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HISTORY of the BOOK Chapter 5. the Invention and Spread of Printing
HISTORY of the BOOK Chapter 5. The Invention and Spread of Printing Blocks, type, paper, and markets, contact Impressions of wood blocks on cloth, or metal stamping in clay, wax, and leather, existed long before the idea of movable type was realized in Mainz. As we have seen, scrolls, tablets, and the bound codex book were all fully developed by the 15th century, and the range of materials pressed into use for writing included palm leaves, bark, walls, and skin in addition to vellum, parchment, papyrus, clay and paper. Of these, paper was the last to be invented, and until the creation of synthetic materials in recent centuries and digital modes of display, paper remained the most important and ubiquitous substrate for written language. And though the use of seals and stamps can be traced almost into prehistory, the idea of printing multiple copies of a text for purposes of distribution to a literate audience is more recent. The first printing for texts was most likely invented in China, with Chinese characters cut in the faces of individual wooden blocks, or whole texts cut in a single block.1 But the innovations brought to this art by Johann Gutenberg in the middle of the 15th century changed the scale and scope of printing.2 Not only was movable type a radical improvement in achieving efficiency for reproduction of multiple copies of a text, but the rationalization of labor that was embedded in this innovative shift created a model that would inform practices well into the industrial revolution hundreds of years later.3 Literacy, already on the rise in the late Middle Ages in Europe, and integral to certain communities in Asia, the Indian Subcontinent, and Northern Africa, would be fostered by increased availability of printed texts.4 Controversies would arise as debates about access to religious texts, in particular, would split along fault lines of belief. -
Gazette of the Grolier Club
GAZETTE OF THE GROLIER CLUB Number 4—N ovember, 1922 CONTENTS Honorary Membership.—A Bequest to the Club.— The House.—The Blake Bibliography.—Publication Com- mittee Notes.—The Library.—Exhibitions.—Machiavelli on Books. —Adam von Bartsch. —Early Printed Books, Part 11. —A Bibliographical Study of Robert Browning’s'Paracelsus, Part I. Honorary Membership. -At the October meeting of the Council, Geoffrey Keynes, author of the “Bibliog- raphy of William Blake,” lately published by the Grolier Club, was elected an Honorary Foreign Cor- responding member of the Club. A Bequest to the Club. -One of the chief interests of the late Hamilton B. Tompkins was the collection of prints suitable for extra-illustrating “Franklin in France” by Edward E. Hale and Edward E. Hale, Jr. 74 In his will he bequeathed the work, which he had en- larged to six volumes, to the Club, together with a sum of money for binding it suitably. The books have recently arrived and, as soon as they have been bound, will be on exhibition in the Library. They will be greatly valued, not only as an important possession, but as a token of the donor’s regard and thought for the Club. Mr. Tompkins had been a member since 1887. The House. Beyond a rearrangement of the Books in the Library and Print Room, the replacing of the descriptive labels for the Club’s collection of Bindings and the usual cleaning, there have been other im- provements during the summer. The walls and ceil- ings of the Club Room have been thoroughly cleaned and the ceilings of the Hall and Librarian’s room have been recalcimined. -
52Nd California International Antiquarian Book Fair List
52nd California International Antiquarian Book Fair List February 8 thru 10, 2019 John Howell for Books John Howell, member ABAA, ILAB, IOBA 5205 ½ Village Green, Los Angeles, CA 90016-5207 310 367-9720 www.johnhowellforbooks.com [email protected] THE FINE PRINT: All items offered subject to prior sale. Call or e-mail to reserve, or visit us at www.johnhowellforbooks.com, where all the items offered here are available for purchase by Credit Card or PayPal. Checks payable to John Howell for Books. Paypal payments to: [email protected]. All items are guaranteed as described. Items may be returned within 10 days of receipt for any reason with prior notice to me. Prices quoted are in US Dollars. California residents will be charged applicable sales taxes. We request prepayment by new customers. Institutional requirements can be accommodated. Inquire for trade courtesies. Shipping and handling additional. All items shipped via insured USPS Mail. Expedited shipping available upon request at cost. Standard domestic shipping is $ 5.00 for a typical octavo volume; additional items $ 2.00 each. Large or heavy items may require additional postage. We actively solicit offers of books to purchase, including estates, collections and consignments. Please inquire. This list prepared for the 52nd California International Antiquarian Book Fair, coming up the weekend of February 4 thru 11, 2019 in Oakland, California, contains 36 items including fine press material, leaf books, typography, and California history. Look for me in Booth 914, for more interesting material. John Howell for Books !3 1 [Ashendene Press] ASSISI, Francesco di (1181-1226). I Fioretti del Glorioso Poverello di Cristo S. -
