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FAITH PRINCE SAG/ AEA/ AFTRA TELEVISION SCREAM QUEENS Guest Star FOX MODERN FAMILY Recurring ABC CHICAGO JUSTICE Guest Star NBC MELISSA & JOEY Recurring ABC Family HAPPY ENDINGS Guest Star ABC A GIFTED MAN Guest Star CBS CSI Recurring CBS DROP DEAD DIVA Recurring LIFETIME UGLY BETTY Guest Star ABC GREY’S ANATOMY Guest Star ABC HUFF Series Regular SHOWTIME THE PTA Series Regular ABC SABRINA, THE TEENAGE WITCH Recurring ABC NOW AND AGAIN Recurring CBS SPIN CITY Recurring ABC A SEASON FOR MIRACLES Supporting Hallmark Hall of Fame/MOW FAITH Series Regular CBS Pilot ENCYCLOPEDIA Series Regular HBO FILM MATERIAL GIRLS Supporting MGM/Dir: Martha Coolidge OUR VERY OWN Supporting Miramax/Dir: Cameron Watson WHISPERS: AN ELEPHANT’S TALE Supporting Disney/Dir: Derreck Joubert IT HAD TO BE YOU Supporting HBO Films/Dir: Steve Feder th PICTURE PERFECT Supporting 20 Century Fox/Dir: Glenn Gordon Caron MY FATHER THE HERO Supporting Disney/Dir: Steve Miner DAVE Supporting Warner Bros./Dir: Ivan Reitman THE LAST DRAGON Supporting Sony/Dir: Michael Schulz THEATRE ANNIE The Palace Theatre DISASTER! THE MUSICAL Nederlander Theatre BILLY ELLIOT National Tour THE LITTLE MERMAID Lunt Fontanne Theatre A CATERED AFFAIR Walter Kerr Theatre 2008 Tony Award Nomination for Best Actress in a Musical UNUSUAL ACTS OF DEVOTION Philadelphia Theatre Company NOISES OFF Brooks Atkinson BELLS ARE RINGING Plymouth 2001 Tony Award Nomination for Best Actress in a Musical 2001 Outer Critics Nomination for Outstanding Actress in a Musical 2001 Drama Desk Nomination for Best Actress in a Musical JAMES JOYCE’S THE DEAD Belasco & Ahmanson Theatre LITTLE ME Roundabout Theatre THE KING AND I Neil Simon Theatre GUYS AND DOLLS Martin Beck Theatre 1992 Tony Award for Best Actress in a Musical 1992 Drama Desk Award for Best Actress in a Musical 1992 Outer Critics Circle Award for Outstanding Actress in a Musical NICK & NORA Marquis Theater 1992 Outer Critics Award for Outstanding Actress in a Musical Manager: Ronni Lynn Hart- Powerline Entertainment- (310) 472-7066- [email protected] .

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Programming and Award-Winning Work in the Community
Welcome UPCOMING Dear Friends, We are just concluding one of the most active summers in Old Globe history. A CATERED AFFAIR Each of the plays in our Shakespeare Festival received critical acclaim and enthusiastic audience response. The classic comedies Hay Fever and Bell,Book and Candle and our Sept 20 - Oct 28, 2007 downtown launch of the national tour of Avenue Q, were all tremendously successful Old Globe Theatre and well received. Now we begin the Globe’s 2007/2008 season with a stirring world-premiere OOO musical, A Catered Affair, with a world class creative team which includes Tony-Award winners John Doyle and Harvey Fierstein and celebrated composer John Bucchino. DR. SEUSS’ We are also very privileged to bring to The Old Globe stage Broadway luminaries HOW THE GRINCH Faith Prince and Tom Wopat in this remarkable new work. On the Cassius Carter Centre Stage, Rosemary Harris, the legendary Tony and STOLE CHRISTMAS! Emmy Award-winner, Academy-Award nominee and popular icon for her role in the Nov 25 - Dec 30, 2007 Spiderman movies is starring in the American premiere of Eric Emmanuel Schmitt’s Old Globe Theatre Oscar and the Pink Lady. What an embarrassment of riches on our stages this fall! We recently unveiled detailed construction plans for the rejuvenation of our OOO Balboa Park campus. The plans are part of the Theatre’s $75 million capital and endowment campaign, which designates $22 million to support this important facili- IN THIS CORNER ties project. The centerpieces include the new Conrad Prebys Theatre Center, which encompasses the remaining Old Globe Theatre, a new second stage theatre complex, Jan 5 - Feb 10, 2008 and a new education center, as well as a complete redesign of the Globe’s Copley Plaza Cassius Carter Centre Stage and dining area.
