the End of Goethe’s Faust”) .S. Lewis’s impressions of heaven, including the distinctive notions ofC Shadow-lands and Sehnsucht, were shaped by George MacDonald’s fiction.1 The vision of heaven Lewis and MacDonald share is central to their stories because it constitutes the telos of their main characters; for example, the quest for heaven is fundamental to both Lewis’s The Pilgrim’s Regress and MacDonald’s “The Golden Key.” Throughout their fiction, both writers reveal a world haunted by heaven and both relate rapturous human longing after the source of earthly glimpses; both show that the highest function of art is to initiate these visions of heaven; and both describe a heaven that swallows up Earth in an all-embracing finality. The play Shadowlands is aptly named; for Lewis, the greatest earthly joys were merely intimations of another world where beauty, in Hopkins’s words, is “kept / Far with fonder a care” (“The Golden Echo” lines 44-45). He was repeatedly “surprised by Joy,” overcome with flashes ofSehnsucht during which he felt he had “tasted Heaven” (Surprised 135). For Lewis, “. heaven remembering throws / Sweet influence still on earth . .” (“The Naked Seed” 19-20). This “sweet influence” is a desire, not satisfaction; in his words, it is a “hunger better than any other fullness” (“Preface” from Pilgrim 7). -
Select Bibliography of the Works of George Macdonald
George MacDonald: A Select Bibliography This is not a comprehensive listing of MacDonald’s works. For a more complete list, please see the following: Bulloch, John Malcolm. A Bibliography of George MacDonald. 1925. Jordan, Mary Nance. George MacDonald: A Bibliographical Catalog and Record. Limited edition of 100 copies. Fairfax, VA: privately published, 1984. Shaberman, Raphael. George MacDonald: a Bibliographical Study. Winchester, Hampshire/Detroit: St. Paul's Bibliographies/Omnigraphics, 1990. FAIRY TALES & WORKS FOR CHILDREN -Dealings with the Fairies, 1867 -At the Back of the North Wind, 1871 -The Princess and the Goblin, 1872 -Gutta Percha Willie: The Working Genius, 1873 -The Wise Woman, 1875 (alternate titles: The Lost Princess and A Double Story) -The Princess and Curdie, 1883 -The Light Princess and Other Fairy Tales, 1893 -The Complete Fairy Tales, 1999 FANTASIES -Phantastes: A Faerie Romance for Men and Women, 1858 -The Portent, 1864 -Works of Fancy and Imagination (10 vols), 1871 -Lilith, 1895 NON-FICTION WORKS & POETRY -Within and Without: A Dramatic Poem, 1855 -Poems, 1857 -The Disciple and Other Poems, 1867 -Unspoken Sermons, 1867 -The Miracles of Our Lord, 1870 -Exotics: A Translation of the Spiritual Songs of Novalis, the Hymn Book of Luther, and Other Poems from the German and Italian, 1876 -A Book of Strife in the Form of the Diary of an Old Soul, 1880 -A Threefold Cord: Poems by Three Friends, 1883 -The Tragedie of Hamlet, 1885 -Unspoken Sermons: Second Series, 1886 -Unspoken Sermons: Third Series, 1889 -The Hope of the Gospel, 1892 -The Poetical Works of George MacDonald - 2 vols, 1893 -A Dish of Orts, 1893 -Scotch Songs and Ballads, 1893 -Rampolli, 1897 (expanded edition of Exotics) -George Macdonald in the pulpit: the 'spoken' sermons of George Macdonald, 1996 Marion E. -
Macdonald's Counter-Literature Colin Manlove University of Edinburgh (Retired)
Inklings Forever Volume 5 A Collection of Essays Presented at the Fifth Frances White Ewbank Colloquium on C.S. Lewis & Article 35 Friends 6-2006 MacDonald's Counter-literature Colin Manlove University of Edinburgh (retired) Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Manlove, Colin (2006) "MacDonald's Counter-literature," Inklings Forever: Vol. 5 , Article 35. Available at: https://pillars.taylor.edu/inklings_forever/vol5/iss1/35 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. MacDonald's Counter-literature Cover Page Footnote Keynote Address This essay is available in Inklings Forever: https://pillars.taylor.edu/inklings_forever/vol5/iss1/35 INKLINGS FOREVER, Volume V A Collection of Essays Presented at the Fifth FRANCES WHITE COLLOQUIUM on C.S. LEWIS & FRIENDS Taylor University 2006 Upland, Indiana MacDonald’s Counter-literature Colin Manlove Manlove, Colin. “MacDonald’s Counter-literature.” Inklings Forever 5 (2006) www.taylor.edu/cslewis KEYNOTE ADDRESS MacDonald’s Counter-literature Colin Manlove How do MacDonald’s fantasies reflect his very sooner do we identify Him with any one of them than individual theology? If we start from his dislike of fixed His glory has moved elsewhere. God is in every creeds and doctrines, we find this paralleled in his symbol, and in no one of them. -
Dreams, Fairy Tales, and the Curing of Adela Cathcart Suggests: [End Of
