DOCSLIB.ORG

Festival Forty-Five & New West Drama Conference

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Festival Forty-Five & New West Drama Conference Festival Forty-Five & New West Drama Conference February 18-22, 2013 American River College Sacramento, California The Kennedy Center American College Theater Festival, part of the Rubenstein Arts Access Program, is generously funded by David and Alice Rubenstein. Additional support is provided by The Honorable Stuart Bernstein and Wilma E. Bernstein; Dr. Gerald and Paula McNichols Foundation; the National Committee for the Performing Arts; The Harold and Mimi Steinberg Charitable Trust; and Beatrice and Anthony Welters and the AnBryce Foundation. Gifts and grants to education at the Kennedy Center are provided by Adobe Foundation; Sandra K. & Clement C. Alpert; AnBryce Foundation; Bank of America; Bernstein Family Foundation; The Honorable Stuart Bernstein and Wilma E. Bernstein; Capital One Bank; Carter and Melissa Cafritz Charitable Trust; Centene Charitable Foundation; Citibank; The Charles Engelhard Foundation; Clark Charitable Foundation; Community Advisory Board; Mike and Julie Connors; CVS Caremark; DC Commission on the Arts and Humanities; Dr. Gerald and Paula McNichols Foundation; Fight for Children, Inc.; David Gregory and Beth Wilkinson; Harman Family Foundation; The Harold and Mimi Steinberg Charitable Trust; Harris Corporation; Hilton Worldwide; The J. Willard and Alice S. Marriott Foundation; The Jacob and Charlotte Lehrman Foundation; Mr. James V. Kimsey; The Kiplinger Foundation; The Kirstein Family Foundation; Natalie and Herb Kohler and Kohler Co.; Kenneth and Lucy Lehman; The Macy*s Foundation; Margaret A. Cargill Foundation; The Max and Victoria Dreyfus Foundation, Inc.; Jaylee M. Mead†; Linda and Tobia Mercuro; The Meredith Foundation; The Morningstar Foundation; The Morris and Gwendolyn Cafritz Foundation; The National Committee for the Performing Arts; National Endowment for the Arts; National Trustees of the National Symphony Orchestra; Newman's Own Foundation; Paul M. Angell Family Foundation; Park Foundation, Inc.; Mrs. Irene Pollin; President’s Advisory Committee on the Arts; Prince Charitable Trusts; Rose Mary Kennedy Education Fund; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Ryna and Melvin Cohen Family Foundation; Share Fund; Mr. and Mrs. Albert H. Small; Target; Thomas W. Haas Foundation; U.S. Department of Education; Volkswagen Group of America, Inc.; Sherry and Eddie Wachs; Washington Gas; Wells Fargo; Beatrice and Anthony Welters; William R. Kenan, Jr. Charitable Trust; generous contributors to the Abe Fortas Memorial Fund, and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. The College of Fine Arts at the University of Nevada, Las Vegas PLAYWRITING AND TRANSITION TO THE SCREEN June 10 – 14, 2013 Work with Professionals to become a Professional! An excellent practical environment for playwrights or faculty looking to strengthen their background to inform their curriculum, this seminar will be held on the UNLV campus - two sessions per day, including practical classes, panel discussions and a workshop component in which participants develop their plays as work for the screen. There will be “nuts-and-bolts” sessions ranging from a contemporary, professional, on-page formatting to elements of “the pitch” and how to conduct a story development meeting. Attention will be paid to how to protect and maintain the playwright’s “voice” and character as a transition to other media is considered. There will also be a workshop component that will consist of presenting pitches and scripts in a supportive small group or one-on-one environment with one or more of the event’s professionals. Instructors for this seminar are screenwriters, playwrights, and teachers all with deep experience in theatre arts, television and feature motion pictures. The seminar will be led by SEAN CLARK, an award-winning playwright whose screenwriting career includes the television series: Early Edition; Sliders; Sirens; Man of the People; Evening Shade; Northern Exposure; Coach and several series pilots, as well as the plays: Eleven-Zulu; Dog Explosion; and The Angeles Crest. He wrote the screenplay for the feature film, Lenin and Us, which was released in Europe in 2009. Sean is currently the head of UNLV Graduate Screenwriting and Writing for Dramatic Media. The cost of the seminar is $950 and includes on-campus private housing, courses and mentoring. LIMITED SEATING AVAILABLE! Contact either Sean Clark at 702-895-2442 or [email protected] Or Lori at 702-895-2455 or [email protected] THE WINNER OF NAPAT’S PLAYWRITING EXCELLENCE AWARD RECEIVES AN EXPENSE PAID TRIP TO THIS SEMINAR. EACH REGION WILL HAVE A PLAYWRIGHT ENTERED FOR CONSIDERATION. A very warm welcome to all students, faculty and guests to our Region 7 Festival here on the beautiful campus of American River College! Many thanks to the wonderful and committed faculty, staff, and student volunteers from ARC. An exciting week is ahead for all, as we gather to celebrate the work of our best and brightest collegiate theatre artists, and