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The Crucible, Walter Kerr Theatre, New York — Review Max Mcguinness
The Crucible, Walter Kerr Theatre, New York — review Max McGuinness I approached this production of The Crucible with some trepidation. Ivo van Hove, perhaps the most lauded theatre practitioner working today, directs the incomparable Saoirse Ronan in her stage debut alongside such seasoned luminaries as Ben Whishaw, Sophie Okonedo, Ciarán Hinds and Jim Norton. Philip Glass has written the music. This risks being a theatrical Agincourt, I thought. All that heavy cavalry will surely end up crashing into each other and getting bogged down in Arthur Miller’s dense and passionate play about the 1692-93 Salem witch trials. But van Hove has once again pulled off an inspired reimagining of a theatrical classic, which takes a little time to find its rhythm during the first scene, but then canters briskly along throughout the final two hours. That steady pacing reflects van Hove’s decision to treat the work like a diabolical police procedural. Accusations, interrogations and paperwork are what drive his Crucible towards its grim conclusion. As Deputy Governor Danforth, Hinds dominates the second half, delivering a flawless study of prosecutorial zeal in the service of fanaticism. Surreal flourishes, such as Tal Yarden’s bird-themed video sequences and a marauding wolf-like Tamaskan dog, keep witchery itself firmly in mind. Whishaw and Okonedo play the doomed John and Elizabeth Proctor with the right mixture of exasperation and defiance. As their nemesis Abigail Williams, Ronan adds a demonic edge to her usual effortless magnetism and is an entirely plausible conduit for mass hysteria. More impressive still is Tavi Gevinson’s interpretation of the wavering servant Mary Warren.
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An Analysis and Evaluation of the Acting Career Of
AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD APPROVED: Major Professor m Minor Professor Directororf? DepartmenDepa t of Speech and Drama Dean of the Graduate School AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By Jan Buttram Denton, Texas January, 1970 TABLE OF CONTENTS Chapter Page I. THE BEGINNING OF SUCCESS 1 II. ACTING, ACTORS AND THE THEATRE 15 III. THE ROLES SHE USUALLY SHOULD NOT HAVE ACCEPTED • 37 IV. SIX WITH MERIT 76 V. IN SUMMARY OF TALLULAH 103 APPENDIX 114 BIBLIOGRAPHY. 129 CHAPTER I THE BEGINNING OF SUCCESS Tallulah Bankhead's family tree was filled with ancestors who had served their country; but none, with the exception of Tallulah, had served in the theatre. Both her grandfather and her mother's grandfather were wealthy Alabamians. The common belief was that Tallulah received much of her acting talent from her father, but accounts of her mother1s younger days show proof that both of her parents were vivacious and talented. A stranger once told Tallulah, "Your mother was the most beautiful thing that ever lived. Many people have said you get your acting talent from your father, but I disagree. I was at school with Ada Eugenia and I knew Will well. Did you know that she could faint on 1 cue?11 Tallulahfs mother possessed grace and beauty and was quite flamboyant. She loved beautiful clothes and enjoyed creating a ruckus in her own Southern world.* Indeed, Tallulah inherited her mother's joy in turning social taboos upside down.
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Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where The
Rhythm, Blues and Clues I V J X F Y R D L Y W D U N H Searchin Michael Presser, Executive Director A Q X R O C K F V K K P D O P Help the musical note find it’s home B L U E S B Y X X F S F G I A Presents… Y C L C N T K F L V V E A D R Y A K O A Z T V E I O D O A G E S W R R T H K J P U P T R O U S I D H S O N W G I I U G N Z E G V A Y V F F F U E N G O P T V N L O T S C G X U Q E H L T G H B E R H O J H D N L P N E C S U W Q B M D W S G Y M Z O B P M R O Y F D G S R W K O F D A X E J X L B M O W Z K B P I D R V X T C B Y W P K P F Y K R Q R E Q F V L T L S G ALBUM BLUES BROADWAY Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where the 630 Ninth Avenue, Suite 802 Our Mission: Music Inside Broadway is a professional New York City based children’s theatre New York, NY 10036 12 company committed to producing Broadway’s classic musicals in a Music Lives Telephone: 212-245-0710 contemporary light for young audiences.