Dreams, Fairy Tales, and the Curing of Adela Cathcart F. Hal Broome [This is an edited version of pages 78-101 of Dr. Broome’s unpublished Ph.D thesis, “The Science Fantasy of George MacDonald,” Edinburgh, 1985. It illustrates a discussion of MacDonald’s ideas of hypnotic states and dream states which appears earlier in the thesis and is summarized in Broome’s essay: “The Scientific Basis of MacDonald’s Dream-Frame.”1] he novel Adela Cathcart, published in 1864,2 has been seen as a rather weakT English novel of MacDonald’s, its sole importance coming from the inclusion of his early fairy tales. The plot is relatively simple: a young woman, the Adela Cathcart of the title, is ill, but the illness is suspected by the narrator, “John Smith,” to be of a mental nature. The successful treatment involves the reading of fairy tales, parables and stories to her, with the addition of songs and poetry, in what is truly an early form of group therapy. Aiding Smith are the two Armstrong brothers, one a curate and the other a doctor who provides a romantic interest for Adela. “Health might flow from such a source” (44), thinks Smith, who is a very thinly disguised MacDonald. What is Adela’s problem? First there is a diminished vital force: “If she is tired inside first, everything will tire her” (12). Since physical remedies “act most rapidly in a system in movement” (51), she needs a stimulus which the tales and social situation can provide. The mental action becomes the stimulus. -
Abstract Ware, Stephanie Lynne
ABSTRACT WARE, STEPHANIE LYNNE. Sexuality and Coming of Age in Two Works by George MacDonald. (Under the direction of Leila S. May.) This study attempts to follow George MacDonald as he engages in the strange juggling act by which he simultaneously idealizes women and releases them from the grasp of idolizing males, proclaims their purity and concerns himself with their healthy maturation into sexuality. A comparison of Phantastes and Adela Cathcart reveals the complicating role of sexuality in the coming of age process of both males and females. The male protagonist of the fantasy work Phantastes is asked to learn to control his sexuality and to abandon selfishness in love, and he does so in part by understanding that women, too, have sexual natures. In Phantastes, however, MacDonald hesitates between idealizing, and thus desexualizing, women and accepting sexuality as part of women’s nature, as Anodos’s continuing celibacy upon his return from Fairy Land illustrates. The realistic setting of Adela Cathcart compels MacDonald to address women’s sexuality. The novel demonstrates that a woman can fulfill her traditional angelic role even while confronting the demands of her sexuality. Women are fallen angels who must be taught how to live in their fallen bodies without compromising their angelic calling. In order to become the “angel in the house,” the moral center of the home, individual women must undergo a coming of age process similar to that of the males who struggle so much with handling their sexuality. To mature successfully, and to stave off the selfishness that is threatening to manifest itself in her, Adela, like Anodos, embarks on a journey through fantasy, though she will be borne there through the imagination and words of others. -
University of Dundee DOCTOR of PHILOSOPHY George Macdonald
University of Dundee DOCTOR OF PHILOSOPHY George MacDonald and Victorian Society Smith, Jeffrey Wayne Award date: 2013 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 GEORGE MACDONALD AND VICTORIAN SOCIETY JEFFREY WAYNE SMITH Doctor of Philosophy University of Dundee September 2013 ii TABLE OF CONTENTS Acknowledgements iv Declaration v Abstract vi Abbreviations vii Chapter One: Introduction 1 A Brief Guide to Reading the Thesis 3 Part 1: Critical Assessment 5 MacDonald’s Nonfiction: Writings on the Development of the Imagination and Spiritual Progression 15 Part 2: MacDonald’s Social Views and Ideas 20 MacDonald and the Nineteenth-Century Crisis of Change 20 Transitions between Town and Country in MacDonald’s Novels 28 The Ills of Industrialism in The -
George Macdonald's Adela Cathcart