that of our peers. We’re so pleased you could make the trip and share in the celebration that is KCACTF and NWDC. We look forward to rekindling old friendships, meeting new colleagues, and acknowledging the accomplishments of both students and peers over the course of the past year. With an exciting array of workshops, guests from across the country, and a diverse schedule of invited and showcase productions, we’re sure there is something for everyone! I sincerely hope during this busy week you can find just a moment to congratulate a student, catch up with a colleague, engage in exciting discussion/debate, or simply revel in the theatrical community that is formed when we come together each year. As I complete my final year as Regional Chair, a sincere note of thanks is due to all of my partners in theatre that make up the regional executive committee. It’s been both a pleasure and an honor to serve with you. HAVE A WONDERFUL WEEK, DO GOOD WORK, AND ENJOY! Leigh Selting Chair, KCACTF Region 7 Professor and Chair Department of Theatre and Dance University of Wyoming Welcome to the 2013 New West Drama Conference (NWDC) and the KCACTF Region VII Festival here in Sacramento. We are excited to be a part of this Celebration of Theatre. A lot of hard work has gone into making this an exciting week of workshops, shows, exhibits, readings, auditions, competitions, and so much more. NWDC extends its gratitude to all who have had a hand in the creation of this wonderful celebration, especially our gracious hosts; the amazing students, faculty and administration of American River College and the Department of Theatre and Film. Make the best of your time here; meet students from around the region, introduce yourself to some of the fine teachers here, attend a workshop out of your area of focus, but most importantly enjoy and celebrate who we are and what we do. Sincerely, Patrick Dizney, President Ron Campbell, Vice President; Tammi Doyle, Outreach Director; Alicia Bickley, Treasurer, George Caldwell, editor of the Western States Theatre Review American River College Welcome to American River College where our vision is to be “a premier learning community that transforms and enriches people’s lives.” Serving around 35,000 students each semester, we are one of the largest community colleges in the country. With over 100 associate degrees and 150 certificates programs we are very comprehensive and serve well our six-county Sacramento Metropolitan Region. We are proud to host the 2013 Region VII Kennedy Center American College Theater Festival. We view the ARC performing arts programs as an integral part of our curriculum and of “transforming and enriching people’s lives” – our students’ and our communities’. We recognize our students enrolled in the performing arts are gaining skills, training, and education that will serve them for a lifetime, lead to success in their career pursuits, and help them engage as citizens in a diverse society. Our premier faculty and staff at American River College wish you the best in all your festival activities and know you will have an enriching and transforming experience over the next few days. Dr. David Viar President American River College On behalf of the faculty, staff, and students of the Fine and Applied Arts division, I extend you a warm welcome to American River College. We are honored and delighted to be hosting the 45th KCACTF Region VII Festival. With support from their neighboring colleagues in Art, Art New Media, Fashion, Hospitality Management, Interior Design, and Music, the Theatre department has worked diligently to facilitate an outstanding program of activities, workshops, and productions. Also, we greatly appreciate the support we have received from the college community at large. Encompassing venues from our remodeled theatre and music building to our brand new ARC Student Center, this year’s festival promises to reward your active participation and challenge your artistic pursuits. We are proud to share this exciting week with you and hope you enjoy your week in Sacramento. Dr. Adam Karp Dean, Fine and Applied Arts American River College 2012 Festival Productions Dog Sees God: Confessions of a Icarus Teenage Blockhead by Elise Forier-Edie and Kevin Salfen by Bert V. Royal directed by George Bellah directed by Michael Navarra Central Washington University Ohlone College Spring Awakening Welcome Home, Jenny Sutter music by Duncan Sheik, book and lyrics by by Julie Marie Myatt Steven Sater directed by Robert Caisley directed by Reid Davis University of Idaho Saint Mary's College of California 2012 Festival Alternate Productions Sweeney Todd: The Demon Barber of The Broken Fleet Street devised by Rhett Luedtke and The Company music and lyrics by Stephen Sondheim, directed by Rhett Luedtke libretto by Hugh Wheeler George Fox University directed by Nancy Silva American River College For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf by Ntozake Shange directed by Melinda Wilson Ramey California State University-Sacramento Tickets for Festival Productions will be available daily, each morning at the information counter.
