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Constructing Danish Identity Transcultural Adaptation in Peter
Coversheet This is the accepted manuscript (post-print version) of the article. Contentwise, the post-print version is identical to the final published version, but there may be differences in typography and layout. How to cite this publication Please cite the final published version: Stephan, M. (2016). Constructing Danish Identity: Transcultural Adaptation in Peter Høeg’s The History of Danish Dreams. Scandinavian Studies 88(2), 182-202. University of Illinois Press. Publication metadata Title: Constructing Danish Identity: Transcultural Adaptation in Peter Høeg’s The History of Danish Dreams Author(s): Matthias Stephan Journal: Scandinavian Studies DOI/Link: https://muse.jhu.edu/article/634084/summary Document version: Accepted manuscript [post-print] Accepted date: Jan 22, 2016 General Rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. This coversheet template is made available by AU Library Version 1.0, October 2016 Constructing Danish Identity: Transcultural Adaptation in Peter Høeg’s The History of Danish Dreams Matthias Stephan Århus University his paper discusses the Danish novel Forestilling om det tyvende århundrede, published in 1988, or perhaps more accurately, the T1995 American translation of the novel, The History of Danish Dreams. -
Doorway to Devotion: Recovering the Christian Nature of the Gosforth Cross
religions Article Doorway to Devotion: Recovering the Christian Nature of the Gosforth Cross Amanda Doviak Department of History of Art, University of York, York YO10 5DD, UK; [email protected] Abstract: The carved figural program of the tenth-century Gosforth Cross (Cumbria) has long been considered to depict Norse mythological episodes, leaving the potential Christian iconographic import of its Crucifixion carving underexplored. The scheme is analyzed here using earlier ex- egetical texts and sculptural precedents to explain the function of the frame surrounding Christ, by demonstrating how icons were viewed and understood in Anglo-Saxon England. The frame, signifying the iconic nature of the Crucifixion image, was intended to elicit the viewer’s compunction, contemplation and, subsequently, prayer, by facilitating a collapse of time and space that assim- ilates the historical event of the Crucifixion, the viewer’s present and the Parousia. Further, the arrangement of the Gosforth Crucifixion invokes theological concerns associated with the veneration of the cross, which were expressed in contemporary liturgical ceremonies and remained relevant within the tenth-century Anglo-Scandinavian context of the monument. In turn, understanding of the concerns underpinning this image enable potential Christian symbolic significances to be suggested for the remainder of the carvings on the cross-shaft, demonstrating that the iconographic program was selected with the intention of communicating, through multivalent frames of reference, the significance of Christ’s Crucifixion as the catalyst for the Second Coming. Keywords: sculpture; art history; archaeology; early medieval; Anglo-Scandinavian; Vikings; iconog- raphy Citation: Doviak, Amanda. 2021. Doorway to Devotion: Recovering the Christian Nature of the Gosforth Cross. -
“To Establish a Free and Open Forum”: a Memoir of the Founding of the Grundtvig Society
“To establish a free and open forum”: A memoir of the founding of the Grundtvig Society By S. A. J. Bradley With the passing of William Michelsen (b. 1913) in October 2001 died the last of the founding fathers of Grundtvig-Selskabet af 8. september 1947 [The Grundtvig Society of 8 September 1947] and of Grundtvig- Studier [Grundtvig Studies] the Society’s year-book.1 It was an appropriate time to recall, indeed to honour, the vision and the enthusiasm of that small group of Grundtvig-scholars - some very reverend and others just a touch irreverent, from several different academic disciplines and callings but all linked by their active interest in Grundtvig - who gathered in the bishop’s residence at Ribe in September 1947, to see what might come out of a cross-disciplinary discussion of their common subject. Only two years after the trauma of world war and the German occupation of Denmark, and amid all the post-war uncertainties, they talked of Grundtvig through the autumn night until, as the clock struck midnight and heralded Grundtvig’s birthday, 8 September, they formally resolved to establish a society that would serve as a free and open forum for the advancement of Grundtvig studies. The biographies of the principal names involved - who were not only theologians and educators but also historians and, conspicuously, literary scholars concerned with Grundtvig the poet - and the story of this post-war burgeoning of the scholarly reevaluation of Grundtvig’s achievements, legacy and significance, form a remarkable testimony to the integration of the Grundtvig inheritance in the mainstream of Danish life in almost all its departments, both before and after the watershed of the Second World War. -
SCANDINAVIAN LANGUAGES and LITERATURES Sara De Kundo 10 and Tom Kilton; July 1984