Greek Type Design Introduction
A primer on Greek type design by Gerry Leonidas T the 1997 ATypI Conference at Reading I gave a talk Awith the title ‘Typography & the Greek language: designing typefaces in a cultural context.’ The inspiration for that talk was a discussion with Christopher Burke on designing typefaces for a script one is not linguistically familiar with. My position was that knowledge and use of a language is not a prerequisite for understanding the script to a very high, if not conclusive, degree. In other words, although a ‘typographically attuned’ native user should test a design in real circumstances, any designer could, with the right preparation and monitoring, produce competent typefaces. This position was based on my understanding of the decisions a designer must make in designing a Greek typeface. I should add that this argument had two weak points: one, it was based on a small amount of personal experience in type design and a lot of intuition, rather than research; and, two, it was quite possible that, as a Greek, I was making the ‘right’ choices by default. Since 1997, my own work proved me right on the first point, and that of other designers – both Greeks and non- Greeks – on the second. The last few years saw multilingual typography literally explode. An obvious arena was the broader European region: the Amsterdam Treaty of 1997 which, at the same time as bringing the European Union closer to integration on a number of fields, marked a heightening of awareness in cultural characteristics, down to an explicit statement of support for dialects and local script variations. -
SOKOL BOOKS LTD • LIST for the NEW YORK ANTIQUARIAN BOOK FAIR 3Rd - 6Th APRIL 2014 BOOTH NUMBER: A14
SOKOL BOOKS LTD • LIST FOR THE NEW YORK ANTIQUARIAN BOOK FAIR 3rd - 6th APRIL 2014 BOOTH NUMBER: A14 Park Avenue Armory, 643 Park Avenue, New York, NY 10065 Email: [email protected] Website: www.sokol.co.uk FAIR OPENING TIMES: Preview: Thursday 3rd April • 5-9pm Friday 4th April • 12pm - 8pm Saturday, 5th April • 12pm - 7pm Sunday, 6th April • 12pm - 5pm And do visit our shop in Chelsea at: 239A Fulham Road London SW3 6HY ... where we offer both our customary early books and a wider antiquarian stock. Opening times: Tuesday - Saturday, 11am - 7pm. Office telephone number: 0207 499 5571 Shop telephone number: 0207 351 5119 We wish to purchase English and European books & manuscripts before 1640, later collections (large or small) and interesting or unusual maps, prints, pictures and artefacts. AUTHOR TITLE PLACE PUBLISHER DATE STOCK_ PRICE HEADER NO ACCOLTI, Pietro Lo Inganno de gl'Occhi Florence Pietro Cecconcelli 1625 L822 $25,000.00 17thC SPANISH CRIMSON MOROCCO GILT. AESOP Vita & Fabulae… Venice Apud Aldum 1505 L1283 $100,000.00 AESOP Aesopus moralistus n.pl., n.pr. [Johannes 1497 L1731 $16,000.00 WITH EXTENSIVE INTERLINEAR [Augsburg] Schönsperger] COMMENTARY AGRICOLA, De re metallica libri XII. Basel Hieronymus Froben 1561 L1730 $21,000.00 IN USE AFTER 400 YEARS Georgius ALESSIO The secretes of the reuerend Maister London London, by Ronland Hall, for 1562 L1633 $10,000.00 RARE AND VALUABLE Piemontese. Alexis of Piemont. Nycolas England COLLECTION [RUSCELLI Girolamo] ALPINI, Prospero De medicina Aegyptiorum Venice Francesco de Franceschi 1591 L888 $8,500.00 ONE OF THE EARLIEST EUROPEAN STUDIES OF NON- WESTERN MEDICINE ALVERNUS, De fide De legibus [Augsburg] [Günther Zainer] 1475 L1342 $23,000.00 ESOTERICA, SEX & DEMONS Guillelmus [ANONYMOUS] CLOSET for Ladies and London Printed by John Hauiland 1627 L1415 $8,000.00 UNUSUALLY WELL PRESERVED Gentlevvomen. -
Haarlem Zegeviert