Load more

Recommended publications
  • Programming and Award-Winning Work in the Community
    Welcome UPCOMING Dear Friends, We are just concluding one of the most active summers in Old Globe history. A CATERED AFFAIR Each of the plays in our Shakespeare Festival received critical acclaim and enthusiastic audience response. The classic comedies Hay Fever and Bell,Book and Candle and our Sept 20 - Oct 28, 2007 downtown launch of the national tour of Avenue Q, were all tremendously successful Old Globe Theatre and well received. Now we begin the Globe’s 2007/2008 season with a stirring world-premiere OOO musical, A Catered Affair, with a world class creative team which includes Tony-Award winners John Doyle and Harvey Fierstein and celebrated composer John Bucchino. DR. SEUSS’ We are also very privileged to bring to The Old Globe stage Broadway luminaries HOW THE GRINCH Faith Prince and Tom Wopat in this remarkable new work. On the Cassius Carter Centre Stage, Rosemary Harris, the legendary Tony and STOLE CHRISTMAS! Emmy Award-winner, Academy-Award nominee and popular icon for her role in the Nov 25 - Dec 30, 2007 Spiderman movies is starring in the American premiere of Eric Emmanuel Schmitt’s Old Globe Theatre Oscar and the Pink Lady. What an embarrassment of riches on our stages this fall! We recently unveiled detailed construction plans for the rejuvenation of our OOO Balboa Park campus. The plans are part of the Theatre’s $75 million capital and endowment campaign, which designates $22 million to support this important facili- IN THIS CORNER ties project. The centerpieces include the new Conrad Prebys Theatre Center, which encompasses the remaining Old Globe Theatre, a new second stage theatre complex, Jan 5 - Feb 10, 2008 and a new education center, as well as a complete redesign of the Globe’s Copley Plaza Cassius Carter Centre Stage and dining area.
    [Show full text]
  • Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where The
    Rhythm, Blues and Clues I V J X F Y R D L Y W D U N H Searchin Michael Presser, Executive Director A Q X R O C K F V K K P D O P Help the musical note find it’s home B L U E S B Y X X F S F G I A Presents… Y C L C N T K F L V V E A D R Y A K O A Z T V E I O D O A G E S W R R T H K J P U P T R O U S I D H S O N W G I I U G N Z E G V A Y V F F F U E N G O P T V N L O T S C G X U Q E H L T G H B E R H O J H D N L P N E C S U W Q B M D W S G Y M Z O B P M R O Y F D G S R W K O F D A X E J X L B M O W Z K B P I D R V X T C B Y W P K P F Y K R Q R E Q F V L T L S G ALBUM BLUES BROADWAY Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where the 630 Ninth Avenue, Suite 802 Our Mission: Music Inside Broadway is a professional New York City based children’s theatre New York, NY 10036 12 company committed to producing Broadway’s classic musicals in a Music Lives Telephone: 212-245-0710 contemporary light for young audiences.