S 1-1 SCANDINAVIAN LANGUAGES AND LITERATURES Sara de Kundo 10 and Tom Kilton; July 1984 I. DESCRIPTION A. Purpose: To support the instructional and research programs of the Department of Germanic Languages and Literatures involving the literature and language studies of Old Norse/Icelandic, runes, and the historical and current literatures and languages of Iceland, Denmark, Norway, Sweden, and the Faeroe Islands. B. Hist0tY of Collection: In the early 20th century, Scandinavian studies were taught in the English Department. The collections were built up significantly by prominent professors, notably Henning Larsen and George Flom. The George Flom Library of over 2,000 valuable items was donated in 1941, and the Henning Larsen collection was purchased in 1971. Since 1959 Scandinavian language, literature and cultural studies have been offered regularly through the Department of Germanic Languages and Literatures. C. Estimate of Holdinis: 23,475 volumes. D. State. Reiional. and National Importance: The Scandinavian collections at Illinois are considered by most scholars to be outstanding and to rank among the top ten North American libraries with collections in these areas. E. Unit Responsible for Collectini: Modern Languages and Linguistics Library. F. Location of Materials: Reference works and a small core collection are held in Modern Languages and Linguistics Library. The majority of materials are in the Bookstacks , but many are in the Reference Room, the Rare Book and Special Collections Library, and the Undergraduate Library. G. Citations of Works Describini the Collection: Downs, pp. 113, 206. Major, p. 59. II. GENERAL COLLECTION GUIDELINES A. Lan&Ua&es: Primarily Old Norse/Icelandic, Danish, Norwegian, Swedish, and English, with selective acquisition of translations of primary source mate~ials as well as secondary criticism in other Western European languages. -
Norway – Music and Musical Life
Norway2BOOK.book Page 273 Thursday, August 21, 2008 11:35 PM Chapter 18 Norway – Music and Musical Life Chapter 18 Norway – Music and Musical Life By Arvid Vollsnes Through all the centuries of documented Norwegian music it has been obvi- ous that there were strong connections to European cultural life. But from the 14th to the 19th century Norway was considered by other Europeans to be remote and belonging to the backwaters of Europe. Some daring travel- ers came in the Romantic era, and one of them wrote: The fantastic pillars and arches of fairy folk-lore may still be descried in the deep secluded glens of Thelemarken, undefaced with stucco, not propped by unsightly modern buttress. The harp of popular minstrelsy – though it hangs mouldering and mildewed with infrequency of use, its strings unbraced for want of cunning hands that can tune and strike them as the Scalds of Eld – may still now and then be heard sending forth its simple music. Sometimes this assumes the shape of a soothing lullaby to the sleep- ing babe, or an artless ballad of love-lorn swains, or an arch satire on rustic doings and foibles. Sometimes it swells into a symphony descriptive of the descent of Odin; or, in somewhat less Pindaric, and more Dibdin strain, it recounts the deeds of the rollicking, death-despising Vikings; while, anon, its numbers rise and fall with mysterious cadence as it strives to give a local habitation and a name to the dimly seen forms and antic pranks of the hol- low-backed Huldra crew.” (From The Oxonian in Thelemarken, or Notes of Travel in South-Western Norway in the Summers of 1856 and 1857, written by Frederick Metcalfe, Lincoln College, Oxford.) This was a typical Romantic way of describing a foreign culture. -
Danish Law, Part II
University of Miami Law Review Volume 5 Number 2 Article 3 2-1-1951 Danish Law, Part II Lester B. Orfield Follow this and additional works at: https://repository.law.miami.edu/umlr Recommended Citation Lester B. Orfield, Danish Law, Part II, 5 U. Miami L. Rev. 197 (1951) Available at: https://repository.law.miami.edu/umlr/vol5/iss2/3 This Article is brought to you for free and open access by the Journals at University of Miami School of Law Institutional Repository. It has been accepted for inclusion in University of Miami Law Review by an authorized editor of University of Miami School of Law Institutional Repository. For more information, please contact [email protected]. DANISH LAW DANISH LAW LESTER B. ORFIELD PART II* LOCAL GOVERNMENT In 1841 local government was reformed by introducing parish councils to which the peasants elected some representatives. 233 In turn the parish councils elected members of the county councils. The pastors were no longer to be chairmen of the parish councils, but continued to be members ex officio. The right to vote was extended to owners of but 1.4 acres. The councils were created to deal with school matters and poor relief; but road maintenance, public health, business and industrial licenses, and liquor licenses were also within their province. The right to vote in local elections was long narrowly restricted. Under legislation of 1837 the six largest cities other than Copenhagen chose coun- cilmen on a property basis permitting only seven per cent of the population to vote. Early in the nineteenth century rural communities began to vote for poor law and school officials. -