Haarlem zegeviert de Costerfeesten van 1823 en 1856 in lokaal perspectief Carolien Boender s0839213 RM-thesis Eerste lezer: prof. dr. Henk te Velde Tweede lezer: Anne Petterson MA 23-01-2014 Vraag: Bestaan er meerdere Sinterklazen? Antwoord: Er bestaat slechts één Sinterklaas, doch in meerdere personen. Godfried Bomans, ‘Kleine catechismus van St. Nicolaas’, in: Kopstukken, 129. If history has any meaning or value, as we must assume it does, given our tendency to reach back into the past (or what we assume to have been the past) to account for present problems, then it matters to get it right, insofar as we can. Marylinne Robinson, The death of Adam, 11. 2 Inhoud Inleiding ................................................................................................................................................... 4 Definities van de natie en de regio ...................................................................................................... 4 De natie versus de regio ...................................................................................................................... 6 Initiatiefnemers ................................................................................................................................... 8 Literatuur over Nederland ................................................................................................................... 9 De Costerfeesten in de geschiedschrijving ........................................................................................ 11 H 1 Organistoren -
Finding Aid to the Grabhorn Letterpress Printing Ephemera Collection
Finding Aid to the Grabhorn Letterpress Printing Ephemera Collection Finding Aid by: Samantha Cairo-Toby Finding Aid date: November 2018 Book Arts & Special Collections San Francisco Public Library 100 Larkin Street San Francisco 94102 (415)557-4560 [email protected] Summary Information: Repository: Book Arts & Special Collections Creator: Grabhorn, Robert Title: Finding Aid for the Grabhorn Letterpress Printing Ephemera Colletion Finding Aid Filing Title: Grabhorn Letterpress Printing Ephemera Collection ID: BASC 1 Date [inclusive]: 950 CE-2018 (bulk 1890-2018) Physical Description: 230.4 linear feet (300 boxes) Physical Location: Collection is stored on site. Language of Material: Collection materials are primarily in English, but includes French, German, Dutch, Italian, Latin, Welsh, Russian, Greek, Spanish, and Chinese. Abstract: The collection contains ephemeral materials printed with metal or wood type using a letterpress. Ephemeral materials include: prospectuses, notices, fliers, postcards, broadsides, bookmarks, chapbooks, pamphlets and small books/accordion fold books. The collection dates range from 950 CE (China) to present, with the bulk of the collection ranging from 1890 CE to present. Additions to the Collection are ongoing. The earliest printed materials in the collection come from China and Europe, but the bulk of the collection is from California and the United States of America printed in the 20th century. Preferred Citation: [Identification of item/Title of folder], Grabhorn Letterpress Printing Ephemera Collection (BASC 1), Book Arts & Special Collections, San Francisco Public Library. Custodial History: Ephemera has been part of Book Arts & Special Collections since 1925 when William Randolph Young, a library trustee, was instrumental in establishing the Max Kuhl Collection of rare books and manuscripts, after the destruction of the Library’s collection in the 1906 earthquake and fire. -
Continental Books
CONTINENTAL BOOKS CATA LOGU E 1448 MAGGS BROS LTD 1 continental books & manuscriPts MAGGS BROS ltd 2 1 ALBERTUS MAGNUS, ST De laudibus beatae virginis Mariae. [Cologne, Ulrich Zell, not after 1473]. Folio (274 x 200mm) 165 leaves (of 166, lacking final Sacramentum mundi, ed Karl Rahner, 1975, p 903.) blank). Gothic type, 36 lines, double column. 2-4 line Only relatively recently has Albertus Magnus’ Maggs Bros Ltd, 50 Berkeley Square, London W1J 5BA initial spaces, alternating spaces filled in red, red authorship been challenged, see A Fries, Die unter Tel 020 7493 7160 paragraph marks, underlining and capital strokes. Single dem Namen des Albertus Magnus überlieferten Fax 020 7499 2007 pinhole visible in the lower margins. Early 19th-century mariologischen Schriften (1954) pp5-80, 130-131, Email [email protected] ochre paper boards, red spine label lettered in gilt, red and A Kolping, in Recherches de théologie ancienne Opening hours Monday to Friday 9.30am–5pm edges (spine darkened, a little soiled and marked). £15,000 et médiévale 25 (1958) pp 285-328 (Sack Freiburg). By 1473, it was rare for a pinhole to still be Bank account Allied Irish (GB), 10 Berkeley Square, London FIRST EDITION. A fine wide-margined copy with visible in the lower inner margin as found here. In W1J 6AA deep impressions of the types on remarkably 1466 and 1467 all of Zell’s books had four Sort code 23-83-97 fresh paper, printed by the prototypographer of pinholes on each page but this was soon reduced Account no 47777070 Cologne, Ulrich Zell. -
The Methods and Business of Petrucci Vs. Attaingnant