    [Show full text]
  • Issue 2 2015|2016 SEASON
    2015|2016 SEASON Issue 2 TABLE OF Dear Friend, It has finally happened. It always CONTENTS seemed that Kiss Me, Kate was the perfect show for the Shakespeare 1 Title page Theatre Company to produce. It is Recipient of the 2012 Regional Theatre Tony Award® one of the wittiest musical comedies 3 Cast in the canon, featuring the finest Artistic Director Michael Kahn score Cole Porter ever wrote, Executive Director Chris Jennings 4 Director’s Word stuffed to the brim with songs romantic, hilarious, and sometimes both. It is also, not coincidentally, a landmark 8 Story, Musical Numbers adaptation of Shakespeare, a work that no less a critic than and Orchestra W.H. Auden considered greater than Shakespeare’s own The Taming of the Shrew. 9 Music Director’s Word All I can say to the multitudes who have suggested this show to me over the past 29 years is that we waited 13 About the Authors until the moment was right: until we knew we could do a production that could satisfy us, with a cast that could 14 The Taming of work wonders with this material. music and lyrics by Cole Porter the Screwball book by Samuel and Bella Spewack Also, of course, with the right director. He doesn’t need 18 It Takes Two any introduction, having directed two classic (and Performances begin November 17, 2015 classically influenced) musicals for us—2013–2014’s Opening Night November 23, 2015 (Times Two) award-winning staging of A Funny Thing Happened on the Sidney Harman Hall Way to the Forum and 2014–2015’s equally magnificent 24 Mapping the Play Man of La Mancha—but nonetheless I am very happy that STC Associate Artistic Director Alan Paul has agreed to Director Fight Director 26 Kiss Me, Kate and complete his trifecta with Kiss Me, Kate.
    [Show full text]
  • Downloaded by Michael Mitnick and Grace, Or the Art of Climbing by Lauren Feldman
    The Dream Continues: American New Play Development in the Twenty-First Century by Gregory Stuart Thorson B.A., University of Oregon, 2001 M.A., University of Colorado, 2008 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre This thesis entitled: The Dream Continues: American New Play Development in the Twenty-First Century written by Gregory Stuart Thorson has been approved by the Department of Theatre and Dance _____________________________________ Dr. Oliver Gerland ____________________________________ Dr. James Symons Date ____________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. IRB protocol # 12-0485 iii Abstract Thorson, Gregory Stuart (Ph.D. Department of Theatre) The Dream Continues: American New Play Development in the Twenty-First Century Thesis directed by Associate Professor Oliver Gerland New play development is an important component of contemporary American theatre. In this dissertation, I examined current models of new play development in the United States. Looking at Lincoln Center Theater and Signature Theatre, I considered major non-profit theatres that seek to create life-long connections to legendary playwrights. I studied new play development at a major regional theatre, Denver Center Theatre Company, and showed how the use of commissions contribute to its new play development program, the Colorado New Play Summit. I also examined a new model of play development that has arisen in recent years—the use of small black box theatres housed in large non-profit theatre institutions.
    [Show full text]
  • Brian Stokes Mitchell Feb 10 & 11 / 7:30 Pm
    BRIAN STOKES MITCHELL FEB 10 & 11 / 7:30 PM Brian Stokes Mitchell, vocals Tedd Firth, piano Theatre at The Broad Stage made possible in part by generous gifts from Laurie & Bill Benenson and Susan Stockel. Brian Stokes Mitchell at The Broad Stage made possible in part by a generous gift from Linda & Michael Keston. Tonight’s program will be announced from the stage. There will be no intermission. 4 FEB 2018 BIOS 6. His musical curiosity lead him to an interest in orchestration, arranging and Dubbed “the last leading man” by film scoring which he first started studying The New York Times, Tony® Award-winner on his own in his late teens. He later BRIAN STOKES MITCHELL has enjoyed a studied film scoring, orchestration and career that spans Broadway, television, conducting through UCLA and privately, film and concert appearances with and scored and conducted a number of the country’s finest conductors and Trapper John, MD episodes, a series on orchestras. He received Tony®, Drama which he was also a regular cast member. Desk and Outer Critics Circle awards His musical talent has extended to the for his star turn in Kiss Me, Kate. He also present day as producer, arranger and gave Tony®-nominated performances orchestrator on his own albums, including in Man of La Mancha, August Wilson’s his latest recording, Simply Broadway. King Hedley II and Ragtime. Other notable Simply Broadway is an album of classic Broadway shows include Kiss of the Spider Broadway tunes that have been musically Woman, Jelly’s Last Jam and Women on reimagined but still retain the spirit of the Verge of a Nervous Breakdown.