Satirising the Norwegian Language Conflict: Gabriel Scott’S Babels Taarn Contextually Reconsidered
Scandinavica Vol 52 No 1 2013 Satirising the Norwegian Language Conflict: Gabriel Scott’s Babels taarn Contextually Reconsidered Frederick Hale North-West University Abstract Gabriel Scott’s comedy Babels taarn (Babel Tower), first performed at the National Theatre in Kristiania in 1911, satirises the language controversy that was raging in Norway at the time. The play is regarded as important in linguistic and literary terms, but has been largely forgotten. This article argues that Scott was disillusioned by the politicisation of the language controversy and regarded the advance of landsmål as an artificial and unwelcome phenomenon in the unfolding of Norwegian culture which failed to understand the complexities of inevitable cultural syncretism. Babels taarn is discussed as a means by which Scott critiqued the defenders of riksmål for their passivity. Finally, it is argued that Babels taarn is a scathing indictment of what Scott perceived as misdirected and shallow nationalism. Keywords Gabriel Scott, Babels taarn (play), Norwegian drama, landsmål, language politics 17 Scandinavica Vol 52 No 1 2013 For many decades the history of the Norwegian language controversy, or språkstriden, has attracted the attention of linguists and other scholars both in Norway and abroad. They have illuminated many facets of the endeavours by advocates of landsmål or nynorsk to place their form of the tongue on an equal footing with riksmål or bokmål, as well as the establishment and life of Det Norske Teatret, the politics of Riksmålsforbundet, and other dimensions of the protracted strife. Historians of the Nordic languages thus have at their disposal a moderate wealth of scholarly literature in which such works as Einar Haugen’s Language Conflict and Language Planning: The Case of Modern Norwegian (1966) and Egil Børre Johnsen’s Vårt eget språk (1987) figure prominently. -
Danish Culture
DANISH CULTURE DANISH CULTURE IS RELAXED AND COLLECTIVE VALUES ARE BUILT ON TRUST, SECURITY AND COOPERATION. VIEWS ON RELIGION AND POLITICS ARE RATHER LIBERAL, AND HUMOUR IS DEEPLY ROOTED IN DANES. THE SUPPORTIVE DANISH WELFARE STATE GRANTS EQUAL OPPORTUNITIES FOR ALL, THUS PROVIDING A STRONG FEELING OF SECURITY AND BELONGING. WHAT ARE DANES LIKE? central part of Danish culture. Comedians unteer work or simply donate money for Generally, Danes have very liberal views make fun of famous people, and even the charities. Moreover, Danes are increasing- on sex, religion and politics compared royal family, to their audience’s amuse- ly concerned about global issues, so they to most Europeans. However, they are ment. Irony is an important part of Danish buy fair trade and environmentally friend- also rule-bound and complying with the humour and conversation, which may take ly products and recycle more than the Eu- norms is important and appreciated. some time getting used to for interna- ropean average. Wealth in Denmark is equally distribut- tionals. Danes may not initiate small talk ed, so there are relatively few billionaires with strangers themselves, but Danes are THE “HYGGE” CONCEPT or really poor people. Attitudes towards polite and will engage in conversation if When foreigners are asked to describe success and money are humble, and con- they are spoken to. Danish culture, a special concept comes sequently bragging is unusual and socially to mind: “hygge”. Linked to cosiness and unacceptable. Most Danes are outspoken SOCIAL AND CULTURAL VALUES warmth, “hygge” is normally associated and direct; they are used to having open Altruism is a core value in Denmark. -
The Reception of Danish Science Fiction in the United States Kristine J
Purdue University Purdue e-Pubs Libraries Research Publications 6-13-2006 The Reception of Danish Science Fiction in the United States Kristine J. Anderson Purdue University, [email protected] Follow this and additional works at: http://docs.lib.purdue.edu/lib_research Anderson, Kristine J., "The Reception of Danish Science Fiction in the United States" (2006). Libraries Research Publications. Paper 71. http://docs.lib.purdue.edu/lib_research/71 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. The Reception of Danish Science Fiction in the United States by Kristine J. Anderson Science fiction is a distinctly American genre. Although scholars have traced its origins back as far as the Latin writer Lucian of Samosata, 1 it was Hugo Gernsback, a publisher of pulp magazines in the United States, who first gave the genre its name in the June 1929 issue of Wonder Stories . Gernsback had been serializing the scientific romances of such writers as Jules Verne and H.G. Wells, emphasizing their treatment of technology and putting them forth as models for other budding writers to imitate. The magazines that Gernsback initiated became very popular, spawning more from other publishers. Groups of aficionados sprang up around them, provided with a forum by Ge rnsback’s letters columns, where they happily exchanged opinions and found addresses with which to contact one another outside the magazine. In this way Gernsback also gave birth to science fiction fandom, which then went on to produce successful authors from its own ranks to write for all the science fiction magazines then pouring off the presses. -