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Download Theatre
MICHAEL GOTTLIEB • LIGHTING DESIGN (917) 796-7775 [email protected] mgld.com Member, United Scenic Artists Local 829/NABET BROADWAY Lysistrata Jones Walter Kerr Theatre Dan Knechtges Orphans (Associate LD) Gerald Schoenfeld Theatre Pat Collins, LD A Tale of Two Cities (Associate LD) Al Hirschfeld Theatre Richard Pilbrow, LD OFF-BROADWAY The Sean O’Casey Cycle (3 plays in repertory) Irish Rep Directors: Neil Pepe, Ciaran O’Reilly, Charlotte Moore (selected credits) Bill Irwin: On Beckett Irish Rep Bill Irwin Woody Sez Irish Rep Nick Corley Afterplay Irish Rep Joe Dowling James Joyce’s The Dead, 1904 American Irish Historical Society Ciaran O’Reilly Shining City (with Matthew Broderick) Irish Rep Ciaran O’Reilly Major Barbara Pearl Theatre Co. David Staller Storyville York Theatre Bill Castellino Rated P for Parenthood Westside Theatre Upstairs Jeremy Dobrish Lysistrata Jones Transport Group Dan Knechtges Signs of Life Amas Musical Theatre Jeremy Dobrish The Master Builder (with James Naughton) Irish Rep Ciaran O’Reilly Spain MCC/Lucille Lortel Theatre Jeremy Dobrish Election Day Second Stage Jeremy Dobrish Complete Works of Wm. Shakespeare (Abridged) Century Center (Prod.: Jeffrey Richards) Jeremy Dobrish The Last Session 47th Street Theatre Jim Brochu The Impostor (A. Pendleton/C. Flockhart) Workhouse Theatre John Coles S. S. Glencairn - Four Plays of the Sea Willow Cabin Theatre Company Edward Berkeley REGIONAL/TOURS Bill Irwin: On Beckett Center Theater Group, Los Angeles Bill Irwin Ruggedly Jewish (with Bob Garfield) Philadelphia Theatre Company & Tour Michael Sexton U R Star A.R.T. Oberon, Ars Nova Kenny Finkle My Fair Lady 60th Anniversary (Assoc. LD) Sydney Opera House & Australian Tour Julie Andrews, Chris Gattelli The Great American Mousical (w/R.
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Thursday 17 January 2019 National Theatre: February
Thursday 17 January 2019 National Theatre: February – July 2019 Inua Ellams’ Barber Shop Chronicles will play at the Roundhouse, Camden for a limited run from July as part of a UK tour Gershwyn Eustache Jnr, Leah Harvey and Aisling Loftus lead the cast of Small Island, adapted by Helen Edmundson from Andrea Levy’s prize-winning novel, directed by Rufus Norris in the Olivier Theatre Justine Mitchell joins Roger Allam in Rutherford and Son by Githa Sowerby, directed by Polly Findlay Phoebe Fox takes the title role of ANNA in Ella Hickson and Ben and Max Ringham’s tense thriller directed by Natalie Abrahami Further casting released for Peter Gynt, directed by Jonathan Kent, written by David Hare, after Henrik Ibsen War Horse will return to London as part of the 2019 UK and international tour, playing at a new venue, Troubadour Wembley Park Theatre, for a limited run in October Olivier Theatre SMALL ISLAND adapted by Helen Edmundson based on the novel by Andrea Levy Previews from 17 April, press night 1 May, in repertoire until 10 August Andrea Levy’s epic, Orange Prize-winning novel bursts into new life on the Olivier Stage. A cast of 40 tell a story which journeys from Jamaica to Britain through the Second World War to 1948, the year the HMT Empire Windrush docked at Tilbury. Adapted for the stage by Helen Edmundson Small Island follows the intricately connected stories of two couples. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots.