WilliamGray ”Crossover fiction” and narrative as therapy: George MacDonald’s Adela Cathcart Abstract: Prior to the publication – famously assisted by George MacDonald and family - of C. L. Dodgson’s (or ‘Lewis Carroll’s’) Alice’s adventures in Wonderland (1865), there was little market for Kunstmärchen or literary fairy-tales in Victorian England. To get his own fairy-tales published, MacDonald had to insert them in the ‘realistic’ frame of his adult novel Adela Cathcart (1864), in which a series of stories (including fairy-tales) are composed and read to a group whose secret purpose is to cure a young woman suffering from the kind of mysterious non-specific illness typical of young Victorian women. The narrator ‘John Smith’, transparently a MacDonald-persona, says of his first contribution (‘The light princess’) that it is ‘a child’s story – a fairy-tale, namely; though I confess I think it fitter for grown than for young children’. This anticipates MacDonald’s later celebrated which virtually provided the slogan for ‘crossover fiction’, about writing ‘for the childlike, whether of five, or fifty, or seventy-five’. This paper will address not only the issues of target audience raised by the frame- narrative, but also the issues raised by the three fairy-tales themselves, each of which is arguably related to a specific stage of life (childhood, adolescence and old age). Thetroublewithfairytales The early 1860s was not a good time to get literary fairy tales pub- lished in England. Although from 1823 onwards there were Eng- lish versions of Grimms’ Fairy tales (as the Kinder- und hausmärchen came to be called in Britain), and translations of Andersen’s fairy tales were available from the 840s, there was little by way of indig- enous British Kunstmärchen or literary fairy tales in the mid 800s. -
The Wise Woman, Or the Lost Princess: a Double Story: a Critique of Victorian Parenting
The Wise Woman, or The Lost Princess: A Double Story: A Critique of Victorian Parenting Osama Jarrar 1. Introduction George MacDonald’s view of childhood was inherently Romantic. He viewed childhood as an embodiment of innocence, purity and imaginative potential, an exemplary state from which adults declined: “He who will be a man, and will not be a child, must — he cannot help himself — become a little man, that is a dwarf” (“The Fantastic Imagination” 10). MacDonald therefore emphasized in his sermons and adult fiction, and especially in his children’s literature, the responsibility of parents to instill moral values of trust, love and honesty in their children by cultivating their inner goodness. Parents’ failure to fulfill such a responsibility, according to MacDonald, will harm the moral and emotional being of their children: “Many parents hold words unsaid which would lift hundred-weights from the hearts of their children, yea, make them leap for joy. A stern father and a silent mother make mournful, or, which is far worse, hard children” (Gospel 99). In chapter XXXIX of The Vicar’s Daughter (1872), MacDonald also emphasizes such an image of childhood as a stage of virtue and sacredness. Ethelwyn, the heroine and narrator of the story, speaks of her father’s “most practical” guide to the proper treatment of children (318-320). The guide calls for instilling in children the values of Christian goodness that nurture their moral and emotional nature. There were, however, limitations to MacDonald’s views on socializing children. MacDonald’s son and first biographer, Greville MacDonald, for example, wrote that his father reverted to punishment when gentleness failed: My father, in the education of his children, put duty before everything. -
The Fourfold Myth of Death and Rebirth in George Macdonald's
The Fourfold Myth of Death and Rebirth in George MacDonald’s Phantastes James T. Williamson I. The critical history of Phantastes has circled in various capacities and through various phases around the question of the work’s structure, as the critical history of its later sibling, Lilith, has tended to circle back to that work’s “Endless Ending.” That Lilith is a sufficiently rich imaginative work to generate and sustain a wide variety of approaches to its “riddle,” if you will, is made amply evident in the essays collected in Lilith in a New Light (2008). While Phantastes has yet to generate a like volume, it has likewise generated a wide variety of approaches to its “riddle.” When I first wrote aboutPhantastes in my MA thesis in 1990, one of the major issues I found myself implicitly, then increasingly explicitly, addressing, was the oft-reiterated variation on what seemed almost conventional critical wisdom: Phantastes was a random, disorganized work, lacking structural cohesion. This, as it seemed to me, passively held view, no doubt had its inception in the baffled and often hostile responses of reviewers which greeted the book’s publication in 1858. Yet, nearly a hundred years later, even an enthusiast like W.H.Auden would write that “there seems no particular reason, one feels, why Anodos should have just the number of adventures which he does have—they could be equally more or less…” (Auden vi). Descendants of this inherited view continued to be voiced in more rigorously critical contexts several decades later: in the 1970s C.N.