    [Show full text]
  • Baby, Million Dollar Quartet;
    MEDIA CONTACTS: Elizabeth Jakeway (305) 539-6127 [email protected] Tavia Robb (305) 539-6721 [email protected] CELEBRITY CRUISES PARTNERS WITH “54 BELOW” TO BRING BROADWAY’S BRIGHTEST STARS TO BERMUDA VACATIONS ON CELEBRITY SUMMIT MIAMI – May 2, 2013 – Upscale consumers eager to visit one of the nation's hottest new entertainment spots should pack their bags for a modern luxury cruise to Bermuda. That’s because Celebrity Cruises today announced an exclusive partnership with Manhattan’s noted “54 Below,” which will bring guests on Celebrity’s newly “Solsticized” Celebrity Summit the industry’s most comprehensive, direct-from-Broadway entertainment experience while sailing to the pink-sand paradise of Bermuda. 54 Below – ensconced in a cool, cozy cellar space beneath the legendary, disco-era “Studio 54” – has been dubbed “a throwback to the heyday of authentic New York nightlife,” and “the hot new stage attracting Broadway’s brightest stars.” Now, those stars will light up the stage of Celebrity Summit during its Bermuda vacation season from Cape Liberty (Bayonne), NJ, from this Sunday, May 5, through October 2013. "We are incredibly excited to partner with 54 Below, offering our guests a unique theatrical experience featuring world-class Broadway talent in cabaret style performances," said Celebrity's Director of Entertainment Eric Bohus. "This is another outstanding addition to the Celebrity entertainment lineup and perfectly complements our other new offerings announced this year, including late-night Las Vegas style
    [Show full text]
  • MEDIA KIT Print Publications & Digital Opportunities OVERVIEW
    2018 MEDIA KIT Print Publications & Digital Opportunities OVERVIEW About the EDUCATIONAL THEATRE ASSOCIATION The Educational Theatre Association is a national nonprofit organization with approximately 100,000 student and professional members. EdTA’s mission is shaping lives through theatre education by: honoring student achievement in theatre and enriching their theatre education experience; supporting teachers by providing professional development, networking opportunities, resources, and recognition; and influencing public opinion that theatre education is essential and builds life skills. EdTA is the home of the International Thespian Society, an honorary organization that has inducted more than 2.2 million theatre students since its founding in 1929. About the INTERNATIONAL THESPIAN SOCIETY The International Thespian Society is an honorary organization for high school and middle school theatre students located at more than 4,600 affiliated secondary schools across the U.S., Canada, and abroad. The mission of ITS is to honor student achievement in the theatre arts, and since its founding in 1929, more than 2.2 million students have been inducted as Thespians. High school inductees are known as “Thespians” and junior high/ middle school inductees are known as “Junior Thespians.” 2018 MEDIA KIT I 2 PUBLICATIONS Teaching Theatre is edited for working educators, college students pursuing an educational theatre degree, and teaching artists and provides advertisers with direct exposure to a niche market of highly involved consumers. Dramatics is the only magazine edited exclusively for students and teachers of high school theatre, offering a high TEACHING THEATRE READERSHIP quality editorial environment to advertisers who want to reach these readers. Based on a survey conducted in 2017 by Readex Research: • Teaching Theatre is shared with others.
    [Show full text]
  • BAM Presents Into the Woods Original Cast Reunion Discussion and Song Performances Will Take the Audience Deep Into the Creatio
    BAM Presents Into the Woods Original Cast Reunion Discussion and song performances will take the audience deep into the creation of an endearing Stephen Sondheim/James Lapine musical Into the Woods Original Cast Reunion With Stephen Sondheim, James Lapine, Bernadette Peters, Joanna Gleason, Chip Zien, Robert Westenberg, Kim Crosby, Danielle Ferland, and Ben Wright Tedd Firth, Music Director Moderated by Mo Rocca Reunion conceived and directed by Eileen Roberts BAM Howard Gilman Opera House (30 Lafayette Ave) Jun 21 at 2 & 7pm Tickets start at $35 Brooklyn, NY/May 27, 2015—Once upon a time, Stephen Sondheim and James Lapine wrote a musical called Into the Woods, based on a few well-known Grimm Brothers’’ fairy tales. It won three Tony Awards, ran 765 performances in its original Broadway run, spawned countless productions worldwide, a Broadway revival in 2002 (which won another Tony for best revival), a junior version for school performances, and a major Disney motion picture. Now 28 years later Sondheim and Lapine, with many of the original cast, reunite at BAM on June 21 for a discussion and performance of their extraordinary collaboration. The reunion will be part retrospective; part moderated panel with Sondheim, Lapine, and the cast; and part performance, with cast members performing songs from the show. It will delve into the genesis and creative process of its award-winning score and book, casting for the Broadway production, and the road that led to the New York premiere in 1987. In addition to hearing songs performed by their original interpreters, the audience will have the rare opportunity to witness a meeting of these Broadway legends, and to learn from the cast about their experiences with the production, how the success of Into the Woods affected them, and their work today.