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Broadway Rush, Lottery, and Standing Room Only Policies | Playbill
10/4/2019 Broadway Rush, Lottery, and Standing Room Only Policies | Playbill INSIDER INFO Broadway Rush, Lottery, and Standing Room Only Policies BY RUTHIE FIERBERG, NATAN ZAMANSKY Playbill’s complete round-up of the latest Broadway rush, lottery, standing-room-only (SRO), and student ticket policies. Anyone willing to wake up and get to the bo��, spend some time in a line, or stand during the show, can get greatly discounted tickets to the majority of shows on Broadway. Or if none of those appeal, several Broadway shows now offer digital or online lottery options. www.playbill.com/article/broadway-rush-lottery-and-standing-room-only-policies-com-116003 1/22 10/4/2019 Broadway Rush, Lottery, and Standing Room Only Policies | Playbill The idea of a rush for affordable tickets all started with Rent, which, at the peak of its popularity, sold all seats in ��ows of the orchestra for $20 to whomever would get to the box ofce in time on the day of the performance. (Read more about the history of the Broadway rush line here.) Playbill ClubSEATS is the monthly Broadway Ticket Giveaway brought to you by Playbill Discount Club. Click here for more information. Find a full listing of rush, lottery, standing room, and student and young professional discounts below: CLICK HERE FOR OUR OFF-BROADWAY RUSH, LOTTERY, STANDING ROOM, AND INEXPENSIVE TICKET POLICIES AIN'T TOO PROUD-THE LIFE AND TIMES OF THE TEMPTATIONS (Imperial Theatre- 249 W.45th St., betw 7th and 8th aves.) Digital Lottery Price: $42 How: ainttooproudlottery.com Time: Lottery opens at 12 AM on the day of the performance.
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Issue 2 2015|2016 SEASON
2015|2016 SEASON Issue 2 TABLE OF Dear Friend, It has finally happened. It always CONTENTS seemed that Kiss Me, Kate was the perfect show for the Shakespeare 1 Title page Theatre Company to produce. It is Recipient of the 2012 Regional Theatre Tony Award® one of the wittiest musical comedies 3 Cast in the canon, featuring the finest Artistic Director Michael Kahn score Cole Porter ever wrote, Executive Director Chris Jennings 4 Director’s Word stuffed to the brim with songs romantic, hilarious, and sometimes both. It is also, not coincidentally, a landmark 8 Story, Musical Numbers adaptation of Shakespeare, a work that no less a critic than and Orchestra W.H. Auden considered greater than Shakespeare’s own The Taming of the Shrew. 9 Music Director’s Word All I can say to the multitudes who have suggested this show to me over the past 29 years is that we waited 13 About the Authors until the moment was right: until we knew we could do a production that could satisfy us, with a cast that could 14 The Taming of work wonders with this material. music and lyrics by Cole Porter the Screwball book by Samuel and Bella Spewack Also, of course, with the right director. He doesn’t need 18 It Takes Two any introduction, having directed two classic (and Performances begin November 17, 2015 classically influenced) musicals for us—2013–2014’s Opening Night November 23, 2015 (Times Two) award-winning staging of A Funny Thing Happened on the Sidney Harman Hall Way to the Forum and 2014–2015’s equally magnificent 24 Mapping the Play Man of La Mancha—but nonetheless I am very happy that STC Associate Artistic Director Alan Paul has agreed to Director Fight Director 26 Kiss Me, Kate and complete his trifecta with Kiss Me, Kate.
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Broadway Theaters
Name Owner Capacity Address City State Al Hirschfeld Theatre Jujamcyn Theaters 1,424 302 W. 45th Street New York NY Ambassador Theatre Shubert Organization 1,125 219 W. 49th Street New York NY American Airlines Theatre Roundabout Theatre Company 740 227 W. 42nd Street New York NY August Wilson Theatre Jujamcyn Theaters 1,228 245 W. 52nd Street New York NY Belasco Theatre Shubert Organization 1,018 111 W. 44th Street New York NY Bernard B. Jacobs Theatre Shubert Organization 1,078 242 W. 45th Street New York NY Booth Theatre Theatre Shubert Organization 766 222 W. 45th Street New York NY Broadhurst Theatre Shubert Organization 1,186 235 W. 44th Street New York NY Broadway Theatre Shubert Organization 1,761 Broadway at 53rd Street New York NY Brooks Atkinson Theatre Nederlander Organization 1,094 256 W. 47th Street New York NY Circle in the Square Theatre Independent 840 1633 Broadway New York NY Cort Theatre Shubert Organization 1,048 138 W. 48th Street New York NY Ethel Barrymore Theatre Shubert Organization 1,096 243 W. 47th Street New York NY Eugene O'Neill Theatre Jujamcyn Theaters 1,066 230 W. 49th Street New York NY Gerald Schoenfeld Theatre Shubert Organization 1,079 236 W. 45th Street New York NY Gershwin Theatre Nederlander Organization 1,933 222 W. 51st Street New York NY Helen Hayes Theatre Second Stage Theatre 597 240 W. 44th Street New York NY Imperial Theatre Shubert Organization 1,433 249 W. 45th Street New York NY John Golden Theatre Shubert Organization 805 252 W. 45th Street New York NY Longacre Theatre Shubert Organization 1,091 220 W.