Musical Offerings Volume 7 Number 2 Fall 2016 Article 2 9-2016 Casting the Bigger Shadow: The Methods and Business of Petrucci vs. Attaingnant Sean A. Kisch Cedarville University, [email protected] Follow this and additional works at: https://digitalcommons.cedarville.edu/musicalofferings Part of the Book and Paper Commons, Fine Arts Commons, Musicology Commons, Printmaking Commons, and the Publishing Commons DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The authors are solely responsible for the content of their work. Please address questions to [email protected]. Recommended Citation Kisch, Sean A. (2016) "Casting the Bigger Shadow: The Methods and Business of Petrucci vs. Attaingnant," Musical Offerings: Vol. 7 : No. 2 , Article 2. DOI: 10.15385/jmo.2016.7.2.2 Available at: https://digitalcommons.cedarville.edu/musicalofferings/vol7/iss2/2 Casting the Bigger Shadow: The Methods and Business of Petrucci vs. Attaingnant Document Type Article Abstract The music printing of Ottaviano Petrucci has been largely regarded by historians to be the most elegant and advanced form of music publishing in the Renaissance, while printers such as Pierre Attaingnant are only given an obligatory nod. Through historical research and a study of primary sources such as line-cut facsimiles, I sought to answer the question, how did the triple impression and single impression methods of printing develop, and is one superior to the other? While Petrucci’s triple impression method produced cleaner and more connected staves, a significant number of problems resulted, including pitch accuracy and cost efficiency. -
Mise En Page 1
1 3 Précieuse et rarissime édition originale incunable de six sermons de Saint-Augustin imprimée vers 1469-1470 par Ulrich Zell, premier imprimeur de Cologne. 1 AUGUSTINUS AURELIUS HIPPONENSIS (354-430). D E FUGA MULIERUM . D E CONTINENTIA . DE CONTEMPTU MUNDI . E PISTOLA AD PAULINUM PRESBYTERUM . S ERMO DE VITA ET MORIBUS CLERICORUM . SERMO SECUNDUS DE VITA ET MORIBUS CLERICORUM . Cologne, Ulrich Zell, c. 1469-1470. In-4 de (24) ff. ; complet, minimes restaurations de papier sans atteinte au texte à l’angle supérieur de huit feuillets, rubriqué en rouge. Vélin ivoire moderne. 210 x 150 mm. ÉDITION ORIGINALE RARISSIME DE SIX SERMONS DE SAINT -A UGUSTIN IMPRIMÉE PAR ULRICH ZELL VERS 1469-1470. ISTC, Ia01279000 ; GW, 2955 ; Hain HC, 1962 ; Goff, A-1279 ; Pellechet, 1470 ; Proctor, 861 & BSB-Ink C-32 ; CIBN A-733 ; IGI, VI 1000-A ; Oates, 358-9 ; Sheppard, 647-8 ; Rosenthal, 6144 ; Voulliéme, Köln, 212. Plusieurs des sermons de Saint-Augustin comptent parmi les plus belles exégèses que possède l’Eglise. Saint Augustin est des Pères de l’Eglise celui autour duquel le monde chrétien a le plus âprement disputé : catholiques et protestants, jansénistes et jésuites se sont également abrités derrière son autorité pour faire triompher leurs doctrines. L’humanité est aux yeux de saint Augustin si radicalement enfoncée dans le péché que sa nature lui interdit toute aspiration vers le bien. Le salut ne peut donc être que l'œuvre de Dieu seul. (Michèle Federico Sciacca). Ulrich Zell apprend la technique de la typographie à Mayence dans l’atelier de Peter Schoeffer et Johann Fust, et doit sans doute quitter la ville comme beaucoup d’autres imprimeurs, après le sac de la ville, dans la nuit du 28 octobre 1462, par les troupes de l’archevêque Adolphe de Nassau. -
Declaration of Independence Font
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A Journal Dedicated to Typography & Graphic Design
ISSUE Nº-3 2020 A journal dedicated to typography & graphic design 2 3 I cannot claim to be the most beautiful, for me that is not the 03 idea. To live in this world and be myself, truly be myself… that is what I want. Welcome to the third issue of TypeNotes, Fontsmith’s magazine dedicated to typography and graphic design. In this special issue we have advice on creative block (we all get it) from five brilliant creatives; a collection of 1960s and 70s beer mats; typography in art; a guide to type styles; a big typographic night out; we go behind the scenes at St Bride Library, the British Film Institute archives and the fascinating bespoke print shop Perrott Press, and much, much more. ♠ The Fontsmith studio has been busy making new fonts and developments in the world of type design this year . ♣ Issue three of TypeNotes has been a while in the making but well worth the wait we know you’ll agree. ❦ Thanks as always to our brilliant editor Emily Gosling, designers Counter Studio and our contributors from [↓] around the world. Meet two brand new fonts from Font- smith: FS Split Serif FS Split Sans Available in Roman & Italic Bold + Regular + Light See more at fontsmith.com Jason Smith → Founder, Fontsmith 4 CONTENTS COLOPHON 5 4 One billboard in Powderhorn, Erik Brandt’s garage gallery goes global Typefaces used throughout Contributors Published by Fontsmith by Fontsmith Minneapolis Chris Bolton, designer and founder, Pulp Culture Creative director Jason Smith 8 The arty type Kern-ceptual — from Ed Ruscha to Tracey Emin, Body copy: FS