    [Show full text]
  • THE QUEEN BEES 100% by Rob Urbinati 50%
    License Rider SHOW: The Queen Bees Credit Rider 1. You agree to bill the Play and the Author(s) and all other parties specified below in all programs, houseboards, displays, and in all advertising, and all paid publicity, specified below as follows: CREDIT SIZE TYPE THE QUEEN BEES 100% by Rob Urbinati 50% 2. You also agree to include the following on the title page of any program, separated by a line from other staff, as follows: Originally Produced by Queens Theatre, NY Executive Director, Taryn Sacramone and Vocal Arrangements and Orchestrations by Julianne B. Merrill and the following on all posters, fliers, and the title page of any program, separated by a line from other staff, as follows: Performance Rights for The Queen Bees are handled exclusively by Steele Spring Stage Rights, www.stagerights.com 3. In addition, the Author(s) biography (attached RIDER EXHIBIT “A”) must appear in all programs of the Play: The most recent version of the Author’s bio can be found on our website at www.stagerights.com or obtained by request from Stage Rights. 4. All music credits (attached RIDER EXHIBIT “B”) must be printed in the program. A digital version can be found on our website at www.stagerights.com or obtained by request from Stage Rights. 5. You must include the following warning in your program: "The videotaping or other video or audio recording of this production is strictly prohibited." 6. Logos: You may not use the copyrighted logo of the Play unless you pay Stage Rights the applicable fee prior to use.
    [Show full text]
  • Faith Prince Sag/ Aea/ Aftra
    FAITH PRINCE SAG/ AEA/ AFTRA TELEVISION SCREAM QUEENS Guest Star FOX MODERN FAMILY Recurring ABC CHICAGO JUSTICE Guest Star NBC MELISSA & JOEY Recurring ABC Family HAPPY ENDINGS Guest Star ABC A GIFTED MAN Guest Star CBS CSI Recurring CBS DROP DEAD DIVA Recurring LIFETIME UGLY BETTY Guest Star ABC GREY’S ANATOMY Guest Star ABC HUFF Series Regular SHOWTIME THE PTA Series Regular ABC SABRINA, THE TEENAGE WITCH Recurring ABC NOW AND AGAIN Recurring CBS SPIN CITY Recurring ABC A SEASON FOR MIRACLES Supporting Hallmark Hall of Fame/MOW FAITH Series Regular CBS Pilot ENCYCLOPEDIA Series Regular HBO FILM MATERIAL GIRLS Supporting MGM/Dir: Martha Coolidge OUR VERY OWN Supporting Miramax/Dir: Cameron Watson WHISPERS: AN ELEPHANT’S TALE Supporting Disney/Dir: Derreck Joubert IT HAD TO BE YOU Supporting HBO Films/Dir: Steve Feder th PICTURE PERFECT Supporting 20 Century Fox/Dir: Glenn Gordon Caron MY FATHER THE HERO Supporting Disney/Dir: Steve Miner DAVE Supporting Warner Bros./Dir: Ivan Reitman THE LAST DRAGON Supporting Sony/Dir: Michael Schulz THEATRE ANNIE The Palace Theatre DISASTER! THE MUSICAL Nederlander Theatre BILLY ELLIOT National Tour THE LITTLE MERMAID Lunt Fontanne Theatre A CATERED AFFAIR Walter Kerr Theatre 2008 Tony Award Nomination for Best Actress in a Musical UNUSUAL ACTS OF DEVOTION Philadelphia Theatre Company NOISES OFF Brooks Atkinson BELLS ARE RINGING Plymouth 2001 Tony Award Nomination for Best Actress in a Musical 2001 Outer Critics Nomination for Outstanding Actress in a Musical 2001 Drama Desk Nomination for Best Actress in a Musical JAMES JOYCE’S THE DEAD Belasco & Ahmanson Theatre LITTLE ME Roundabout Theatre THE KING AND I Neil Simon Theatre GUYS AND DOLLS Martin Beck Theatre 1992 Tony Award for Best Actress in a Musical 1992 Drama Desk Award for Best Actress in a Musical 1992 Outer Critics Circle Award for Outstanding Actress in a Musical NICK & NORA Marquis Theater 1992 Outer Critics Award for Outstanding Actress in a Musical Manager: Ronni Lynn Hart- Powerline Entertainment- (310) 472-7066- [email protected] .