DOMINANT ETHNIC GROUPS in EUROPE, 1850-1940 · Ethnic Groups and Language Rights Volume III
COMPARATIVE STUDIES ON GOVERNMENTS AND NON 1/ .f:( - DOMINANT ETHNIC GROUPS IN EUROPE, 1850-1940 · Ethnic Groups and Language Rights Volume III ~., i . 1 . Edited by { SERGIJ VILFAN in collaboration with 1 GUDMUND SANDVIK and LODE WILS 1. f' 1 ~... ,' Non-existent Sami Language Rights in Norway, 1850--1940 GUDMUND SANDVIK European Science Foundation NEW YORK UNIVERSITY PRESS DARTMOUTH 128 .., 13 Non-existent Sami Language Rights in Norway, 1850-1940 GUDMUND SANDVIK Background The Samis are an ethnic minority in the Nordic countries and in Russia. According to more or less reliable censuses, they number today about 40 000 in Norway (1 per cent of the total population), 20000 in Sweden (0.25 per cent), 4500 in Finland (0.1 per cent) and 2000 on the Kola peninsula in Russia. Only Finland has had a regular ethnic census. The Samis call themselves sapmi or sabmi. It is only recently (after 1950) that this name has been generally accepted in the Nordic countries (singular same, plural samer). Tacitus wrote about fenni;1 Old English had finnas;2 Historia NorvegitE (History of Norway) written about P80 had finni,3 and the Norse word was {imzar. 4 In medieval Icelandic and Norwegian literature, Finnmork was the region in northern Scandinavia where the Samis lived. The northern most Norwegian fylke (county) of today, Finnmark, takes jts name from the huge medieval Finnmork. But Samis of today still use the name S4pnzi for the entire region where they live (See Map 13.1, ;].. which "shows S4pmiwith state frontiers and some Sami centres). 'Finner' is accordingly an authentic Norwegian name. -
Danish Nobel Laureates in Literature with Special Emphasis on Johannes V
The Bridge Volume 29 Number 2 Article 31 2006 Danish Nobel Laureates in Literature With Special Emphasis on Johannes V. Jensen Erik M. Christensen Follow this and additional works at: https://scholarsarchive.byu.edu/thebridge Part of the European History Commons, European Languages and Societies Commons, and the Regional Sociology Commons Recommended Citation Christensen, Erik M. (2006) "Danish Nobel Laureates in Literature With Special Emphasis on Johannes V. Jensen," The Bridge: Vol. 29 : No. 2 , Article 31. Available at: https://scholarsarchive.byu.edu/thebridge/vol29/iss2/31 This Article is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in The Bridge by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Danish Nobel Laureates in Literature With Special Emphasis on Johannes V. Jensen by Erik M. Christensen Religion, Philosophy, and Art are related. Sometimes more than other. They are so much in family, in fact, that they are able to become one. This may even happen without being intended or even realized, but we also have, in Western civilization, instances where the artist very clearly meant his work to represent a unity of Religion, Philosophy, and Art. The greatest known instance of this is, of course, Dante Alighieri's poem La Divina Commedia (ca. 1307- 1320), the story of his wandering through Purgatory, down to Hell, and up to Paradise where his ideal love for Beatrice allows him to unite with God. If you are the reader Dante intended you to be, you will at the end of The Divine Comedy be convinced that Religion, Philosophy, and Art are very much in family and certainly able to become one. -
Fiction of Scandinavian Women and the American Prairie
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2012 No Place Like Home: Fiction of Scandinavian Women and the American Prairie Rebecca Frances Crockett [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Literature in English, North America, Ethnic and Cultural Minority Commons Recommended Citation Crockett, Rebecca Frances, "No Place Like Home: Fiction of Scandinavian Women and the American Prairie. " Master's Thesis, University of Tennessee, 2012. https://trace.tennessee.edu/utk_gradthes/1144 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Rebecca Frances Crockett entitled "No Place Like Home: Fiction of Scandinavian Women and the American Prairie." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in English. Mary E. Papke, Major Professor We have read this thesis and recommend its acceptance: Charles Maland, William Hardwig Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) No Place Like Home: Fiction of Scandinavian Women and the American Prairie A Thesis Presented for The Master of Arts Degree The University of Tennessee, Knoxville Rebecca Frances Crockett May 2012 Copyright © 2012 by Rebecca Frances Crockett i Dedication This thesis is dedicated to my parents, Doug and Patricia Crockett, who taught me early the value of good books.