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Download Alex's Resume
[email protected] alexmannix.com Lighting Designer 610-864-0729 Selected Design Director/Choreographer Venue Year Once Mark Cuddy Geva Theatre, Wilson Stage 2020 The Carnival of the Animals Princeton University Ballet Hearst Dance Theater 2019 She Loves Me David Kellett Matthews Acting Studio 2019 DiSiac 2.0 DiSiac Dance Company Berlind Theater 2018 Venus & Adonis/All Wound Bleed Marie Zvosec Brooklyn Music School 2018 Chroma DiSiac Dance Company Berlind Theater 2017 Eclipsed Shariffa Ali Berlind Theater 2017 The Crucible Nico Krell Princeton Summer Theater 2017 Pippin Sam Weisberg Princeton Summer Theater 2017 The Fortress of Solitude Daniel Aukin NYU Graduate Acting 2017 The Cooperatives Tatiana Pandiani Teatro Latea, NYC Fringe 2016 Assassins Tatiana Pandiani Princeton Summer Theater 2016 Tartuffe Shona Tucker NYU Graduate Acting 2016 Blake Anemone Orlando Pabatoy NYU Graduate Acting 2016 The Life of Bertolt Brecht Rory McGregor Columbia Stages 2015 Pygmalion R.N. Sandberg Princeton Summer Theater 2015 Metamorphoses Maeli Goren Princeton Summer Theater 2015 TMT Lab: Yiddish Version Yuri Skujins The Secret Theatre 2014 Duct Tape & A Dream Festival Molly Ballerstein Shetler Studios 2014 Time Stands Still Emma Watt Princeton Summer Theater 2013 The 39 Steps Jeff Kuperman Princeton Summer Theater 2013 Crimes of the Heart Daniel Rattner Princeton Summer Theater 2013 Gaslight R.N. Sandberg Princeton Summer Theater 2012 A Little Night Music Adam Immerwahr Princeton Summer Theater 2012 Eugene Onegin Tim Vasen Princeton University 2012 Selected Assistant Design Flying Over Sunset Des. Bradley King LCT Vivian Beaumont Theatre 2020 Tina! The Tina Turner Musical Des. Bruno Poet Lunt-Fontanne Theatre 2019 Hadestown Des.
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London Ew N The
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Brian Stokes Mitchell Feb 10 & 11 / 7:30 Pm
BRIAN STOKES MITCHELL FEB 10 & 11 / 7:30 PM Brian Stokes Mitchell, vocals Tedd Firth, piano Theatre at The Broad Stage made possible in part by generous gifts from Laurie & Bill Benenson and Susan Stockel. Brian Stokes Mitchell at The Broad Stage made possible in part by a generous gift from Linda & Michael Keston. Tonight’s program will be announced from the stage. There will be no intermission. 4 FEB 2018 BIOS 6. His musical curiosity lead him to an interest in orchestration, arranging and Dubbed “the last leading man” by film scoring which he first started studying The New York Times, Tony® Award-winner on his own in his late teens. He later BRIAN STOKES MITCHELL has enjoyed a studied film scoring, orchestration and career that spans Broadway, television, conducting through UCLA and privately, film and concert appearances with and scored and conducted a number of the country’s finest conductors and Trapper John, MD episodes, a series on orchestras. He received Tony®, Drama which he was also a regular cast member. Desk and Outer Critics Circle awards His musical talent has extended to the for his star turn in Kiss Me, Kate. He also present day as producer, arranger and gave Tony®-nominated performances orchestrator on his own albums, including in Man of La Mancha, August Wilson’s his latest recording, Simply Broadway. King Hedley II and Ragtime. Other notable Simply Broadway is an album of classic Broadway shows include Kiss of the Spider Broadway tunes that have been musically Woman, Jelly’s Last Jam and Women on reimagined but still retain the spirit of the Verge of a Nervous Breakdown.
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