    [Show full text]
  • BROADWAY WORLD Patrick Cassidy and Andrea Mcardle Sign on for HAMMERSTEIN in HOLLYWOOD Benefit at Bucks County Playhouse by BWW News Desk Apr
    http://www.broadwayworld.com/article/Patrick-Cassidy-and-Andrea-McArdle-Sign-on-for- HAMMERSTEIN-IN-HOLLYWOOD-Benefit-at-Bucks-County-Playhouse-20170404 BROADWAY WORLD Patrick Cassidy and Andrea McArdle Sign on for HAMMERSTEIN IN HOLLYWOOD Benefit at Bucks County Playhouse by BWW News Desk Apr. 4, 2017 Tweet Share Bucks County Playhouse's Executive Producer Robyn Goodman, Producing Bucks County Playhouse's Executive Producer Robyn Goodman, Producing Director Alexander Fraser and Producers Stephen Kocis and Joshua Fiedler announced additional casting for the Oscar Hammerstein Festival's Benefit concert, "Hammerstein in Hollywood," at Bucks County Playhouse on Saturday, April 22 at 8:00 pm. Patrick Cassidy, son of Playhouse honoree Shirley Jones, is now scheduled to perform in the concert and accept honors on behalf of Jones, who due to a recent injury is unable to attend. Tony nominee Andrea McArdle ("Annie") has also joined the cast. "Shirley Jones sadly cannot be with us due to a fracture," says Alexander Fraser. "She is recovering and will be back on her feet soon, but her doctor has advised her not to travel. We are thrilled that her son Patrick Cassidy can be with us to celebrate Oscar Hammerstein and Bucks County Playhouse, where his parents spent a fantastic summer of 1955. We also look forward to welcoming Andrea McArdle back to New Hope, where she last appeared on The Playhouse stage in 2014. While we are disappointed that Shirley cannot be with us, Patrick and Andrea are two enormously talented performers who certainly add extra star wattage to the already extraordinary cast assembled for this concert." "Hammerstein in Hollywood" is the highlight of Bucks County Playhouse's Third Oscar Hammerstein Festival, April 22-23.
    [Show full text]
  • 2011–2012 Season Directory Marquee Empower Our Mission Is to Promote the Power of Professional Theater for Young Audiences
    photo courtesy of Honolulu Theatre for Youth 2011–2012 season directory MARQUEE EMPOWER Our mission is to promote the power of professional theater for young audiences. (left) photo courtesy of Chicago Playworks (right) photo courtesy of Adventure Theatre INSPIRE We are dedicated to artistic, humanitarian and educational efforts. photo courtesy of CoterieTheatre CONNECT We strive for excellence, collaboration and innovation across cultural and international boundaries. (top left) photo courtesy of The Fulton Theatre (bottom left) photo courtesy of Oregon Children’s Theatre (right) photo courtesy of The Kennedy Center ORGANIZATIONAL LISTINGS 24thstreet theatre ...................................................................... 1 george street playhouse ...............................................................31 the north carolina theatre for young people ................................. 61 adventure stage chicago ...............................................................2 gifford family theatre ..................................................................32 northwest children’s theater & school ..........................................62 adventure theatre ........................................................................3 goodwill theatre inc ....................................................................33 oklahoma children’s theatre .........................................................63 the alliance theatre .....................................................................4 great tiver educational
    [Show full text]